September 2018 Review Round Up

We’re reaching the crunch point for the critical year. August was impressive, but September really stepped it up as bands and labels try to maximise their visibility. I can’t wait for October.

The album of the month is from Florida death metal veterans, Deicide. You have no idea how surprised I am to have written that. But credit where credit is due, they absolutely nailed that super-hostile sound.

Not too much else to say. Starting to look towards my end of year list, which is always fun. And given that 2019 is just around the corner, I’m starting to look seriously at my best of the decade list too.

As always, for comments and critiquing, you can reach me via Facebook. And I’m still always in need of Red Bull, if you don’t mind the panhandling. I wish I could get the fancy widget to work, but alas, I’m not that competent.

Album of the Month
Deicide – Overtures of Blasphemy
(Death Metal – United States of America)
Century Media – 2018/09/14

image

If you thought this was going to be another piece of stodgy filler in Deicide’s extensive catalogue, get to the back of the class! It’s easily their best since Stench of Redemption, and I’m going to have to realisten to that to make sure it’s still their best. I have my doubts to be honest. This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.

The Rest in Alphabetical Order
Archgoat – The Luciferian Crown
(Black Metal – Finland)
Debemur Morti – 2018/09/14

image

Archgoat’s best album. Just going to put that straight out there. I buy Archgoat for their signature blend of Fimbulwinter cold and sulphurous balefire. This album more than delivers on those fronts, but is also unexpectedly loaded with sinister groove and infernal sexuality. It’s rare to find a black metal album that so ably encapsulates damnation.

Aura Noir – Aura Noire
(Blackened Thrash – Norway)
Indie Recordings – 2018/04/27

image

Aura Noir’s intertwining of thrash and first wave black metal has always yielded razor sharp riffs. Aura Noire continues this trend. They haven’t exactly built extensively on what they’ve done before, but that’s not what this is about. This is, as it always has been, about cramming venomous thrash all the way down your throat.

Black Matter Device – Modern Frenetics
(Mathcore – United States of America)
Self-Released – 2018/04/06

image

Fast music for the short tempered. Modern Frenetics is an album for people who don’t have the patience for soft things. It helps that Black Matter Device are (appropriately) mathematically precise. The relentless pummelling that ensues is one of the smartest arse-kickings you will experience. It’s like getting mugged by a mortarboard.

Clutch – Book of Bad Decisions
(Rock – United States of America)
Weathermaker – 2018/09/07

image

It’s funny how after all these years Clutch still find a way to deliver just what you want while still surprising you. Book of Bad Decisions comes across as rawer and dirtier than the high octane output of their previous few albums. Real music for smokey dive bars and, by God, it’s beautiful. It gets you right in that part that knows a bit of grime is good for the soul.

Common Eider, King Eider – A Wound of Body
(Black Ambient – United States of America)
Sentient Ruin Laboratories – 2018/09/21

image

Dealing only in the bleakest of black ambient, Common Eider, King Eider have turned loose an audio horror upon this world. It creeps and slithers and contorts its way around your psyche; never pushing all the way through, but never letting you get comfortable. Albums that do their work quietly are a challenge, but I recognise darkness when I hear it.

Drawn and Quartered – The One Who Lurks
(Death Metal – United States of America)
Krucyator Productions – 2018/07/27

image

How on earth have I managed to get to 2018 without hearing about Drawn and Quartered? These guys have been pounding out old school death metal for ages now and it’s taken until this monster landed for me to know they existed. It’s an appalling oversight on my part. Guttural, almost brutal, The One Who Lurks is a visceral gut ripper.

Grave Dust – Pale Hand
(Death Metal – United States of America)
Self-Released – 2018/08/24

image

What is up with 2018 and top notch death metal releases? I’m running out of superlatives; I’m either going to start repeating myself or start using nonsensical adjectives. But, dead set, Pale Hand is another death metal monster. It’s a rumbling, aggressive, menacing beast, but it comes with that vital element of catchiness that lodges the songs in your brain.

Hyperdontia – Nexus of Teeth
(Death Metal – Denmark)
Dark Descent – 2018/09/06

image

Nexus of Teeth is a fine death metal record that may not set the world on fire but is definitely enjoyable. It suffers a little from repetitiveness, but in Hyperdontia’s defence, they do a couple of things really well, so it makes total sense that they play to their strengths. You can put this on in a room of genre buffs and they will be headbanging all over the place.

Imperial Triumphant – Vile Luxury
(Technical Black Metal – United States of America)
Gilead Media – 2018/07/13

image

This is different. Cacophonous black metal played with a level of technicality that should require an engineering degree all wrapped up with Fritz Lang-esque noir. This is what a smokey jazz dive sounds like in hell. I like this a lot, but I’m not going to lie; it’s a tough album to get into and even once you’re in, it can be overwhelming. Extremity done differently.

Kaerulean – The Orwellian Dream
(Blackened Death Metal – Australia)
Truth Inc – 2018/08/10

image

It makes a hell of an entertaining racket. But, more than that, it impresses on multiple levels and you will get more out of it with each subsequent listen. For starters, I genuinely didn’t expect the clean vocals to be as good as they are. And the rhythm section is just a fucking beast underneath. This band deserves much broader exposure.

