February 2018 Review Round Up

Another quiet month, but it’s no weaker for it. Quality over quantity seems to be my current measure. It’s back to back months without a dud album, so I’m definitely stoked about that.

Go buy Támsins Likam now. Drop everything and click the link. Doom is rarely so good.

The Facebook page is still up and running. Feel free to hit me up with listening suggestions.

Album of the Month
Hamferð – Támsins Likam
(Doom Metal – Faroe Islands)
Metal Blade – 2018/01/12


A truly unmissable experience, Hamferð have delivered one of the great doom albums of our time. Crafted with the lonely majesty of Orchid-era Opeth and the aggressive melancholy of Kvarforth’s Shining, Támsins Likam is still all doom. It’s low, slow, and heavy, but is hauntingly beautiful in its execution. Paradoxically sparse and lush all at once.

The Rest in Alphabetical Order
Black Mecha – Counterforce
(Experimental Electronica – Canada)
Profound Lore – 2018/01/12


Definitely outside my usual wheelhouse, but so worth my time. Dark, hypnotic acoustic electronica builds tension through thrumming repetition. It sounds like an unseele rave; the drugs are very good, but the vibe is dark. Horrifyingly dark. There is no comfort to be found, but that knowledge creates a soothing masochism that sustains you through it.

Eigenlicht – Self-Annihilating Consciousness
(Black Metal – United States of America)
I, Voidhanger – 2018/02/16


Risky business slowburning the start off an album when you’ve only got five tracks to play with, but when it pays off it was worth the gamble. Eigenlicht have delivered a dense, esoteric album. Inaccessible on the first spin, but on subsequent listens doors unlock and it starts to make sense. It pays substantial intellectual dividends to those willing to put the time in.

Portal – Ion
(Avant-garde Technical Death Metal – Australia)
Profound Lore – 2018/01/26


Portal continue to ensure that a steady stream of weird lives on in techdeath. Ion is harsh and unforgiving, but is so absolutely driven that it makes it extremely difficult to stop. It absolutely has to be this way, as respite is a completely alien construct in the sonic universe created by these mad Brisbanites. Let its energy consume you.

Watain – Trident Wolf Eclipse
(Black Metal – Sweden)
Century Media – 2018/01/05


Black metal’s high proselytisers have returned with another punishing dose of unhallowed fervour. Unlike recent efforts, this seems to be less interested in converting the unbeliever and a lot more involved in drumming up fury from the already damned. It’s aggressive in a way you thought they couldn’t be anymore. Never doubt what the iron-willed can do.


January 2018 Review Round Up

A quietish start to the new year, but a strong one nonetheless. Feels good to have a month where every release feels like it will hold its own in the coming months.

I’m still tinkering with my formats now that I’m back. I’m doing away with the honourable mentions. I think just having the Album of the Month is sufficient.

Speaking of the Album of the Month, Shining’s new album is amazing. It was the first album I listened to this year and it’s already a firm contender for Album of the Year. Kvarforth is still the high priest of self-destruction as a form of worship, but Varg Utan Flock is an album apart.

Album of the Month
Shining – X: Varg Utan Flock
(Progressive Black Metal – Sweden)
Season of Mist – 2018/01/05


I thought I knew what to expect from a Shining album. Invitingly bleak black metal is typically what’s on offer. And that might describe this, if you were willing to thoroughly undersell this album. The level of sophistication in the songwriting feels like a quantum leap from what came before. It’s still a Shining album, but it’s the absolute pinnacle of their self-destructive craft.

The Rest in Alphabetical Order
Afgrund – The Dystopian
(Grindcore – Sweden/Finland)
Self-Released – 2018/01/05


As a grindcore act, a sure way to my heart is to evoke Rotten Sound. Afgrund do that in spades on The Dystopian. They absolutely nail that heaviest possible grind without being deathgrind cacophony and pair it roiling fury vocals. It wants for a truly great track to stand out; a very good album could be great that way. Grindcore gets a belter to kick off 2018.

