Another July been and gone. Thankfully it left behind some gold. I was starting to worry about it being a year of good releases not great releases.
The absolute best was Spirit Adrift’s Divided by Darkness. Holy shit, that is a fun album to listen to. Almost completely derailed my month because it’s all I wanted to listen to. It still is to be honest, but I pushed through.
Not much else to say this month. It’s been a month where life has been a little bit in the way of music, but that happens.
Hit me with feedback, suggestions, or recommendations on Facebook.
See everyone next month.
Album of the Month
Spirit Adrift – Divided by Darkness
(Heavy Metal – United States of America)
20 Buck Spin – 2019/05/10
This is a rollicking good time. It’s as heavy as some of the greats of modern US doom, but it’s played at a much faster tempo. The vocals are delivered with an intensity usually reserved for the Georgian sludge masters, but they’re clean as a mountain spring. There’s so much to like here. They’ve forged a path to greatness and paved it with talent.
The Rest in Alphabetical Order
Aggressor Id – Aggressor Id
(Grindcore – United States of America)
Self-released – 2019/01/07
Grind with enough touches of slam and metalcore to trick me into thinking it’s pv. Not complaining though. Each track seems to mimic the ebb and flow of a different violent outburst. It flares and seethes, then goes cold and festers. It covers the full range of anger with a fluency that tells of intimacy with the emotion born of experience.
An Isolated Mind – I’m Losing Myself
(Black Metal – United States of America)
I, Voidhanger – 2019/03/16
When your standard black metal act deals with isolation, it tends to be in the “Behold! The tundra!” sense. An Isolated Mind comes at it from the social sense and, in doing so, have encapsulated musically the bleak despair and burgeoning madness of being persistently alone despite being surrounded by a sea of humanity. Uncomfortable yet rewarding.
Enforcer – Zenith
(Heavy Metal – Sweden)
Nuclear Blast – 2019/04/26
Enforcer have always been a bit on the lurid side: flashy, fast, and ridiculous. So you wouldn’t think them glamming things up a bit would change a whole lot. But it did. And I’m not sure how I feel about it. Zenith comes across as a mash up of Ghost and Motley Crue, and as much as I’m a fan of both, it’s an odd combo. I enjoy it, but it’s definitely distracting.
False – Portent
(Progressive Black Metal – United States of America)
Gilead Media – 2019/07/12
Listening to black metal has exposed me to all sorts of weird stuff, but I first got into it because of the absolute majesty of Emperor. It’s a sensation I don’t often find in the genre anymore. But I found it in False. Portent is heavy on grandeur; it’s three extended tracks allow for many a dramatic swell. I’m completely awestruck.
Friendship – Undercurrent
(Powerviolence – Japan)
Southern Lord – 2019/06/17
Undercurrent sounds sinister. Terrifyingly so. It’s heavy and aggressive, for sure, but it’s strength lies in its tension. It’s like limping away from an arse-kicking, only to get that nagging feeling that your assailants are still there, following. Watching. It’s an album that speaks of malice past, present, and future.
Lice – Woe Betide You
(Blackgaze – Spain/Sweden)
Season of Mist – 2019/05/10
When I heard Teitanblood and Kvarforth (of Shining infamy) were collaborating, I honestly didn’t expect sad and angry Alcest. It’s an odd sort of outcome. Kvarforth is definitely still channelling his tortured self, but the music is tonally weird. Not necessarily bad; it seems designed to never let the listener find comfort. Maliciously arcane.
Nucleus – Entity
(Death Metal – United States of America)
Unspeakable Axe – 2019/06/14
A for concept; C, C+ for execution. Old school death with a peppermill twist of tech is a pretty solid idea for keeping the sound fresh. But I can’t shake the feeling this is sonic porridge. I’m sure some people will take enjoyment, nourishment, and comfort from it; but for me it’s just a little bit stodgy and dull. Not bad, but hard to recommend.
(Neue Deutsche Härte – Germany)
Universal – 2019/05/17
What to make of Rammstein’s technically untitled seventh album? Is it worth the decade of waiting? Is it a suitable swansong should, as I suspect, they break up completely and finally? To answer: it’s great, mostly, and yes. More electronic leaning than I expected, it keens closest to Herzeleid but with a defter touch. A circle well closed.
Redbait – Cages
(Hardcore – United States of America)
New Age Records – 2019/06/14
While I am very appreciative of the uptick in proudly left hardcore, there is still an interplay between message and delivery that needs to be balanced. Redbait have a cogent and poignant message, but bury it beneath a delivery so furious that much of it gets lost. I don’t expect the band to play nice; it would just be nice the anger sounded more directed.