Albums of the Decade 2010-2019, Part 3 (40-11)

Part 3 of 4. Getting ever closer to the top of the tree. The bands that have got themselves this far have truly produced some amazing work to get here. Not just to beat out the previous 60 acts, but to also beat out the 100s of great albums that almost made the list. For the record, if I’m asked why [insert album here] isn’t in the top 100, it came in at 101.

As usual, enjoy.

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40) Inter Arma – Paradise Gallows
Relapse – 2016

Crushingly heavy. I swear, I’m going to overuse that phrase, but it’s so useful. And there’s a surprising amount of room to move with it. For example, Paradise Gallows is akin to being caught in one of those moveable wall traps. Think the garbage pit scene from Star Wars, except it doesn’t stop. It’s implacable and remorseless in its attack on your ears. The combination of sludge and drone, held together with blackened threads, is a methodical juggernaut. It cares not for what’s in its path.

39) Nadja – Sonnborner
Broken Spine Productions – 2018

I still find the pacing of this album thoroughly confusing. Opening with that titanic, 30 minute track, then following up with a handful of significantly shorter songs is odd. And, yet, it works so well. They present drone in a way that’s beautiful in a haunting sort of way. The distortion and the sustains warm the soul. And then it transitions to a more up-tempo approach, which breaks the reverie and re-engages the listener with reality. It’s a welcome reinterpretion of the genre.

38) Esoteric – A Pyrrhic Existence
Season of Mist – 2019

Is this actually slow? It seems pretty damn fast in places. The confusion is pretty intense. The thing you have to realise is that Esoteric have hit that terminal point of heaviness. The singularity. Black hole density. Listening to A Pyrrhic Existence puts you firmly past the event horizon and time starts to distort, to lose meaning. It’s satisfyingly weird to have something so crushingly heavy yet dexterously mercurial. It gave me a fresh insight into how funeral doom can shift within its own boundaries. Innovation can be a jovian weight to bear.

37) Batushka – Litourgiya
Witching Hour Productions – 2015

May the metal gods continue to bless the black metal drama machine and keep its cogs oiled and toothsome, because I would never have discovered this gem of an album if the band didn’t go the full Gorgoroth. Whatever your opinion on the acrimony, there’s no denying that Litourgiya is the work of a very skilled band. The interplay between Eastern Orthodox liturgical music and black metal is thoroughly engaging. I wanted, no, needed to keep listening to it; I had to unravel all its hidden truths.

36) Pissgrave – Posthumous Humiliation
Profound Lore – 2019

Death metal, by its very nature, has a certain degree of inherent violence. It’s up to each band to decide how exactly they want to channel it and how they want it dressed. Pissgrave come at the violence with absolutely zero artifice. Their approach is horrifyingly stark. There’s no attempt abstract or obfuscate their aggression; they lay it out naked and unadorned for the world to recoil from. To listen to it is to allow yourself to be dehumanised. It’s sadistic in a way that defies description.

35) Kvelertak – Kvelertak
Indie – 2010

When this came out in 2010 I had no idea how much I would want it. Then I got a taste of their faintly blackened, definitely over the top punk rock hullabaloo and it’s an album that’s been on regular rotation ever since. It’s got punch in the face tempos, ridiculous hooks, and the catchiest damn Norwegian lyrics ever. I don’t understand a word being yelled, but I yell right along with it. Or at least as well as my understanding of phonics will let me. I still get that rush every time it kicks off.

34) Lxs Jugadxs – Demo 2015
Self-Released – 2015

I very nearly cheated and put down all three of their demos in one entry. They’re a hell of an act. But doing that would undersell how good these four songs actually are. They’re a whirlwind of absolute madness, forever threatening to completely tear itself apart but always hanging on by the loosest of frayed threads. That the closing track feels so titanic at just under two minutes is indicative of just how brilliantly wild the preceding three tracks were. I hope they continue to play and release material.

33) Today is the Day – Pain is a Warning
Black Market Activities – 2011

One of my go-to albums for getting amped all the way up. It’s not just that it’s an energetic exercise in noise rock; it’s that it’s so smartly delivered. The slow passages brood with barely constrained intensity, the fast movements drive with pulsating dynamism, the clean vocals croon with genuine soul, and the harsh vocals are like acid, hallucinatory and corrosive, on the ear drums. It’s a sonic package so expertly delivered that it continues to surprise and amaze years after release.