Agrimonia – Awaken
(Post-Sludge – Sweden)
Southern Lord Recordings – 2018/01/26


The successful juxtaposition of post-metal’s contemplative tendencies with sludge’s swampy punkishness is something Agrimonia achieve with aplomb. The outcome is something probably best described as soothing anger. I found myself relaxing totally, which is an odd thing to say about an album that fires me up like a jet lighter.

HFMFM – Trapped
(HM2 Powerviolence – Australia)
Self-Released – 2018/01/08


Few things are as satisfying as a demo that makes serious statement of intent. HFMFM’s intent seems to be landing as many blows as they can in the shortest amount of time. Trapped is thuggish, hostile, and otherwise straight up mean. It’s bruising flurry that puts the violence front and centre in the powerviolence. Puts the heart rate up just thinking about it.

Krvshr – Night Terrors
(Sludge Metal – United States of America)
Self-Released – 2018/01/05


Bass heavy, aggressive sludge firmly in the mould of High On Fire or early Mastodon, but with a distinctly punk edge to it. And, like those other aforementioned bands, Krvshr brings a hell of a lot of good times to the table. Not necessarily happy music, but you will have a great time listening to it. It delivers catchy tunes with a snarl and clenched fist.

Sulphur Seas – Suzanne
(Black Metal – Spain)
Self-Released – 2018/01/09


In a month with some big name black metal releases, I found myself consistently drawn back to Suzanne. Modelled exclusively in mould of French black metal, there is stylistic esotericism that adds long shadows to the fires lit by their fury. It remains a consistently engaging album; the sort of album that reveals something new with each listen.

Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03


A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01


Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01


Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07


So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03


Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13


E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch


Looks impressive, doesn’t it? Wait until you see the full spread.


See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27


The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23


Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17


This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25


A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13


The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01


Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.


September 2016 Review Round Up

An abbreviated review collection this month. Metalshopped’s hard earned cash was geared towards live music this month. How could I turn down tickets to Enslaved, Opeth, Meshuggah, etc? They’re not going to see themselves, now are they?

That being said, there was some absolute gold this month. SubRosa’s phenomenal For This We Fought the Battle of Ages ran first with distance for second. Other albums this month were good, even great; but SubRosa stood apart.

Insomnium’s colossal one track album, Winter’s Gate, more than deserved its honourable mention. Listening to what is traditionally a melodeath band put out such a complicated slab of prog is very satisfying.

As usual, feel free to hit me up on Facebook. Especially if you’ve got a release you think is worth a listen.

Until next month

Album of the Month
SubRosa – For This We Fought the Battle of Ages
(Doom metal – United States of America)
Profound Lore Records – 2016/08/26

In doom circles, SubRosa has always been in a league of their own, but this album sees them push out even further. It’s a perfect combination of ethereal vocals, surprisingly technical guitars, and lyrics that delve deeply into uncomfortable truths. Here is the beauty in despair; here is death’s loving embrace.
Try before you buy: Despair is a Siren (Bandcamp)

Honourable Mention
Insomnium – Winter’s Gate
(Progressive death metal – Finland)
Century Media – 2016/09/23

This is what I like to see; a prog band actually taking a calculated risk to progress themselves as a band. The album’s one track runs for forty minutes, but it uses that time well. In a literal sense, it tells a story. A damn good one. But it’s their music that fleshes out the drama. Riveting.
Try before you buy: the first ten minutes should provide ample introduction. (YouTube)

The Rest in Alphabetical Order
Oranssi Pazuzu – Värähtelijä
(Psychedelic black metal – Finland)
20 Buck Spin/Svart Records – 2016/02/26

Your average psychedelic black metal album is the result of taking a load of hallucinogens and embracing the darkness. Oranssi Pazuzu aims to break the mold with Värähtelijä. This is an album that sounds like it’s supposed to be the drug. Its ebbs and flows worm their way into the cracks in your psyche. It wants to alter you. It almost succeeds.
Try before you buy: Saturaatio (Bandcamp)

Schammasch – Triangle
(Black metal – Switzerland)
Prosthetic Records – 2016/04/29

Put some time aside, because at three discs, Triangle needs some time to get acquainted. Humming with monastic contemplation and possessed of a Behemoth-esque fervour, this triple album challenges you to think and rewards you with intensity. There’s something almost perverse about something so austere sounding so lavish.
Try before you buy: Awakening from the Dream of Life (Bandcamp)

