October 2019 Review Round Up

October was an abbreviated month in terms of volume of reviews. I stand by my decision to spend my music budget on Revocation/Cattle Decapitation tickets instead. See Revocation live whenever you get the chance. Always.

Of the few albums I did buy, Hope Drone were the pick of consistently entertaining lot. It’s an absolutely gripping experience to listen to, because it hits hard as a truck and with a dancer’s grace.

The list season is almost upon us. I know I’ve been banging on about it most of the year, but it’s my favourite part of the critical year. Especially so when the decade is ticking over. The lists are being prepared. If you have an album you’re particularly sold on, hit me up and make your case.

I think November and December are going to be similarly abbreviated. Not a budget thing, just a slow end of year thing. All the more reason to send me suggestions. I can’t be everywhere. Wouldn’t want to be either.

Facebook is still the best place to reach me. Considering getting a Twitter though. Maybe. Perhaps.

See everyone next month. Enjoy.

I Need Caffeine. My God...

Album of the Month
Hope Drone – Void Lustre
(Blackened Sludge – Australia)
Moment of Collapse – 2019/08/30

I listen to Inter Arma for their intense approach to crushing heaviness. I listen to Nachtmystium for their miserable synthesis of the psychedelic and the industrial. Based on Void Lustre, I will continue to listen to Hope Drone, as they have amalgamated these these two distinct sounds into a terrifyingly claustrophobic bad trip.

The Rest in Alphabetical Order
Opeth – In Cauda Venenum
(Progressive Metal – Sweden)
Moderbolaget – 2019/09/27

First things first: listen to the Swedish version; it flows easier than the English one. That distinction aside, what Opeth have delivered isn’t exactly revelatory; it’s more a further polishing of their Heritage-onwards pure-prog efforts. It has everything you should reasonably expect from them these days, but it seems to do it all better.

Swans – Leaving Meaning
(Post-Punk – United States of America)
Young God – 2019/10/25

Michael Gira’s latest incarnation of Swans succeeds at being very different from what came before, but still very much on brand. The almost suffocating density has been replaced with a ritualistic minimalism. Stark, yet eerily beautiful, but also profoundly discomforting, Leaving Meaning isn’t easy to unpack, but is totally worth it.

Teitanblood – The Baneful Choir
(Blackened Death Metal – Spain)
Norma Evangelium Diaboli – 2019/10/18

Welcome to the soundtrack of evil triumphant. Teitanblood have always had the knack for blasting sonic malignance, but The Baneful Choir is something else. They portray a world devoid of light, where hope is a curse, and agony is the only respite from the ever-present realisation that good is dead and gone for the rest of this wretched eternity.