September 2019 Review Round Up

That was a hell of a September. It was a catch up month for Metalshopped, so shout out to the taxman for giving me a nice refund of my own money. It felt good to mostly clear the ol’ shopping list.

You know what else feels good? Listening to Empath. Devin Townsend has unleashed a spectacular, insane hit of joyous ridiculousness. It’s prog without limits.

Also reviewed this month is Blut Aus Nord’s Hallucinogen. Another cracking album for sure, but it should have been included next month. Some dick leaked the album early, so Debemur Morti responded by upping the release date. While it’s nice to have the album early, it’s bullshit that it happened that way. Support content creators; fuck pirates.

The year and the decade are both winding up, but there’s still a hell of a lot of good in the pipes. Got pumped, stay pumped.

As usual, you can hit me up on Facebook. Always happy to hear feedback and suggestions.

See everyone next month.

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Album of the Month
Devin Townsend – Empath
(Progressive Metal – Canada)
InsideOut – 2019/03/29

Proving that any emotion delivered stridently enough can provide an intense experience, Empath is a manic blast of over-the-top positivity. The album is an extended love song to existence, and not in the bubblegum, everything-is-awesome sense. This is a shining beacon highlighting the warts and all nature of life in all its glory.

The Rest in Alphabetical Order
01101111011101100110111001101001 – SDSS J0333+0651
(Brutal Death Metal – Antarctica and Mars but actually Argentina)
Amputated Vein – 2019/08/09

I’m ashamed of how much I like this, because, let’s be honest, astronomy slam sounds like the Dunning-Kruger effect put to music. But I don’t think anyone other than the band could have predicted how precise and energetic SDSS would turn out. No lazy interchangeable chug here. There’s not a second of wasted energy; all mosh, no rest.

Abyssal – A Beacon in the Husk
(Death Metal – United Kingdom)
Profound Lore – 2019/06/21

Abyssal continue to be one of the most ably evocative metal acts out there. Like their previous album, Antikatastaseis, A Beacon in the Husk takes me deep into the hell realms of Dante’s Inferno. This time, I’m transported to the Wood of the Suicides. It’s dread. It’s horror. It’s entrapment. It’s the knowledge of damnation at your own hands.

Blut Aus Nord – Hallucinogen
(Progressive Black Metal – France)
Debemur Morti – 2019/09/20

It’s an irritating but necessary pun that best describes Hallucinogen; it’s intoxicating. From its diverse vocal range to its Hendrix-meets-Mayhem melodies, it’s an album that pushes progressive black metal in directions it doesn’t usually go. It challenges expectations and rewards the active listener with its psychedelic visions.

Cloud Rat – Pollinator
(Grindcore – United States of America)
Artoffact – 2019/09/13

Who would have thought grindcore could be so grandiose? So majestic? Dare I say it? Epic. Pollinator is something very special. It’s the vast vista of humanity with all its foibles and tumults, but sped up to the bpm of a stressed hummingbird’s heartbeat and viewed through an obscuring heat shimmer of pure ferocity. A stunning act of musical severity.

Consummation – The Great Solar Hunter
(Blackened Death Metal – Australia)
Profound Lore – 2019/06/07

The fury of the ascendant sun combined with the patience of the greatest hunter; it’s hard to think of a more appropriately named album. Especially since it’s, well, great. It’s always impressive to see a band manage an elevated level of aggression with the forethought and maturity to build up to bigger pay-offs. And this album pays off big time.

Cult of Luna – A Dawn to Fear
(Progressive Metal – Sweden)
Metal Blade – 2019/09/20

Cult of Luna give themselves all the room in the world to craft their music. It’s an expansive approach that yields the dividends they were expecting, as the band’s signature part-progressive, part-post metal sound is given free reign to soar to dizzying acrophobic openness and crunch into claustrophobic oppression. Stirring stuff.

