April 2019 Review Round Up

So, that was April. I enjoyed it.

GORE WARNING: PISSGRAVE COVER AHEAD

I might not have bothered with the gore warning, but for the fact that Pissgrave put out my album of the month. They’re a band that take death metal and seek out what ugly depths lie within. Confrontational and violent, Posthumous Humiliation is about as hideous as death metal can get.

April also allowed me to bookend my month with amazing tours. I started the month with Emperor. They were everything I wanted them to be. Their name makes sense, because when they play live, they are nothing short of imperial. I would see them again in a heartbeat.

I ended the month with At the Gates and The Haunted. Technically, they were also on tour with Witchery, but the entirety of Witchery ditched the meet and greet, which is a dick move, so fuck them. That grumble aside, the rest of the night was incredible. The Haunted and At the Gates have very different stage presences, but are both possessed of a captivating energy that holds you from start to finish.

The inexorable march of time will bring us to the May reviews soon enough, so I hope you enjoy my thoughts on April.

As always, you can hit me up on Facebook. I’m always happy to take feedback or suggestions on board.

Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Pissgrave – Posthumous Humiliation
(Death Metal – United States of America)
Profound Lore – 2019/03/04

The level of violence, both overt and implied, in this album is nuts. The vocals are akin to someone drowning in acid, the guitars are like a frenzied ice-pick attack, the drums might as well be hammers swung at your joints, and the solos are like the gears of a horrifying trap grinding into action. Holy crap, they do depravity incredibly well.

The Rest in Alphabetical Order
Gold – Why Aren’t You Laughing?
(Post-punk – Netherlands)
Artoffact – 2019/04/05

Do you like songs about terrible relationships, the toxic culture in which they thrive, and the depression that results from it all? Hope so, because that’s what Gold have delivered. It’s a hypnotic, dreamy sort of album, but there’s no getting around how bleak it is. It’s a siren song; it will draw you in, but you’ll dash on its emotional rocks.

Lurid Panacea – The Insidious Poisons
(Grindcore – Australia)
Self-released – 2019/04/14

Lurid Panacea have delivered on one of grind’s greatest and rarest experiences: the hallucinatory mindfuck. The forty seven tracks are a whirlwind of disorientating chaos; there is no respite, there is no hiding, there is no relief. It gets into your head and assaults your synapses until nothing makes sense anymore. Holy hell, I love it.

Misery Index – Rituals of Power
(Death Metal – United States of America)
Season of Mist – 2019/03/08

I’ve been waiting all decade for this: the album Misery Index gets completely right. They’re no longer truly deathgrind in sound, having fully transitioned to a true death metal production, but the grind lives on in them in spirit. This is furious stuff; it’s heartening to hear them consistently and loudly pissed off. Relentlessly agitated.

MoreGore – Додикав Напиздовуют Грачи
(Grindcore – Ukraine)
Self-Released – 2019/01/30

Straightforward and authentic almost to a fault, MoreGore deliver their grindcore without much in the way of unnecessary artifice. A couple of samples are thrown in, but it’s mostly guitar, bass, drums, and shouts. No fancy production tricks; just meat and potatoes grind. Definitely for the genre purists, but solid nonetheless.

Sněť – Promo
(Death Metal – Czech Republic)
Self-Released – 2019/04/08

If you want to know how to use a demo to impress, listen to Sněť’s promo. Only two tracks, six minutes and nine seconds in total, but it wrings every last drop of entertainment out of that brief run time. You like instrumental death metal? Intoxikace will scratch that itch. And Obří Kat does guttural so well, you’ll forget you’re listening to a demo.

Týr – Hel
(Progressive Folk Metal – Faroe Islands)
Metal Blade – 2018/03/08

Finally getting around to Týr. I expected folk metal, but what I really got was melodic death metal that reminded me of when the Gothenburg sound was something to brag about. It’s still upbeat like I would expect from folk metal. It’s thematically on point too. But it’s driven by an energetic, melodeth sound that just begs to be heard.

Venom Prison – Samsara
(Deathcore – Wales)
Prosthetic – 2019/03/15

Deathcore would be much less of a joke if the bands involved could integrate the death metal and the hardcore as well as Venom Prison do. This is full speed, almost uncontrollable in its approach. The furious lyrical polemic is a perfect fit for this onslaught. It’s challenging; not going to lie, but it’s worth it. It’s a workout for your brain.

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March 2019 Review Round Up

It been demo month here at Metalshopped. With the exception of Overkill’s latest, which was a gift from Mrs Metalshopped, everything up for review is a demo. And I loved it. It’s a little bit more hit and miss, but I was got into some great bands right on the ground floor of what I hope are fruitful careers. I will most likely do another demo month later in the year too.

