April 2018 Review Round Up

Happy May! Here’s what I listened to in April. And, as a heads up, it was a pretty fantastic month.

To start of with, you have Panopticon’s latest album. It’s hard to imagine a blackened folk album being this good. And, as much as I like Panopticon, I didn’t expect it from them.

But the real winner this month was death metal. Every release is a highlight, but each in a different way. Couldn’t believe my luck.

I saw Revocation again last month too. Holy crap. Just holy crap. I’ve seen them three times and each time they have blown the stage away. See them if you get the chance.

Aa usual, you can hit me up on Facebook. If you share the blog, do me favour and tag the page. I love to know this sort of stuff.

Album of the Month

Panopticon – The Scars of Man on the Once Nameless Wilderness (I and II)
(Blackened Folk Metal – United States of America)
Bindrune/Nordvis – 2018/04/08

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This double album, half their signature blackgrass sound; half true folk, is hands down the best thing Panopticon have ever produced. The blend of oddly uplifting, empowering black metal and bleak, soulful folk allows the band to truly explore the full breadth of their talent. It goes places I didn’t think they could reach. Absolutely astounding.

The Rest on Alphabetical Order
Alucinari – Alucinari
(Deathviolence – United States of America)
Night Animal Records – 2018/04/05

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Whew, this is some aggressive stuff. The combination of death metal’s pummelling relentlessness with the bombastic hyperactivity of powerviolence creates one hell of an assault on the ears. It blasts through at an energy level that makes you worry about them burning up. This complete disregard for sonic welfare is a pretty glorious thing to behold.

Deadly Carnage – Through the Void, Above the Suns
(Blackened Doom Metal – Italy)
Aeternitas Tenebrarum Musicae Fundamentum – 2018/03/30

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Track 1 is a pretty stock intro. Track 2 is painfully beige. It beiges to the point of turning off. Track 3 onwards is solid gold. I ordinarily wouldn’t break an album down so crassly, but it’s necessary this time. The bulk of the album juggles and blends black metal, doom, and shoegaze in such a beautiful way that it would be criminal to write it off prematurely because of the initial blandness.

Hide – Castration Anxiety
(Industrial – United States of America)
Dais Records – 2018/03/23

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I may not be hugely knowledgeable when it comes to industrial, but Castration Anxiety really speaks to me. It seethes in a way that builds tension but rarely releases it. It’s one of those rare albums that is at its best when taken as a cohesive whole. Individual tracks are fantastic in their own right, but the tension dynamics make the entirety the goal.

Impure – Satan’s Eclipse Demo MMXVII
(Death Metal – United States of America)
Self-Released – 2018/01/12

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The lack of polish that is the almost inevitable result of demo production can definitely be turned to an advantage, if used properly. Impure certainly have. They’ve taken recording conditions that might make other bands sound muddy, and have turned out this fantastically cavernous, cadaverous sound. It’s a murky, ominous gem.

Indica – Disparity of a Day
(Stoner Doom Metal – Australia)
Self-Released – 2018/04/20

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Hands up who can guess what an album, released by Indica on 4/20, might sound like? If you said “fuzzed out, heavy as hell stoner doom”, you’d get a C+. To get the A, you’d have to talk about how in amongst the heaviness, there is a carefully woven thread of psychedelic light, which ensures a compositional sophistication. It’s much more than bong rips and fat riffs.

Of Feather and Bone – Beastial Hymns of Perversion
(Bestial Death Metal – United States of America)
Profound Lore – 2018/03/23

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If bestial death metal isn’t a subgenre, it bloody well should be. Bestial Hymns of Perversion can’t truly be called brutal death, but it’s way too aggressive and abrasive to be considered old school. The genre musings are important here because Of Feather of Bone have produced a truly standout album and it deserves to have its place in history immortalised properly.

Ripped to Shreds – 埋葬 (Máizàng – “Bury”)
(Death Metal – United States of America)
Craneo Negro Records – 2018/03/27

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Solo projects provide an artist the opportunity for singularity of vision; in Andrew Lee’s case, this vision is a thundering beast of an old school death metal album. Listening to it made me think of what would have happened Bolt Thrower got together with Scream Bloody Gore era-Death, except with a background in East Asian history. Unbelievably impressive.

Skeletal Remains – Devouring Mortality
(Death Metal – United States of America)
Dark Descent/Century Media – 2018/04/13

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This is an irresistibly fine album. It does more than just tick all of death metal’s boxes; it attacks them in such a way that makes all that was old new again. I haven’t heard anything in this genre sound so fresh in a long time. It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.

Vile Creature – Cast of Static and Smoke
(Doom Metal – Canada)
Self-Released – 2018/03/07

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Deeply atmospheric, this album is as entertaining as it is flawed. It’s lyrical themes are a tad mawkish, the guitar work leans simplistic, and there are some awkward momentum killers. But it’s engaging in spite of these factors. I can go from start to finish without wanting to skip bits. There’s no hate listening here. It’s not great but it’s far from terrible.