Darkthrone – Old Star
(Blackish Metal – Norway)
Peaceville – 2019/05/31

I love Darkthrone’s “We don’t give a shit; we play what we want” attitude. You couldn’t have an album like Old Star without it. It plays out like Mayhem covering Lynyrd Skynyrd, or maybe vice versa. Oozing with attitude, it’s an album for getting smashed around a camp fire with mates after a hard day of blasphemy and church burning.

Destruction – Born to Perish
(Thrash – Germany)
Nuclear Blast – 2019/08/09

Destruction have to start aiming up. Thrash doesn’t have the luxury of resting on its laurels anymore. To plateau is to stagnate and the genre is littered with albums that, while not bad, fail to inspire because they’re a rehash of what came before. It’s been like that for a long time and these German titans seem to have missed the memo.

Devourment – Obscene Majesty
(Brutal Death Metal – United States of America)
Relapse – 2019/08/16

For a band that has been held up as a pillar of a genre often (self-) described as super ignorant, there’s an awful lot of intelligence packed into these ten songs. Suspiciously melodic passages too. It’s like the band care why their fans are smashing each other to a pulp in the mosh and are trying to give them better reasons to do so.

Fall of Rauros – Patterns in Mythology
(Black Metal – United States of America)
Gilead Media – 2019/07/19

Ordinarily, I tend to use ephemeral as a pejorative. Light weight. Lacking substance. That’s not the case with Patterns in Mythology. It’s ephemeral in the fae, life is fleeting way. It gives the black metal on display a curious otherness; it allows the band to explore airier, more beautiful sounds while still retaining the blackened fire.

Full of Hell – Weeping Choir
(Grindcore – United States of America)
Relapse – 2019/05/17

Full of Hell have tended to land their grindcore firmly in the experimental, avant-garde camp. Very easy to see their talent, not always as easy to enjoy their efforts. Weeping Choir breaks free of this. Still absolutely willing to experiment with grind’s form, but it is delivered as such an all-out assault that all niggling doubts vanish.

Gaahl’s WYRD – GastiR — Ghosts Invited
(Black Metal – Norway)
Season of Mist – 2019/05/31

This feels like an important album. Like there’s another leap forward contained within, up there with Bathory’s early work or Mayhem’s De Mysteriis dom Sathanas. The icy ferocity of the music is matched with a dark poetry that you wouldn’t ordinarily associate with the genre. Gaahl truly is one of this generation’s greatest skålds.

Garsdghastr – Slit Throat Requiem
(Symphonic Black Metal – Sweden/United States of America)
Profound Lore – 2019/04/26

Damn, this is sharp. I don’t expect symphonic black metal to have such a wicked cutting edge to it. But there’s no florid Dimmu-esque melodrama; there is only a ruthless dedication to making the most hellish synth-led racket they possibly can. It serves as an almighty reminder that black metal should, in all its myriad forms, intimidate.

Grand Magus – Wolf God
(Heavy Metal – Sweden)
Nuclear Blast – 2019/04/19

I am, and will remain, a big fan of Grand Magus, but my fandom isn’t so one-eyed that I can’t acknowledge their faults. And vocal delivery is certainly a problem. JB’s vocals don’t have a great deal of range, which is fine when there’s a cornucopia of badass riffs to distract. Wolf God, alas, does not distract. It’s all a bit flat and uninspiring.

Inter Arma – Sulphur English
(Sludge Metal – United States of America)
Relapse – 2019/04/12

Coming across as less cataclysmic and more cathartic, Sulphur English still sounds distinctly like Inter Arma. And, yet, not. Subtle stylistic deviations are the mark of a band expanding their sonic brand. They still build tension deliberately and intensely, but they direct it differently. It’s an organic evolution to their approach to darkness.