The band I was most into this month and, therefore, the album of the month is Suffering. I haven’t enjoyed an instrumental release this much in ages. It does have some vocals, to be honest, but they’re so few and far between that what you are really experiencing is band relying on their ability to play. And those Russians can play.

In live music news, I’m pumped up for April. I get to see Emperor and At the Gates. Good times ahead.

As always, you can reach me for critique and commentary at Facebook. You can also hit me up if you have a demo you want reviewed.

See everyone in May. Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Suffering – Devouring Hatred
(Death Metal – Russia)
Self-Released – 2019/01/03

This demo is all about demonstrating how good this band could be with a bit of production support. They aim to be blackened, technical, and progressive; and they swing for the fences to achieve it. Largely eschewing vocals was a sensible idea, because it’s obvious their great strength lies in their score. Super talented stuff.

The Rest in Alphabetical Order
Amdusias – Nocturnal Isolation
(Black Metal – France)
Corpse Torture Records – 2019/03/08

Do me two favours and I will love you forever. The first, ditch the abrupt song endings. The second, never release an album with such a shitty intro again. Once it gets going, this has a malevolently sensual feel to it. Reminds me of Satyricon in a positive way. The flaws are jarring, but they can do this black metal business really well.

Ås – Fortgestank
(Black Metal – Germany)
Self-Released – 2019/02/22

The intensity they manage to introduce into these three songs is seriously impressive. The industrial guitar tone sounds like your brain is full of iron filings and is having electricity blasted through it. And the shrieking vocals are abrasive in a headache inducing way. It approaches black metal in a way that wants to push boundaries.

Deathgod – Demo 2019
(Death Metal – Mexico)
Self-Released – 2019/01/03

I love the “We don’t give a fuck” attitude that permeates through this. It doesn’t wait and leaves nothing behind. Three tracks of pulverising death metal that hits all the high notes while not taking any time out to pad. It’s so taut, you’d think it would snap like an elastic band, but it doesn’t. I have trouble believing this is just a demo.

Internal Purgatory – Demonstration of Apathetic Dissociation
(Atmospheric Black Metal – Australia)
Self-Released – 2019/01/10

Moody intro; a track of fuzzy, dissonant lo-fi; another, longer, track of fuzzy, dissonant lo-fi; a cover track that also leans heavily into fuzzy dissonance; and a moody outro. I enjoyed the experience, but there’s no doubt it’s a one-trick pony. It helps that the one trick is more of a sick kickflip than a worn out ollie.

Orbis Daemonium – Opus Contra Naturam
(Doom Metal – Brazil)
OEO – 2019/03/03

I know the band say they’re black metal, but this demo seemingly dives seamlessly into traditional doom with properly growled vocals. It might be on the heavy end of trad, but it’s performed in a clean, precise way. This is the key to Orbis’ success; this may be a demo, but they’ve made every effort to keep the production as crisp as possible.

Overkill – The Wings of War
(Thrash – United States of America)
Nuclear Blast – 2019/02/22

Old school, good times thrash. Not going to lie, I’ve always found Blitz’s vocals a little tough, but they clicked for me on Wings of War. Good and harsh, they compliment the punkish, bratty thrash perfectly. The whole album rattles with serious groove, but isn’t groove metal. It goes to show that melody done right will always be king.

Scourge Lair – One Hundred Eyes One Hundred Hands
(Blackened Death Metal – Finland)
Self-Released – 2019/03/08

I will always enjoy a band that sound like good Marduk and I’ll sing their praises even louder if they put in the effort to be more than a tired knock off. Congratulations, Scourge Lair, you impressed me. It’s a bit of a slow starter, but you really nailed that clandestine murk meets blitzkrieg dichotomy. I love the sinister fury.

Skullord – In Death
(Doom Metal – Brazil)
Self-Released – 2019/01/01

Come on guys. You play traditional doom. True doom. Not drone. Monotony is not your friend. You live in a realm where the riff should be king, but here the riff is a viscount. It’s power here is far from absolute. That’s a big problem, as there are some good moments on display, but the overall tone is perfunctory at best.

Vomit Spell – Demo 2019
(Deathgrind – Germany)
Lower Class Kids Records – 2019/01/02

Deathgrind loses nothing when performed as raw as this. It takes all the immediacy of grind and marries it to the visceral nature of death metal, while the rough and ready nature of the demo keeps it feral. You might say dangerous. It ensures that the tornado of violence touches ground and tears shit up.

February 2019 Review Round Up

And so that was February. It was a thought provoking month for me too.

Starting off with the album of the month. Lots of competition for it this time round. I settled on Yerûšelem’s album, The Sublime. It’s put together by some of the madmen/geniuses in Blut Aus Nord, but it’s a substantially different beast. Trust me. It’s definitely of them, but not like them.