32) Blood Incantation – Starspawn
Dark Descent – 2016

No band does death metal like Blood Incantation. They work at an intensity level that deliberately pushes them far outside conventional comfort limits. They take hostility and magnify it to apocalyptic rage. They take dread and amplify it to chthonic horror. And they take bloodlust and warp it into a febrile, extrasensory longing that can never be satiated. Starspawn attacks you and it’s up to you to endure it. It’s unhinged and does what it wants. Such a monstrosity is something that needs celebrating.

31) Napalm Death – Apex Predator – Easy Meat
Century Media – 2015

That the grindfathers of grindcore have released an album of this vitality so far into their career is testament to their relentless drive and commitment to their message and to their craft. It’s not just that they blast incendiary beats as hard as they can; it’s that they’re willing to throw in curveballs for the listener. The industrial vibe of album’s title track and the oozing sleaze of Dear Slum Landlord… are prime examples. It’s a furious album that indulges in the many faces of anger.

30) Alcest – Les Voyages De L’Âme
Prophecy – 2012

Alcest are probably my favourite practitioners of blackgaze and Les Voyages de L’âme is definitely my favourite album. It perfects the interplay between shoegaze and black metal. The songs are written with a beautiful, dreamy ambience that fills the sonic space with light. But that light, glorious and blinding, casts long, inky shadows. In those shadows lurk beasts, sharpened fangs, and razor claws. An insatiable hunger lies at the heart of this album and all the splendour does is mask its ravenous intent.

29) Leprous – Malina
InsideOut – 2017

Malina is possibly the most depressing album on this list but certainly the most beautiful. Leprous have taken inspiration from a piece of bleak and oblique Austrian literature and transformed it into a gorgeously affecting prog opus. Heavily syncopated, the album conveys a necessary level of turmoil and unrest without sacrificing narrative flow. And I cannot think of a better vocalist for this than Einar. His contra-tenor is thematically perfect. Sad, sensitive, wonderful.

28) Bell Witch – Four Phantoms
Profound Lore – 2015

I still struggle to reconcile the sheer power of this album to the fact it’s a two piece: bass, drums, vocals, that’s it. It’s so heavy that it sets everything nearby rattling; so much so that you can’t play it subtly. If it’s on, you will feel it. But the amazing physical phenomena on display pales in comparison to the music itself. Yes, it’s heavy, but it’s delivered with such a deft touch that it transcends funeral doom. It creates a hypnotic effect where the crushing weight traps and holds the light.

27) Primordial – Where Greater Men Have Fallen
Metal Blade – 2014

Soaring, majestic, and strident, Where Greater Men Have Fallen is a stirring lament to the modern ills of this world. It has the requisite level of bitterness for this style of black metal, but it’s delivered as a call to action; Primordial don’t want the listener to passively mourn the what-ifs of this existence, they want people to be pissed off and engaged with their rage. This dynamism and purpose is truly what sets them apart. They want compatriots not witnesses.

26) High on Fire – Luminiferous
eOne – 2015

An unstoppable beast of an album, Luminiferous sounds like nothing less than an out of control freight train made entirely out of thunder. There’s no second guesses and no chance to over-think things; there are only titanic riffs rolling over everything in their path. And the beauty of it all is that this is not a simple album. There’s a sophistication to it that is only enhanced by the rampaging juggernaut beat down it inflicts. It leaves you with things to think about once you’re standing and have found your teeth.

25) Horrendous – Anareta
Dark Descent – 2015

I think the highest possible praise I can give to Horrendous here is that Anareta gives me the same satisfaction that Leprosy does. Yep, I’m comparing them to Death. While they are very much their own band with their own approach, the end result is an album that marries visceral intensity with distinctive technical flourishes and is delivered with passion and an ear for the listener. In that regard, it’s very similar to a certain, dearly departed Floridian’s oeuvre. A classic album born of legendary roots.

