September 2019 Review Round Up

That was a hell of a September. It was a catch up month for Metalshopped, so shout out to the taxman for giving me a nice refund of my own money. It felt good to mostly clear the ol’ shopping list.

You know what else feels good? Listening to Empath. Devin Townsend has unleashed a spectacular, insane hit of joyous ridiculousness. It’s prog without limits.

Also reviewed this month is Blut Aus Nord’s Hallucinogen. Another cracking album for sure, but it should have been included next month. Some dick leaked the album early, so Debemur Morti responded by upping the release date. While it’s nice to have the album early, it’s bullshit that it happened that way. Support content creators; fuck pirates.

The year and the decade are both winding up, but there’s still a hell of a lot of good in the pipes. Got pumped, stay pumped.

As usual, you can hit me up on Facebook. Always happy to hear feedback and suggestions.

See everyone next month.

Buy Me a Coffee at ko-fi.com

Album of the Month
Devin Townsend – Empath
(Progressive Metal – Canada)
InsideOut – 2019/03/29

Proving that any emotion delivered stridently enough can provide an intense experience, Empath is a manic blast of over-the-top positivity. The album is an extended love song to existence, and not in the bubblegum, everything-is-awesome sense. This is a shining beacon highlighting the warts and all nature of life in all its glory.

The Rest in Alphabetical Order
01101111011101100110111001101001 – SDSS J0333+0651
(Brutal Death Metal – Antarctica and Mars but actually Argentina)
Amputated Vein – 2019/08/09

I’m ashamed of how much I like this, because, let’s be honest, astronomy slam sounds like the Dunning-Kruger effect put to music. But I don’t think anyone other than the band could have predicted how precise and energetic SDSS would turn out. No lazy interchangeable chug here. There’s not a second of wasted energy; all mosh, no rest.

Abyssal – A Beacon in the Husk
(Death Metal – United Kingdom)
Profound Lore – 2019/06/21

Abyssal continue to be one of the most ably evocative metal acts out there. Like their previous album, Antikatastaseis, A Beacon in the Husk takes me deep into the hell realms of Dante’s Inferno. This time, I’m transported to the Wood of the Suicides. It’s dread. It’s horror. It’s entrapment. It’s the knowledge of damnation at your own hands.

Blut Aus Nord – Hallucinogen
(Progressive Black Metal – France)
Debemur Morti – 2019/09/20

It’s an irritating but necessary pun that best describes Hallucinogen; it’s intoxicating. From its diverse vocal range to its Hendrix-meets-Mayhem melodies, it’s an album that pushes progressive black metal in directions it doesn’t usually go. It challenges expectations and rewards the active listener with its psychedelic visions.

Cloud Rat – Pollinator
(Grindcore – United States of America)
Artoffact – 2019/09/13

Who would have thought grindcore could be so grandiose? So majestic? Dare I say it? Epic. Pollinator is something very special. It’s the vast vista of humanity with all its foibles and tumults, but sped up to the bpm of a stressed hummingbird’s heartbeat and viewed through an obscuring heat shimmer of pure ferocity. A stunning act of musical severity.

Consummation – The Great Solar Hunter
(Blackened Death Metal – Australia)
Profound Lore – 2019/06/07

The fury of the ascendant sun combined with the patience of the greatest hunter; it’s hard to think of a more appropriately named album. Especially since it’s, well, great. It’s always impressive to see a band manage an elevated level of aggression with the forethought and maturity to build up to bigger pay-offs. And this album pays off big time.

Cult of Luna – A Dawn to Fear
(Progressive Metal – Sweden)
Metal Blade – 2019/09/20

Cult of Luna give themselves all the room in the world to craft their music. It’s an expansive approach that yields the dividends they were expecting, as the band’s signature part-progressive, part-post metal sound is given free reign to soar to dizzying acrophobic openness and crunch into claustrophobic oppression. Stirring stuff.

Darkthrone – Old Star
(Blackish Metal – Norway)
Peaceville – 2019/05/31

I love Darkthrone’s “We don’t give a shit; we play what we want” attitude. You couldn’t have an album like Old Star without it. It plays out like Mayhem covering Lynyrd Skynyrd, or maybe vice versa. Oozing with attitude, it’s an album for getting smashed around a camp fire with mates after a hard day of blasphemy and church burning.

