September 2018 Review Round Up

We’re reaching the crunch point for the critical year. August was impressive, but September really stepped it up as bands and labels try to maximise their visibility. I can’t wait for October.

The album of the month is from Florida death metal veterans, Deicide. You have no idea how surprised I am to have written that. But credit where credit is due, they absolutely nailed that super-hostile sound.

Not too much else to say. Starting to look towards my end of year list, which is always fun. And given that 2019 is just around the corner, I’m starting to look seriously at my best of the decade list too.

As always, for comments and critiquing, you can reach me via Facebook. And I’m still always in need of Red Bull, if you don’t mind the panhandling. I wish I could get the fancy widget to work, but alas, I’m not that competent.

Album of the Month
Deicide – Overtures of Blasphemy
(Death Metal – United States of America)
Century Media – 2018/09/14

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If you thought this was going to be another piece of stodgy filler in Deicide’s extensive catalogue, get to the back of the class! It’s easily their best since Stench of Redemption, and I’m going to have to realisten to that to make sure it’s still their best. I have my doubts to be honest. This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.

The Rest in Alphabetical Order
Archgoat – The Luciferian Crown
(Black Metal – Finland)
Debemur Morti – 2018/09/14

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Archgoat’s best album. Just going to put that straight out there. I buy Archgoat for their signature blend of Fimbulwinter cold and sulphurous balefire. This album more than delivers on those fronts, but is also unexpectedly loaded with sinister groove and infernal sexuality. It’s rare to find a black metal album that so ably encapsulates damnation.

Aura Noir – Aura Noire
(Blackened Thrash – Norway)
Indie Recordings – 2018/04/27

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Aura Noir’s intertwining of thrash and first wave black metal has always yielded razor sharp riffs. Aura Noire continues this trend. They haven’t exactly built extensively on what they’ve done before, but that’s not what this is about. This is, as it always has been, about cramming venomous thrash all the way down your throat.

Black Matter Device – Modern Frenetics
(Mathcore – United States of America)
Self-Released – 2018/04/06

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Fast music for the short tempered. Modern Frenetics is an album for people who don’t have the patience for soft things. It helps that Black Matter Device are (appropriately) mathematically precise. The relentless pummelling that ensues is one of the smartest arse-kickings you will experience. It’s like getting mugged by a mortarboard.

Clutch – Book of Bad Decisions
(Rock – United States of America)
Weathermaker – 2018/09/07

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It’s funny how after all these years Clutch still find a way to deliver just what you want while still surprising you. Book of Bad Decisions comes across as rawer and dirtier than the high octane output of their previous few albums. Real music for smokey dive bars and, by God, it’s beautiful. It gets you right in that part that knows a bit of grime is good for the soul.

Common Eider, King Eider – A Wound of Body
(Black Ambient – United States of America)
Sentient Ruin Laboratories – 2018/09/21

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Dealing only in the bleakest of black ambient, Common Eider, King Eider have turned loose an audio horror upon this world. It creeps and slithers and contorts its way around your psyche; never pushing all the way through, but never letting you get comfortable. Albums that do their work quietly are a challenge, but I recognise darkness when I hear it.

Drawn and Quartered – The One Who Lurks
(Death Metal – United States of America)
Krucyator Productions – 2018/07/27

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How on earth have I managed to get to 2018 without hearing about Drawn and Quartered? These guys have been pounding out old school death metal for ages now and it’s taken until this monster landed for me to know they existed. It’s an appalling oversight on my part. Guttural, almost brutal, The One Who Lurks is a visceral gut ripper.

Grave Dust – Pale Hand
(Death Metal – United States of America)
Self-Released – 2018/08/24

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What is up with 2018 and top notch death metal releases? I’m running out of superlatives; I’m either going to start repeating myself or start using nonsensical adjectives. But, dead set, Pale Hand is another death metal monster. It’s a rumbling, aggressive, menacing beast, but it comes with that vital element of catchiness that lodges the songs in your brain.

Hyperdontia – Nexus of Teeth
(Death Metal – Denmark)
Dark Descent – 2018/09/06

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Nexus of Teeth is a fine death metal record that may not set the world on fire but is definitely enjoyable. It suffers a little from repetitiveness, but in Hyperdontia’s defence, they do a couple of things really well, so it makes total sense that they play to their strengths. You can put this on in a room of genre buffs and they will be headbanging all over the place.

