February 2018 Review Round Up

Another quiet month, but it’s no weaker for it. Quality over quantity seems to be my current measure. It’s back to back months without a dud album, so I’m definitely stoked about that.

Go buy Támsins Likam now. Drop everything and click the link. Doom is rarely so good.

The Facebook page is still up and running. Feel free to hit me up with listening suggestions.

Album of the Month
Hamferð – Támsins Likam
(Doom Metal – Faroe Islands)
Metal Blade – 2018/01/12


A truly unmissable experience, Hamferð have delivered one of the great doom albums of our time. Crafted with the lonely majesty of Orchid-era Opeth and the aggressive melancholy of Kvarforth’s Shining, Támsins Likam is still all doom. It’s low, slow, and heavy, but is hauntingly beautiful in its execution. Paradoxically sparse and lush all at once.

The Rest in Alphabetical Order
Black Mecha – Counterforce
(Experimental Electronica – Canada)
Profound Lore – 2018/01/12


Definitely outside my usual wheelhouse, but so worth my time. Dark, hypnotic acoustic electronica builds tension through thrumming repetition. It sounds like an unseele rave; the drugs are very good, but the vibe is dark. Horrifyingly dark. There is no comfort to be found, but that knowledge creates a soothing masochism that sustains you through it.

Eigenlicht – Self-Annihilating Consciousness
(Black Metal – United States of America)
I, Voidhanger – 2018/02/16


Risky business slowburning the start off an album when you’ve only got five tracks to play with, but when it pays off it was worth the gamble. Eigenlicht have delivered a dense, esoteric album. Inaccessible on the first spin, but on subsequent listens doors unlock and it starts to make sense. It pays substantial intellectual dividends to those willing to put the time in.

Portal – Ion
(Avant-garde Technical Death Metal – Australia)
Profound Lore – 2018/01/26


Portal continue to ensure that a steady stream of weird lives on in techdeath. Ion is harsh and unforgiving, but is so absolutely driven that it makes it extremely difficult to stop. It absolutely has to be this way, as respite is a completely alien construct in the sonic universe created by these mad Brisbanites. Let its energy consume you.

Watain – Trident Wolf Eclipse
(Black Metal – Sweden)
Century Media – 2018/01/05


Black metal’s high proselytisers have returned with another punishing dose of unhallowed fervour. Unlike recent efforts, this seems to be less interested in converting the unbeliever and a lot more involved in drumming up fury from the already damned. It’s aggressive in a way you thought they couldn’t be anymore. Never doubt what the iron-willed can do.


September 2016 Review Round Up

An abbreviated review collection this month. Metalshopped’s hard earned cash was geared towards live music this month. How could I turn down tickets to Enslaved, Opeth, Meshuggah, etc? They’re not going to see themselves, now are they?

That being said, there was some absolute gold this month. SubRosa’s phenomenal For This We Fought the Battle of Ages ran first with distance for second. Other albums this month were good, even great; but SubRosa stood apart.

Insomnium’s colossal one track album, Winter’s Gate, more than deserved its honourable mention. Listening to what is traditionally a melodeath band put out such a complicated slab of prog is very satisfying.

As usual, feel free to hit me up on Facebook. Especially if you’ve got a release you think is worth a listen.

Until next month

Album of the Month
SubRosa – For This We Fought the Battle of Ages
(Doom metal – United States of America)
Profound Lore Records – 2016/08/26

In doom circles, SubRosa has always been in a league of their own, but this album sees them push out even further. It’s a perfect combination of ethereal vocals, surprisingly technical guitars, and lyrics that delve deeply into uncomfortable truths. Here is the beauty in despair; here is death’s loving embrace.
Try before you buy: Despair is a Siren (Bandcamp)

Honourable Mention
Insomnium – Winter’s Gate
(Progressive death metal – Finland)
Century Media – 2016/09/23

This is what I like to see; a prog band actually taking a calculated risk to progress themselves as a band. The album’s one track runs for forty minutes, but it uses that time well. In a literal sense, it tells a story. A damn good one. But it’s their music that fleshes out the drama. Riveting.
Try before you buy: the first ten minutes should provide ample introduction. (YouTube)

The Rest in Alphabetical Order
Oranssi Pazuzu – Värähtelijä
(Psychedelic black metal – Finland)
20 Buck Spin/Svart Records – 2016/02/26

Your average psychedelic black metal album is the result of taking a load of hallucinogens and embracing the darkness. Oranssi Pazuzu aims to break the mold with Värähtelijä. This is an album that sounds like it’s supposed to be the drug. Its ebbs and flows worm their way into the cracks in your psyche. It wants to alter you. It almost succeeds.
Try before you buy: Saturaatio (Bandcamp)

Schammasch – Triangle
(Black metal – Switzerland)
Prosthetic Records – 2016/04/29

Put some time aside, because at three discs, Triangle needs some time to get acquainted. Humming with monastic contemplation and possessed of a Behemoth-esque fervour, this triple album challenges you to think and rewards you with intensity. There’s something almost perverse about something so austere sounding so lavish.
Try before you buy: Awakening from the Dream of Life (Bandcamp)

Sumac – What One Becomes
(Post-metal – United States of America)
Thrill Jockey – 2016/06/10

This isn’t a bold splash into new territory, which some may see as disappointing. Not me though, because what it does is continue on from where The Deal left off. This isn’t an endnote or an unnecessary sequel; this is an album born of the same creative impetus that gave us one of 2015’s better albums.
Try before you buy: Clutch of Oblivion (Bandcamp)

Tombs – All Empires Fall
(Post-black metal – United States of America)
Relapse Records – 2016/04/01

What Tombs does better than pretty well any other post-black act is subtlety. They blast and howl. They swoon and meditate. This isn’t unusual for the genre. It’s how they incorporate the extremes of style in such an organic, almost imperceptible way that is. An uncannily expert performance.
Try before you buy: Deceiver (Bandcamp)

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls


Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous


eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms


Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat


Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015


Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple


Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower


Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image


Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise


Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic


Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception


Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times


Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal


Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis


Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld


Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor


Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell


Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted


Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria


Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda


Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats


Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic


UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus


Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking


Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame


Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation


InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo


Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal


Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert


Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages


Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II


Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak


Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus


Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire


Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt


625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo


Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015


Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth


Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta


Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero


Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)


Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn


Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon


Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur


Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang


Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki


Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls


Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic


Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See


Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond


Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.


