October 2018 Review Round Up

The year might be getting close to wind up, but October served up some mighty releases. Hopefully November and December will keep on delivering even though the release rate slows.

Bliss Signal justifiably took home the Album of the Month. The melding of Altar of Plagues grimness with club scene electronica works in all sorts of ways it shouldn’t.

I have a temporary employment deficit issue going on at the moment, so November and possibly December might be a whisper slower, but I’ll keep going because I love it.

As usual, if anyone wants to contribute to my Red Bull fund, I still have my ko-fi up and running.

And, as usual, if you have critique or commentary, you can reach me at Facebook.

See you next month.

Album of the Month
Bliss Signal – Bliss Signal
(Blacktronica – Ireland/United Kingdom)
Profound Lore – 2018/09/28

image

Bliss Signal is possessed of that beautiful, casual genius that you know will never lose its tarnish no matter how many times you listen to it or how long it has been between spins. It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.

The Rest in Alphabetical Order
Anaal Nathrakh – A New Kind of Horror
(Blackened Industrial Grind – United Kingdom)
Metal Blade – 2018/09/28

image

Good to see that a band as committed to unapproachable blackened noise as Anaal Nathrakh can still endeavour to mix things up. With vocals approaching comprehensible and a satisfyingly King Diamond-esque approach to delivery, this may be the closest we get to an accessible album from them. It’s still horrific hell noise though.

Behemoth – I Loved You At Your Darkest
(Black Metal – Poland)
EVP Recordings – 2018/10/05

image

Despite being no strangers to blasphemy, this sounds like Behemoth’s Martin Luther moment. Of course, they’re not nailing their list of grievances to the church door; they’re shoving it right down the throat of the church. They understand and articulate their theological underpinnings while making their declaration of eternal war sound so seductive.

Boar Worship – Balance of Terror
(Deathly Sludge Metal – United States of America)
Self-Released – 2018/09/23

image

Balance of Terror takes sludge and breaks it down to its barest elements. Guitar, drums, vocals, no messing about. It’s a risky strategy to strip things back this much, but Boar Worship have truly embraced this stylistic primitivism. It raises the riff to a totemic ideal: a spiritual force comprised entirely of rancor. Boar worship? No. Hate worship.

A Forest of Stars – Grave Mounds and Grave Mistakes
(Psychedelic Black Metal – United Kingdom)
Prophecy Productions – 2018/09/28

image

This came awfully close to a bad review. It took so many begrudging listens to get to a point where I could review it. But during that last spin, something clicked. Suddenly what was plodding became deliberate, what was melodramatic became operatic. The trick was I had to be alert. This is way too smart an album to be half-arsed.

Gevurah – Sulphur Soul
(Black Metal – Canada)
Profound Lore – 2018/09/28

image

Gevurah are where I put my money when asked who I think the most dangerous sounding black metal act is. There’s no lecturing. There’s no preaching. There’s no posturing. There is only black metal at its most fundamentally visceral. Sulphur Soul doesn’t need to deviate from this; something so unhallowed in its simplicity yields its own dark rewards.

High on Fire – Electric Messiah
(Sludge Metal – United States of America)
eOne – 2018/10/05

image

High on Fire don’t do bad albums. I’ll just put that out there first. That being said, not all their albums live up to their high standards. Electric Messiah is one of those. It wants for that special combination of resinous sludge and bombastic riffage that make the great albums so memorable. It’s still a good album, but I won’t have any reason to revisit it.

Horrendous – Idol
(Death Metal – United States of America)
Season of Mist – 2018/09/28

image

Horrendous faced that nightmare of how to follow up a brilliant album with quiet aplomb. Idol follows Anareta but subtly tweaking the things that made their previous release so good. They haven’t radically changed things; rather, their sound has taken on more progressive elements. It a more complicated experience, but in a good way.

Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

image

No matter how weird/inaccessible you may find [insert metal subgenre here], jazz at its weirdest will always make everything else seem normal in comparison to its batshitness. What is Chaos? is hallucinogenic in delivery, veering wildly between spaced out headfucks and aggressive, grind-esque pummellings. It is absolute madness.

Moss Upon the Skull – In Vengeful Reverence
(Progressive Death Metal – Belgium)
I, Voidhanger – 2018/10/19

image

Taking Orchid-era Opeth’s pronto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious. Extremely ambitious. But fortune favours the brave because I can’t get enough of this. It manages to strike the perfect balance between sophisticated insight and naked hostility.

Pig Destroyer – Head Cage
(Grindcore – United States of America)
Relapse – 2018/09/07

image

I love a bit of grindcore that’s not afraid to add a bit of swagger to their blasts. Head Cage has swagger in spades, but there’s no tongue in cheek, no knowing wink. It’s bravado being delivered with maximum aggression. The great thing about this is the combination of white hot anger and rhodomontade is it super catchy.