24) Bölzer – Hero
Iron Bonehead – 2016

The moment the intro track, Urðr, starts, you know you’re listening to something different. Something special. It somehow succeeds in being extremely traditional black metal and a wholly new approach to the genre all at once. It burns as brightly as the most powerful stars in the sky, but is kept grounded by a chill groove that is unusual stylistically yet thoroughly welcome. It’s an album of contrasts, as the band juggle the infernal and the mortal. It’s a remarkable album from a remarkable band.

23) Watain – Lawless Darkness
Season of Mist – 2010

Stirring anthems and soaring choruses aren’t just for power metal, you know. Done right, they have a happy home in any genre, irrespective of how ordinarily abrasive it usually is. This is an excellent thing for Watain, who have approached their proselytising for the Dark Lord with both the fire of abject zealotry and the huge hooks of stadium rock. Some may cry “FALSE!” Fuck ’em. As devotees of darkness, they understand that preaching to the choir is reductive and self-defeating. Darkness for all!

22) Enforcer – Diamonds
Earache – 2010

As great as this album is, it still manages to sound like a deliciously guilty pleasure. On a technical level, it’s brilliantly delivered speed metal. Driving rhythms, killer riffs, memorable vocals, the whole deal. But then you get to what it is thematically and it is gloriously lurid. High stakes gambling and swordfights on the neon-washed streets of Tokyo seems to be the narrative they were aiming for, but they also threw in a liberal dose of the devil. It’s utter madness and it all the better for it.

21) Trap Them – Darker Handcraft
Prosthetic – 2011

The absolute kings of Entombedcore and the high priests of HM2 worship, Trap Them took a chainsaw approach to their punk, creating an unmistakably hellish racket in doing so. Nothing exemplifies this as much as Darker Handcraft. Once again, you’ll find yourself in Barren Praise, the ghost town the band centre their narrative around. But this particular trip is harrowing, miserable, and dangerous. Their blend of grindcore and hardcore shouldn’t be this gloriously atmospheric, but it is.

20) Sólstafir – Ótta
Season of Mist – 2014

Winner of the “Holy Shit I Should Learn Another Language” award goes to Sólstafir. Ótta is haunting, lonely, and dripping with ennui. It’s evocative of a weary traveller crossing the tundra on a misty evening. I just wish I could match the lyrical themes to the music. The lyrical delivery is so delicate, sounding so pained yet so inviting at the same time. The emotional depths that this album plumbs transcend language barriers; I may not completely understand it, but I remain touched and enthralled throughout.

19) Altarage – Endinghent
Season of Mist – 2017

I probably overuse the word relentless. I don’t really think about that sort of thing usually, but upon revisiting Endinghent, it’s abundantly clear that I do. And shame on me for watering down the word through overuse, as no other album embodies relentlessness as completely and overwhelmingly as Altarage’s second full length. It’s as delirious and as terrifying as a fever dream in a war zone. Every beat and every riff sounds like they are trying to tear down the walls of reality. Relentless indeed.

18) Alder Glade – Spine of the World
Self-Released – 2017

It still strikes me as odd that an album so deeply rooted in Nordic heathenism could be made to such high quality by one man in Brisbane, Australia. Brisbane: the city winter forgot. But whatever journeys brought him to this point payed dividends, as Spine of the World is possessed of a true blackened aesthetic that makes you believe magic is very real and very dangerous. It helps that the magic is backed up by a unique approach to the genre. It’s crisp and sharp, like it’s been flash frozen in nitrogen.

17) Cloud Rat – Pollinator
Artoffact Records – 2019

This is nothing less than a startling vision of what grindcore could be. Of what it should be. Here is a band that is unafraid to take their fury and vitriol and wrap it in something more than blasts, shrieks, and distortion. It still has all those things, but the band unleash them with a sophistication more akin to prog or post-metal. They present their anger with as much complexity musically as there is in day to day existence. The real world isn’t simple and Cloud Rat dare to acknowledge that.

16) Revocation – Chaos of Forms
Relapse – 2011

Revocation’s signature blend of technical death metal and classic thrash was perfectly realised on Chaos of Forms. Oddly enough, I firmly believe the key to marrying the two genres together this well lies in David Davidson’s jazz background. He understands how to channel different sonic forces and wield them together to create a seemless, yet unpredictable union. In this sense, the title “Chaos of Forms” is entirely apt. Every song is a whirlwind of sound, a technical wonder and a classic banger all in one.