Mantar – The Moden Art of Setting Ablaze
(Sludge Metal – Germany)
Nuclear Blast – 2018/08/24

image

Finally getting around to Mantar and I totally get why they are, and rightly should be, considered sludge’s premier arsonists. Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated. I know I’m not the first to say it, but it’s amazing that this sonic firestorm is made by just two people. Incredible stuff.

Nadja – Sonnborner
(Ambient Doom Metal – Canada)
Broken Spine Productions – 2018/09/14

image

Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom. The 30 minute opener is an album in and of itself. It’s awe-inspiring too. It weaves, lilts, and flows beautifully. The following four tracks include dramatic and jarring tonal shifts, giving the ambience some unexpected, but welcome exhilaration.

Primordial – Exile Amongst the Ruins
(Blackened Folk Metal – Ireland)
Metal Blade – 2018/03/30

image

I can only assume that Primordial are sick of Metal Blade, as this sound like nothing more than a contractual obligation album. All the hallmarks of a Primordial album are there, but they’re so listless and seemingly dialed in. It’s tough to listen to something that sounds like nobody cared. It’s especially tough when it’s a band as hugely talented as Primordial.

Thou – Magus
(Doom Metal – United States of America)
EVP Recordings – 2018/08/31

image

Other bands must wish they could match Thou’s ability to be both prolific and talented. Magus is their fourth release this year, the second to get a review by me, and easily the best thing they’ve done recently. Which is impressive, because they are consistently excellent. The raspy growls, the subtle melodies, the monstrous low end; it is amazing.

The Vintage Caravan – Gateways
(Rock – Iceland)
Nuclear Blast – 2018/08/31

image

I love what The Vintage Caravan have done previously, so it really pains me to say this: Gateways is boring. At best it’s dull, at worst it’s tedious, and it all balances out as boring. There’s nothing on display here to get the listener actively involved in the music. It just kinda plods along without doing anything noteworthy. At least it’s easy to forget.

Advertisements

August 2018 Review Round Up

I entered August without a whole lot on the shopping list for the month, figured I’d clear out some of my bookmarks, and ended up with a surprisingly solid month. Believe me; it’s really good.

It was a crowded field for album of the month, but I eventually settled on Michael Romeo’s often batshit, but always engaging War of the Worlds. It’s pretty impressive what can be done by someone with his level of talent when it’s married to a singularity of purpose.

Never let it be said that I’m above digital panhandling, because judging by this awesome Ko-fi page I set up, I’m very much not. I’d set up a Patreon, but I have no idea what rewards to offer. Maybe in the future. Until then, any tips towards the Metalshopped Needs Red Bull To Live fund are muchly appreciated.

And, as always, you can hit me up on Facebook.

Until October, stay trve. Or false. Whatever works for you.

Album of the Month

Michael Romeo – War of the Worlds/Pt. 1
(Symphonic Neoclassical Metal with Experimental Bits – United States of America)
Music Theories Recordings – 2018/07/27

image

Don’t think that this will be more Symphony X just with Michael’s name at the forefront; you’d be wrong. This album pulls into strange territory at times. And it’s all the stronger for it. It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.

The Rest in Alphabetical Order
Barren Altar – Entrenched in the Faults of the Earth
(Blackened Doom Metal – United States of America)
Self-Released – 2018/06/12

image

Metal is at its strongest and most engaging when it has something to say. That the band has a message that can only be expressed through growls and blasts and riffs. Barren Altar exemplify this and them some. This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.

Crawl – Rituals
(Death Metal – Sweden)
Transcending Obscurity – 2018/08/20

image

We live in a world where Swedish death metal doesn’t hold up to what came before. In Flames, Soilwork, DT; still good live, but that’s about it. Crawl is here to help put things right. Nine tracks, eight of them under three minutes, all of them honed for maximum aggression. It’s a searing beast of an album loaded with killer riffs and an undercurrent of punk sneer.

Divide and Dissolve – Abomination
(Drone – Australia)
Self-Released – 2018/02/16

image

Describing the post-colonial experience and its ongoing negative impact on those dispossessed and enslaved through the medium of drone was a surprisingly engaging experience. The rumbling, almost subaudible bass and the machine precise drums create a unique atmosphere of palpable discomfort. Best drone release in a long, long time.

Facegrinder – Kugelblitz
(Grindcore – Australia)
Self-Released – 2018/08/01

image

Fearsome, technically precise grind is a beautiful thing and Facegrinder deliver it like an impressionist master. It comes across as techdeath of the more ridiculous variety (think Origin or Necrophagist) that has been stripped right back to the barest essentials necessary to wreck shit in under a minute. Blastbeat nirvana.

Hadal Maw – Charlatan
(Technical Death Metal – Australia)
Self-Released – 2018/08/03

image

The more I listen to them, the more I’m convinced Hadal Maw are the best sinister techdeath band out there right now. The way they craft their songs ably marries their undeniable technical skill with pall of tenebrous bleakness. Charlatan continues from this and progresses it further. It’s an album that plays with primal fears like a monstrous 8 string.

Hell to Pay – bliss.
(Grindcore – United States of America)
Self-Released – 2018/03/16

image

First impressions were Hell to Pay were going to fill the hole Trap Them left with their split. It was aggressive, abrasive, and fun to listen to. But then shit started getting weird. The tone got darker, song structures got more cryptic, and the whole affair took on a far more menacing demeanour. This is no substitute; this is a new obsession.