November 2015 Review Round Up

The good people over at Faster Louder made a good point when evaluating their own 50 Best Albums of 2015; it has been one of the best years for music in a long time. Now, obviously, their focus is on the pop/rnb/electronic spectrum, whereas I’m definitely more metal and punk, but the overall statement holds true. The year 2015 has been outstanding for metal and it still hasn’t quite finished. There’s still albums by Sunn O))) and Baroness to come, not to mention a few things I’ve missed up until now, so there’s a lot to look forward to even at this late stage.

As far as November goes, you can’t go past No Image by Gold and Malaise by The Rodeo Idiot Engine. Both are masterpieces of emotional depth. As much as it was tough to pick one over the other, ultimately I settled on No Image’s beautiful nihilism over Malaise’s harrowing intensity.

Next month sees the release of my Best Self-Released Titles for 2015. It may not run to fifty this year. I’ve been a lot more diligent in crediting labels and distros, so the number of acts I considered wholy self-released has dropped somewhat. I also think I haven’t reviewed as many titles overall this year compared to last, so that would also account for a drop. I just want to publish a list that’s representative of what I have listened to this year.

See you next month. As always, you can contact me on Facebook. Enjoy.

Album of the Month
Gold – No Image
(Death rock – The Netherlands)
Profound Lore Records/VÁN Records – 2015/11/06


No Image is a truly remarkable album. The songs are often coruscating with distortion, creating bristling laments to the fall of man. But all the effects in the world wouldn’t take away from the power contained in the music; they could be performed with acoustics only and they would be in no way diminished. The bleakness goes right to the core. Complimented with haunting vocals, this is apocalyptically beautiful.
Try before you buy: Don’t (Bandcamp)

Honourable Mention
The Rodeo Idiot Engine – Malaise
(Avantcore – France)
Throatruiner Records – 2015/11/23


This is the first time I’ve been exposed to TRIE, but I’m already more than content to rank them alongside Converge and The Dillinger Escape Plan as one of the smartest bands in heaviness. They play an off the wall variety of metallic hardcore that is just as raw as it is furious. And by raw, I mean devastating. Rusty cheese greaters scrubbing the soul to a bloody mess. Intensity turned cataclysmic.
Try before you buy: Syngue Sabour (Bandcamp)

The Rest in Alphabetical Order
Beyond All Deception – Beyond All Deception
(Melodic death thrash – United States of America)
Self-released – 2015/10/31


You could just as easily classify these guys as deathly speed metal. They hammer down hard. They spend so much time red lining that they start to bend the needle. It’s intense. They do tend trade a bit of precision to maintain this intensity, but it’s a good deal. You just have to appreciate such a ballsy display of raw power. The wildness may make it a bit rough from time to time, but it’s a cracking ride nonetheless.
Try before you buy: Malevolence (Bandcamp)

Boak – Boak
(Powerviolence – United Kingdom)
Self-released – 2015/06/03


There is a fantastically cinematic feel to these half-dozen tracks. It sounds like a frenzied melee, with breaks in tempo acting to add emphasis. It’s the audio equivalent of slowing down a fight scene to highlight a particularly spectacular or brutal blow, only to have the fracas return to full speed to maintain structural flow. Ultimately, it’s as uncompromising as their cover art, but done with style.
Try before you buy: Who is the Animal Here? (Bandcamp)

Brain Famine – Exploding Paranoid Universe
(Deathgrind – United States of America)
Self-released – 2015/10/19


This isn’t just aggressive; this is dirty and downright nasty. As I listen all I see is two jacked up meatheads on pcp punching on in the mud in a backwater park somewhere. Nothing is held back and no amount of blood, sweat, or teeth is going to stop the relentless hostility until the deed is done. That the songs aren’t stereotypically short grinders is a bonus. Ten rounds of bare knuckle violence.
Try before you buy: Hallucinating Contagion (Bandcamp)

Dakhma – Passageways To Daena (The Concomitant Blessings Of Putrescing Impurity)
(Blackened death metal – Switzerland)
Self-released – 2015/02/25


This isn’t the Dakhma who released Raze earlier this year; it’s a different horde of blackened death mongers. I get where these guys are coming from. Aiming for maximum cacophony and disorientation to achieve total sonic dissonance. It’s in much the same vein as Portal. The problem is the production is so muddy all the impact has been drained. All that’s left is a repetitive husk of aggression. Infuriating rather than maddening.
Try before you buy: Where Shattered Minds Collide (The Immortal March)

Horrendous – Anareta
(Death metal – United States of America)
Dark Descent Records – 2015/10/30


This is deliciously old school. How old school? Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up. Horrendous really get the nuances right; Anareta is gritty and primal, but never succumbs to its own hostility. There’s control amidst the madness. And, to top things off, it’s a unique sound. They may be old school, but they’re not derivative. Outstanding stuff.
Try before you buy: Sum of All Failures (Bandcamp)