Destruction – Born to Perish
(Thrash – Germany)
Nuclear Blast – 2019/08/09

Destruction have to start aiming up. Thrash doesn’t have the luxury of resting on its laurels anymore. To plateau is to stagnate and the genre is littered with albums that, while not bad, fail to inspire because they’re a rehash of what came before. It’s been like that for a long time and these German titans seem to have missed the memo.

Devourment – Obscene Majesty
(Brutal Death Metal – United States of America)
Relapse – 2019/08/16

For a band that has been held up as a pillar of a genre often (self-) described as super ignorant, there’s an awful lot of intelligence packed into these ten songs. Suspiciously melodic passages too. It’s like the band care why their fans are smashing each other to a pulp in the mosh and are trying to give them better reasons to do so.

Fall of Rauros – Patterns in Mythology
(Black Metal – United States of America)
Gilead Media – 2019/07/19

Ordinarily, I tend to use ephemeral as a pejorative. Light weight. Lacking substance. That’s not the case with Patterns in Mythology. It’s ephemeral in the fae, life is fleeting way. It gives the black metal on display a curious otherness; it allows the band to explore airier, more beautiful sounds while still retaining the blackened fire.

Full of Hell – Weeping Choir
(Grindcore – United States of America)
Relapse – 2019/05/17

Full of Hell have tended to land their grindcore firmly in the experimental, avant-garde camp. Very easy to see their talent, not always as easy to enjoy their efforts. Weeping Choir breaks free of this. Still absolutely willing to experiment with grind’s form, but it is delivered as such an all-out assault that all niggling doubts vanish.

Gaahl’s WYRD – GastiR — Ghosts Invited
(Black Metal – Norway)
Season of Mist – 2019/05/31

This feels like an important album. Like there’s another leap forward contained within, up there with Bathory’s early work or Mayhem’s De Mysteriis dom Sathanas. The icy ferocity of the music is matched with a dark poetry that you wouldn’t ordinarily associate with the genre. Gaahl truly is one of this generation’s greatest skålds.

Garsdghastr – Slit Throat Requiem
(Symphonic Black Metal – Sweden/United States of America)
Profound Lore – 2019/04/26

Damn, this is sharp. I don’t expect symphonic black metal to have such a wicked cutting edge to it. But there’s no florid Dimmu-esque melodrama; there is only a ruthless dedication to making the most hellish synth-led racket they possibly can. It serves as an almighty reminder that black metal should, in all its myriad forms, intimidate.

Grand Magus – Wolf God
(Heavy Metal – Sweden)
Nuclear Blast – 2019/04/19

I am, and will remain, a big fan of Grand Magus, but my fandom isn’t so one-eyed that I can’t acknowledge their faults. And vocal delivery is certainly a problem. JB’s vocals don’t have a great deal of range, which is fine when there’s a cornucopia of badass riffs to distract. Wolf God, alas, does not distract. It’s all a bit flat and uninspiring.

Inter Arma – Sulphur English
(Sludge Metal – United States of America)
Relapse – 2019/04/12

Coming across as less cataclysmic and more cathartic, Sulphur English still sounds distinctly like Inter Arma. And, yet, not. Subtle stylistic deviations are the mark of a band expanding their sonic brand. They still build tension deliberately and intensely, but they direct it differently. It’s an organic evolution to their approach to darkness.

Mgła – Age of Excuse
(Black Metal – Poland)
Northern Heritage – 2019/09/02

Complacency is the greatest enemy of consistency. It’s understandable that a band with a distinct sound and approach to their craft might to resistant to change to the own detriment. It’s why Mgła are so impressive. Age of Excuse sounds as fresh and intimidating as Groza did ten years ago. And they’ve sacrificed none of their signature sound along the way.

Mizmor (מזמור) – Cairn
(Blackened Doom Metal – United States of America)
Gilead Media – 2019/09/06

Cairn sounds like an album attempting, but failing, to outrun itself. A great jovian heaviness acts as a gravity well, forever smashing the fevered black metal back to earth and forcing it to crawl at a near drone. It’s a thoroughly entertaining synergy of energy levels, merging the anti-human and the inhuman into one malign force.

Slipknot – We Are Not Your Kind
(Nu-Metal – United States of America)
Roadrunner – 2019/08/09

A fine return to form, Slipknot have moved past the necessarily disjointed Gray Chapter and the terrible Stone Sourness of the previous two albums before that. The band’s sound has matured, maintaining a familiar level of vitriol but has become more expansive, as befits their status as one of metal’s most bankable acts.

