Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.
2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.
I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.
Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.
And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:
Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King
And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:
All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven
So, without further adieu, here’s the best damn 11 albums 2017 sent my way.
11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03
A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.
10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01
Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.
The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01
Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.
9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07
So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.
8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03
Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.
7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13
E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.
Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch
Looks impressive, doesn’t it? Wait until you see the full spread.
See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.
6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27
The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.
5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23
Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.
4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17
This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.
The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.
3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25
A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.
2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13
The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.
Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.
1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01
Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.
There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.
Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.