Sumac – What One Becomes
(Post-metal – United States of America)
Thrill Jockey – 2016/06/10

This isn’t a bold splash into new territory, which some may see as disappointing. Not me though, because what it does is continue on from where The Deal left off. This isn’t an endnote or an unnecessary sequel; this is an album born of the same creative impetus that gave us one of 2015’s better albums.
Try before you buy: Clutch of Oblivion (Bandcamp)

Tombs – All Empires Fall
(Post-black metal – United States of America)
Relapse Records – 2016/04/01

What Tombs does better than pretty well any other post-black act is subtlety. They blast and howl. They swoon and meditate. This isn’t unusual for the genre. It’s how they incorporate the extremes of style in such an organic, almost imperceptible way that is. An uncannily expert performance.
Try before you buy: Deceiver (Bandcamp)


August 2016 Review Round Up

August has been one of those months that make me question whether or not I should keep going. So much top quality music passed through my ears that I found it difficult to say a bad thing. Even the album I’m most critical of is, in all honesty, pretty good.

Am I too soft? Possibly.

Or it could just be that August was one of those lucky months that came without a dud.

Altarage shone the brightest over all the other gems this month. Bit of an ironic description; they are a bleak experience. But within their withering contempt lies a brilliant stroke of death metal genius.

Grave Miasma gets the nod for honourable mention. Any other month would see them at the top of the tree. Their latest ep is a death metal masterclass.

I’m still active on Facebook, so feel free to get in touch.

Until September, enjoy.

Album of the Month
Altarage – Nihl
(Blackened death metal – Spain)
Sentient Ruin Laboratories/Doomentia Records/Iron Bonehead Productions – 2016/02/26

Dear GOD, that’s an aggressive album. Damn. But more than that, it’s an invigorating album. It’s an album that makes the genre sound vital and new in every way. It’s horrifying. It’s malevolent. Its every note and growl are invocations to indulge in all of humanity’s worst. Captivating in its darkness, Nihl doesn’t let up. Not for one second.
Try before you buy: Vortex Pyramid (Bandcamp)

Honourable Mention
Grave Miasma – Endless Pilgrimage
(Death metal – United Kingdom)
Profound Lore Records/Sepulchral Voice Records – 2016/05/06

I missed Grave Miasma on their last spin through critical country. I’m guessing that was a mistake, as this EP is exactly what death metal should sound like. It is a paragon of death metal, if you will. It absolutely, and perfectly, nails the balance between blistering fury and sinister malice that the genre was built upon.
Try before you buy: Utterance of the Foulest Spirit (Bandcamp)

The Rest in Alphabetical Order
Atrament – Eternal Downfall
(Blackened death crust – United States of America)
Sentient Ruin Laboratories – 2016/03/04

A swirling cacophony of bleakness, Eternal Downfall puts it all out there and all it is is horror. The raw spit and venom of crust turns the blackened death metal into a nightmarish amalgamation of cult and gangland initiations. A flurry of fists and feet pummelling you while thick, noisome incense chokes you.
Try before you buy: Rotting Twilight (Bandcamp)

Karcavul – Intersaone
(Blackened sludge – France)
Sentient Ruin Laboratories – 2016/07/01

Sometimes muddy production aids an album. That is definitely the case here. Karcavul’s take on sludge is venomous in the extreme and the ‘recorded in a sewer’ vibe they have going on here only serves to highlight this. Torrid, toxic, and downright sinister, Intersaone is a reminder that metal often hates you.
Try before you buy: Mangepierres (Bandcamp)

Katatonia – The Fall of Hearts
(Depressive rock – Sweden)
Peaceville Records – 2016/05/20

This is what a band embracing their maturity sounds like. The music is always finely balanced between melancholic and bleak. This is further complemented by vocals that are somehow achingly delicate and powerfully desperate. It certainly has its tonally heavy moments, but it is the thematic heaviness that leaves the biggest mark.
Try before you buy: Old Heart Falls (YouTube)

Leather Glove – Skin on Glass
(Crusty death metal – United States of America)
Sentient Ruin Laboratories – 2016/05/05