Tomb Mold – Planetary Clairvoyance
(Death Metal – Canada)
20 Buck Spin – 2019/07/19

If you’re going to be prolific, you’d better hope you’re good. And the thoroughly restless Tomb Mold are just that. Planetary Clairvoyance breathes fire into every track, making what is essentially an old school album fresh again. This is what happens when a band deeply care about their end product and have the smarts to deliver.

January 2015 Review Round Up

A new year and some changes with it. Looking over my Best Of for 2014, I realised that there weren’t many surprises because of how I structured my monthly reviews. Too many Honourable Mentions gave the game away. So from here on, one Album of the Month and one Honourable Mention.

I’ve also changed my tag cloud. Thought it would be a good idea to add some extra details. Probably still not perfect, but I like it.

On to the music, I was originally planning to give the Album of the Month to a January release, but Primordial killed that notion. Spectacular is an understatement. Had I followed through with my original intention, Marilyn Manson’s new album would have got the nod. He’s been in the wilderness quality-wise for a while, but he finally pulled himself together.

Enjoy.

Album of the Month
Primordial – Where Greater Men Have Fallen
(Blackened Celtic metal – Ireland)
Metal Blade Records – 2014/11/25

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Are Nemtheanga’s vocals some of the most powerful in metal? In terms of emotional content and raw volume, absolutely. He serves up a real tour de force on Where Greater Men Have Fallen. Fortunately, the rest of the band don’t just back him up; they shine brighter than the vast bulk of their contemporaries. Few bands can do what Primordial do; fewer still could match this effort. Frankly, I’m surprised they pulled it off do spectacularly too.
Try before you buy: Ghosts of the Charnel House (YouTube)

Honourable Mentions
Marilyn Manson – The Pale Emperor
(Gothic electric blues – United States of America)
Hell, etc – 2014/01/19

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I was hoping Manson had one last fantastic album in him. Born Villain gave me hope, even if it didn’t quite deliver. The Pale Emperor justifies my hope. It’s a very different album for him, which isn’t a bad thing. It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. Bitterness and isolation are recurring themes and are delivered with an achingly soulful approach. It’s a welcome return to form.
Try before you buy: Mephistopheles of Los Angeles (YouTube)

The Rest in Alphabetical Order
Anaal Nathrakh – Desideratum
(Grinding industrial blackness – United Kingdom)
Metal Blade Records – 2014/10/24

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I was worried that Anaal Nathrakh had hit peak misanthropy with Hell is Empty. Black Widow had its moments and Passion was lucklustre. Vanitas was an improvement, but that’s like saying Death Magnetic is better than St Anger; it’s true, but it’s a low bar. Desideratum is a welcome return to form. It’s the sound of trying to wash flaming acid off your face with frozen lye. It burns in ways unimaginable. It’s pure sonic masochism done properly.
Try before you buy: The One Needful Thing (YouTube)

Ancient VVisdom – Sacrificial
(Occult rock – United States of America)
Magic Bullet Records – 2014/10/28

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I was hoping for a return to form from these occult crooners. Their previous album sounded like a compilation of shitty b-sides. But this is a roaring comeback. I mean that literally too, as this is a much heavier release. It’s almost a metal album. Almost. It works though. It enables the band to set a suitably dark tone to compliment the anti-cosmic lyrics. It sounds fantastic and feels like you are having your own damnation broadcast directly to you.
Try before you buy: I Am Your Sacrifice (Bandcamp)

Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry
(Atmospheric black metal – France)
Debemur Morti Productions – 2014/10/10

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Blut Aus Nord have that special knack for taking archetypal black metal and tweaking it into something unique. Feels weird about saying that about the third album in a series, but it’s true. And of the Memoria Vetusta series, Saturnian Poetry is the one I’m most likely to return to. It’s an album that, knowing it already speaks to the other, seeks to engage rather than alienate. This gives the album an appropriately poetic touch and an air of sophistication.
Try before you buy: Forhist (Bandcamp)

Caïna – Setter of Unseen Snares
(Black metal – United Kingdom)
Broken Limbs Recordings – 2015/01/20

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Thank you, internecine scene politics; I had forgotten about Caïna. Frankly, I’m not entirely sure if they’re worth the fuss, as regardless of where they sit on the ideological spectrum, they sound like just another black metal act. The punk-esque drumming is a nice touch, and the closer, Orphan, is monstrous, so there are some things that separate Setter of Unseen Snares from the pack. It doesn’t change the fact that it doesn’t push far enough to distinguish itself.
Try before you buy: I am the Flail of the Lord (Bandcamp)

