April 2018 Review Round Up

Happy May! Here’s what I listened to in April. And, as a heads up, it was a pretty fantastic month.

To start of with, you have Panopticon’s latest album. It’s hard to imagine a blackened folk album being this good. And, as much as I like Panopticon, I didn’t expect it from them.

But the real winner this month was death metal. Every release is a highlight, but each in a different way. Couldn’t believe my luck.

I saw Revocation again last month too. Holy crap. Just holy crap. I’ve seen them three times and each time they have blown the stage away. See them if you get the chance.

Aa usual, you can hit me up on Facebook. If you share the blog, do me favour and tag the page. I love to know this sort of stuff.

Album of the Month

Panopticon – The Scars of Man on the Once Nameless Wilderness (I and II)
(Blackened Folk Metal – United States of America)
Bindrune/Nordvis – 2018/04/08

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This double album, half their signature blackgrass sound; half true folk, is hands down the best thing Panopticon have ever produced. The blend of oddly uplifting, empowering black metal and bleak, soulful folk allows the band to truly explore the full breadth of their talent. It goes places I didn’t think they could reach. Absolutely astounding.

The Rest on Alphabetical Order
Alucinari – Alucinari
(Deathviolence – United States of America)
Night Animal Records – 2018/04/05

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Whew, this is some aggressive stuff. The combination of death metal’s pummelling relentlessness with the bombastic hyperactivity of powerviolence creates one hell of an assault on the ears. It blasts through at an energy level that makes you worry about them burning up. This complete disregard for sonic welfare is a pretty glorious thing to behold.

Deadly Carnage – Through the Void, Above the Suns
(Blackened Doom Metal – Italy)
Aeternitas Tenebrarum Musicae Fundamentum – 2018/03/30

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Track 1 is a pretty stock intro. Track 2 is painfully beige. It beiges to the point of turning off. Track 3 onwards is solid gold. I ordinarily wouldn’t break an album down so crassly, but it’s necessary this time. The bulk of the album juggles and blends black metal, doom, and shoegaze in such a beautiful way that it would be criminal to write it off prematurely because of the initial blandness.

Hide – Castration Anxiety
(Industrial – United States of America)
Dais Records – 2018/03/23

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I may not be hugely knowledgeable when it comes to industrial, but Castration Anxiety really speaks to me. It seethes in a way that builds tension but rarely releases it. It’s one of those rare albums that is at its best when taken as a cohesive whole. Individual tracks are fantastic in their own right, but the tension dynamics make the entirety the goal.

Impure – Satan’s Eclipse Demo MMXVII
(Death Metal – United States of America)
Self-Released – 2018/01/12

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The lack of polish that is the almost inevitable result of demo production can definitely be turned to an advantage, if used properly. Impure certainly have. They’ve taken recording conditions that might make other bands sound muddy, and have turned out this fantastically cavernous, cadaverous sound. It’s a murky, ominous gem.

Indica – Disparity of a Day
(Stoner Doom Metal – Australia)
Self-Released – 2018/04/20

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Hands up who can guess what an album, released by Indica on 4/20, might sound like? If you said “fuzzed out, heavy as hell stoner doom”, you’d get a C+. To get the A, you’d have to talk about how in amongst the heaviness, there is a carefully woven thread of psychedelic light, which ensures a compositional sophistication. It’s much more than bong rips and fat riffs.

Of Feather and Bone – Beastial Hymns of Perversion
(Bestial Death Metal – United States of America)
Profound Lore – 2018/03/23

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If bestial death metal isn’t a subgenre, it bloody well should be. Bestial Hymns of Perversion can’t truly be called brutal death, but it’s way too aggressive and abrasive to be considered old school. The genre musings are important here because Of Feather of Bone have produced a truly standout album and it deserves to have its place in history immortalised properly.

Ripped to Shreds – 埋葬 (Máizàng – “Bury”)
(Death Metal – United States of America)
Craneo Negro Records – 2018/03/27

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Solo projects provide an artist the opportunity for singularity of vision; in Andrew Lee’s case, this vision is a thundering beast of an old school death metal album. Listening to it made me think of what would have happened Bolt Thrower got together with Scream Bloody Gore era-Death, except with a background in East Asian history. Unbelievably impressive.

Skeletal Remains – Devouring Mortality
(Death Metal – United States of America)
Dark Descent/Century Media – 2018/04/13

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This is an irresistibly fine album. It does more than just tick all of death metal’s boxes; it attacks them in such a way that makes all that was old new again. I haven’t heard anything in this genre sound so fresh in a long time. It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.

Vile Creature – Cast of Static and Smoke
(Doom Metal – Canada)
Self-Released – 2018/03/07

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Deeply atmospheric, this album is as entertaining as it is flawed. It’s lyrical themes are a tad mawkish, the guitar work leans simplistic, and there are some awkward momentum killers. But it’s engaging in spite of these factors. I can go from start to finish without wanting to skip bits. There’s no hate listening here. It’s not great but it’s far from terrible.

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