Innumerable Forms – Punishment in Flesh
(Death Metal – United States of America)
Profound Lore – 2018/08/17

image

About as slow and ominous as old school death metal can get, Innumerable Forms understand what it takes to turn a joyless existence into quality listening. Miserable dirges are juxtaposed against pulverising aggression to create an album that is as bleak as it is satisfying. It’s an album that wants you to embrace your inner darkness.

ION – A Path Unknown
(Ambient Black Metal – United States of America)
Self-Released – 2018/01/28

image

It always amazes me how much one little detail can affect an overall review. I really quite like A Path Unknown. It’s long form approach to ambient black metal is mostly engaging. But I have an issue with drum tone. Not all of it, but the kicks sound somewhere between a speed ball being punched, rustling cardboard, and a wet fart. Takes me right out of the moment.

Lurid Panacea – Demo
(Grindcore – Australia)
Self-Released – 2018/07/11

image

Melbourne has a very fertile grind scene, absolutely loaded to the gunwales with potential. Lurid Panacea’s potential just happens to be swampy and very much on the deathgrind side of things. This is nasty, visceral grind. Even if it had better-than-demo production values, this would be a rough listen. And that just how these sickos want it.

Neckbeard Deathcamp – White Nationalism is for Basement Dwelling Losers
(Black Metal – United States of America)
Self-Released – 21/07/2018

image

I love how unsubtly subversive this is. It takes fantastically delivered black metal and then turns the typical genre tropes on their head by invoking a steady stream of left wing invective. I hope this isn’t a gimmick. I hope it’s not a one shot for shits and giggles. I want this band to keep on punishing the ear drums with pulverising blackened fury.

Obscura – Diluvium
(Progressive Techdeath – Germany)
Relapse – 2018/07/13

image

Obscura, for me at least, has always been one of those bands always just shy of greatness. And I’ve tried to give them a chance. Diluvium was my final crack at them. Make or break. And they made it like you wouldn’t believe. Where has this been? Their blend of pulsating technicality and inventive prog comes together seamlessly and joyously.

Rolo Tomassi – Time Will Die and Love Will Bury It
(Mathcore – United Kingdom)
Holy Roar – 2018/03/02

image

Unlike most of the mathcore I’m used to, Rolo Tomassi allow their songs to take their time and luxuriate. The end result is an album that successfully manages to indulge in a soothing, Sunny Day Real Estate-esque sensitivity while being able to turn up the aggression to Dillinger/Converge levels of fury as required. It offers a different level of sophistication.

Sleep – The Sciences
(Stoner Doom Metal – United States of America)
Third Man Records – 2018/04/20

image

I’ve had to battle some cognitive dissonance to get into Sleep. You hear so much positive press about a band that it turns you off. Glad I finally got over that hurdle because The Sciences is an absolute beast of a doom album. Its four substantive tracks are some of the most fuzzed out, resinous music to ever be heavy. It’s satisfyingly dank.

Urfaust – The Constellatory Practice
(Ambient Black Metal – The Netherlands)
Ván Records – 2018/05/04

image

Urfaust are stretching the definition of black metal into bizarre contortions. Aggressively meditative, it sounds like the mad chant of a cultist trying to distort their chakras to awaken a dark godlike force in themselves. And despite the ambient nature of the album, there is no doubt this is black metal to its malevolent core.

July 2018 Review Round Up

So. That was July. A month with more than a few surprises. I didn’t expect such a strong showing from the black metal hordes, for example. But Immortal, Deafheaven, and Panegyrist all demonstrated the potential black metal has, be it old school, new wave, or wtf.

I also didn’t expect Khemmis to actually love up to the hype. You hear things about the “it” band doing the rounds and so often you can tack a “sh” onto the front of it. Not Khemmis. Believe in Khemmis.

The final surprise was the album of the month. I wouldn’t have pegged it to be Korean old school thrash. It was bought on a whim with some leftover cash. And it kicks arse. It’s everything positive about thrash. Get into Sahon. They’ve been around for ages apparently. I feel ashamed for not knowing this.

August is looking oddly sparse, so if you know anything I don’t, hit me up. Always happy to take suggestions.

As always, you can reach me on Facebook.

Enjoy August

Album of the Month
Sahon – Chanting for the Fallen
(Thrash – South Korea)
Transcending Obscurity – 2018/07/15

image

Old school thrash done properly still holds a certain magic. Sahon have captured this magic, distilled it down to an even purer form, and turned it loose upon an unsuspecting world. With vocals like a halfway point between Lemmy and Joey Belladonna, solos that soar like a drag racing eagle, and rhythms that blast like artillery on speed, how could you not like this?

The Rest in Alphabetical Order

Burial Invocation – Abiogenesis
(Death Metal – Turkey)
Dark Descent – 2018/07/06

image

Abiogenesis is the perfect album for when you are already furious. It taps into that primal primate rage that we all try to pretend we’ve evolved past. The four main tracks are lengthy sojourns into death metal’s grimiest, darkest depths. This is appended by a final sinister instrumental track that is cathartic but uncomfortable. It feeds the beast.

Deafheaven – Ordinary Corrupt Human Love
(Post-Black Metal – United States of America)
Anti- – 2018/07/13

image

Sunbather was polarising but brilliant on its merits. New Bermuda was an acceptable follow up, but not particularly memorable. So I had to approach this some trepidation. But this could well be their magnum opus. It’s the finest example of their craft. It truly shows that any emotion can be examined in extremity.