The Datsuns – Deep Sleep
(Garage rock – New Zealand)
Hellsquad Records – 2014/10/03

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The Datsuns are a rock band that keep me engaged with the genre and it’s criminal that my collection doesn’t have more of them. Deep Sleep helps redress that. Glad to get it too. It’s less frenetic than their, frankly, fantastic self-titled album, but it’s much more finely balanced; the sort of album that when it slows down, it doesn’t fall off the rails. Truth be told, the slower tracks are where it’s at. The fast tracks jab away, but the slow ones lay you out like a haymaker.
Try before you buy: Bad Taste (YouTube)

DawnRazor – Deus Ex Machina
(Death metal – United Kingdom)
Self-released – 2015/01/05

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Deus Ex Machina has smatterings of promise, but it’s a pretty dull effort overall. There are some catchy melodies and some memorable vocal work, but the pickings are slim. As the album rolls on, it becomes more and more of a chore as the songs all merge into one slightly chuggy snorefest. Oddly enough, I don’t thoroughly hate it. The opening few tracks do hold my attention. I can see why some folk would like it. But it wears out its charm.
Try before you buy: Ego Echo (Bandcamp)

The Grudge – Fortress Sessions
(Sludge metal – United Kingdom)
Self-released – 2015/01/05

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Okay, I get it, you guys really like Down. That infatuation creates a big problem, as Down really like Black Sabbath, so we’re way down the recycled riff rabbit hole here. Familiarity breeds contempt is an old saying for a reason. It also doesn’t help that the vocalist sounds like a Muppet Show version of Phil Anselmo. ‘Felt Anselmo’ may be appropriate for The Electric Mayhem, but it’s a distraction here. It’s a shame because there’s some potential buried in there.
Try before you buy: Rise of the Death Rates (Bandcamp)

Old Man Gloom – The Ape of God
(Sludge metal – United States of America)
Profound Lore Records – 2014/11/11

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I had to get in the right frame of mind for this. Listening to it while lying on the couch watching sport left me thinking, “It’s good, but so what?” Change of scenery and energy levels. Started doing yard work. Got the blood pumping. Then I got it. This is a visceral album. It’s not blood and guts like death metal, nor is fire and fury like black metal. It’s deeper than that. There’s a primalness to it that can’t be enjoyed passively. Turn it on and work up a sweat.
Try before you buy: Shoulder Meat (Bandcamp)

Old Man Gloom – The Ape of God
(Sludge metal – United States of America)
Profound Lore Records – 2014/11/11

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This is the superior of the Apes of God. The four long tracks hammer home with expertly delivered sludginess, but what really sets it apart is the incorporation of finely nuanced ambient noise. They’re not mere interludes; they are critical elements to each song, deftly crafting mood that wouldn’t otherwise be possible. There is a certain dark majesty at work here. Much like a mad emperor, it effortlessly commands you, but you cannot be at ease.
Try before you buy: Arrows to Our Hearts (Bandcamp)

Voices – London
(Blackened death metal – United Kingdom)
Candlelight Records – 2014/11/17

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I miss Akercocke. Seriously, Voices does nothing for me. In their effort to distinguish themselves from their predecessor, they seem to have stripped out all the passion and replaced it with faintly gothic melodrama. It’s a shame, as opening track, Suicide Note, demonstrated some genuine sophistication. But it quickly descends into a half-hearted display of disjointed rhythms and inconsistent vocals. It’s not for me at all.
Try before you buy: Vicarious Lover (Bandcamp)

Releases of the Year for 2014

It’s finally here. A bit later than most annual lists, but I stand by my policy of waiting to review everything. Some amazing albums turned up late in the year and no list would be complete without them.

I’ve put the list together differently this year. Last year’s list was just a collection of my previously unreleased reviews. Reposting old reviews didn’t seem right, so I went back, relistened to everything, and tried to reflect on the year.

So without further adieu, here’s my best of 2014.

Album of the Year
Sólstafir – Ótta

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Season of Mist – 2014/08/29

What I said then: If you can’t appreciate the wonder of this album, I weep for you.
What I say now: This album really does improve with every listen. By the time I’m two tracks in, I’m already choked up. It’s raw and devastatingly emotional, but it’s so beautiful I will take the pain.