You will also read a review of another album that I can assure you is positive, despite my revulsion. You’ll know it when you read it. It’s the challenge of reviewing something critically significant, but abhorrent.

And then there’s Dream Theater. Certainly not album of the month, but it’s a mighty improvement. What I don’t understand from my perusal of reviews, is why people expect something out of the box from them? They’ve been around forever and firmly established their sound. It’s not necessarily formulaic to play to their strengths; they just want an album that sounds good. I think we learned a lesson about unnecessarily tampering with things last time, so I’m pretty glad they went back to the old well to drink the familiar water.

As I said, it’s been a thought-provoking month. It’s kept me busy.

I am still, as always, contactable via Facebook.

Send me your demos. More accurately, send me the links to your demos on Bandcamp. I need more of them in my life. Spread the word.

See everyone again in April, first Monday of the month.

Buy Me a Coffee at ko-fi.com

Album of the Month
Yerûšelem – The Sublime
(Industrial Post Punk – France)
Debemur Morti – 2019/02/08

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This is sublime. There. I said it. The problem is that the lazy wordplay is also the most accurate way to describe The Sublime. It’s like Swans and Killing Joke doing a joint set in a Buddhist temple that was still under construction. The combination of crushing industrial rhythms with meditative melodies and chanting vocals is utterly mesmerising.

The Rest in Alphabetical Order
Blue Hummingbird on the Left – Atl Tlachinolli
(Black Metal – United States of America)
Iron Bonehead – 2019/02/08

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In a world full of posturing, antagonistic, “outsider” black metal, it’s nice to come across something that sounds like resistance. Blue Hummingbird perform furiously in the name of Huitzilopochtli, the primary god of war and human sacrifice in the Aztec pantheon. Their pride in their heritage is as clear cut as their overt, naked hostility.

Candlemass – The Door to Doom
(Epic Doom Metal – Sweden)
Napalm Records – 2019/02/22

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Candlemass is one of the great gateway bands to doom metal and The Door to Doom shows why. They hit that magical combination of sweeping grandeur and thrumming reverberation. The melodies announce their presence with vigour then linger in the low end long enough to rattle the bones. That album title is awfully apt in retrospect.

Charnel Altar – Demo
(Death Doom – Australia)
Self-Released – 2019/01/09

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They say they’re blackened death; I reckon they’re far too monolithic to be anything but death doom. Genre semantics aside, you should probably listen to these guys. When I said they were monolithic, I mean it. They sound like a graveyard made animate, dripping soil; long dead bones; and recently dead viscera. It’s ominous and putrescent.

Dream Theater – Distance Over Time
(Progressive Metal – United States of America)
InsideOut – 2019/02/22

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I hated The Astonishing so much I burnt it in a pit of fire; suffice to say, expectations were low here. Maybe they were chastened by the negative reaction, because this is stripped back, basic DT. Good God, it’s a change for the better. It’s actually fun to listen to. There’s nothing superfluous here, just rock-solid entertainment. I’m astonished.

Gets Worse – Snubbed
Powerviolence – United Kingdom
Self-Released – 2019/02/11

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This is powerviolence, so no surprises that it comes on like an assault. It’s good and shouty too; nice to listen to a pv act that sounds old school punk without being a drag. And as spasmodic as their time signatures may be (and believe me, they get pretty epileptic), the whole album is cohesive. A stream of consciousness put to blastbeats.

Miscarriage – Imminent Horror
(Atmospheric Sludge – United States of America/Sweden)
Sentient Ruin Laboratories – 2019/02/22

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I know what they were attempting. I know they succeeded. But it’s way outside my comfort levels. It’s the fetishisation of suffering. It’s a perverse, transgressive ritual that starts with erotic vivisection and culminates in a noisome, necrophillic hatefuck. It’s definitely not my sonic kink, but if it’s yours listen to it, watch some Salo, and leave me alone.

Ostro – Ostro
(Doom Metal – Australia)
Self-Released – 2019/01/08

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If you’re going to strive to put some epic into your doom, your singer needs some serious chops and the guitars need to pack a wallop. Ostro is almost there. So close. But that proximity to epicness serves to highlight the failure to attain it. They aimed for Candlemass, but had to settle for flashlight tag. I’ll buy their next release though. They could nail it.

Rotting Christ – The Heretics
(Melodic Black Metal – Greece)
Season of Mist – 2019/02/15

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BAM! That’s how you return to form. Rituals was a bit naval gazing for my taste, but The Heretics is right on point. Its sharp thematic focus allows the melodies to soar majestically while buffeting mercilessly, much like being caught in the path of a legendary roc. Conventional theology takes a beating here, but they’re points that need hearing.