Fukpig – Bastards
(Blackened Grindcore – United Kingdom)
Devizes Records – 2018/06/01

image

It would appear that they world has become sufficiently messed up for Fukpig to lurch forth and vomit forth their signature bile-crusted blend of grind and black metal. And believe me when I say they are mad as all the hells combined. They’ve never been a band that does pretty, but that ugliness works wonders when spewing invective and polemic.

Golgothan Remains – Perverse Offerings to the Void
(Death Metal – Australia)
Self-Released – 2018/02/08

image

I’ve had the difference Satanism and Luciferianism (probably badly) explained as embracing humanity’s beastial nature versus striving to transcend humanity’s mortal limits. Golgothan Remains, judging by this savagery, are definitely on the Satanist side of the fence. Bestial, dark, and remorseless; this is a true embrace of animalistic fury.

Immortal – Northern Chaos Gods
(Black Metal – Norway)
Nuclear Blast – 2018/07/06

image

Abbath who? Immortal may have returned sans their most iconic panda, but they have delivered a total masterclass in Fimbulwinter-cold black metal. Demonaz and Horgh play entirely to their strengths, producing an album that is crisp, taut, and furious. It’s a blizzard with the soul of a serial killer; frostbitten violence with intent.

Khemmis – Desolation
(Doom Metal – United States of America)
20 Buck Spin – 2018/06/22

image

While technically doom metal, this really sounds like a very muscular heavy metal. Listening to it made me think they were trying to reverse engineer Black Sabbath but only had epic doom and Bay Area thrash to put it together with. I very nearly listed it as doom thrash for that reason. It has that magical quality that old school heaviness used to bogart.

Organ Dealer/Nerve Grind/Invertebrate – Split EP
(Grindcore/Grindcore/Powerviolence – United States of America)
Night Animal Records – 2018/07/01

image

You may have noticed that I don’t really do splits, but Invertebrate are long term supporters of Metalshopped. Also helps that the three bands on offer have all delivered the goods. It opens with Organ Dealer’s shouty brand of grind, leads into three tracks of harsh, almost deathgrind from Nerve Grind, before finishing on Invertebrate’s ever-entertaining pv. Cracking stuff from start to finish.

Panegyrist – Hierurgy
(Black Metal – United States of America)
I, Voidhanger – 2018/05/18

image

This is a pretty damn incredible album. It is instantly identifiable as black metal, but it sounds so radically different from anything else in the genre. Clean vocals and extensive melodic passages are integrated into Hierurgy alongside aggressive abrasiveness in such a seamless way that they sound as one. It is breathtaking in its technical merit.

Shrine of the Serpent – Entropic Disillusion
(Sludgy Death Doom – United States of America)
Memento Mori – 2018/04/23

image

Grimey, slow, and heavy, Entropic Disillusion is exactly the sort of swampy mire you want to get stuck in. It has venomous ichor pumping through every note, every sustain, every growl. And it seems to improve with each subsequent listen. Put all together, you have an album that masterfully revels in its darkness, malevolence, and filth.

Skeletonwitch – Devouring Radiant Light
(Progressive Blackened Thrash – United States of America)
Prosthetic – 2018/07/20

image

I thought I knew Skeletonwitch. Their bruising combination of black metal and thrash was always predictable but welcome. Devouring Radiant Light is an altogether different beast. Sophisticated, intelligent, and nuanced aren’t exactly terms you’re used to seeing next to blackened thrash, but here we are. A huge leap forward for an already great band.

Svalbard – It’s Hard to Have Hope
(Hardcore – United Kingdom)
Translation Loss – 2018/05/25

image

Loudly, proudly, and unashamedly liberal and progressive, so if songs about reproductive freedom, wage theft, or animal liberation aren’t your thing, you should probably keep on walking. Those who stick around are rewarded with a rich, satisfying hardcore album. It carefully balances its specific directed fury with moments of delicate introspection.

Whoresnation – Mephitism
(Grindcore – France)
Throatruiner – 2015/04/13

image

Fantasy, as a genre, has lied to me. It routinely claims that ritual magic takes a long time to complete. Total bullshit. Whoresnation can ignite the air and reduce everything around them to molten slag in under ninety seconds. It is a hell of sonic assault. They take enough death metal to give the grind some heft and they wield that heft like a vicious weapon.

June 2018 Review Round Up

June felt like a productive month. I got through a decent amount of albums while making sure everyone got their fair due in terms of attention. Pretty happy about how it all came together.

Some impressive stuff passed through my ears, but the best of the best is Craft’s latest, White Noise and Black Metal. It’s a perfect example of what modern black metal should sound like.

July will hopefully be as good. I’m keen for Deafheaven and Obscura’s new albums.

Hit me up on Facebook if you want. Always up for a chat.

Album of the Month
Craft – White Noise and Black Metal
(Black Metal – Sweden)
Season of Mist – 2018/06/22

image

Not a lot of noise going on here, but there are eight tracks of blackened gelid malevolence. It’s a veritable soundtrack for a frolic through the joyless expanse of Cocytus. Too often black metal finds itself trapped within its own tropes, but Craft have taken these tropes and unleashed them in a storm so furious that everything seems new after the destruction wrought.