Always good to listen to death metal that doesn’t sacrifice entertainment in the name of brutality or technicality. Make no mistake, this is aggressive, but the crust influence gives it a degree of punk swagger. Over the course of the three tracks, this demo brings death metal down to the gutter and lets the dirty rock rhythms reign.
Try before you buy: Skin on Glass (Bandcamp)

Mesarthim – .- -… … . -. -.-. .
(Atmospheric black metal – Australia)
Self-released – 2016/08/28

Points awarded straight away for being an atmospheric black metal act that looks beyond the sylvan and verdant. Looking to the broader cosmos is a theme I feel is surprisingly underused in black metal. This album takes mankind’s insignificance in the universe and twists it into knots of futility and rage.
Try before you buy: …– (Bandcamp)

מזמור — Yodh
(Blackened doom metal – United States of America)
Gilead Media – 2016/08/12

Did you ever get the feeling something was going to be brilliant before experiencing it? You try to manage your expectations and keep your hopes in check. Most of the time you will be let down. Not the case with מזמור, aka Mizmor. Harrowing and mournful, Yodh is a death rattle amplified and distorted
Try before you buy: iii. The Serpent Eats Its Tail (Bandcamp)

Psalm Zero – Stranger to Violence
(Metallic post-punk – United States of America)
Profound Lore Records – 2016/06/15

Some solid love for Killing Joke is on display here. I don’t mean to make them sound derivative, as they’re not. It’s more that they push the limits of post-punk far out into the murky waters of metal. It’s a hypnotic affair; swirling synths and meticulous guitar work produce an album furious in its deliberation.
Try before you buy: White Psyche (Bandcamp)

Revocation – Great is Our Sin
(Death thrash – United States of America)
Metal Blade Records – 2016/07/22

I first got into Revocation with their titanic release, Chaos of Forms. It’s a beast of an album. Great is Our Sin is easily its equal. Probably its superior, once I excise the nostalgia. Its speed and heaviness are rounded out by flourishes of technicality. It’s instantly accessible and deeply complicated.
Try before you buy: Only the Spineless Survive (Bandcamp)

Ritual Chamber – Obscurations (To Feast On The Seraphim)
(Death metal – United States of America)
Profound Lore Records – 2016/02/26

The curse of being merely good made manifest. Everything about Obscurations is on point. The riffs sound like Satan blowing off steam. The rhythms are relentless. The growls are low and guttural invocations of damnation. And, yet, for all this positivity, it’s not memorable. Definitely for genre fans, but it’s charm is ephemeral.
Try before you buy: Beings of Entropy (Bandcamp)


July 2016 Review Round Up

So. Here it is. The first triumphant post of my glorious return! Or, at least, a collection of assorted words I hope are entertaining.

But what of the first half of the year? It’s gone but not forgotten. I won’t be going back over anything I’ve listened to prior to July 1, but quality albums are still eligible for my end of year list. That’ll add a bit of extra mystery. Also, regrettably, I won’t be doing a Best Self-Released list this year. I haven’t listened to enough independent releases and it would only represent the best of July through December.

Leading the charge is Swans’ latest masterpiece, The Glowing Man. I don’t think Gira et al have put a step wrong since returning and it’s all led to this; eight tracks of dense, complicated beauty.

Getting the Honourable Mention is Eximperituserqethhzebibšiptugakkathšulweliarzaxułum. I’m pretty sure I’ll just refer to them as E-dawg from here on out. Ignoring their deliberately inaccessible name, I was left with a brutal techdeath album that reinvigorated my love of the genre.

It’s not the most review heavy month. I’m still getting back into the groove of things, but damn it feels good to be back.

