Albums of the Year 2018

And so we come to the end of another year. Lots of talent on display. More than a few surprises along the way too. By and large, I’ve had a cracking year listening to metal.

Last year, I had a laundry list of albums I missed that I wish I hadn’t. This year, I managed to get most of my targets reviewed. That being said, here’s my list of missed opportunities:

Accu§er – The Mastery
Eagle Twin – The Thundering Heard
Tomb Mold – Manor of Infinite Forms
Winterfylleth – The Hallowing of Heirdom
Zeal & Ardor – Stranger Fruit

I’ve kept my promise to myself and kept my named awards for Best Complicated Release, Best Art, and Best Live Act.

Idle chit-chat aside, here’s the best damn eleven albums 2018 sent my way.

11) Mantar – The Modern Art of Setting Ablaze

image

Nuclear Blast – 2018/08/24

What I Said Then: Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated.
What I Say Now: I just love how effortlessly catchy these songs are. For something as straight up mean as this, the fact that you can sing (yell) along with it pretty well immediately is a hell of an achievement.

10) Corpsessed – Impetus of Death

image

Dark Descent – 2018/11/23

What I Said Then: It’s like the coroner performing an autopsy, but in your back shed with garden tools.
What I Say Now: Corpsessed understand the compelling perversion of horror. That, once the monster is loose, it is impossible to look away from the bloodshed. Behold the captivation of the train wreck.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

image

Kurushimi goes everywhere at once, but then the track changes and it finds a whole new set of directions to go all at once. It’s overwhelming, but a great album is contained in the cognitive ultramarathon.

9) Barren Altar – Entrenched in the Faults of the Earth

image

Self-Released – 2018/06/12

What I Said Then: This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.
What I Say Now: This album has some incredibly deft touches. Doom, especially of the funereal type, doesn’t typically lend itself to musical agility. But Barren Altar nail some pretty spectacular audio gymnastics.

8) Michael Romeo – War of the Worlds / Pt. 1

image

Music Theories Recordings – 2018/07/27

What I Said Then: It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.
What I Say Now: I am going to say this is the most straight up fun album on this list. The lyrics, the solos, the weird directions it goes; all of it is done for maximum enjoyment. Entertainment turned up to eleven.

7) Deicide – Overtures of Blasphemy

image

Century Media – 2018/09/14

What I Said Then: This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.
What I Say Now: I’ve gone back and listened to the best of back catalogue. I stand by the above claim. It is heavy, malevolent, blasphemous Deicide at their absolute best. Thoroughly demonic.

Mariusz Lewandowski Award for Best Art
Zbigniew M. Bielak for Overtures of Blasphemy by Deicide

image

I keep coming back to this. There’s something both evocative and visceral about this piece. It has a sinister, almost blood-soaked violence to it, which is impressive since it’s a drawing of a scribe.

6) Moss Upon the Skull – In Vengeful Reverence

image

I, Voidhanger – 2018/10/19

What I Said Then: Taking Orchid-era Opeth’s proto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious.
What I Say Now: This is a very different beast to your standard prog death. It breathes, it grows, it sounds like a living organism made of rage. I love this organic approach to music making.

5) Nadja – Sonnborner

image

Broken Spine Productions – 2018/09/14

What I Said Then: Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom.
What I Say Now: It’s like an anxiety attack slowed down. I can’t think of any other album I’ve listened to that takes something so relaxing and made it seem so tense. Soothing like a persistent catatonic state.

4) Skeletal Remains – Devouring Mortality

image

Dark Descent – 2018/04/13

What I Said Then: It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.
What I Say Now: Nothing is quite as invigorating as Being hit by tropical cyclone Devouring Mortality. It’s a maelstrom of chaotic riffs and pounding drums. It smashes like a storm that doesn’t stop.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Sólstafir

I wish I had some pics or a video like I did last year, but Sólstafir were just so hypnotic, intense, and awe-inspiring that the thought of whipping out my phone never occured to me. I could have cried.

3) Bliss Signal – Bliss Signal

image

Profound Lore – 2018/09/28

What I Said Then: It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.
What I Say Now: Bliss Signal upends the black metal status quo. This is functionally a techno album, but lives and breathes the left hand path. Trailblazing, unique and utterly compelling.

2) Daughters – You Won’t Get What You Want


image

Ipecac – 2018/10/26

What I Said Then: With guitars that sound like a musical air raid siren, drumming that consistently surprises in the best way, and one of the most evocative vocal deliveries I’ve heard they have delivered one of the most welcoming forays into discomfort ever.
What I Say Now: By moving noise rock closer to noise than is typical for the genre, Daughters have tapped into a mighty wellspring of disquiet. It still rocks, but in a tremendously unsettling way.