The Rest in Alphabetical Order
Abstracter – Cinereous Incarnate
(Blackened Sludge – United States of America)
Sentient Ruin Laboratories – 2018/06/08

image

When I was a young boy, someone once told me that there was no greater sin, even surpassing the seven deadly sins, than despair, as it meant you believed God was powerless. Abstracter capture this notion of blasphemous misery and turn it loose in an almost weaponised display of sonic might. It’s cacophonous, tumultuous, and savage.

At the Gates – To Drink From The Night Itself
(Melodic Death Metal – Sweden)
Century Media – 2018/05/18

image

A slower, more brooding At the Gates is on display here. The anger that has driven their sound to this point has manifested here as smouldering bitterness. It’s not bitter in the sense of hating what their doing. The band still clearly loves performing. It’s bitter about pretty well everything else though. It’s a new plateau of jaded misanthropy.

The Body – I Have Fought Against It, But I Can’t Any Longer
(Avant-garde Metal – United States of America)
Thrill Jockey – 2018/05/11

image

Albums like this really highlight the divide between amateur writers, such as myself, and proper music journalists. I just don’t have the vocabulary to do this album justice. It’s ominous. It’s oppressive. It’s sinister as all hell. And bleak doesn’t even begin to describe its emotional darkness. And even with all that laid out, you need to know it goes further and weirder than I can explain.

Funeral Mist – Hekatomb
(Black Metal – Sweden)
Norma Evangelium Diaboli – 2018/06/15

image

Not sure if any of you have spent an extended period of time with a crazy street preacher. I have and this reminds me a lot of that experience. An almost overwhelming raging of fevered mania is peppered with moments of terrifying lucidity. It’s the sort of unhinged blasphemous rite that so many black metal acts aspire to, but taken to an extreme beyond expectation.

Genghis Crack – Genghis Crack
(Grindcore – Chile)
House Gore Records – 2018/04/07

image

I’m finding South America to fertile ground for excellent grind. From Lxs Jugadxs in Argentina to Kharma in Venezuela, there is a strong trend towards pissed off blasting violence. Feel free to add Genghis Crack to this. I don’t understand all the samples used, but I know anger when I hear it. This is wire garrotte taut and as pummelling as 80s heyday Mike Tyson.

Ghost – Prequelle
(Heavy Metal – Sweden)
Loma Vista Recordings – 2018/06/01

image

“Surely the gimmick has worn thin by now?” I hear you asking. And the answer remains no. To be honest, the people in silly masks thing will always be easy to ignore so long as they keep on delivering on quality like they have here. It leans hard into rock territory, making it just as much Bon Jovi as Black Sabbath and that swagger makes it an utter joy to listen to.

Grave Upheaval – —
(Death Doom – Australia)
Nuclear War Now! – 2018/04/15

image

I don’t normally enjoy death doom and really only bought this to flex my critical skills. But then it completely kicked my arse. I mean this floored me. It’s so damn heavy that it creates its own atmosphere. It could shatter a diamond. And the vocals sound like a cthonic god slowly tearing into our reality. It’s got me completely turned around on the genre.

Marduk – Viktoria
(Black Metal – Sweden)
Century Media – 2018/06/22

image

Marduk is really starting to feel like a spent force. None of their post-Wormwood albums have aged well and Viktoria starts off feeling worse than that. Even when they lean into the controversy surrounding their politics, it feels hollow; it feels like they’re trying to cash in on scandal because it’s all they have left. I know they’re capable of so much more.

Mournful Congregation – The Incubus of Karma
(Funeral Doom – Australia)
20 Buck Spin/Osmose Productions – 2018/03/23

image

It might be the clinical depression talking, but I found this to be profoundly soothing. I’m sure that’s not what they were aiming for, but at the same time, it’s not me being critical. It hits that nadir of despair where all of life’s iniquities become a warm blanket, as they allow you to feel something. Anything. It embraces misery in its utter totality.

Necros Christos – Domedon Doxomedon
(Death Metal – Germany)
Sepulchral Voice – 2018/05/18

image

I hope everyone is up on their Qabbalistic rituals; pre-Nicean Christian mysticism; and Abrahamic gnosticism, because Necros Christos just assumes you are. For their (alas) swansong they have crafted a complex three disc spiritual meditation that both hyper intelligent and crushingly heavy. I doubt they could have crafted a more fitting farewell. Safe travels, noble initiates; may you find the apotheosis you seek.

Nervosa – Downfall of Mankind
(Thrash – Brazil)
Napalm Records – 2018/06/01

image

What you have here is a straight forward thrash album and that needs to be celebrated. It’s not blackened; it’s not crossover; it’s that dying breed of true, fast as hell, angry as a swarm of hornets thrash. It’s a real conflagration of an album too; starts off a bit slow but builds to an intensity that will level whole city blocks and leave a satisfyingly smouldering ruin.

Ritual Necromancy – Disinterred Horror
(Death Metal – United States of America)
Dark Descent – 2018/05/25

image

This album earns the critical praise I have seen said of it. And so long as as I’m wearing my critic hat, I’ll recommend it. But as a listener, there’s something not quite to my personal taste here. I think it’s because underneath the blistered exterior of fire and savagery, there’s an unbeating heart of cold, almost alien sterility. It’s uncomfortable to be honest.