Intronaut – The Direction of Last Things
(Progressive metal – United States of America)
Century Media Records – 2015/11/13


Energetic and engaging, The Direction of Last Things sees Intronaut continuing to confirm their status as one of metal’s smartest bands. The composition of these seven tracks allows the listener to fully experience the scope of their intellect without being bogged down in wearisome theory. It’s the Bill Nye of prog; it’s smart and makes you feel smarter for experiencing it, but never at the expense of entertainment.
Try before you buy: Digital Gerrymandering (YouTube)

Leash – Demo 2015
(Crust – United States of America)
Self-released – 2015/10/19


According to my learned colleagues over at Pledge Allegiance to Grindcore, Leash has links to Backstabbers Inc. That piqued my interest, especially since Trap Them was born out of them too. Colour me impressed. This is clattering, crashing, d-beat heavy crust. It’s energetic as hell. Mad as hell too. No comparisons necessary; this demo stands on its own as testament to hard as nails aggression.
Try before you buy: Revelation (Bandcamp)

Manhunt – Manhunt
(Hardcore – Australia)
625 Thrash/Lethal Dose Records/RSR – 2015/01/16


Disappointed that I’ve missed this for the majority of the year. It’s hardcore, but it’s been booting up powerviolence in the men’s room of the [insert local punk venue]. Wickedly aggressive, this self-titled outing pulls no punches and gives zero fucks. Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
Try before you buy: No Tolerance (Bandcamp)

Psionic Plasma – Kaos Typhonian Dimensions
(Black metal – Spain)
Self-released – 2015/11/06


Blaze era Darkthrone in space. That’s what we’ve got going on here. The first thing that struck me was the production. Raw, of course, but it came across as hearing the band from outside a club venue rather than a recording taken in a spooky forest with terrible equipment. Secondly, the music is excellent. It holds up better than most raw sounding black metal. Finally, the concept they use works. Kvlt in the void of space.
Try before you buy: Phosphorus (Bandcamp)

Savage Blind God – Demo
(Punk – United States of America)
Self-released – 2015/09/11


This demo is six tracks of feisty, raw punk with a beating black heart of Killing Joke-esque post-punk. Waves of anger batter unfeeling cliffs of dissonance like a hurricane off Dover. Forgive the unlikely metaphor, but that’s how it plays out. It has that absolute immediacy of raw punk and hardcore; it’s very in your face. But it’s loaded to the gunwales with intelligent instrumental technique. Engaging stuff.
Try before you buy: Sickening Sanity (Bandcamp)

Sergeant Thunderhoof – Ride the Hoof
(Stoner doom metal – United Kingdom)
Self-released – 2015/11/05


Got your order of beer and pretzels metal, right here. This is exactly the sort of riff-pounding, bong-rocking metal you need blasting at any party. You honestly won’t care that it’s not the deepest of records; when you have a case of beers to get through, you don’t exactly want a case of the feels. It’s pretty well impossible to hate an album when its biggest fault is that it’s not a thought-provoking chin-scratcher.
Try before you buy: Reptilian Woman (Bandcamp)

Serpents Lair – Circumambulating the Stillborn
(Black metal – Denmark)
Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03


Serpents Lair’s demo from last year brimmed with malign promise, even if it didn’t quite deliver. Their first full length, however, is a baleful delivery on all promises made. And then some. It’s nothing less than pure, uncut evil. Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous. This is an affirmation of how awe-inspiringly terrifying black metal can be in its purest form.
Try before you buy: Epistemology of Death (Bandcamp)

Shining – International Blackjazz Society
(Avant-garde metal – Norway)
Spinefarm Records – 2015/10/16


Increasingly difficult to categorise, International Blackjazz Society sees Shining become something not jazz and, yet, not truly metal. They have finally reached that point of transcendence they’ve been building to. Such experimental drive had the potential to end in an album more challenging than enjoyable, but the risk paid off. It’s an intelligent album that entertains rather than alienates.
Try before you buy: Last Day (YouTube)

Tuer – Ivresse & Enfer
(Grindcore – Switzerland)
Self-released – 2015/09/25


At the risk of offending by comparison, I’m going to compare this intense slab of hostile grind to pop punk. Living dangerously, I know. I went there because the nine tracks are catchy as hell. Every track is an earworm. They get right into your head and stay there. The big difference is that, unlike pop punk, the album doesn’t make you want to commit suicide. Get stuck into it. It’s meaty good violence.
Try before you buy: Odyssée Ethylique (Bandcamp)

Vhöl – Deeper Than Sky
(Crusty blackened power metal – United States of America)
Profound Lore Records – 2015/10/23


Vhöl is giving Sigh a run for their money in the competition for “Most Over The Top Release”. The key difference is coherence. Sigh threw notes at the score like they’re Jackson Pollock and hoped for the best, whereas Vhöl clearly had a plan they were executing. It’s still a mighty overwhelming combination of punk, power metal and black metal. It’s like a stoned berserker; charging ever forward, but in an upbeat manner.
Try before you buy: Red Chaos (Bandcamp)


February 2015 Review Round Up

Happy March, everyone.

2015 is shaping up nicely already. Napalm Death’s new album is an absolute wrecking ball of an album. It has that effortless quality to it, as though the band were so confident in what they were doing that the album was always going to come out perfect.

There was a fair bit of competition for the honourable mention too, but I eventually settled on KharmA. Incendiary grind at its best, SubReal is sonic arson.

I have finally got around to setting up a Facebook page too. Drop by and give me a like. If you like.

Until April, enjoy.

