February 2019 Review Round Up

And so that was February. It was a thought provoking month for me too.

Starting off with the album of the month. Lots of competition for it this time round. I settled on Yerûšelem’s album, The Sublime. It’s put together by some of the madmen/geniuses in Blut Aus Nord, but it’s a substantially different beast. Trust me. It’s definitely of them, but not like them.

You will also read a review of another album that I can assure you is positive, despite my revulsion. You’ll know it when you read it. It’s the challenge of reviewing something critically significant, but abhorrent.

And then there’s Dream Theater. Certainly not album of the month, but it’s a mighty improvement. What I don’t understand from my perusal of reviews, is why people expect something out of the box from them? They’ve been around forever and firmly established their sound. It’s not necessarily formulaic to play to their strengths; they just want an album that sounds good. I think we learned a lesson about unnecessarily tampering with things last time, so I’m pretty glad they went back to the old well to drink the familiar water.

As I said, it’s been a thought-provoking month. It’s kept me busy.

I am still, as always, contactable via Facebook.

Send me your demos. More accurately, send me the links to your demos on Bandcamp. I need more of them in my life. Spread the word.

See everyone again in April, first Monday of the month.

Buy Me a Coffee at ko-fi.com

Album of the Month
Yerûšelem – The Sublime
(Industrial Post Punk – France)
Debemur Morti – 2019/02/08

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This is sublime. There. I said it. The problem is that the lazy wordplay is also the most accurate way to describe The Sublime. It’s like Swans and Killing Joke doing a joint set in a Buddhist temple that was still under construction. The combination of crushing industrial rhythms with meditative melodies and chanting vocals is utterly mesmerising.

The Rest in Alphabetical Order
Blue Hummingbird on the Left – Atl Tlachinolli
(Black Metal – United States of America)
Iron Bonehead – 2019/02/08

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In a world full of posturing, antagonistic, “outsider” black metal, it’s nice to come across something that sounds like resistance. Blue Hummingbird perform furiously in the name of Huitzilopochtli, the primary god of war and human sacrifice in the Aztec pantheon. Their pride in their heritage is as clear cut as their overt, naked hostility.

Candlemass – The Door to Doom
(Epic Doom Metal – Sweden)
Napalm Records – 2019/02/22

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Candlemass is one of the great gateway bands to doom metal and The Door to Doom shows why. They hit that magical combination of sweeping grandeur and thrumming reverberation. The melodies announce their presence with vigour then linger in the low end long enough to rattle the bones. That album title is awfully apt in retrospect.

Charnel Altar – Demo
(Death Doom – Australia)
Self-Released – 2019/01/09

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They say they’re blackened death; I reckon they’re far too monolithic to be anything but death doom. Genre semantics aside, you should probably listen to these guys. When I said they were monolithic, I mean it. They sound like a graveyard made animate, dripping soil; long dead bones; and recently dead viscera. It’s ominous and putrescent.

Dream Theater – Distance Over Time
(Progressive Metal – United States of America)
InsideOut – 2019/02/22

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I hated The Astonishing so much I burnt it in a pit of fire; suffice to say, expectations were low here. Maybe they were chastened by the negative reaction, because this is stripped back, basic DT. Good God, it’s a change for the better. It’s actually fun to listen to. There’s nothing superfluous here, just rock-solid entertainment. I’m astonished.

Gets Worse – Snubbed
Powerviolence – United Kingdom
Self-Released – 2019/02/11

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This is powerviolence, so no surprises that it comes on like an assault. It’s good and shouty too; nice to listen to a pv act that sounds old school punk without being a drag. And as spasmodic as their time signatures may be (and believe me, they get pretty epileptic), the whole album is cohesive. A stream of consciousness put to blastbeats.

Miscarriage – Imminent Horror
(Atmospheric Sludge – United States of America/Sweden)
Sentient Ruin Laboratories – 2019/02/22

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I know what they were attempting. I know they succeeded. But it’s way outside my comfort levels. It’s the fetishisation of suffering. It’s a perverse, transgressive ritual that starts with erotic vivisection and culminates in a noisome, necrophillic hatefuck. It’s definitely not my sonic kink, but if it’s yours listen to it, watch some Salo, and leave me alone.

Ostro – Ostro
(Doom Metal – Australia)
Self-Released – 2019/01/08

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If you’re going to strive to put some epic into your doom, your singer needs some serious chops and the guitars need to pack a wallop. Ostro is almost there. So close. But that proximity to epicness serves to highlight the failure to attain it. They aimed for Candlemass, but had to settle for flashlight tag. I’ll buy their next release though. They could nail it.

Rotting Christ – The Heretics
(Melodic Black Metal – Greece)
Season of Mist – 2019/02/15

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BAM! That’s how you return to form. Rituals was a bit naval gazing for my taste, but The Heretics is right on point. Its sharp thematic focus allows the melodies to soar majestically while buffeting mercilessly, much like being caught in the path of a legendary roc. Conventional theology takes a beating here, but they’re points that need hearing.

Thetan – Abysmal
(Powerviolence – United States of America)
Self-Released – 2019/02/01

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Thetan strip their punk right back to drum, bass, and vocals. That means they’ve got less to work with, so what they do have has to go much further. But there’s only so far they can stretch their stock. So they land some killers, but there’s also quite a bit of filler. And by filler, I mean stretches of tracks that sort of mush together. Stick around for the good stuff though.

Vanum – Ageless Fire
(Black Metal – United States of America)
Profound Lore – 2019/02/15

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Ageless Fire was the perfect album for a terrible day. It’s an album that speaks to the transcendental power of furious rage. To achieve this, Vanum take a longer form approach. Rather than simply blasting away, they take the meditative focus that pure anger can afford you, and turn it into a blistering, ash-raining firestorm.

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