Album of the Month
Swans – The Glowing Man
(Post-punk – United States of America)
Young God Records – 2016/06/17

As someone whose experiences with psychedelics have been universally bad, the feeling of disconcerting expectation this album is saturated with is uncomfortably familiar. It makes the expected uneasily unexpected. The eight monumental tracks thrum with an energy so fundamental it could spawn new life.
Try before you buy: The World Looks Red / The World Looks Black (Bandcamp)

Honourable Mention
Eximperituserqethhzebibšiptugakkathšulweliarzaxułum –  Prajecyrujučy sinhuliarnaje wypramieńwańnie Daktryny Absaliutnaha j Usiopahłynaĺnaha Zła skroź šaścihrannuju pryzmu Sîn-Ahhī-Erība na hipierpawierchniu zadyjakaĺnaha kaŭčęha zasnawaĺnikaŭ kosmatęchničnaha ordęna palieakantakta, najstaražytnyja ipastasi dawosiewych cywilizacyj prywodziać u ruch ręzanansny transfarmatar časowapadobnaj biaskoncaści budučyni u ćwiardyniach absierwatoryi Nwn-Hu-Kek-Amon, uwasabliajučy ŭ ęfirnuju matęryju prach Ałulima na zachad ad ękzapłaniety PSRB 1620-26b
(Brutal techdeath – Belarus)
Amputated Vein Records – 2016/07/10

A ridiculous album title by a ridiculously named band playing ridiculous brutal techdeath. I haven’t enjoyed a brutal album this much in a long time. I’ve payed lip service here or there to quality albums, but none have given me that sublime feeling of pure enjoyment. High-concept slamming goodness.
Try before you buy: Da pytańniaŭ ab suziraĺnym paznańni naradžęńnia trahiedyi j niaŭchiĺnaści hibeli isnaha ŭ Wučeńni Anihiliacyi, jak pra pieršaęliemienty praŭdziwaj pryrody askietyčnych praliehamienaŭ mižhałaktyčnaha smutku smierciśćwiardžajučaj mudraści Šapienhaŭęra, jakaja kuje apakatastasičnym połymiem hietęradaksaĺnaha katarsisu artęryi mietafizičnych siłahizmaŭ u liazo Liucyfieryjanskaha rozumu j Akaŭzaĺnaha Waliuntaryzmu, zwiartajučy ŭ prach saliarnyja zikkuraty apošniaha świtańnia nadychodziačaj Juhi Nicšęanstwa (Bandcamp)

The Rest in Alphabetical Order
Caïna – Christ Clad in White Phosphorus
(Black metal – United Kingdom)
Apocalyptic Witchcraft Recordings – 2016/07/15

My last experience with Caïna didn’t light my fires, but they have a certain critical appeal, so I’ll try again. Good idea. This is a tumultuous affair; a blast of unhallowed negativity that is emotionally exhausting on a level beyond most black metal’s limits. As precise as in utero surgery, as destructive as a cyclone.
Try before you buy: Fumes of God (Bandcamp)

EDxKEMPER – Cut Her Head and Love Her
(Grindcore – Greece)
Symbol of Domination/VEX Microlab – 2016/01/30

This is a deceptive release. It’s straight up, back to basics grindcore. No frills. Nothing pretty. But it’s done so damn well. Violence gushes from every note. Grind is inherently furious, but these Greeks take it to a further, darker level. Dan Swanö’s mastering puts the cherry on top. Ugly, brutal, satisfying.
Try before you buy: Desperate Cries (Bandcamp)

Gevurah – Hallelujah!
(Black metal – Canada)
Profound Lore – 2016/06/03

Some black metal bands approach their Satanism with evangelical zeal; others with intellectual rigour. Not Gevurah. They hate. Sometimes with fury, sometimes with ice in their veins, but always with as much hate as they can humanly muster. It leads to a refreshing listen to be honest. Intimidation made spiritual
Try before you buy: Un Feu Indomptable (Bandcamp)

Goolagoon – Life of Crime
(Powerviolence – United States of America)
Self-released – 2016/06/28

I genuinely enjoyed Goolagoon’s Patrickviolence Demo, so it’s interesting to see how the band has progressed their sound. For one thing, they’ve eschewed a lot of their quirkiness. Only two Spongebob samples this time round. In its place is a doubling down on their manic energy. The eight tracks are a relentless blitz of furious punk.
Try before you buy: Pressure (Bandcamp)

Oligarch – Hypocrisy Oath
(Blackened death metal – Australia)
Self-released – 2016/05/19