Album of the Month
Napalm Death – Apex Predator – Easy Meat
(Grindcore – United Kingdom)
Century Media Records – 2015/01/27


The Godfathers of grind are back with their fifteenth album. They’re not struggling for material either. Greenway’s vocals, sublimely harsh and expertly spat, are an intelligent examination of the relationship between consumerism and slavery. The music itself is a way more catchy than grindcore has any right being. It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
Try before you buy: Metaphorically Screw You (YouTube)

Honourable Mention
KharmA – SubReal
(Death grind – Venezuela)
Self-released – 2015/02/06


I’m a pretty chilled out sort of guy on a day to day basis. I don’t have great insight into revolutionary zeal. KharmA, on the other hand, are made of fiery conviction. Their uncompromising blend of grind and death angries up the blood like few releases I’ve heard recently. The brutal vocals and severe guitars assault the ear drums, with the blasting drums beating a death march for the speed addled. I’m impressed by how well they use music as a medium for rage.
Try before you buy: Obliterados (Bandcamp)

The Rest in Alphabetical Order
Addaura – …And the Lamps Expire
(Black metal – United States of America)
Self-released – 2015/01/19


I probably shouldn’t have listened to this while feeling a bit bummed, as it turned a mild funk into a spiralling depression. Then again, every band should be seeking to make a genuine emotional impact on the listener, so in this regard, Addaura is a raging success. The two long-ish tracks (separated by a short interlude) hit the right combination of guitars, keyboards, and vocals to make a poignant listening experience. Stunningly harrowing.
Try before you buy: Amid the Tumult and Clamor (I Look for the Light Through the Pouring Rain.) (Bandcamp)

Annúlond – The Baker of Aljubarrota
(Blackened folk metal – Australia)
Self-released – 2015/02/17


An Australian band who self-describe as viking metal doing an album about a figure from Portuguese folklore. Good to see another female folk figure getting some attention. A seven foot tall woman with six fingers on each hand and innate knack for killing is pretty metal. Surprised the good baker doesn’t get more attention to be honest. The music itself is on the dour end of folk, like someone sucked all the joy and energy out of Finntroll. An interesting diversion.
Try before you buy: Rise of Penthesilea (Bandcamp)

Antareth – The Mask of Truth
(Doom metal – Canada)
Self-released – 2015/02/12


Didn’t have high hopes for Antareth. That cover art set off all sorts of alarms. Being described as avant-garde didn’t sit well either. Pointless weirdness played slow didn’t sound appealing. Happily, the Mask of Truth exceeded my expectations. It’s a little bit dull, but not nearly as excruciating as it could have been. The clean vocals need to be scrubbed from future recordings too. Yes, it’s dull, but it does at least manage to sound original. A small victory.
Try before you buy: The Pearly Road (Bandcamp)

Archgoat – The Apocalyptic Triumphator
(Black metal – Finland)
Debemur Morti Productions – 2015/01/27

If you want a blueprint for straight to the point, straight for your throat black metal, you could do worse than following Archgoat’s lead. The Apocalyptic Triumphator is an anti-cosmic high mass, leading the profane in worship most blasphemous. It does this through one of the finest combinations of guitars, drums, and vocals in black metal today. They’re not particularly strong on innovation, but given the performance, they don’t need to be.
Try before you buy: Grand Luciferian Theophany (Bandcamp)

Cowards – Rise to Infamy
(Blackened sludge – France)
Throatruiner Records – 2015/02/09


I feel slightly uneasy about the thought of hearing this live. The malice broadcast through these ten songs should whip a live audience into a dervish of hatred that would tear apart the venue. They strike a fine balance between the heft of sludge’s mighty riffs and black metal’s coruscating fury. Balancing these elements creates an atmosphere of primal anger that the band only just contained long enough to successfully put to wax. Scary stuff.
Try before you buy: Beyond My Hands (Bandcamp)

Death Engine – Mud
(Sludgey hardcore – France)
Throatruiner Records – 2015/03/02


I love Throatruiner. The label make all their releases available for free download. Rest assured, I went back and purchased a copy of Mud. Death Engine’s speciality is harsh and unrelenting music. Sludgey hardcore doesn’t seem entirely appropriate as a descriptor, but it’s as close to a specific genre as I can get. The raw barks of the vocalist collide with the pitiless melodies in a jagged rhythmic battleground. It’s an exhilarating experience.
Try before you buy: Organs (Bandcamp)

Eall – Scents of a Wandering Ghost
(Atmospheric black metal – France)
Self-released – 2015/02/07


I detect the fear of failure in this demo. There are some movements that have the potential to be truly spectacular, but they always pull up too short, leaving the listener feeling short-changed. It’s like the band doesn’t fully trust their skills, which would explain why they so readily slide back into the murk of generic Burzum worship. This intermingling of the awe-inspiring and the insipid leaves the demo sounding disjointed. It’s disappointing rather than bad.
Try before you buy: That Brought Shining Visions In A Cold Water Stream (Bandcamp)

Ethereal Shroud – They Became the Falling Ash
(Blackened doom metal – United Kingdom)
Grimoire Cassette Cvlture – 2015/02/21


This is more grandiose than I expected. In many ways it is a union of miserable metal’s soul mates, dsbm and funeral doom. There’s not an once of doubt that the three long tracks are bleak, but there’s definitely something else to it. There’s a grandeur to it that would be equally appropriate for an epic doom act, were it not so depressing. It’s the guitar movements. There’s a sweep to them that allows the band to generate a dark energy to hammer home the misery.
Try before you buy: Look Upon the Light (Bandcamp)