Imperial Triumphant – Vile Luxury
(Technical Black Metal – United States of America)
Gilead Media – 2018/07/13

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This is different. Cacophonous black metal played with a level of technicality that should require an engineering degree all wrapped up with Fritz Lang-esque noir. This is what a smokey jazz dive sounds like in hell. I like this a lot, but I’m not going to lie; it’s a tough album to get into and even once you’re in, it can be overwhelming. Extremity done differently.

Kaerulean – The Orwellian Dream
(Blackened Death Metal – Australia)
Truth Inc – 2018/08/10

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It makes a hell of an entertaining racket. But, more than that, it impresses on multiple levels and you will get more out of it with each subsequent listen. For starters, I genuinely didn’t expect the clean vocals to be as good as they are. And the rhythm section is just a fucking beast underneath. This band deserves much broader exposure.

Mantar – The Moden Art of Setting Ablaze
(Sludge Metal – Germany)
Nuclear Blast – 2018/08/24

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Finally getting around to Mantar and I totally get why they are, and rightly should be, considered sludge’s premier arsonists. Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated. I know I’m not the first to say it, but it’s amazing that this sonic firestorm is made by just two people. Incredible stuff.

Nadja – Sonnborner
(Ambient Doom Metal – Canada)
Broken Spine Productions – 2018/09/14

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Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom. The 30 minute opener is an album in and of itself. It’s awe-inspiring too. It weaves, lilts, and flows beautifully. The following four tracks include dramatic and jarring tonal shifts, giving the ambience some unexpected, but welcome exhilaration.

Primordial – Exile Amongst the Ruins
(Blackened Folk Metal – Ireland)
Metal Blade – 2018/03/30

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I can only assume that Primordial are sick of Metal Blade, as this sound like nothing more than a contractual obligation album. All the hallmarks of a Primordial album are there, but they’re so listless and seemingly dialed in. It’s tough to listen to something that sounds like nobody cared. It’s especially tough when it’s a band as hugely talented as Primordial.

Thou – Magus
(Doom Metal – United States of America)
EVP Recordings – 2018/08/31

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Other bands must wish they could match Thou’s ability to be both prolific and talented. Magus is their fourth release this year, the second to get a review by me, and easily the best thing they’ve done recently. Which is impressive, because they are consistently excellent. The raspy growls, the subtle melodies, the monstrous low end; it is amazing.

The Vintage Caravan – Gateways
(Rock – Iceland)
Nuclear Blast – 2018/08/31

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I love what The Vintage Caravan have done previously, so it really pains me to say this: Gateways is boring. At best it’s dull, at worst it’s tedious, and it all balances out as boring. There’s nothing on display here to get the listener actively involved in the music. It just kinda plods along without doing anything noteworthy. At least it’s easy to forget.

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February 2015 Review Round Up

Happy March, everyone.

2015 is shaping up nicely already. Napalm Death’s new album is an absolute wrecking ball of an album. It has that effortless quality to it, as though the band were so confident in what they were doing that the album was always going to come out perfect.

There was a fair bit of competition for the honourable mention too, but I eventually settled on KharmA. Incendiary grind at its best, SubReal is sonic arson.

I have finally got around to setting up a Facebook page too. Drop by and give me a like. If you like.

Until April, enjoy.

Album of the Month
Napalm Death – Apex Predator – Easy Meat
(Grindcore – United Kingdom)
Century Media Records – 2015/01/27

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The Godfathers of grind are back with their fifteenth album. They’re not struggling for material either. Greenway’s vocals, sublimely harsh and expertly spat, are an intelligent examination of the relationship between consumerism and slavery. The music itself is a way more catchy than grindcore has any right being. It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
Try before you buy: Metaphorically Screw You (YouTube)

Honourable Mention
KharmA – SubReal
(Death grind – Venezuela)
Self-released – 2015/02/06

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I’m a pretty chilled out sort of guy on a day to day basis. I don’t have great insight into revolutionary zeal. KharmA, on the other hand, are made of fiery conviction. Their uncompromising blend of grind and death angries up the blood like few releases I’ve heard recently. The brutal vocals and severe guitars assault the ear drums, with the blasting drums beating a death march for the speed addled. I’m impressed by how well they use music as a medium for rage.
Try before you buy: Obliterados (Bandcamp)

The Rest in Alphabetical Order
Addaura – …And the Lamps Expire
(Black metal – United States of America)
Self-released – 2015/01/19