15) Clutch – Earth Rocker
Weathermaker Music – 2013

This is an album that never fails to get me, as they say, right in the feels. So you don’t misunderstand me, this isn’t some florid, weepy exercise in melodramatic sentimentality; rather it’s a powerful testament to healing powers of rock and roll. I never really thought about how much music has helped me get by in life until Earth Rocker stirred me up and got me assessing things. It’s an album that puts its existence up in lights and justifies the ever-living shit out of it with pure rock fury.

14) Nachtmystium – Silencing Machine
Century Media – 2012

There’s an awful lot of awful things you can say about Nachtmystium’s front man, Blake Judd. Junky, thief, and conman leap to mind. But there’s no doubt that when he channelled his self-destruction into his music instead of himself, the results were intense and inspired. Produced just before his life fell completely to shit, this is an album all about the stuttering flame of hope being snuffed out. It’s industrialised, progressive black metal at its most despairing.

13) Hacride – Back to Where You’ve Never Been
Indie – 2013

If you had asked me at the start of the decade which emotionally mature French progressive death metal act would make the most impact on me, I genuinely doubt Hacride would have been on my list. But BtWYNB is an absolute revelation. It sounds absolutely huge; the sumptuous and verdant soundscapes they create are a joy to luxuriate in. And yet, the songs are so personal, so intimate that it feels almost like an intrusion to listen to them. Their combination of hefty sonic bombast and intense emotion leaves an indelible impression.

12) Turbonegro – Sexual Harassment
Volcom – 2012

This is more than a return to form; this is a glorious, sleazy, denim-clad triumph over adversity. The Duke of Nothing on vocals isn’t Hank, but that’s the point. The ten tracks on offer require a rougher approach and that’s what he brings. Sexual Harassment doesn’t just showcase the band’s still-sparkling talent; it allows them to exorcise all the demons born of their turbulent hiatus. It makes for an unusual, yet real mix of hostility, bitterness, relief and gratitude. Catharsis sometimes requires raucous partying.

11) Swans – The Glowing Man
Young God – 2016

Come. Come to the great high mass. Give yourself to the church of sound and abase yourself upon the altar of Swans. Michael Gira’s masters of post-punk have always delivered in ritualistic, almost fevered fashion, but The Glowing Man is transcendent. It offers mania and catharsis, but it requires time and commitment. Exposing yourself fully to its complete panoply of sound is to give yourself over to a devotional that extends to almost the two hour mark, but will leave you feeling the touch of the divine.

January 2019 Review Round Up

New year, new albums, and the reviews keep on rolling. It hasn’t been the most release heavy January this year, but I sifted some gold out of the trickle.

The most gleaming nugget was Well of Night’s Demo. It’s so good and it’s only two tracks. Kinda makes you wonder why they can do so much with two tracks and so many others flounder with five or more times that number. It’s also a solid reminder that I should be listening to more demos.

I have also released my best of for 2018. You should go check that out too.

As usual, you can hit me up for critique or recommendations over at Facebook.

I will be back next month, first monday of month, as always.

Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Well of Night – Demo 2019
(Black Metal – United States of America)
Self-Released – 2019/01/11

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A good demo leaves me hungry for more. This turned me in to greedy Moloch, ravenous for I must consume. It’s obvious touchstones are the luminaries of the Swedish scene, but I got more out of these two tracks than I have got out of Watain’s last two albums. They have put together complex songs that engage completely while retaining full fury.

The Rest in Alphabetical Order
Altarage – The Approaching Roar
(Blackened Death Metal – Spain)
Season of Mist – 2019/01/25

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Confession: I didn’t expect these Basque sonic texturalists to become a hallmark of brilliant consistency. But here we are. They’ve taken their apocalyptic sound and taken it to a new Lovecraftian nadir. The raw anxiety that wells up listening to this is intense. It really does screw with the psyche. They keep finding new ways to turn the screw.

Kindergarten Hazing Ritual – It Doesn’t Matter When You Think The Simpsons Should’ve Ended. It Just Should’ve Ended.
(Grindcore – United States of America)
37564 Recordings – 2019/01/12

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This is the end of KHR. The final recording. And they use a thorough dissection of pop culture past its prime as a medium for explaining their decision to pull the plug. Because of course they would. And for three tracks, it’s a surprisingly strong finish. Tongue planted firmly in cheek, they still manage to get that grindcore approved anger out there.