Gomgoma – Medicine Apophthegms
(Doom metal – Greece)
Self-released – 2015/02/07


It’s a bit of a dog’s breakfast. The vocalist would be better served in a funeral doom act, rather than this somewhat sludgey affair. The drummer is wasted here; easily an A+ performer in a C band. Lays down a triumphant beat that gives the songs at least some semblance of energy. The guitar work is a buzzkill; there’s not a lot to enjoy here. They either need to be slower to pack some wallop or faster to build some energy. Tempo limbo is a killer.
Try before you buy: Asstray (Bandcamp)

Karmageddon – Preborn
(Southern metal – Hungary)
Self-released – 2015/02/08


Southern metal: typically a term used by bands who owe so much to Dimebag and Vinnie Paul, they might as well drop a sack of royalties off directly at the House of Abbott. Karmageddon don’t exactly distance themselves from this assessment. They’re pretty hard to hate though. The vocals aren’t brilliant, but the rest of the music has an infectious energy to it that you can’t help but enjoy. They’ll never be critical darlings, but they are good, solid fun.
Try before you buy: Faith in Me (Bandcamp)

Marduk – Frontschwein
(Black metal – Sweden)
Century Media Records – 2015/01/19


This is a punch in the face with black metal. The military theme is well executed, turning the album into a mighty blitzkrieg. I think what appeals to me more is that Frontschwein manages to arrest the Funeral Mist-ification that Marduk was undergoing. I love Mortuus’ other band, but I got into Marduk with Panzer Division Marduk. I’m all about the war themes and the militaristic rhythms, which this album delivers on in a big way. Brutal and hellish.
Try before you buy: Afrika (YouTube)

Misþyrming – Söngvar elds og óreiðu
(Black metal – Iceland)
Fallen Empire Records – 2015/02/07


This is a fine addition to world of intellectual black metal. It sounds like it belongs to the wonderfully fruitful French scene that spawned Deathspell Omega and Arkhon Infaustus. Rhythm and melody are tortured into twisted abominations. The vocals, while mostly harshly intoned venom, have a range not commonly seen in this particular neck of the blackened woods. It’s an album that revels in bleak inhumanity. As monstrous and unforgiving as hell.
Try before you buy: Friðþæging blýþungra hjartna (Bandcamp)

Mortum – Ascending Calamity
(Black metal – United States of America)
Vanguard Productions – 2015/02/14


Mortum, we need to talk. It’s about your intentions. Do you plan on remaining an underground act, only heard by the trve and the occasional falsey (such as myself) who stumbles upon you? Or do you want to be bigger and have wider exposure? I hope it’s the later, because your talent is wasted on basement recordings. I’m very grateful to Vanguard. They did put this out for you and I heard it as a result. But you have talent that deserves to be heard above tape hiss.
Try before you buy: Scourge of Suffering (Bandcamp)

Rusco – Demo 2015
(Grindcore – Italy)
Self-released – 2015/02/22


As relentless and destructive as an archetypal slasher film villain, Rusco’s demo doesn’t mess about. There isn’t even the illusion of respite during the ten tracks on offer. Bass heavy and jammed to overflowing with blastbeats, they still manage to make each song stand out on its own; they have succeeded in cultivating relentlessness without falling into the trap of monotony. It’s also good to hear organ-gargling vocals outside of goregrind.
Try before you buy: Cloaca (Bandcamp

Seventh Dimension – Recognition
(Progressive metal – Sweden)
Self-released – 2015/02/13


An entertaining effort from Seventh Dimension. They’re out on the power metal end of prog’s spectrum, so expect something closer to Symphony X, albeit without their panache, than Dream Theater. It maintains an upbeat pace and avoids self-indulgence. It’s crowd pleasing. The cynic in me thinks they have a specific label they’re trying to woo, but that shouldn’t take away from the fact that they have produced an album geared up for broad appeal.
Try before you buy: Third Eye (Bandcamp)

Sumac – The Deal
(Post-metal – United States of America)
Profound Lore Records – 2015/02/17


Aaron Turner’s latest musical venture, in collaboration with Nick Yacyshyn and Brian Cook, sees him once again venturing into the realms of post-metal. It’s an impressive release. The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy. It’s so heavy it forms its own gravitational pull, keeping the listener drawn in until the final note fades. But it’s effortless in its heavyness, allowing the listener to bear the full brunt of its atmosphere.
Try before you buy: Hollow King (Bandcamp)


Releases of the Year for 2014

It’s finally here. A bit later than most annual lists, but I stand by my policy of waiting to review everything. Some amazing albums turned up late in the year and no list would be complete without them.

I’ve put the list together differently this year. Last year’s list was just a collection of my previously unreleased reviews. Reposting old reviews didn’t seem right, so I went back, relistened to everything, and tried to reflect on the year.

So without further adieu, here’s my best of 2014.

Album of the Year
Sólstafir – Ótta


Season of Mist – 2014/08/29

What I said then: If you can’t appreciate the wonder of this album, I weep for you.
What I say now: This album really does improve with every listen. By the time I’m two tracks in, I’m already choked up. It’s raw and devastatingly emotional, but it’s so beautiful I will take the pain.

Some Other Top Things Worth Mentioning
Best Live Act: Death Angel

I saw these guys supporting Kreator. They completey blew their Teutonic compatriots off the stage. I haven’t been so thoroughly entertained by a band for a long, long time.

Best cover art: Among the Ranks of the Unconquerable by Ola Larsson

It’s a remarkably evocative piece of art, perfectly suited to its album. It doesn’t just convey a sense of palpable darkness; it conveys the futility of even attempting to fight it.

My Other Picks for 2014
2) Primordial – Where Greater Men Have Fallen


Metal Blade Records – 2014/11/25

What I said then: Few bands can do what Primordial do; fewer still could match this effort.
What I say now: I really didn’t expect another album to muscle its way into the top three, but underestimating Primordial was foolish on my part. Awe inspiring and heart wrenching in equal measure.