Think of a blackened death metal album you want to listen to. Imagine the overlap between fury and violence. Factor in the musical skill necessary to make the album worth both your time and multiple listens. That leaves you with Hypocrisy Oath. Oligarch have put this together with apocalyptic violence in mind.
Try before you buy: Winds of Apocalyptic Incineration (Bandcamp)

Through – Manuskript
(Black metal – Ukraine)
Hell Division Productions – 2016/07/13

Always a shame to come across a quality band after they’ve broken up. Through are fantastic. Each track on Manuskript starts with crackling fire and a whispered incantation. It sets the atmosphere perfectly before launching into fretwork that is equally cryptic and pitiless. A dark and sinister swansong.
Try before you buy: Сфера (Bandcamp)


December 2015 Review Round Up

Happy new year, everybody! I hope the season of mandated festivity brought much brutality or grimness or drinking or whatever makes your sloop particularly buoyant.

It would remiss of me to not mention the passing of Ian ‘Lemmy’ Kilmister. The man was a god to me from the moment I first saw him hammering through Ace of Spades on The Young Ones. The pure rock badassery the man-god exuded was overwhelming. I’m pretty sure he’s the reason why I’m the metalhead I am today, instead of some whiny alternative rock loser. He lived the rock and roll lifestyle like no else has or possibly could. He was on stage for as long as he could. He continued to release amazing albums at regular intervals. Seriously, go check out Bad Magic if you doubt me. Others have eulogised him more eloquently than I could, but the impact he had on my life is undeniable. Born to lose, lived to win. Vale, you magnificent bastard.

2015 has passed, which means everybody is putting out their ebd of year best ofs. I’m no different. My best self-released releases list went up along with this lot of reviews. My overall best of list goes live next month. Just waiting on a few last minute purchases to arrive.

Can’t really say I’m surprised that Baroness released an album of the month quality album. They have a way with sludge that makes them stand out and apart from the masses.

Was surprised by the top quality of Lamantide’s Carnis Tempora: Abyssus. I was blown away by its intensity and ended up listening to it on repeat for a long time. I just couldn’t stop.

2015 was amazing and I welcome 2016 with open arms.

Feel free to contact me via Facebook.

See you next month.

Album of the Month
Baroness – Purple
(Sludge metal – United States of America)
Abraxan Hymns – 2015/12/18


After the wistful splash of melancholy in the sun that was Yellow & Green, it was always going to be interesting to see Baroness return to material with greater immediacy. I was right to not have any doubt in their talents. Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly. It demands to be heard. If it had hands, it would hold your head in front of the speakers.
Try before you buy: Shock Me (YouTube)

Honourable Mention
Lamantide – Carnis Tempora: Abyssus
(Post-hardcore – Italy)
Self-released – 2015/10/26


Seriously good stuff from a four piece out of Cremona. It’s one of those releases that doubles as an advertisement for learning another language. I’d love to have sufficient Italian to understand what was being growled at me so expertly. I couldn’t get enough of the guitar tone either, especially since it was combined so perfectly with heavy distortion and screams of feedback. It’s an intense experience in the best way.
Try before you buy: Immortalis Lapis (Bandcamp)

The Rest in Alphabetical Order
Chronovorus – To Those Who Dwell in Ruin
(Blackened sludge metal – United States of America)
Merdümgiriz – 2015/09/05


Deliberate, methodical, and relentless, To Those Who Dwell in Ruin balances achingly slow drone and furiously driven sludge in a way that sees their juxtaposition seem completely natural. Heavy sustains and heavier riffs combine in pitiless fashion, driving any hope of succour from the listener. “Listen”, it commands and, powerless in its presence, the listener will obey. Tyrannical is the beast at its core.
Try before you buy: A Star Oath (Bandcamp)

The Horn – Volume 14
(Black metal – Australia)
Self-released – 2015/12/02


High-concept, synth heavy, one man black should send me running for cover. I’ve had plenty of bad experiences before, but this bucks the trend. I definitely like this. The Horn’s ongoing efforts to set the entirety of Book of the Dead to music works on this release because it actually sounds like ritual msgic is being performed. I may tire of the Gollum vocals, but overall this is so engaging you could call it spellbinding.
Try before you buy: Spell 174 (Bandcamp)