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March 2018 Review Round Up

2018 is shaping up to be a great year. I haven’t heard a genuinely bad album yet. Pickyness has helpes, but even when I have bought an album on a whim, I’ve got lucky and landed something entertaining each time.

All that aside, Noose Rot’s EP The Creeping Unknown firmly deserves its place as Album of the Month. Its intro toys with your expectations and then builds into a monstrous, heaving beast of old school death metal.

An awful lot of black metal related stupidity happened this month. I’m not going to editorislise extensively, but I will say if people want to act provocatively, they can’t really complain when they provoke people.

As always, I can be contacted on Facebook.

See you next month.

Album of the Month
Noose Rot – The Creeping Unknown
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/02/16

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If old school death metal is your thing, then Noose Rot have delivered a monster for you. And if old school death metal isn’t really your thing, then you should probably listen to this anyway. Four tracks, all of them gold, all of them landing with such impact it’ll change your perspective on the genre. Or at the very least, they bloody well should. An unstoppable juggernaut.

The Rest in Alphabetical Order
Ataraxy – Where All Hope Fades
(Death Metal – Spain)
Dark Descent Records – 2018/02/16

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While it lacks that special something that makes a great album, this is still a perfectly enjoyable slab of death metal. Ataraxy have written an album that is about as slow and malevolent as a death metal album can be without being death doom. The aggression needed to keep the music engaging shines through in deft tempo changes. Nasty fun.

Esoctrilihum -Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness)
(Black Metal – France)
I, Voidhanger – 2018/02/23

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I love this album. It absolutely has its flaws, but I love this album. The big flaw is it’s self-indulgent as hell; every track noticeably runs longer than necessary. But you can get past it. Especially since it rocks so hard. It pushes black metal as far as it can into death metal without being blackened death metal. You will absolutely enjoy the knives out approach to the esoteric.

Feral Chaos – Mankind in Ruin
(Grindcore – Finland)
Kuolema Records – 2018/02/03

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Feral Chaos get that Finnish grind sound spot on perfect. Easily passes the loud test; turn it up and feel the earth-shattering good times. But it also passes the quiet test. The quiet test is what separates great grind from the rest. Play it at a sensible volume and levels of sophistication reveal themselves. This is a genuine genre and scene highlight.

Insect Ark – Marrow Hymns
(Instrumental Doom Metal – United States of America)
Profound Lore – 2018/02/23

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Instrumental doom can either be cripplingly dull or crushingly cool. Insect Ark’s combination of true doom, drone, and slide guitar definitely guarantees Marrow Hymns falls in the latter category. The southern twang of the slide guitar lends a curiously satisfying tone of Americana to the throbbing, intense doom. A genuinely unique sound.

Judas Priest – Firepower
(Heavy Metal – United Kingdom)
Epic Records – 2018/03/09

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At this point, Judas Priest can do whatever the hell they want. They’ve earned that right. So it’s lucky for us that they’ve decided to continue putting out rollicking, badass heavy metal. Firepower starts strong with the title track and never eases off for its hour run time. They have the energy of a band thirty years their junior. Metal’s first wave still delivers.

Serpents Lair – Perpetual Hunger
(Black Metal – Denmark)
Amor Fati Productions – 2018/02/15

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Serpents Lair keep on delivering. They keep on improving too. From their demo through their first album to this EP, they have shown a capacity for sonic evil that doesn’t diminish. Indeed, Perpetual Hunger is well-named; the three tracks demonstrate a rapaciousness rarely seen in black metal. No preaching. No lecturing. There is only a horrific, ravenous void.

Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03

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A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01

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Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01

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Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07

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So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03

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Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13

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E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch

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Looks impressive, doesn’t it? Wait until you see the full spread.

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See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27

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The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23

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Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17

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This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Meshuggah

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25

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A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13

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The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01

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Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

November 2015 Review Round Up

The good people over at Faster Louder made a good point when evaluating their own 50 Best Albums of 2015; it has been one of the best years for music in a long time. Now, obviously, their focus is on the pop/rnb/electronic spectrum, whereas I’m definitely more metal and punk, but the overall statement holds true. The year 2015 has been outstanding for metal and it still hasn’t quite finished. There’s still albums by Sunn O))) and Baroness to come, not to mention a few things I’ve missed up until now, so there’s a lot to look forward to even at this late stage.

As far as November goes, you can’t go past No Image by Gold and Malaise by The Rodeo Idiot Engine. Both are masterpieces of emotional depth. As much as it was tough to pick one over the other, ultimately I settled on No Image’s beautiful nihilism over Malaise’s harrowing intensity.

Next month sees the release of my Best Self-Released Titles for 2015. It may not run to fifty this year. I’ve been a lot more diligent in crediting labels and distros, so the number of acts I considered wholy self-released has dropped somewhat. I also think I haven’t reviewed as many titles overall this year compared to last, so that would also account for a drop. I just want to publish a list that’s representative of what I have listened to this year.

See you next month. As always, you can contact me on Facebook. Enjoy.