Mgła – Age of Excuse
(Black Metal – Poland)
Northern Heritage – 2019/09/02

Complacency is the greatest enemy of consistency. It’s understandable that a band with a distinct sound and approach to their craft might to resistant to change to the own detriment. It’s why Mgła are so impressive. Age of Excuse sounds as fresh and intimidating as Groza did ten years ago. And they’ve sacrificed none of their signature sound along the way.

Mizmor (מזמור) – Cairn
(Blackened Doom Metal – United States of America)
Gilead Media – 2019/09/06

Cairn sounds like an album attempting, but failing, to outrun itself. A great jovian heaviness acts as a gravity well, forever smashing the fevered black metal back to earth and forcing it to crawl at a near drone. It’s a thoroughly entertaining synergy of energy levels, merging the anti-human and the inhuman into one malign force.

Slipknot – We Are Not Your Kind
(Nu-Metal – United States of America)
Roadrunner – 2019/08/09

A fine return to form, Slipknot have moved past the necessarily disjointed Gray Chapter and the terrible Stone Sourness of the previous two albums before that. The band’s sound has matured, maintaining a familiar level of vitriol but has become more expansive, as befits their status as one of metal’s most bankable acts.

Tomb Mold – Planetary Clairvoyance
(Death Metal – Canada)
20 Buck Spin – 2019/07/19

If you’re going to be prolific, you’d better hope you’re good. And the thoroughly restless Tomb Mold are just that. Planetary Clairvoyance breathes fire into every track, making what is essentially an old school album fresh again. This is what happens when a band deeply care about their end product and have the smarts to deliver.

July 2016 Review Round Up

So. Here it is. The first triumphant post of my glorious return! Or, at least, a collection of assorted words I hope are entertaining.

But what of the first half of the year? It’s gone but not forgotten. I won’t be going back over anything I’ve listened to prior to July 1, but quality albums are still eligible for my end of year list. That’ll add a bit of extra mystery. Also, regrettably, I won’t be doing a Best Self-Released list this year. I haven’t listened to enough independent releases and it would only represent the best of July through December.

Leading the charge is Swans’ latest masterpiece, The Glowing Man. I don’t think Gira et al have put a step wrong since returning and it’s all led to this; eight tracks of dense, complicated beauty.

Getting the Honourable Mention is Eximperituserqethhzebibšiptugakkathšulweliarzaxułum. I’m pretty sure I’ll just refer to them as E-dawg from here on out. Ignoring their deliberately inaccessible name, I was left with a brutal techdeath album that reinvigorated my love of the genre.

It’s not the most review heavy month. I’m still getting back into the groove of things, but damn it feels good to be back.

Album of the Month
Swans – The Glowing Man
(Post-punk – United States of America)
Young God Records – 2016/06/17

As someone whose experiences with psychedelics have been universally bad, the feeling of disconcerting expectation this album is saturated with is uncomfortably familiar. It makes the expected uneasily unexpected. The eight monumental tracks thrum with an energy so fundamental it could spawn new life.
Try before you buy: The World Looks Red / The World Looks Black (Bandcamp)

Honourable Mention
Eximperituserqethhzebibšiptugakkathšulweliarzaxułum –  Prajecyrujučy sinhuliarnaje wypramieńwańnie Daktryny Absaliutnaha j Usiopahłynaĺnaha Zła skroź šaścihrannuju pryzmu Sîn-Ahhī-Erība na hipierpawierchniu zadyjakaĺnaha kaŭčęha zasnawaĺnikaŭ kosmatęchničnaha ordęna palieakantakta, najstaražytnyja ipastasi dawosiewych cywilizacyj prywodziać u ruch ręzanansny transfarmatar časowapadobnaj biaskoncaści budučyni u ćwiardyniach absierwatoryi Nwn-Hu-Kek-Amon, uwasabliajučy ŭ ęfirnuju matęryju prach Ałulima na zachad ad ękzapłaniety PSRB 1620-26b
(Brutal techdeath – Belarus)
Amputated Vein Records – 2016/07/10