Wayfarer – World’s Blood
(Atmospheric Black Metal – United States of America)
Profound Lore – 2018/05/25

image

I’m a firm believer that USBM is at its best when it wholeheartedly embraces its American-ness. The gonzo nihilism of Cobalt. Panopticon’s bluegrass/black metal hybrid. And, now, Wayfarer and their desolate, tenebrific distortion of country. There’s no high plains sing-along here. This is all grim paranoia and foreboding cynicism.

Yob – Our Raw Heart
(Doom Metal – United States of America)
Relapse – 2018/06/08

image

Despite there being no evidence to back it up, I like to think there’s a competition between Pallbearer and Yob for the USA’s best doom act. And Our Raw Heart puts Yob into the lead. Sure, it’s heavy as a Jovian hell, but it’s the raw emotional heft that makes it such a stunning album. It’s heartfelt, almost touching in places, and bleak without being despairing.

May 2018 Review Round Up

Hoo boy, June kind of just appeared, didn’t it? Was still hammering out a review or two in the wee hours of publishing day morn. It was a pretty easy month to get distracted by though.

I started the month by travelling to see Ihsahn. As far as I’m concerned he’s one of the great icons of metal and it showed in his live performance. Credit too goes to Direct Touring for matching him up with some great support. Mar Mortuum were frosty and aggressive like black metal should be. The ludicrously good Ylva gave me vertigo through sheer heaviness. And Hybrid Nightmares were so over the top it was pretty well impossible to not enjoy them. But the man himself put them all to shame. Cracking night out.

On that topic of Ihsahn, Àmr is my album of the month. I expect high quality from him. We all should by now. But this is a step beyond. It’s probably the finest album in his catalogue. I’m sure some Emperor purists will disagree, but they should know they’re wrong.

Shout outs go to Altarage and Woundvac for some kick ass merch. Always appreciated when bands do merch in big guy sizes.

I’ll be back next month. As usual, if you have comments or critique, you can hit me up on Facebook.

Enjoy

Album of the Month
Ihsahn – Àmr
(Progressive Metal – Norway)
Candlelight – 2018/05/04

image

If you only have one Ihsahn album in your collection, make sure it’s Àmr. It takes all the good things from his previous solo works and distils them down to nine tracks of perfection. It’s technically superb, emotionally vivid, and memorable in a way that defies expectation. From its opening moments I haven’t wanted to listen to anything else. It has completely dominated this month.

The Rest in Alphabetical Order
Amorphis – Queen of Time
(Progressive Metal – Finland)
Nuclear Blast – 2018/05/18

image

This is all over the place. I can’t remember another album quite like it to be honest. It has some songs that are contenders for track of the year. It also has a couple of appalling tracks that you just can’t listen to. The production values are universally top notch, so this is all about stylistic choices. And I just can’t fathom how it all came together.

Blood Tsunami – Grave Condition
(Thrash – Norway)
Soulseller Records – 2018/04/27

image

Kudos to these mad thrashers. This started life as a four track ep, which they then bulked out with some unreleased material. But for Dungeon of the Rats (originally from For Faen!), I wouldn’t have noticed. It’s real impressive that it sounds so cohesive. Better than cohesive, it’s high quality and entertaining as hell. Quality musicianship from all involved.

Depravity – Evil Upheaval
(Death Metal – Australia)
Transcending Obscurity Records – 2018/04/30

image

The toughest albums to review aren’t the great nor the grating. They’re the merely good. And that’s what Evil Upheaval is. Heavy without being crushing. Fast without being blistering. Entertaining without being memorable. And that’s the key point; if you like death metal, you will definitely like this, but don’t expect it to linger in your consciousness.

Drudkh – Їм часто сниться капіж (They Often See Dreams About the Spring)
(Black Metal – Ukraine)
Season of Mist – 2018/03/09

image

Following up the terrific A Furrow Cut Short was going to be a tall order, but They Often See Dreams is a resounding success. Invigorated and pissed off, Drudkh’s signature invocation of misery has never sounded so vital. A dark undercurrent of furious energy drives this, never allowing it to settle. The Drudkh renaissance continues.

Ekranoplan – Hypnopædia
(Sludge Metal with a dash of Grind – Germany)
Narshardaa Records – 2018/01/30

image

I remember Ekranoplan’s demo being much more of an Entombedcore affair, so this progression was a surprise. While there is still a mighty fistful of HM2 going on, the sound has been built on and enriched by adding aggressive, pounding, High on Fire-esque sludge. It’s not straight up mean; it’s complex layers of mean.

Mesarthim – The Density Parameter
(Black Metal – Australia)
Avantgarde Music – 2018/04/03

image

Mesarthim want you to know that if you stare into the void, the void will never stare back. The void does not care that you exist. There is nothing out there but a vast frozen emptiness, occasionally lit by beautiful clouds of radiation capable of flaying flesh from bone and burning bone to ash. Existence is a perilous, bleak, and futile endeavour.

夢遊病者 (Muyūbyō-sha – Sleepwalker) – 一期一会 (Ichi-go ichi-e – For this time only, never again)
(Avantgarde Black Metal – Japan)
Sentient Ruin Laboratories – 2018/05/25

image

I have quietly anticipated this album since it was announced. It just seemed so intriguing. It delivered on that promise. It mesmerises as it slowly unveils its many secrets. Such esoteric bleakness really shouldn’t sound this welcoming and warm. And, yet, it’s distant and almost unknowable. This is deliberate, challenging, masterful.