Iron Curtain – Gulag
(Grindcore – United States of America)
Self-released – 2015/11/01


Grindcore acts can have a hard time standing out. The blisteringly short tracks and the persistent blastbeats that dominate the genre can make it tough for bands to stand out. The best thing a grind band can do, if they insist on not deviating from genre staples, is do everything damn well. Iron Curtain do exactly that. Intense bursts of grind are delivered with the fury of a thousand suns. Tropes delivered with aplomb.
Try before you buy: Kill Them All (Bandcamp)

Plague Phalanx – Plague Phalanx
(Death metal – United States of America)
Aphotic Sonance – 2015/05/15


Claustrophobic, dissonant music overlaid with guttural vocals makes for an uncompromising experience. Combined with a production that maximises the aggression, this should be a great release. Should. Repetitiveness holds it back. The relentless drums merge into one long rhythm track, while the riffs come very close to outright recycling. Too many tracks sound the same. Not good when there’s only five.
Try before you buy: Raped by Apparitions (Bandcamp)

Rubber Mate – Hell Bent For Rubber
(Noise punk – United States of America)
Self-released – 2015/05/14

Sweet Jesus, what a racket. It’s what I expect a collaboration between the Dead Kennedys and Merzbow would sound like. I don’t think I’ve heard a guitar sound that fucked up. They’ve taken infectious, upbeat punk and stretched, pulled, distorted, and distressed it in every possible way while still, somehow, maintaining cohesion. I’ve heard plenty of messed up punk before, but very little with this commitment to harshness.
Try before you buy: Nightstalker (Bandcamp)

Sombre – Flora and fauna, Feast Upon My Flesh
(Blackened noisey sludgeviolence – Canada)
Self-released – 2015/08/03


As you can probably tell by the genre heading, there’s a lot going on here. Certainly, there’s no doubt that it’s challenging. Possibly too challenging for its own good? Nah. It’s good. Multifaceted though it might be, Sombre haven’t taken their eyes off the goal: a cohesive listening experience. Flora and Fauna may take you all over the place, but it never loses track of the destination and you will enjoy the journey.
Try before you buy: Humans of Earth (Bandcamp)

Sunn O))) – Kannon
(Drone – United States of America)
Southern Lord – 2015/12/04


Continuing to push the limits of what guitars can do, Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud. For a non-spiritual band, it’s amazing how much of a spiritual experience Kannon is. The dark loops of guitar and the aching sustains are crafted wirh reverential awe. And Csihar’s death chants are grimly intense. Worship at the throne of loud.
Try before you buy: Kannon 2 (Bandcamp)

Unyielding Love – Demo 2015
(Experimental black metal – United Kingdom)
Self-released – 2015/09/29


Some bands intimidate with raw fury. Others with alienating peals of noise. And yet others rely on an abject lack of humanity to bruise their way to success. Unyielding Love do all these things and more. Thuggish and muscular black metal is made even nastier with sociopathic noise. On top of this, the tracks are played with a grind-esque urgency. Merciless and venomous is just the beginning.
Try before you buy: Swelling Absence (Bandcamp)

Wildspeaker – Survey the Wreckage
(Blackened crust – United States of America)
Self-released – 2015/08/29


It’s the Japanese economy of metal; it sounds impressive, but it’s bloated with unnecessary infrastructure. It’s forever building to something, but never really gets there. Bit of a shame really, because if they could hammer that final rivet into some of these towering edifices of sound, they would have crafted one of metal’s great colossi. It’s still an exciting listen, but it’s tainted with the realisation it could have been much more.
Try before you buy: Apex Predator (Bandcamp)

WitcheR – Csendes Domb
(Black metal – Hungary)
Dark East Productions/Mercy Despise/Neverheard Distro – 2015/08/28


I’m awfully conflicted by this. On the one hand, it is remarkably monotonous. The songs are long and don’t vary much. But I enjoy it and I do so way more than I should. For all of its potential for boredom, there is a genuine emotional truth at its core. Now, I don’t speak a word of what I assume is Magyar, but there is a total and unremitting bleakness that dominates the entire play time and that transcends language.
Try before you buy: Eltemettelek (Bandcamp)