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I probably shouldn’t have listened to this while feeling a bit bummed, as it turned a mild funk into a spiralling depression. Then again, every band should be seeking to make a genuine emotional impact on the listener, so in this regard, Addaura is a raging success. The two long-ish tracks (separated by a short interlude) hit the right combination of guitars, keyboards, and vocals to make a poignant listening experience. Stunningly harrowing.
Try before you buy: Amid the Tumult and Clamor (I Look for the Light Through the Pouring Rain.) (Bandcamp)

Annúlond – The Baker of Aljubarrota
(Blackened folk metal – Australia)
Self-released – 2015/02/17

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An Australian band who self-describe as viking metal doing an album about a figure from Portuguese folklore. Good to see another female folk figure getting some attention. A seven foot tall woman with six fingers on each hand and innate knack for killing is pretty metal. Surprised the good baker doesn’t get more attention to be honest. The music itself is on the dour end of folk, like someone sucked all the joy and energy out of Finntroll. An interesting diversion.
Try before you buy: Rise of Penthesilea (Bandcamp)

Antareth – The Mask of Truth
(Doom metal – Canada)
Self-released – 2015/02/12

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Didn’t have high hopes for Antareth. That cover art set off all sorts of alarms. Being described as avant-garde didn’t sit well either. Pointless weirdness played slow didn’t sound appealing. Happily, the Mask of Truth exceeded my expectations. It’s a little bit dull, but not nearly as excruciating as it could have been. The clean vocals need to be scrubbed from future recordings too. Yes, it’s dull, but it does at least manage to sound original. A small victory.
Try before you buy: The Pearly Road (Bandcamp)

Archgoat – The Apocalyptic Triumphator
(Black metal – Finland)
Debemur Morti Productions – 2015/01/27

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If you want a blueprint for straight to the point, straight for your throat black metal, you could do worse than following Archgoat’s lead. The Apocalyptic Triumphator is an anti-cosmic high mass, leading the profane in worship most blasphemous. It does this through one of the finest combinations of guitars, drums, and vocals in black metal today. They’re not particularly strong on innovation, but given the performance, they don’t need to be.
Try before you buy: Grand Luciferian Theophany (Bandcamp)

Cowards – Rise to Infamy
(Blackened sludge – France)
Throatruiner Records – 2015/02/09

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I feel slightly uneasy about the thought of hearing this live. The malice broadcast through these ten songs should whip a live audience into a dervish of hatred that would tear apart the venue. They strike a fine balance between the heft of sludge’s mighty riffs and black metal’s coruscating fury. Balancing these elements creates an atmosphere of primal anger that the band only just contained long enough to successfully put to wax. Scary stuff.
Try before you buy: Beyond My Hands (Bandcamp)

Death Engine – Mud
(Sludgey hardcore – France)
Throatruiner Records – 2015/03/02

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I love Throatruiner. The label make all their releases available for free download. Rest assured, I went back and purchased a copy of Mud. Death Engine’s speciality is harsh and unrelenting music. Sludgey hardcore doesn’t seem entirely appropriate as a descriptor, but it’s as close to a specific genre as I can get. The raw barks of the vocalist collide with the pitiless melodies in a jagged rhythmic battleground. It’s an exhilarating experience.
Try before you buy: Organs (Bandcamp)

Eall – Scents of a Wandering Ghost
(Atmospheric black metal – France)
Self-released – 2015/02/07

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I detect the fear of failure in this demo. There are some movements that have the potential to be truly spectacular, but they always pull up too short, leaving the listener feeling short-changed. It’s like the band doesn’t fully trust their skills, which would explain why they so readily slide back into the murk of generic Burzum worship. This intermingling of the awe-inspiring and the insipid leaves the demo sounding disjointed. It’s disappointing rather than bad.
Try before you buy: That Brought Shining Visions In A Cold Water Stream (Bandcamp)

Ethereal Shroud – They Became the Falling Ash
(Blackened doom metal – United Kingdom)
Grimoire Cassette Cvlture – 2015/02/21

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This is more grandiose than I expected. In many ways it is a union of miserable metal’s soul mates, dsbm and funeral doom. There’s not an once of doubt that the three long tracks are bleak, but there’s definitely something else to it. There’s a grandeur to it that would be equally appropriate for an epic doom act, were it not so depressing. It’s the guitar movements. There’s a sweep to them that allows the band to generate a dark energy to hammer home the misery.
Try before you buy: Look Upon the Light (Bandcamp)