Thetan – Abysmal
(Powerviolence – United States of America)
Self-Released – 2019/02/01

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Thetan strip their punk right back to drum, bass, and vocals. That means they’ve got less to work with, so what they do have has to go much further. But there’s only so far they can stretch their stock. So they land some killers, but there’s also quite a bit of filler. And by filler, I mean stretches of tracks that sort of mush together. Stick around for the good stuff though.

Vanum – Ageless Fire
(Black Metal – United States of America)
Profound Lore – 2019/02/15

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Ageless Fire was the perfect album for a terrible day. It’s an album that speaks to the transcendental power of furious rage. To achieve this, Vanum take a longer form approach. Rather than simply blasting away, they take the meditative focus that pure anger can afford you, and turn it into a blistering, ash-raining firestorm.

January 2019 Review Round Up

New year, new albums, and the reviews keep on rolling. It hasn’t been the most release heavy January this year, but I sifted some gold out of the trickle.

The most gleaming nugget was Well of Night’s Demo. It’s so good and it’s only two tracks. Kinda makes you wonder why they can do so much with two tracks and so many others flounder with five or more times that number. It’s also a solid reminder that I should be listening to more demos.

I have also released my best of for 2018. You should go check that out too.

As usual, you can hit me up for critique or recommendations over at Facebook.

I will be back next month, first monday of month, as always.

Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Well of Night – Demo 2019
(Black Metal – United States of America)
Self-Released – 2019/01/11

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A good demo leaves me hungry for more. This turned me in to greedy Moloch, ravenous for I must consume. It’s obvious touchstones are the luminaries of the Swedish scene, but I got more out of these two tracks than I have got out of Watain’s last two albums. They have put together complex songs that engage completely while retaining full fury.

The Rest in Alphabetical Order
Altarage – The Approaching Roar
(Blackened Death Metal – Spain)
Season of Mist – 2019/01/25

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Confession: I didn’t expect these Basque sonic texturalists to become a hallmark of brilliant consistency. But here we are. They’ve taken their apocalyptic sound and taken it to a new Lovecraftian nadir. The raw anxiety that wells up listening to this is intense. It really does screw with the psyche. They keep finding new ways to turn the screw.

Kindergarten Hazing Ritual – It Doesn’t Matter When You Think The Simpsons Should’ve Ended. It Just Should’ve Ended.
(Grindcore – United States of America)
37564 Recordings – 2019/01/12

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This is the end of KHR. The final recording. And they use a thorough dissection of pop culture past its prime as a medium for explaining their decision to pull the plug. Because of course they would. And for three tracks, it’s a surprisingly strong finish. Tongue planted firmly in cheek, they still manage to get that grindcore approved anger out there.

Krallice – Wolf
(Experimental Black Metal – United States of America)
Self-Released – 2019/01/09

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The best thing about Krallice is you know what to expect but you’ll never know how they’ll deliver it. Wolf delivers by breaking their own mold. The cryptic has been toned down and has been replaced by a surprisingly improvisational sound. A black metal jam session is not what I thought I would be reviewing. Not complaining though. It’s a solid release.

Necrophobic – The Mark of the Necrogram
(Black Metal – Sweden)
Century Media – 2018/02/23

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Everything old is new again. My very first post, the best of 2013, had Necrophobic pipping Watain for quality. And here we are again; new Watain, new Necrophobic, and the later is better than the former. And it comes down to this: Necrophobic are better musicians. They write better songs that do a better job of conveying their dark, infernal intent.

Satan – Cruel Magic
(Heavy Metal – United Kingdom)
Metal Blade – 2018/09/07

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There’s something very refreshing about traditional, NWOBHM metal. Funny thing to say given it’s so old school, but so long as it’s done well, the crispness of the rhythms and the swell of the melodies will always leave you feeling better than when you started. This might be my first run in with Satan, but based on Cruel Magic, it definitely won’t be my last.

Uncle Acid and the Deadbeats – Wasteland
(Psychedelic Doom Metal – United Kingdom)
Rise Above – 2018/10/12

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Tough album to review. The opening couple of tracks justify the hype that surrounds the band. A little bit The Beatles, a little bit The Doors, a lot of mushrooms, and doom. Makes sense why people are into this. But then it keeps going, and it drags, and gets frustrating. I’m going to have to go back to earlier releases to see if this is an aberration.

Veldes – Flameless
(Black Metal – Slovenia)
Self-Released – 2019/01/04

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This is a curiously positive sounding album. It isn’t so much grim and frostbitten, as it is cold but otherwise pretty content with its lot in life. I doubt it’s what the band was aiming for, but I will say it takes an otherwise pretty middle of the road black metal album and makes it sound kind of refreshing. It’s undeniably odd, but I don’t hate it.