Some Other Top Things Worth Mentioning
Best Live Act: Death Angel

I saw these guys supporting Kreator. They completey blew their Teutonic compatriots off the stage. I haven’t been so thoroughly entertained by a band for a long, long time.

Best cover art: Among the Ranks of the Unconquerable by Ola Larsson

It’s a remarkably evocative piece of art, perfectly suited to its album. It doesn’t just convey a sense of palpable darkness; it conveys the futility of even attempting to fight it.

My Other Picks for 2014
2) Primordial – Where Greater Men Have Fallen

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Metal Blade Records – 2014/11/25

What I said then: Few bands can do what Primordial do; fewer still could match this effort.
What I say now: I really didn’t expect another album to muscle its way into the top three, but underestimating Primordial was foolish on my part. Awe inspiring and heart wrenching in equal measure.

3) Triptykon – Melana Chasmata

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Century Media Records – 2014/04/14

What I said then: [The] album is replete with the seething contempt and haunting introspection that make his work so engaging.
What I say now: The darkness only deepens the more you listen to it. Hardly a surprise though. Triptykon are masters of the inky depths. Few bands can juggle beauty and despair this well.

4) Wolves in the Throne Room – Celestite

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Artemisia Records – 2014/07/08

What I said then: It takes alienation and isolation, and makes them beautiful.
What I say now: Easily the most soothing release on this list. I can lose myself in their ambience for a long time, reclining into their subtle blend of delicacy and tension. It’s a thing of beauty.

5) Opeth – Pale Communion

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Roadrunner Records – 2014/08/24

What I said then: Rich, evocative rhythms are woven through with striking string passages and delicate accoustic movements, creating sumptuously dark listening experience.
What I say now: I figured Pale Communion might have lost some lustre over the passing months. Wrong. Very wrong. It drew me in as easily now as it did when it was released in August.

6) Swans – To Be Kind

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Young God Records – 2014/05/12

What I said then: That an album can be so dense and seemingly impenetrable, but be utterly compelling is a mark of true genius.
What I say now: It admittedly isn’t an album I’ve returned to often, but that’s because every time I start, I’m compelled to listen to it in its entirety. It’s an album that demands to be experienced.

7) Wovenhand – Refractory Obdurate

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Deathwish Inc – 2014/04/29

What I said then: Just as the band deftly tiptoes around classification, so too do the songs dance gracefully across the emotional spectrum.
What I say now: Wovenhand really have put together something wonderful. It’s contemplative in a way that shouldn’t be possible given the album’s pacing. Excuse me while I rock out while meditating.

8) Trap Them – Blissfucker

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Prosthetic Records – 2014/06/10

What I said then: You are pummled with fury and defiance, and yet, track by track, desperation and exhaustion creep in.
What I say now: The fury of this album is still the chief selling point of this album. Lots of bands do angry; few do it with the absolute lack of restraint on display here. Relentless, malicious abandon.

9) Devin Townsend Project – Z²

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HevyDevy Records – 2014/10/28

What I said then: This double album hammers home both Townsend’s talent and his bizarreness.
What I say now: Devin Townsend makes his music so damn easy to listen to. It’s big and bombastic, successfully filling any empty space in your mind with ridiculously good music.

10) Decapitated – Blood Mantra

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Nuclear Blast – 2014/09/26

What I said then: Blood Mantra is polished death metal perfection, delivering non-stop pummelling action.
What I say now: The polish has endured; not a hint of tarnish to be seen. It remains an album that blows you away from the moment you press play. It deserves it’s ‘2014 best death’ crown.

11) Various Artists – One and All, Together, For Home

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Season of Mist – 2014/05/23

What I said then: Serious, moving, and proof that black metal can have some pride without going full Varg.
What I say now: The contributing artists clearly throw everything into these songs, as the raw emotional heft remains as potent today as it was in September. Best compilation in years.

12) Agalloch – The Serpent & the Sphere

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Profound Lore Records – 2014/05/13

What I said then: The rhythms and melodies flow with a natural progression that turn lengthy songs into meaningful reflective experiences.
What I say now: The Serpent & the Sphere is the model modern black metal album. It doesn’t piss away its energy with mindless fury; rather, it cultivates a mature, yet devastating ambience.

13) At the Gates – At War With Reality

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Century Media – 2014/10/27

What I said then: They have released an album that sounds exactly like it came out of the creative high-point they were in for Slaughter of the Soul.
What I say now: The comparison to Slaughter of the Soul may have been a whisper generous, but this is still some of the best melodeath out there. Easily the best thing out of Gothenburg for a long time.