3) Triptykon – Melana Chasmata


Century Media Records – 2014/04/14

What I said then: [The] album is replete with the seething contempt and haunting introspection that make his work so engaging.
What I say now: The darkness only deepens the more you listen to it. Hardly a surprise though. Triptykon are masters of the inky depths. Few bands can juggle beauty and despair this well.

4) Wolves in the Throne Room – Celestite


Artemisia Records – 2014/07/08

What I said then: It takes alienation and isolation, and makes them beautiful.
What I say now: Easily the most soothing release on this list. I can lose myself in their ambience for a long time, reclining into their subtle blend of delicacy and tension. It’s a thing of beauty.

5) Opeth – Pale Communion


Roadrunner Records – 2014/08/24

What I said then: Rich, evocative rhythms are woven through with striking string passages and delicate accoustic movements, creating sumptuously dark listening experience.
What I say now: I figured Pale Communion might have lost some lustre over the passing months. Wrong. Very wrong. It drew me in as easily now as it did when it was released in August.

6) Swans – To Be Kind


Young God Records – 2014/05/12

What I said then: That an album can be so dense and seemingly impenetrable, but be utterly compelling is a mark of true genius.
What I say now: It admittedly isn’t an album I’ve returned to often, but that’s because every time I start, I’m compelled to listen to it in its entirety. It’s an album that demands to be experienced.

7) Wovenhand – Refractory Obdurate


Deathwish Inc – 2014/04/29

What I said then: Just as the band deftly tiptoes around classification, so too do the songs dance gracefully across the emotional spectrum.
What I say now: Wovenhand really have put together something wonderful. It’s contemplative in a way that shouldn’t be possible given the album’s pacing. Excuse me while I rock out while meditating.

8) Trap Them – Blissfucker


Prosthetic Records – 2014/06/10

What I said then: You are pummled with fury and defiance, and yet, track by track, desperation and exhaustion creep in.
What I say now: The fury of this album is still the chief selling point of this album. Lots of bands do angry; few do it with the absolute lack of restraint on display here. Relentless, malicious abandon.

9) Devin Townsend Project – Z²


HevyDevy Records – 2014/10/28

What I said then: This double album hammers home both Townsend’s talent and his bizarreness.
What I say now: Devin Townsend makes his music so damn easy to listen to. It’s big and bombastic, successfully filling any empty space in your mind with ridiculously good music.

10) Decapitated – Blood Mantra


Nuclear Blast – 2014/09/26

What I said then: Blood Mantra is polished death metal perfection, delivering non-stop pummelling action.
What I say now: The polish has endured; not a hint of tarnish to be seen. It remains an album that blows you away from the moment you press play. It deserves it’s ‘2014 best death’ crown.

11) Various Artists – One and All, Together, For Home


Season of Mist – 2014/05/23

What I said then: Serious, moving, and proof that black metal can have some pride without going full Varg.
What I say now: The contributing artists clearly throw everything into these songs, as the raw emotional heft remains as potent today as it was in September. Best compilation in years.

12) Agalloch – The Serpent & the Sphere


Profound Lore Records – 2014/05/13

What I said then: The rhythms and melodies flow with a natural progression that turn lengthy songs into meaningful reflective experiences.
What I say now: The Serpent & the Sphere is the model modern black metal album. It doesn’t piss away its energy with mindless fury; rather, it cultivates a mature, yet devastating ambience.

13) At the Gates – At War With Reality


Century Media – 2014/10/27

What I said then: They have released an album that sounds exactly like it came out of the creative high-point they were in for Slaughter of the Soul.
What I say now: The comparison to Slaughter of the Soul may have been a whisper generous, but this is still some of the best melodeath out there. Easily the best thing out of Gothenburg for a long time.

14) Winterfylleth – The Divination of Antiquity


Candlelight Records – 2014/10/07

What I said then: The guitars are furious but clockwork precise, the drums are captivating in their intricacy, and the vocals have a nuance rarely seen in black metal.
What I say now: Winterfylleth improve with every album they do. And The Divination of Antiquity is far and away their best effort to date. Technically proficient and emotionally mature metal.

15) Death Fortress – Among the Ranks of the Unconquerable


Fallen Empire Records – 2014/11/15

What I said then: Their take on darkness is a contagious invocation of malice and domination, infecting your soul with hatred most profane.
What I say now: When it starts, you wonder what you’ve gotten yourself into. By the end, you’re pretty sure you can’t live without it. Congratulations, Death Fortress has recorded damnation.

16) Mayhem – Esoteric Warfare


Season of Mist – 2014/06/06

What I said then: It’s easily the best thing they’ve done since they defined the genre all those years ago.
What I say now: Alienation and obliteration. That’s what Esoteric Warfare serves up. This isn’t just Mayhem; this is Mayhem at their most ruthless. Which is a terrifying thought.

17) Plebeian Grandstand – Lowgazers


Throatruiner Records – 2014/03/31

What I said then: It’s a combination of avant-garde darkness and technical fury that creates an atmosphere of relentless misanthropy.
What I say now: That it sounds like a combination of blackened horrors, Deathspell Omega, and jazz metal weirdos, Shining, is reason enough to get this. It remains a dark revelation.

18) Grand Magus – Triumph and Power


Nuclear Blast – 2014/01/31

What I said then: Triumph and Power has everything you could possibly want in a metal album: anthemic choruses, towering solos, fist-pumping rhythms.
What I say now: It’s an album I have listened to a lot this year. I keep on getting the itch and it can only be scratched by Grand Magus’ particular brand of metalness. Rousing good times.