Krallice – Wolf
(Experimental Black Metal – United States of America)
Self-Released – 2019/01/09

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The best thing about Krallice is you know what to expect but you’ll never know how they’ll deliver it. Wolf delivers by breaking their own mold. The cryptic has been toned down and has been replaced by a surprisingly improvisational sound. A black metal jam session is not what I thought I would be reviewing. Not complaining though. It’s a solid release.

Necrophobic – The Mark of the Necrogram
(Black Metal – Sweden)
Century Media – 2018/02/23

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Everything old is new again. My very first post, the best of 2013, had Necrophobic pipping Watain for quality. And here we are again; new Watain, new Necrophobic, and the later is better than the former. And it comes down to this: Necrophobic are better musicians. They write better songs that do a better job of conveying their dark, infernal intent.

Satan – Cruel Magic
(Heavy Metal – United Kingdom)
Metal Blade – 2018/09/07

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There’s something very refreshing about traditional, NWOBHM metal. Funny thing to say given it’s so old school, but so long as it’s done well, the crispness of the rhythms and the swell of the melodies will always leave you feeling better than when you started. This might be my first run in with Satan, but based on Cruel Magic, it definitely won’t be my last.

Uncle Acid and the Deadbeats – Wasteland
(Psychedelic Doom Metal – United Kingdom)
Rise Above – 2018/10/12

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Tough album to review. The opening couple of tracks justify the hype that surrounds the band. A little bit The Beatles, a little bit The Doors, a lot of mushrooms, and doom. Makes sense why people are into this. But then it keeps going, and it drags, and gets frustrating. I’m going to have to go back to earlier releases to see if this is an aberration.

Veldes – Flameless
(Black Metal – Slovenia)
Self-Released – 2019/01/04

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This is a curiously positive sounding album. It isn’t so much grim and frostbitten, as it is cold but otherwise pretty content with its lot in life. I doubt it’s what the band was aiming for, but I will say it takes an otherwise pretty middle of the road black metal album and makes it sound kind of refreshing. It’s undeniably odd, but I don’t hate it.

Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03

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A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01

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Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01

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Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07

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So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03

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Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13

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E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch

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Looks impressive, doesn’t it? Wait until you see the full spread.

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See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27

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The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23

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Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17

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This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Meshuggah

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25

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A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13

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The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01

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Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.

August 2016 Review Round Up

August has been one of those months that make me question whether or not I should keep going. So much top quality music passed through my ears that I found it difficult to say a bad thing. Even the album I’m most critical of is, in all honesty, pretty good.

Am I too soft? Possibly.

Or it could just be that August was one of those lucky months that came without a dud.

Altarage shone the brightest over all the other gems this month. Bit of an ironic description; they are a bleak experience. But within their withering contempt lies a brilliant stroke of death metal genius.

Grave Miasma gets the nod for honourable mention. Any other month would see them at the top of the tree. Their latest ep is a death metal masterclass.

I’m still active on Facebook, so feel free to get in touch.

Until September, enjoy.

Album of the Month
Altarage – Nihl
(Blackened death metal – Spain)
Sentient Ruin Laboratories/Doomentia Records/Iron Bonehead Productions – 2016/02/26

Dear GOD, that’s an aggressive album. Damn. But more than that, it’s an invigorating album. It’s an album that makes the genre sound vital and new in every way. It’s horrifying. It’s malevolent. Its every note and growl are invocations to indulge in all of humanity’s worst. Captivating in its darkness, Nihl doesn’t let up. Not for one second.
Try before you buy: Vortex Pyramid (Bandcamp)

Honourable Mention
Grave Miasma – Endless Pilgrimage
(Death metal – United Kingdom)
Profound Lore Records/Sepulchral Voice Records – 2016/05/06

I missed Grave Miasma on their last spin through critical country. I’m guessing that was a mistake, as this EP is exactly what death metal should sound like. It is a paragon of death metal, if you will. It absolutely, and perfectly, nails the balance between blistering fury and sinister malice that the genre was built upon.
Try before you buy: Utterance of the Foulest Spirit (Bandcamp)