1) Ihsahn – Àmr

image

Candlelight – 2018/05/04

What I Said Then: It’s technically superb, emotionally vivid, and memorable in a way that defies expectation
What I Say Now: It’s about as close to a perfect album as possible from Ihsahn. At its core is a marvellously complicated heart. Hearth warm and deathly cold, locked in precarious balance.

So there we are. That’s as firm a one, two, and three as you can get. I’m still pretty blown away by Ámr to be honest.

And forward to 2019 and the end of an amazing decade in heaviness.

Advertisements

December 2018 Review Round Up

Welcome, oh loyal reader, to the final Metalshopped of 2018. It’s been a pretty impressive year and it’s not quite done. The calendar year may be done, but there are still a few things in the post. That’s why the Best Of for 2018 is coming in February. Got to give every album their due after all.

Speaking of giving due, the album of the month is Corpsessed’s latest, Impetus of Death. I had been keeping an eye out since their surprisingly memorable Abysmal Thresholds, so I was pretty happy to see it pop up. I was ecstatic after hearing it. It’s the realisation of potential.

As always you can contact me via Facebook.

See you next month with both a fresh crop of reviews and the best albums 2018 had to offer.

Buy Me a Coffee at ko-fi.com

Album of the Month
Corpsessed – Impetus of Death
(Death Metal – Finland)
Dark Descent – 2018/11/23

image

Corpsessed have delivered the goods late in the year. Impetus of Death is grisly and putrid, yet satisfyingly precise. It’s like the coroner performing an autopsy, but in your back shed with garden tools. Every part has its place, but it sheds blood and guts. Copiously and violently. It’s a glorious bloodbath, but all the organs end up in the tray as planned.

The Rest in Alphabetical Order
Ails – The Unraveling
(Black Metal – United States of America)
The Flenser – 2018/04/20

image

Having desperately felt the void left behind by Ludicra’s split up, hearing that Laurie Shanaman and Christy Cather had reunited for a new project filled me with joy. It’s a hell of an album too. Far more relentless than I expected, it leaves you breathless with its surprisingly punk approach to cryptic black metal. Pushes the limits without being inaccessible.

Corrosion of Conformity – No Cross No Crown
(Sludge Metal – United States of America)
Nuclear Blast – 2018/01/12

image

It’s been about twenty years since I first encountered CoC (Born Again for the Last Time) and they still sound like a cone of rich Sabbath spun lightly with core being pulled through a bong watered with dank NOLA swamp. But it’s also apparent that they clean their pipes, so to speak, because this is a crisp, clean smoke. No nasty resin, just a pure high.

Death Fortress – Reign of the Unending
(Black Metal – United States of America)
Fallen Empire – 2018/12/26

image

Death Fortress continue to demonstrate why they are an unmissable force in black metal. For sheer relentless aggression, few other bands can compete with them. Reign of the Unending doesn’t just go for the jugular; it goes for the femoral, the radial, the aorta. It goes for blood and it doesn’t stop. This is black metal as a tool for exsanguination.

Devouring Star – The Arteries of Heresy
(Death Metal – Finland)
Dark Descent – 2018/10/26

image

With black metal, you typically have a whole array of modifiers you can apply to the genre. Progressive, symphonic, raw, et cetera. What I choose to use for The Arteries is catastrophic hell noise. It builds a cataclysmic wall of noise and brings as much sonic destruction as possible. It’s overwhelming in places, but I guess that’s the point.

Nachtmystium – Resilient
(Black Metal – United States of America)
Lupus Lounge – 2018/11/30

image

Hard to judge Judd’s attempts and sincerity at reform, but at least we’ve got a pretty fucking awesome e.p. out of the situation. It’s a return to the psychedelic approach he used for the Black Meddle albums, but it’s all intertwined with the utter bleakness of the lessons he (hopefully) has learned. It’s miserable yet forward looking. Hopefully the course correct stays.

Tribulation – Down Below
(Singed Gothic Metal – Sweden)
Century Media – 2818/01/26

image

Singed because it blackens it up a bit. Gothic because it’s a bit moodier than your standard heavy metal. Metal because it makes you want to bang your head. Tribulation have put out an album of dark intensity. It’s the sort of album that speaks to the dark side of humanity and the darker voices that whisper from below. Let its fire beguile.

Varathron – Patriarchs of Evil
(Black Metal – Greece)
Agonia – 2018/04/27

image

This is top shelf black metal, but it’s cut from a different cloth than the stereotypical grim and frostbitten. There’s a swirling maelstrom of blackened fire, thrashy spit, and mournful folk that descends on the listener like a storm. It has its quieter, more ritualised moments, but for the most part it’s a full-throttled ride down the rivers of damnation.