Revocation – The Outer Ones
(Technical Death Metal – United States of America)
Metal Blade – 2018/09/28

image

You’ve got to admire Revocation; they are the hallmark of consistency and innovation. They’re on to their fifth album this decade and again they’ve delivered a corker that sounds substantially different to what has come before, but is still distinctly them. The Outer Ones is sinister, almost blackened in tone and gives their aggressive style an icy precision.

Sumac – Love in Shadow
(Post Metal – United States of America)
Thrill Jockey – 2018/09/21

image

Aaron Turner really knows how to score a headfuck of an album. Pounding sludge deconstructs into spirals of noise and free jazz only to resolve itself almost imperceptibly back into form. And then it splinters off in another direction. Then another. But all of this happens so organically, that it’s the only logical way these tracks can play out.

Voivod – The Wake
(Progressive Thrash – Canada)
Century Media – 2018/09/21

image

This is a great Voivod ep wrapped up in a mediocre album. The last half is top notch, weird as a Bosch painting Voivod. But those first few tracks are just such an exhausting slog to get through. The problem is they are lifeless. Barren as the lunar surface with about as much atmosphere. Suffer through the insufferable prog-lite, reap the rewards of later.

Windhand – Eternal Return
(Stoner Doom Metal – United States of America)
Relapse – 2018/10/05

image

Of all the stoner doom bands you should know, Windhand are probably the most grounded in reality. There’s no hammer horror, no over the top misanthropy, and no transcendental musings. What there is though is a haunting, sad insight into life. Eternal Return is bleak, but is fuelled by a fire of determination that gives it a curious optimism.

Advertisements

January 2015 Review Round Up

A new year and some changes with it. Looking over my Best Of for 2014, I realised that there weren’t many surprises because of how I structured my monthly reviews. Too many Honourable Mentions gave the game away. So from here on, one Album of the Month and one Honourable Mention.

I’ve also changed my tag cloud. Thought it would be a good idea to add some extra details. Probably still not perfect, but I like it.

On to the music, I was originally planning to give the Album of the Month to a January release, but Primordial killed that notion. Spectacular is an understatement. Had I followed through with my original intention, Marilyn Manson’s new album would have got the nod. He’s been in the wilderness quality-wise for a while, but he finally pulled himself together.

Enjoy.

Album of the Month
Primordial – Where Greater Men Have Fallen
(Blackened Celtic metal – Ireland)
Metal Blade Records – 2014/11/25

image

Are Nemtheanga’s vocals some of the most powerful in metal? In terms of emotional content and raw volume, absolutely. He serves up a real tour de force on Where Greater Men Have Fallen. Fortunately, the rest of the band don’t just back him up; they shine brighter than the vast bulk of their contemporaries. Few bands can do what Primordial do; fewer still could match this effort. Frankly, I’m surprised they pulled it off do spectacularly too.
Try before you buy: Ghosts of the Charnel House (YouTube)

Honourable Mentions
Marilyn Manson – The Pale Emperor
(Gothic electric blues – United States of America)
Hell, etc – 2014/01/19

image

I was hoping Manson had one last fantastic album in him. Born Villain gave me hope, even if it didn’t quite deliver. The Pale Emperor justifies my hope. It’s a very different album for him, which isn’t a bad thing. It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. Bitterness and isolation are recurring themes and are delivered with an achingly soulful approach. It’s a welcome return to form.
Try before you buy: Mephistopheles of Los Angeles (YouTube)

The Rest in Alphabetical Order
Anaal Nathrakh – Desideratum
(Grinding industrial blackness – United Kingdom)
Metal Blade Records – 2014/10/24

image

I was worried that Anaal Nathrakh had hit peak misanthropy with Hell is Empty. Black Widow had its moments and Passion was lucklustre. Vanitas was an improvement, but that’s like saying Death Magnetic is better than St Anger; it’s true, but it’s a low bar. Desideratum is a welcome return to form. It’s the sound of trying to wash flaming acid off your face with frozen lye. It burns in ways unimaginable. It’s pure sonic masochism done properly.
Try before you buy: The One Needful Thing (YouTube)

Ancient VVisdom – Sacrificial
(Occult rock – United States of America)
Magic Bullet Records – 2014/10/28

image

I was hoping for a return to form from these occult crooners. Their previous album sounded like a compilation of shitty b-sides. But this is a roaring comeback. I mean that literally too, as this is a much heavier release. It’s almost a metal album. Almost. It works though. It enables the band to set a suitably dark tone to compliment the anti-cosmic lyrics. It sounds fantastic and feels like you are having your own damnation broadcast directly to you.
Try before you buy: I Am Your Sacrifice (Bandcamp)

Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry
(Atmospheric black metal – France)
Debemur Morti Productions – 2014/10/10

image

Blut Aus Nord have that special knack for taking archetypal black metal and tweaking it into something unique. Feels weird about saying that about the third album in a series, but it’s true. And of the Memoria Vetusta series, Saturnian Poetry is the one I’m most likely to return to. It’s an album that, knowing it already speaks to the other, seeks to engage rather than alienate. This gives the album an appropriately poetic touch and an air of sophistication.
Try before you buy: Forhist (Bandcamp)

Caïna – Setter of Unseen Snares
(Black metal – United Kingdom)
Broken Limbs Recordings – 2015/01/20

image

Thank you, internecine scene politics; I had forgotten about Caïna. Frankly, I’m not entirely sure if they’re worth the fuss, as regardless of where they sit on the ideological spectrum, they sound like just another black metal act. The punk-esque drumming is a nice touch, and the closer, Orphan, is monstrous, so there are some things that separate Setter of Unseen Snares from the pack. It doesn’t change the fact that it doesn’t push far enough to distinguish itself.
Try before you buy: I am the Flail of the Lord (Bandcamp)

The Datsuns – Deep Sleep
(Garage rock – New Zealand)
Hellsquad Records – 2014/10/03

image

The Datsuns are a rock band that keep me engaged with the genre and it’s criminal that my collection doesn’t have more of them. Deep Sleep helps redress that. Glad to get it too. It’s less frenetic than their, frankly, fantastic self-titled album, but it’s much more finely balanced; the sort of album that when it slows down, it doesn’t fall off the rails. Truth be told, the slower tracks are where it’s at. The fast tracks jab away, but the slow ones lay you out like a haymaker.
Try before you buy: Bad Taste (YouTube)

DawnRazor – Deus Ex Machina
(Death metal – United Kingdom)
Self-released – 2015/01/05

image

Deus Ex Machina has smatterings of promise, but it’s a pretty dull effort overall. There are some catchy melodies and some memorable vocal work, but the pickings are slim. As the album rolls on, it becomes more and more of a chore as the songs all merge into one slightly chuggy snorefest. Oddly enough, I don’t thoroughly hate it. The opening few tracks do hold my attention. I can see why some folk would like it. But it wears out its charm.
Try before you buy: Ego Echo (Bandcamp)

The Grudge – Fortress Sessions
(Sludge metal – United Kingdom)
Self-released – 2015/01/05

image

Okay, I get it, you guys really like Down. That infatuation creates a big problem, as Down really like Black Sabbath, so we’re way down the recycled riff rabbit hole here. Familiarity breeds contempt is an old saying for a reason. It also doesn’t help that the vocalist sounds like a Muppet Show version of Phil Anselmo. ‘Felt Anselmo’ may be appropriate for The Electric Mayhem, but it’s a distraction here. It’s a shame because there’s some potential buried in there.
Try before you buy: Rise of the Death Rates (Bandcamp)

Old Man Gloom – The Ape of God
(Sludge metal – United States of America)
Profound Lore Records – 2014/11/11

image

I had to get in the right frame of mind for this. Listening to it while lying on the couch watching sport left me thinking, “It’s good, but so what?” Change of scenery and energy levels. Started doing yard work. Got the blood pumping. Then I got it. This is a visceral album. It’s not blood and guts like death metal, nor is fire and fury like black metal. It’s deeper than that. There’s a primalness to it that can’t be enjoyed passively. Turn it on and work up a sweat.
Try before you buy: Shoulder Meat (Bandcamp)

Old Man Gloom – The Ape of God
(Sludge metal – United States of America)
Profound Lore Records – 2014/11/11

image

This is the superior of the Apes of God. The four long tracks hammer home with expertly delivered sludginess, but what really sets it apart is the incorporation of finely nuanced ambient noise. They’re not mere interludes; they are critical elements to each song, deftly crafting mood that wouldn’t otherwise be possible. There is a certain dark majesty at work here. Much like a mad emperor, it effortlessly commands you, but you cannot be at ease.
Try before you buy: Arrows to Our Hearts (Bandcamp)

Voices – London
(Blackened death metal – United Kingdom)
Candlelight Records – 2014/11/17

image

I miss Akercocke. Seriously, Voices does nothing for me. In their effort to distinguish themselves from their predecessor, they seem to have stripped out all the passion and replaced it with faintly gothic melodrama. It’s a shame, as opening track, Suicide Note, demonstrated some genuine sophistication. But it quickly descends into a half-hearted display of disjointed rhythms and inconsistent vocals. It’s not for me at all.
Try before you buy: Vicarious Lover (Bandcamp)