19) Earth – Primitive and Deadly


Southern Lord – 2014/09/01

What I said then: It can bring a tear to the eye while simultaneously destroying speakers.
What I say now: Sublime in its contemplativeness, Primitive and Deadly is an album that, four months on, is already demonstrating that it will stand the test of time. Irresistible and immovable.

20) Horsehunter – Caged in Flesh


Self-released – 2014/09/30

What I said then: Even the weakest track on the album will kill the competition.
What I say now: Horsehunter justifiably took home the crown for best self-released title for the year. What they’ve done on their own, most of their labelled genre-mates couldn’t hope to achieve.

21) Pallbearer – Foundations of Burden


Profound Lore Records – 2014/08/19

What I said then: It draws you in and keeps you nestled in its heart.
What I say now: Pallbearer have put together a benchmark album here; it’s the album by which they, and many others, shall be judged from here on out. It’s a defining moment in quality doom.

22) Gnaw Their Tongues & Alkerdeel – Dyodyo Asema


ConSouling Sounds – 2014/01/01

What I said then: Be transported to a scene of abject horror.
What I say now: Sweet Jesus, this is bleak. I’m used to Gnaw Their Tongues’ brand of horror, but the introduction of Alkerdeel’s maddening sludge took this to an unexpected realm of darkness.

23) Mastodon – Once More ‘Round the Sun


Reprise Records – 2014/06/24

What I said then: It’s a beautiful expedition into progressive expanses, that is challenging, uplifting, and hard rocking.
What I say now: There was a 50/50 chance I was going to return to this and feel let down. But I wasn’t; it’s held up over the passing months. It remains an album dedicated to rocking the great riff.

24) 铁骑 [Tengger Cavalry] – 远古呼唤 / Ancient Call


Metal Hell Records – 2014/02/01

What I said then: Ancient Call is more blackened than their last album, but it is still an utter joy to listen to.
What I say now: I fretted that maybe Tengger Cavalry were, dare I say it, a one trick pony. But I can’t argue with results. They put out consistently high quality blackened folk that begs to be heard.

25) Woundvac – Woundvac


Self-released – 2014/02/25

What I said then: Woundvac’s self-titled debut is the sound of emerging from a mosh pit, covered in sweat and blood (not all of it mine), nose busted across my face, spitting teeth, and smiling like a madman.
What I say now: Why did I rate this so highly? Oh yeah. That’s right. It kicks the living shit out of everything in sight. It’s easily the best pure grind album in a year populated with excellent grind releases.

26) Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry


Debemur Morti Productions – 2014/10/10

What I said then: It’s an album that, knowing it already speaks to the other, seeks to engage rather than alienate.
What I say now: I’m glad that this is another addition to the Memoria Vetusta series. As much as I love Blut aus Nord’s more avant-garde material, what they do with trad black metal is amazing.

27) Lord Mantis – Death Mask


Profound Lore Records – 2014/04/29

What I said then: Death Mask is a concentrated mass of metastasised malignancy.
What I say now: It hasn’t so much aged like fine wine as it has putrefied like a corpse in a swamp. It was nasty when I first got it and has somehow grown into something much worse in the interim.

28) Eyehategod – Eyehategod


Housecore Records – 2014/05/27

What I said then: Thanks to Hurricane Katrina and their own personal demons, the notorious sludge lords truly have been through hell and back, [which] has translated directly to their music.
What I say now: I enjoyed revisiting this. I had forgotten just how punk it was. Unmistakably metal, don’t get me wrong, but still punk as fuck. It makes an already grimey band sound extra dirty.

29) End Silence – The Waters


Self-released – 2014/09/19

What I said then: Everything from the vocalist’s range to the intriguing solos is near perfect.
What I say now: The year’s best thrash album, right here. The fact that it doesn’t play to either the traditional thrash tropes or a frat house mentality helps. That it kicks ass is more important.

30) Rotten Soil – Los Caretas


The Olmo Records – 2014/06/02

What I said then: Aside from the in your face immediacy, Los Caretas succeeds in combining hardcore rhythms with death metal tuning in a way that few of their genremates do.
What I say now: I continue to be a huge fan of their deathcore for the attention deficient. The album snaps by a breakneck speed, but still somehow allows the music room to breathe.

31) Tombs – Savage Gold


Relapse Records – 2014/06/10

What I said then: Densely symbolic. Thematically complicated. Tantalisingly unknowable.
What I say now: I have always been a fan of Tombs’ smart metal. I love to be challenged intellectually by music. Savage Gold takes the intellectual approach and adds extra layers of nasty.

32) Lxs Jugadxs – Demo 2014


Self-released – 2014/07/02

What I said then: There is more to this than naked rage; there’s something darker in there, possibly grief, possibly melancholy.
What I say now: A grimey grindcore nasty, Lxs Jugadxs’ most recent demo stands as a firm reminder that some of the world’s best grind comes from deep in the underground. ¡Viva grind!

33) The Haunted – Exit Wounds


Century Media Records – 2014/08/25

What I said then: This is a seemless blend of thrash and melodic death metal, keeping the invigorating energy of the former and the naked aggression of the latter.
What I say now: The simple joy of Exit Wounds makes you wonder why they’re the only ones nailing it. It has a familiarity that allows you to drop staight in at the deep end of the mosh.

34) Alcest – Shelter


Prophecy Productions – 2014/01/17

What I said then: The end result is a sun-drenched journey through the ether.
What I say now: Neige’s full embrace of shoegaze is a welcome thing. I loved his previous trvegaze work, but Shelter is a step apart. It allows his dreams to bloom out of the shadow of nightmare.