Petrification – Hollow of the Void
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/04/23

image

I could have been harsh and just written “See review of Depraved – Evil Upheaval”, but that would have doing them an unkindness. What we have here is an album that gives the listener the most tantalising hint of what a live experience would be. It’s evocative of headbanging front rows, circle pits, and windmilling hair. Definitely would see this live.

Serum Dreg – Lustful Vengeance
(Black metal – United States of America)
Vrasubatlat – 2018/04/20

image

There’s something about this merciless slab of blackened nastiness that really makes me think of Nachtmystium at their finest. Aside from that being high praise, it comes with the added benefit of being Blake free. It’s more than just aggressive; it has a pervasive, creeping dread that gives it a febrile touch of madness. Sinister at all levels.

Thou – The House Primordial
(Drone Doom – United States of America)
Robotic Empire – 2018/05/01

image

Ethereal and beguiling. Bleak and distressing. Horrific and vile. The House Primordial is all these things at once. It creates a maliciously pressurised sonic landscape so catastrophically heavy that light (joy, hope…) struggle to escape it. Thou specialise in these nightmares, but everything on display here still sounds as novel as the freshest hell.

Turbonegro – RockNRoll Machine
(Deathpunk – Norway)
Mercury Records – 2018/02/02

image

Something got under the skin of the band in the years between Sexual Harassment and this. Deliberate throwbacks and obvious homages to other rock greats are delivered with their characteristic shit eating grin. It’s like their saying “Didn’t like what we did last time? Want us to only do things how you like it? Fine. RockNRoll Machine beep boop.” And yet, it’s still pretty damn good.

Woundvac – Terrorizing the Swarm
(Grindcore – United States of America)
Self-Released – 2018/05/04

image

Listening to this, you might be tricked into thinking that Phoenix, Arizona is some sort of frozen wasteland. Why else would Woundvac need to bring this level of blistering heat? Believe me; this is an absolute scorcher and it rendered me slightly insensible for a bit. So much so that I temporarily forgot the US has other grind acts. It’s that good.

April 2018 Review Round Up

Happy May! Here’s what I listened to in April. And, as a heads up, it was a pretty fantastic month.

To start of with, you have Panopticon’s latest album. It’s hard to imagine a blackened folk album being this good. And, as much as I like Panopticon, I didn’t expect it from them.

But the real winner this month was death metal. Every release is a highlight, but each in a different way. Couldn’t believe my luck.

I saw Revocation again last month too. Holy crap. Just holy crap. I’ve seen them three times and each time they have blown the stage away. See them if you get the chance.

Aa usual, you can hit me up on Facebook. If you share the blog, do me favour and tag the page. I love to know this sort of stuff.

Album of the Month

Panopticon – The Scars of Man on the Once Nameless Wilderness (I and II)
(Blackened Folk Metal – United States of America)
Bindrune/Nordvis – 2018/04/08

image

This double album, half their signature blackgrass sound; half true folk, is hands down the best thing Panopticon have ever produced. The blend of oddly uplifting, empowering black metal and bleak, soulful folk allows the band to truly explore the full breadth of their talent. It goes places I didn’t think they could reach. Absolutely astounding.

The Rest on Alphabetical Order
Alucinari – Alucinari
(Deathviolence – United States of America)
Night Animal Records – 2018/04/05

image

Whew, this is some aggressive stuff. The combination of death metal’s pummelling relentlessness with the bombastic hyperactivity of powerviolence creates one hell of an assault on the ears. It blasts through at an energy level that makes you worry about them burning up. This complete disregard for sonic welfare is a pretty glorious thing to behold.

Deadly Carnage – Through the Void, Above the Suns
(Blackened Doom Metal – Italy)
Aeternitas Tenebrarum Musicae Fundamentum – 2018/03/30

image

Track 1 is a pretty stock intro. Track 2 is painfully beige. It beiges to the point of turning off. Track 3 onwards is solid gold. I ordinarily wouldn’t break an album down so crassly, but it’s necessary this time. The bulk of the album juggles and blends black metal, doom, and shoegaze in such a beautiful way that it would be criminal to write it off prematurely because of the initial blandness.

Hide – Castration Anxiety
(Industrial – United States of America)
Dais Records – 2018/03/23

image

I may not be hugely knowledgeable when it comes to industrial, but Castration Anxiety really speaks to me. It seethes in a way that builds tension but rarely releases it. It’s one of those rare albums that is at its best when taken as a cohesive whole. Individual tracks are fantastic in their own right, but the tension dynamics make the entirety the goal.

Impure – Satan’s Eclipse Demo MMXVII
(Death Metal – United States of America)
Self-Released – 2018/01/12

image

The lack of polish that is the almost inevitable result of demo production can definitely be turned to an advantage, if used properly. Impure certainly have. They’ve taken recording conditions that might make other bands sound muddy, and have turned out this fantastically cavernous, cadaverous sound. It’s a murky, ominous gem.

Indica – Disparity of a Day
(Stoner Doom Metal – Australia)
Self-Released – 2018/04/20

image

Hands up who can guess what an album, released by Indica on 4/20, might sound like? If you said “fuzzed out, heavy as hell stoner doom”, you’d get a C+. To get the A, you’d have to talk about how in amongst the heaviness, there is a carefully woven thread of psychedelic light, which ensures a compositional sophistication. It’s much more than bong rips and fat riffs.