Gomgoma – Medicine Apophthegms
(Doom metal – Greece)
Self-released – 2015/02/07

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It’s a bit of a dog’s breakfast. The vocalist would be better served in a funeral doom act, rather than this somewhat sludgey affair. The drummer is wasted here; easily an A+ performer in a C band. Lays down a triumphant beat that gives the songs at least some semblance of energy. The guitar work is a buzzkill; there’s not a lot to enjoy here. They either need to be slower to pack some wallop or faster to build some energy. Tempo limbo is a killer.
Try before you buy: Asstray (Bandcamp)

Karmageddon – Preborn
(Southern metal – Hungary)
Self-released – 2015/02/08

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Southern metal: typically a term used by bands who owe so much to Dimebag and Vinnie Paul, they might as well drop a sack of royalties off directly at the House of Abbott. Karmageddon don’t exactly distance themselves from this assessment. They’re pretty hard to hate though. The vocals aren’t brilliant, but the rest of the music has an infectious energy to it that you can’t help but enjoy. They’ll never be critical darlings, but they are good, solid fun.
Try before you buy: Faith in Me (Bandcamp)

Marduk – Frontschwein
(Black metal – Sweden)
Century Media Records – 2015/01/19

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This is a punch in the face with black metal. The military theme is well executed, turning the album into a mighty blitzkrieg. I think what appeals to me more is that Frontschwein manages to arrest the Funeral Mist-ification that Marduk was undergoing. I love Mortuus’ other band, but I got into Marduk with Panzer Division Marduk. I’m all about the war themes and the militaristic rhythms, which this album delivers on in a big way. Brutal and hellish.
Try before you buy: Afrika (YouTube)

Misþyrming – Söngvar elds og óreiðu
(Black metal – Iceland)
Fallen Empire Records – 2015/02/07

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This is a fine addition to world of intellectual black metal. It sounds like it belongs to the wonderfully fruitful French scene that spawned Deathspell Omega and Arkhon Infaustus. Rhythm and melody are tortured into twisted abominations. The vocals, while mostly harshly intoned venom, have a range not commonly seen in this particular neck of the blackened woods. It’s an album that revels in bleak inhumanity. As monstrous and unforgiving as hell.
Try before you buy: Friðþæging blýþungra hjartna (Bandcamp)

Mortum – Ascending Calamity
(Black metal – United States of America)
Vanguard Productions – 2015/02/14

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Mortum, we need to talk. It’s about your intentions. Do you plan on remaining an underground act, only heard by the trve and the occasional falsey (such as myself) who stumbles upon you? Or do you want to be bigger and have wider exposure? I hope it’s the later, because your talent is wasted on basement recordings. I’m very grateful to Vanguard. They did put this out for you and I heard it as a result. But you have talent that deserves to be heard above tape hiss.
Try before you buy: Scourge of Suffering (Bandcamp)

Rusco – Demo 2015
(Grindcore – Italy)
Self-released – 2015/02/22

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As relentless and destructive as an archetypal slasher film villain, Rusco’s demo doesn’t mess about. There isn’t even the illusion of respite during the ten tracks on offer. Bass heavy and jammed to overflowing with blastbeats, they still manage to make each song stand out on its own; they have succeeded in cultivating relentlessness without falling into the trap of monotony. It’s also good to hear organ-gargling vocals outside of goregrind.
Try before you buy: Cloaca (Bandcamp

Seventh Dimension – Recognition
(Progressive metal – Sweden)
Self-released – 2015/02/13

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An entertaining effort from Seventh Dimension. They’re out on the power metal end of prog’s spectrum, so expect something closer to Symphony X, albeit without their panache, than Dream Theater. It maintains an upbeat pace and avoids self-indulgence. It’s crowd pleasing. The cynic in me thinks they have a specific label they’re trying to woo, but that shouldn’t take away from the fact that they have produced an album geared up for broad appeal.
Try before you buy: Third Eye (Bandcamp)

Sumac – The Deal
(Post-metal – United States of America)
Profound Lore Records – 2015/02/17

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Aaron Turner’s latest musical venture, in collaboration with Nick Yacyshyn and Brian Cook, sees him once again venturing into the realms of post-metal. It’s an impressive release. The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy. It’s so heavy it forms its own gravitational pull, keeping the listener drawn in until the final note fades. But it’s effortless in its heavyness, allowing the listener to bear the full brunt of its atmosphere.
Try before you buy: Hollow King (Bandcamp)