35) Nachtmystium – The World We Left Behind


Century Media – 2014/08/05

What I said then: Bitterness, regret, and occasional self-pity make for a surprisingly honest outcome.
What I say now: Blake Judd may have gone out of his way to act like a colossal, steaming turd, but that’s no reason to take it out on The World We Left Behind. It’s a striking, stark beauty.

36) YOB – Clearing the Path Ascend


Neurot Recordings – 2014/08/29

What I said then: Another fantastic addition to Yob’s already outstanding catalogue of American heaviness.
What I say now: As ominous and oppressive as a looming thunderstorm, Clearing the Path to Ascend is a literal embodiment of doom. It has some rough edges, but that’s not a bad thing.

37) Panopticon – Roads to the North


Bindrune Recordings – 2014/08/01

What I said then: Roads to the North is absolutely coruscating black metal that incorporates Southern song structure and fiddles in a way that pays due homage to the band’s Kentucky heritage.
What I say now: I’m willing to add Panopticon to the list of bands that get heritage metal right. Right up there with Primordial, Winterfylleth, and Drudkh. Heartache and fury abound.

38) Ancient VVisdom – Sacrificial


Magic Bullet Records – 2014/10/28

What I said then: It sounds fantastic and feels like you are having your own damnation broadcast directly to you.
What I say now: Coming across as less folksie and more like a lower, slower Ghost (B.C.) has worked wonders for the band. It sounds like they actually have forward momentum again.

39) Ofghost – Eeva


Self-released – 2014/08/01

What I said then: The driving rhythms speak to a post-humanity environment; mankind is dead and this is the music of the machines.
What I say now: I’ve heard lots of industrial influenced black metal in my time, but Ofghost’s synthesised approach sets it apart. It adds some novelty to a genre that is normally far too staid.

40) Shores of Null – Quiescence


Candlelight Records – 2014/03/24

What I said then: You don’t often get to associate the word ‘beautiful’ with death metal, but that’s what Quiescence is: beautiful death metal.
What I say now: This is somewhat more aggressive than memory served. But so it should be. I remembered the excellent gothic parts, but I needed the reminder of how kickass the death passages are.

41) Außerwelt – Our Lives Out of Balance


Self-released – 2014/09/21

What I said then: It truly is a remarkable ep; every listen unearths something new, nuances in song structure that, while not immediately noticeable, make every song completely and truly vital.
What I say now: As much as I love Our Lives Out of Balance, I still feel I’ve underrated it. It plays with black metal tropes like a cat with its prey. It sounds familiar but is remarkably different.

42) Black Khox – Akab


Self-released – 2014/04/20

What I said then: Once the sample fanfare ended and the rock started, I was left with an ear to ear grin.
What I say now: There’s way more fun contained here than should be legal. I’m sure some will say it needs more polish, but they’re the sort of people who think no social event is complete without doilies.

43) Vermin Womb – Permanence


Throatruiner Records – 2014/09/01

What I said then: Its merciless, pitiless, remorseless blast-driven beat underscores some of the nastiest guitar work I’ve heard this year.
What I say now: Permanence goes way past nasty. This is the sonic equivalent of violently hate-fucking in filth. It’s hateful, malicious, and contemptuous. It would kill you if it could.

44) Old Man Gloom – The Ape of God


Profound Lore Records – 2014/11/11

What I said then: Much like a mad emperor, it effortlessly commands you, but you cannot be at ease.
What I say now: The decision to write fewer tracks but make them substantially longer paid dividends. This isn’t only the superior Ape of God; this is an outstanding album in its own right.

45) Twilight – III: Beneath Trident’s Tomb


Century Media Records – 2014/03/17

What I said then: Twilight is black metal that embodies the death of light of their namesake phenomena.
What I say now: It’s a crying shame that Twilight have gone their separate ways, as they improved with every release. Beneath Trident’s Tomb is sinister black metal performed at the highest standard.

46) Anopheli – A Hunger Rarely Sated


Self-released – 2014/04/24

What I said then: The combination of harsh, crusty guitars and more elegant string sections create an e.p. that is beautiful in its anger, furious in its eloquence.
What I say now: It still seems somewhat antithetical for a crust album to not be 100% grimey, but credit to Anopheli, they have successfully incorporated lighter, cleaner elements without losing impact.

47) ACxDC – Antichrist Demoncore


Melotov Records – 2014/06/24

What I said then: The sheer level of audio violence crammed into these twenty odd minutes is truly inspiring.
What I say now: Wild and anarchic, I had forgotten just how punishing this album was. There is no safe volume level for this. Played at one, it’ll start a fight. At eleven, it’ll start wars.

48) Amnesian – No Atonement


Self-released – 2014/02/08

What I said then: I could easily ramble about the quality of the performers, but I’d rather marvel in the creation of a sound that is distinctly, and uniquely, Amnesian.
What I say now: It may seem a bit low on the list, but I love Amnesian. They approach grind in a way that still seems fresh almost a year after this was released. An amazing new band.

49) Fvck Mountain – Dead Dogs


Self-released – 2014/10/02

What I said then: As I listened to Dead Dogs it slowly dawned on me that I may be listening to the best hardcore release of the year.
What I say now: I was right; it is 2014’s best hardcore release. They strike a balance between technical skill and pure vitriol that is desperately lacking across the genre as a whole.

50) Morbus Chron – Sweven


Century Media Records – 2014/02/24

What I said then: Their music has an otherworldly quality to it now, which allows them to expand their songwriting into progressive territory, while still indulging in the supernatural.
What I say now: Sweven remains a stand out album for straight up death metal. What it trades out in tempo it more than makes up in composition. Swedeath has a bright future here.