14) Winterfylleth – The Divination of Antiquity

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Candlelight Records – 2014/10/07

What I said then: The guitars are furious but clockwork precise, the drums are captivating in their intricacy, and the vocals have a nuance rarely seen in black metal.
What I say now: Winterfylleth improve with every album they do. And The Divination of Antiquity is far and away their best effort to date. Technically proficient and emotionally mature metal.

15) Death Fortress – Among the Ranks of the Unconquerable

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Fallen Empire Records – 2014/11/15

What I said then: Their take on darkness is a contagious invocation of malice and domination, infecting your soul with hatred most profane.
What I say now: When it starts, you wonder what you’ve gotten yourself into. By the end, you’re pretty sure you can’t live without it. Congratulations, Death Fortress has recorded damnation.

16) Mayhem – Esoteric Warfare

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Season of Mist – 2014/06/06

What I said then: It’s easily the best thing they’ve done since they defined the genre all those years ago.
What I say now: Alienation and obliteration. That’s what Esoteric Warfare serves up. This isn’t just Mayhem; this is Mayhem at their most ruthless. Which is a terrifying thought.

17) Plebeian Grandstand – Lowgazers

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Throatruiner Records – 2014/03/31

What I said then: It’s a combination of avant-garde darkness and technical fury that creates an atmosphere of relentless misanthropy.
What I say now: That it sounds like a combination of blackened horrors, Deathspell Omega, and jazz metal weirdos, Shining, is reason enough to get this. It remains a dark revelation.

18) Grand Magus – Triumph and Power

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Nuclear Blast – 2014/01/31

What I said then: Triumph and Power has everything you could possibly want in a metal album: anthemic choruses, towering solos, fist-pumping rhythms.
What I say now: It’s an album I have listened to a lot this year. I keep on getting the itch and it can only be scratched by Grand Magus’ particular brand of metalness. Rousing good times.

19) Earth – Primitive and Deadly

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Southern Lord – 2014/09/01

What I said then: It can bring a tear to the eye while simultaneously destroying speakers.
What I say now: Sublime in its contemplativeness, Primitive and Deadly is an album that, four months on, is already demonstrating that it will stand the test of time. Irresistible and immovable.

20) Horsehunter – Caged in Flesh

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Self-released – 2014/09/30

What I said then: Even the weakest track on the album will kill the competition.
What I say now: Horsehunter justifiably took home the crown for best self-released title for the year. What they’ve done on their own, most of their labelled genre-mates couldn’t hope to achieve.

21) Pallbearer – Foundations of Burden

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Profound Lore Records – 2014/08/19

What I said then: It draws you in and keeps you nestled in its heart.
What I say now: Pallbearer have put together a benchmark album here; it’s the album by which they, and many others, shall be judged from here on out. It’s a defining moment in quality doom.

22) Gnaw Their Tongues & Alkerdeel – Dyodyo Asema

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ConSouling Sounds – 2014/01/01

What I said then: Be transported to a scene of abject horror.
What I say now: Sweet Jesus, this is bleak. I’m used to Gnaw Their Tongues’ brand of horror, but the introduction of Alkerdeel’s maddening sludge took this to an unexpected realm of darkness.

23) Mastodon – Once More ‘Round the Sun

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Reprise Records – 2014/06/24

What I said then: It’s a beautiful expedition into progressive expanses, that is challenging, uplifting, and hard rocking.
What I say now: There was a 50/50 chance I was going to return to this and feel let down. But I wasn’t; it’s held up over the passing months. It remains an album dedicated to rocking the great riff.

24) 铁骑 [Tengger Cavalry] – 远古呼唤 / Ancient Call

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Metal Hell Records – 2014/02/01

What I said then: Ancient Call is more blackened than their last album, but it is still an utter joy to listen to.
What I say now: I fretted that maybe Tengger Cavalry were, dare I say it, a one trick pony. But I can’t argue with results. They put out consistently high quality blackened folk that begs to be heard.

25) Woundvac – Woundvac

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Self-released – 2014/02/25

What I said then: Woundvac’s self-titled debut is the sound of emerging from a mosh pit, covered in sweat and blood (not all of it mine), nose busted across my face, spitting teeth, and smiling like a madman.
What I say now: Why did I rate this so highly? Oh yeah. That’s right. It kicks the living shit out of everything in sight. It’s easily the best pure grind album in a year populated with excellent grind releases.

26) Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry

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Debemur Morti Productions – 2014/10/10

What I said then: It’s an album that, knowing it already speaks to the other, seeks to engage rather than alienate.
What I say now: I’m glad that this is another addition to the Memoria Vetusta series. As much as I love Blut aus Nord’s more avant-garde material, what they do with trad black metal is amazing.

27) Lord Mantis – Death Mask

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Profound Lore Records – 2014/04/29

What I said then: Death Mask is a concentrated mass of metastasised malignancy.
What I say now: It hasn’t so much aged like fine wine as it has putrefied like a corpse in a swamp. It was nasty when I first got it and has somehow grown into something much worse in the interim.

28) Eyehategod – Eyehategod

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Housecore Records – 2014/05/27

What I said then: Thanks to Hurricane Katrina and their own personal demons, the notorious sludge lords truly have been through hell and back, [which] has translated directly to their music.
What I say now: I enjoyed revisiting this. I had forgotten just how punk it was. Unmistakably metal, don’t get me wrong, but still punk as fuck. It makes an already grimey band sound extra dirty.

29) End Silence – The Waters

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Self-released – 2014/09/19

What I said then: Everything from the vocalist’s range to the intriguing solos is near perfect.
What I say now: The year’s best thrash album, right here. The fact that it doesn’t play to either the traditional thrash tropes or a frat house mentality helps. That it kicks ass is more important.

30) Rotten Soil – Los Caretas

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The Olmo Records – 2014/06/02

What I said then: Aside from the in your face immediacy, Los Caretas succeeds in combining hardcore rhythms with death metal tuning in a way that few of their genremates do.
What I say now: I continue to be a huge fan of their deathcore for the attention deficient. The album snaps by a breakneck speed, but still somehow allows the music room to breathe.

31) Tombs – Savage Gold

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Relapse Records – 2014/06/10

What I said then: Densely symbolic. Thematically complicated. Tantalisingly unknowable.
What I say now: I have always been a fan of Tombs’ smart metal. I love to be challenged intellectually by music. Savage Gold takes the intellectual approach and adds extra layers of nasty.

32) Lxs Jugadxs – Demo 2014

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Self-released – 2014/07/02

What I said then: There is more to this than naked rage; there’s something darker in there, possibly grief, possibly melancholy.
What I say now: A grimey grindcore nasty, Lxs Jugadxs’ most recent demo stands as a firm reminder that some of the world’s best grind comes from deep in the underground. ¡Viva grind!

33) The Haunted – Exit Wounds

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Century Media Records – 2014/08/25

What I said then: This is a seemless blend of thrash and melodic death metal, keeping the invigorating energy of the former and the naked aggression of the latter.
What I say now: The simple joy of Exit Wounds makes you wonder why they’re the only ones nailing it. It has a familiarity that allows you to drop staight in at the deep end of the mosh.

34) Alcest – Shelter

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Prophecy Productions – 2014/01/17

What I said then: The end result is a sun-drenched journey through the ether.
What I say now: Neige’s full embrace of shoegaze is a welcome thing. I loved his previous trvegaze work, but Shelter is a step apart. It allows his dreams to bloom out of the shadow of nightmare.

35) Nachtmystium – The World We Left Behind

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Century Media – 2014/08/05

What I said then: Bitterness, regret, and occasional self-pity make for a surprisingly honest outcome.
What I say now: Blake Judd may have gone out of his way to act like a colossal, steaming turd, but that’s no reason to take it out on The World We Left Behind. It’s a striking, stark beauty.

36) YOB – Clearing the Path Ascend

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Neurot Recordings – 2014/08/29

What I said then: Another fantastic addition to Yob’s already outstanding catalogue of American heaviness.
What I say now: As ominous and oppressive as a looming thunderstorm, Clearing the Path to Ascend is a literal embodiment of doom. It has some rough edges, but that’s not a bad thing.

37) Panopticon – Roads to the North

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Bindrune Recordings – 2014/08/01

What I said then: Roads to the North is absolutely coruscating black metal that incorporates Southern song structure and fiddles in a way that pays due homage to the band’s Kentucky heritage.
What I say now: I’m willing to add Panopticon to the list of bands that get heritage metal right. Right up there with Primordial, Winterfylleth, and Drudkh. Heartache and fury abound.

38) Ancient VVisdom – Sacrificial

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Magic Bullet Records – 2014/10/28

What I said then: It sounds fantastic and feels like you are having your own damnation broadcast directly to you.
What I say now: Coming across as less folksie and more like a lower, slower Ghost (B.C.) has worked wonders for the band. It sounds like they actually have forward momentum again.