A ridiculous album title by a ridiculously named band playing ridiculous brutal techdeath. I haven’t enjoyed a brutal album this much in a long time. I’ve payed lip service here or there to quality albums, but none have given me that sublime feeling of pure enjoyment. High-concept slamming goodness.
Try before you buy: Da pytańniaŭ ab suziraĺnym paznańni naradžęńnia trahiedyi j niaŭchiĺnaści hibeli isnaha ŭ Wučeńni Anihiliacyi, jak pra pieršaęliemienty praŭdziwaj pryrody askietyčnych praliehamienaŭ mižhałaktyčnaha smutku smierciśćwiardžajučaj mudraści Šapienhaŭęra, jakaja kuje apakatastasičnym połymiem hietęradaksaĺnaha katarsisu artęryi mietafizičnych siłahizmaŭ u liazo Liucyfieryjanskaha rozumu j Akaŭzaĺnaha Waliuntaryzmu, zwiartajučy ŭ prach saliarnyja zikkuraty apošniaha świtańnia nadychodziačaj Juhi Nicšęanstwa (Bandcamp)

The Rest in Alphabetical Order
Caïna – Christ Clad in White Phosphorus
(Black metal – United Kingdom)
Apocalyptic Witchcraft Recordings – 2016/07/15

My last experience with Caïna didn’t light my fires, but they have a certain critical appeal, so I’ll try again. Good idea. This is a tumultuous affair; a blast of unhallowed negativity that is emotionally exhausting on a level beyond most black metal’s limits. As precise as in utero surgery, as destructive as a cyclone.
Try before you buy: Fumes of God (Bandcamp)

EDxKEMPER – Cut Her Head and Love Her
(Grindcore – Greece)
Symbol of Domination/VEX Microlab – 2016/01/30

This is a deceptive release. It’s straight up, back to basics grindcore. No frills. Nothing pretty. But it’s done so damn well. Violence gushes from every note. Grind is inherently furious, but these Greeks take it to a further, darker level. Dan Swanö’s mastering puts the cherry on top. Ugly, brutal, satisfying.
Try before you buy: Desperate Cries (Bandcamp)

Gevurah – Hallelujah!
(Black metal – Canada)
Profound Lore – 2016/06/03

Some black metal bands approach their Satanism with evangelical zeal; others with intellectual rigour. Not Gevurah. They hate. Sometimes with fury, sometimes with ice in their veins, but always with as much hate as they can humanly muster. It leads to a refreshing listen to be honest. Intimidation made spiritual
Try before you buy: Un Feu Indomptable (Bandcamp)

Goolagoon – Life of Crime
(Powerviolence – United States of America)
Self-released – 2016/06/28

I genuinely enjoyed Goolagoon’s Patrickviolence Demo, so it’s interesting to see how the band has progressed their sound. For one thing, they’ve eschewed a lot of their quirkiness. Only two Spongebob samples this time round. In its place is a doubling down on their manic energy. The eight tracks are a relentless blitz of furious punk.
Try before you buy: Pressure (Bandcamp)

Oligarch – Hypocrisy Oath
(Blackened death metal – Australia)
Self-released – 2016/05/19

Think of a blackened death metal album you want to listen to. Imagine the overlap between fury and violence. Factor in the musical skill necessary to make the album worth both your time and multiple listens. That leaves you with Hypocrisy Oath. Oligarch have put this together with apocalyptic violence in mind.
Try before you buy: Winds of Apocalyptic Incineration (Bandcamp)

Through – Manuskript
(Black metal – Ukraine)
Hell Division Productions – 2016/07/13

Always a shame to come across a quality band after they’ve broken up. Through are fantastic. Each track on Manuskript starts with crackling fire and a whispered incantation. It sets the atmosphere perfectly before launching into fretwork that is equally cryptic and pitiless. A dark and sinister swansong.
Try before you buy: Сфера (Bandcamp)