The Rest in Alphabetical Order
Atrament – Eternal Downfall
(Blackened death crust – United States of America)
Sentient Ruin Laboratories – 2016/03/04

A swirling cacophony of bleakness, Eternal Downfall puts it all out there and all it is is horror. The raw spit and venom of crust turns the blackened death metal into a nightmarish amalgamation of cult and gangland initiations. A flurry of fists and feet pummelling you while thick, noisome incense chokes you.
Try before you buy: Rotting Twilight (Bandcamp)

Karcavul – Intersaone
(Blackened sludge – France)
Sentient Ruin Laboratories – 2016/07/01

Sometimes muddy production aids an album. That is definitely the case here. Karcavul’s take on sludge is venomous in the extreme and the ‘recorded in a sewer’ vibe they have going on here only serves to highlight this. Torrid, toxic, and downright sinister, Intersaone is a reminder that metal often hates you.
Try before you buy: Mangepierres (Bandcamp)

Katatonia – The Fall of Hearts
(Depressive rock – Sweden)
Peaceville Records – 2016/05/20

This is what a band embracing their maturity sounds like. The music is always finely balanced between melancholic and bleak. This is further complemented by vocals that are somehow achingly delicate and powerfully desperate. It certainly has its tonally heavy moments, but it is the thematic heaviness that leaves the biggest mark.
Try before you buy: Old Heart Falls (YouTube)

Leather Glove – Skin on Glass
(Crusty death metal – United States of America)
Sentient Ruin Laboratories – 2016/05/05

Always good to listen to death metal that doesn’t sacrifice entertainment in the name of brutality or technicality. Make no mistake, this is aggressive, but the crust influence gives it a degree of punk swagger. Over the course of the three tracks, this demo brings death metal down to the gutter and lets the dirty rock rhythms reign.
Try before you buy: Skin on Glass (Bandcamp)

Mesarthim – .- -… … . -. -.-. .
(Atmospheric black metal – Australia)
Self-released – 2016/08/28

Points awarded straight away for being an atmospheric black metal act that looks beyond the sylvan and verdant. Looking to the broader cosmos is a theme I feel is surprisingly underused in black metal. This album takes mankind’s insignificance in the universe and twists it into knots of futility and rage.
Try before you buy: …– (Bandcamp)

מזמור — Yodh
(Blackened doom metal – United States of America)
Gilead Media – 2016/08/12

Did you ever get the feeling something was going to be brilliant before experiencing it? You try to manage your expectations and keep your hopes in check. Most of the time you will be let down. Not the case with מזמור, aka Mizmor. Harrowing and mournful, Yodh is a death rattle amplified and distorted
Try before you buy: iii. The Serpent Eats Its Tail (Bandcamp)

Psalm Zero – Stranger to Violence
(Metallic post-punk – United States of America)
Profound Lore Records – 2016/06/15

Some solid love for Killing Joke is on display here. I don’t mean to make them sound derivative, as they’re not. It’s more that they push the limits of post-punk far out into the murky waters of metal. It’s a hypnotic affair; swirling synths and meticulous guitar work produce an album furious in its deliberation.
Try before you buy: White Psyche (Bandcamp)

Revocation – Great is Our Sin
(Death thrash – United States of America)
Metal Blade Records – 2016/07/22

I first got into Revocation with their titanic release, Chaos of Forms. It’s a beast of an album. Great is Our Sin is easily its equal. Probably its superior, once I excise the nostalgia. Its speed and heaviness are rounded out by flourishes of technicality. It’s instantly accessible and deeply complicated.
Try before you buy: Only the Spineless Survive (Bandcamp)

Ritual Chamber – Obscurations (To Feast On The Seraphim)
(Death metal – United States of America)
Profound Lore Records – 2016/02/26

The curse of being merely good made manifest. Everything about Obscurations is on point. The riffs sound like Satan blowing off steam. The rhythms are relentless. The growls are low and guttural invocations of damnation. And, yet, for all this positivity, it’s not memorable. Definitely for genre fans, but it’s charm is ephemeral.
Try before you buy: Beings of Entropy (Bandcamp)