39) Ofghost – Eeva

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Self-released – 2014/08/01

What I said then: The driving rhythms speak to a post-humanity environment; mankind is dead and this is the music of the machines.
What I say now: I’ve heard lots of industrial influenced black metal in my time, but Ofghost’s synthesised approach sets it apart. It adds some novelty to a genre that is normally far too staid.

40) Shores of Null – Quiescence

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Candlelight Records – 2014/03/24

What I said then: You don’t often get to associate the word ‘beautiful’ with death metal, but that’s what Quiescence is: beautiful death metal.
What I say now: This is somewhat more aggressive than memory served. But so it should be. I remembered the excellent gothic parts, but I needed the reminder of how kickass the death passages are.

41) Außerwelt – Our Lives Out of Balance

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Self-released – 2014/09/21

What I said then: It truly is a remarkable ep; every listen unearths something new, nuances in song structure that, while not immediately noticeable, make every song completely and truly vital.
What I say now: As much as I love Our Lives Out of Balance, I still feel I’ve underrated it. It plays with black metal tropes like a cat with its prey. It sounds familiar but is remarkably different.

42) Black Khox – Akab

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Self-released – 2014/04/20

What I said then: Once the sample fanfare ended and the rock started, I was left with an ear to ear grin.
What I say now: There’s way more fun contained here than should be legal. I’m sure some will say it needs more polish, but they’re the sort of people who think no social event is complete without doilies.

43) Vermin Womb – Permanence

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Throatruiner Records – 2014/09/01

What I said then: Its merciless, pitiless, remorseless blast-driven beat underscores some of the nastiest guitar work I’ve heard this year.
What I say now: Permanence goes way past nasty. This is the sonic equivalent of violently hate-fucking in filth. It’s hateful, malicious, and contemptuous. It would kill you if it could.

44) Old Man Gloom – The Ape of God

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Profound Lore Records – 2014/11/11

What I said then: Much like a mad emperor, it effortlessly commands you, but you cannot be at ease.
What I say now: The decision to write fewer tracks but make them substantially longer paid dividends. This isn’t only the superior Ape of God; this is an outstanding album in its own right.

45) Twilight – III: Beneath Trident’s Tomb

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Century Media Records – 2014/03/17

What I said then: Twilight is black metal that embodies the death of light of their namesake phenomena.
What I say now: It’s a crying shame that Twilight have gone their separate ways, as they improved with every release. Beneath Trident’s Tomb is sinister black metal performed at the highest standard.

46) Anopheli – A Hunger Rarely Sated

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Self-released – 2014/04/24

What I said then: The combination of harsh, crusty guitars and more elegant string sections create an e.p. that is beautiful in its anger, furious in its eloquence.
What I say now: It still seems somewhat antithetical for a crust album to not be 100% grimey, but credit to Anopheli, they have successfully incorporated lighter, cleaner elements without losing impact.

47) ACxDC – Antichrist Demoncore

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Melotov Records – 2014/06/24

What I said then: The sheer level of audio violence crammed into these twenty odd minutes is truly inspiring.
What I say now: Wild and anarchic, I had forgotten just how punishing this album was. There is no safe volume level for this. Played at one, it’ll start a fight. At eleven, it’ll start wars.

48) Amnesian – No Atonement

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Self-released – 2014/02/08

What I said then: I could easily ramble about the quality of the performers, but I’d rather marvel in the creation of a sound that is distinctly, and uniquely, Amnesian.
What I say now: It may seem a bit low on the list, but I love Amnesian. They approach grind in a way that still seems fresh almost a year after this was released. An amazing new band.

49) Fvck Mountain – Dead Dogs

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Self-released – 2014/10/02

What I said then: As I listened to Dead Dogs it slowly dawned on me that I may be listening to the best hardcore release of the year.
What I say now: I was right; it is 2014’s best hardcore release. They strike a balance between technical skill and pure vitriol that is desperately lacking across the genre as a whole.

50) Morbus Chron – Sweven

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Century Media Records – 2014/02/24

What I said then: Their music has an otherworldly quality to it now, which allows them to expand their songwriting into progressive territory, while still indulging in the supernatural.
What I say now: Sweven remains a stand out album for straight up death metal. What it trades out in tempo it more than makes up in composition. Swedeath has a bright future here.