Of Feather and Bone – Beastial Hymns of Perversion
(Bestial Death Metal – United States of America)
Profound Lore – 2018/03/23

image

If bestial death metal isn’t a subgenre, it bloody well should be. Bestial Hymns of Perversion can’t truly be called brutal death, but it’s way too aggressive and abrasive to be considered old school. The genre musings are important here because Of Feather of Bone have produced a truly standout album and it deserves to have its place in history immortalised properly.

Ripped to Shreds – 埋葬 (Máizàng – “Bury”)
(Death Metal – United States of America)
Craneo Negro Records – 2018/03/27

image

Solo projects provide an artist the opportunity for singularity of vision; in Andrew Lee’s case, this vision is a thundering beast of an old school death metal album. Listening to it made me think of what would have happened Bolt Thrower got together with Scream Bloody Gore era-Death, except with a background in East Asian history. Unbelievably impressive.

Skeletal Remains – Devouring Mortality
(Death Metal – United States of America)
Dark Descent/Century Media – 2018/04/13

image

This is an irresistibly fine album. It does more than just tick all of death metal’s boxes; it attacks them in such a way that makes all that was old new again. I haven’t heard anything in this genre sound so fresh in a long time. It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.

Vile Creature – Cast of Static and Smoke
(Doom Metal – Canada)
Self-Released – 2018/03/07

image

Deeply atmospheric, this album is as entertaining as it is flawed. It’s lyrical themes are a tad mawkish, the guitar work leans simplistic, and there are some awkward momentum killers. But it’s engaging in spite of these factors. I can go from start to finish without wanting to skip bits. There’s no hate listening here. It’s not great but it’s far from terrible.

March 2018 Review Round Up

2018 is shaping up to be a great year. I haven’t heard a genuinely bad album yet. Pickyness has helpes, but even when I have bought an album on a whim, I’ve got lucky and landed something entertaining each time.

All that aside, Noose Rot’s EP The Creeping Unknown firmly deserves its place as Album of the Month. Its intro toys with your expectations and then builds into a monstrous, heaving beast of old school death metal.

An awful lot of black metal related stupidity happened this month. I’m not going to editorislise extensively, but I will say if people want to act provocatively, they can’t really complain when they provoke people.

As always, I can be contacted on Facebook.

See you next month.

Album of the Month
Noose Rot – The Creeping Unknown
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/02/16

image

If old school death metal is your thing, then Noose Rot have delivered a monster for you. And if old school death metal isn’t really your thing, then you should probably listen to this anyway. Four tracks, all of them gold, all of them landing with such impact it’ll change your perspective on the genre. Or at the very least, they bloody well should. An unstoppable juggernaut.

The Rest in Alphabetical Order
Ataraxy – Where All Hope Fades
(Death Metal – Spain)
Dark Descent Records – 2018/02/16

image

While it lacks that special something that makes a great album, this is still a perfectly enjoyable slab of death metal. Ataraxy have written an album that is about as slow and malevolent as a death metal album can be without being death doom. The aggression needed to keep the music engaging shines through in deft tempo changes. Nasty fun.

Esoctrilihum -Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness)
(Black Metal – France)
I, Voidhanger – 2018/02/23

image

I love this album. It absolutely has its flaws, but I love this album. The big flaw is it’s self-indulgent as hell; every track noticeably runs longer than necessary. But you can get past it. Especially since it rocks so hard. It pushes black metal as far as it can into death metal without being blackened death metal. You will absolutely enjoy the knives out approach to the esoteric.

Feral Chaos – Mankind in Ruin
(Grindcore – Finland)
Kuolema Records – 2018/02/03

image

Feral Chaos get that Finnish grind sound spot on perfect. Easily passes the loud test; turn it up and feel the earth-shattering good times. But it also passes the quiet test. The quiet test is what separates great grind from the rest. Play it at a sensible volume and levels of sophistication reveal themselves. This is a genuine genre and scene highlight.

Insect Ark – Marrow Hymns
(Instrumental Doom Metal – United States of America)
Profound Lore – 2018/02/23

image

Instrumental doom can either be cripplingly dull or crushingly cool. Insect Ark’s combination of true doom, drone, and slide guitar definitely guarantees Marrow Hymns falls in the latter category. The southern twang of the slide guitar lends a curiously satisfying tone of Americana to the throbbing, intense doom. A genuinely unique sound.

Judas Priest – Firepower
(Heavy Metal – United Kingdom)
Epic Records – 2018/03/09

image

At this point, Judas Priest can do whatever the hell they want. They’ve earned that right. So it’s lucky for us that they’ve decided to continue putting out rollicking, badass heavy metal. Firepower starts strong with the title track and never eases off for its hour run time. They have the energy of a band thirty years their junior. Metal’s first wave still delivers.

Serpents Lair – Perpetual Hunger
(Black Metal – Denmark)
Amor Fati Productions – 2018/02/15

image

Serpents Lair keep on delivering. They keep on improving too. From their demo through their first album to this EP, they have shown a capacity for sonic evil that doesn’t diminish. Indeed, Perpetual Hunger is well-named; the three tracks demonstrate a rapaciousness rarely seen in black metal. No preaching. No lecturing. There is only a horrific, ravenous void.