Album of the Month
Gold – No Image
(Death rock – The Netherlands)
Profound Lore Records/VÁN Records – 2015/11/06

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No Image is a truly remarkable album. The songs are often coruscating with distortion, creating bristling laments to the fall of man. But all the effects in the world wouldn’t take away from the power contained in the music; they could be performed with acoustics only and they would be in no way diminished. The bleakness goes right to the core. Complimented with haunting vocals, this is apocalyptically beautiful.
Try before you buy: Don’t (Bandcamp)

Honourable Mention
The Rodeo Idiot Engine – Malaise
(Avantcore – France)
Throatruiner Records – 2015/11/23

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This is the first time I’ve been exposed to TRIE, but I’m already more than content to rank them alongside Converge and The Dillinger Escape Plan as one of the smartest bands in heaviness. They play an off the wall variety of metallic hardcore that is just as raw as it is furious. And by raw, I mean devastating. Rusty cheese greaters scrubbing the soul to a bloody mess. Intensity turned cataclysmic.
Try before you buy: Syngue Sabour (Bandcamp)

The Rest in Alphabetical Order
Beyond All Deception – Beyond All Deception
(Melodic death thrash – United States of America)
Self-released – 2015/10/31

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You could just as easily classify these guys as deathly speed metal. They hammer down hard. They spend so much time red lining that they start to bend the needle. It’s intense. They do tend trade a bit of precision to maintain this intensity, but it’s a good deal. You just have to appreciate such a ballsy display of raw power. The wildness may make it a bit rough from time to time, but it’s a cracking ride nonetheless.
Try before you buy: Malevolence (Bandcamp)

Boak – Boak
(Powerviolence – United Kingdom)
Self-released – 2015/06/03

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There is a fantastically cinematic feel to these half-dozen tracks. It sounds like a frenzied melee, with breaks in tempo acting to add emphasis. It’s the audio equivalent of slowing down a fight scene to highlight a particularly spectacular or brutal blow, only to have the fracas return to full speed to maintain structural flow. Ultimately, it’s as uncompromising as their cover art, but done with style.
Try before you buy: Who is the Animal Here? (Bandcamp)

Brain Famine – Exploding Paranoid Universe
(Deathgrind – United States of America)
Self-released – 2015/10/19

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This isn’t just aggressive; this is dirty and downright nasty. As I listen all I see is two jacked up meatheads on pcp punching on in the mud in a backwater park somewhere. Nothing is held back and no amount of blood, sweat, or teeth is going to stop the relentless hostility until the deed is done. That the songs aren’t stereotypically short grinders is a bonus. Ten rounds of bare knuckle violence.
Try before you buy: Hallucinating Contagion (Bandcamp)

Dakhma – Passageways To Daena (The Concomitant Blessings Of Putrescing Impurity)
(Blackened death metal – Switzerland)
Self-released – 2015/02/25

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This isn’t the Dakhma who released Raze earlier this year; it’s a different horde of blackened death mongers. I get where these guys are coming from. Aiming for maximum cacophony and disorientation to achieve total sonic dissonance. It’s in much the same vein as Portal. The problem is the production is so muddy all the impact has been drained. All that’s left is a repetitive husk of aggression. Infuriating rather than maddening.
Try before you buy: Where Shattered Minds Collide (The Immortal March)

Horrendous – Anareta
(Death metal – United States of America)
Dark Descent Records – 2015/10/30

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This is deliciously old school. How old school? Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up. Horrendous really get the nuances right; Anareta is gritty and primal, but never succumbs to its own hostility. There’s control amidst the madness. And, to top things off, it’s a unique sound. They may be old school, but they’re not derivative. Outstanding stuff.
Try before you buy: Sum of All Failures (Bandcamp)

Intronaut – The Direction of Last Things
(Progressive metal – United States of America)
Century Media Records – 2015/11/13

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Energetic and engaging, The Direction of Last Things sees Intronaut continuing to confirm their status as one of metal’s smartest bands. The composition of these seven tracks allows the listener to fully experience the scope of their intellect without being bogged down in wearisome theory. It’s the Bill Nye of prog; it’s smart and makes you feel smarter for experiencing it, but never at the expense of entertainment.
Try before you buy: Digital Gerrymandering (YouTube)

Leash – Demo 2015
(Crust – United States of America)
Self-released – 2015/10/19

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According to my learned colleagues over at Pledge Allegiance to Grindcore, Leash has links to Backstabbers Inc. That piqued my interest, especially since Trap Them was born out of them too. Colour me impressed. This is clattering, crashing, d-beat heavy crust. It’s energetic as hell. Mad as hell too. No comparisons necessary; this demo stands on its own as testament to hard as nails aggression.
Try before you buy: Revelation (Bandcamp)

Manhunt – Manhunt
(Hardcore – Australia)
625 Thrash/Lethal Dose Records/RSR – 2015/01/16

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Disappointed that I’ve missed this for the majority of the year. It’s hardcore, but it’s been booting up powerviolence in the men’s room of the [insert local punk venue]. Wickedly aggressive, this self-titled outing pulls no punches and gives zero fucks. Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
Try before you buy: No Tolerance (Bandcamp)

Psionic Plasma – Kaos Typhonian Dimensions
(Black metal – Spain)
Self-released – 2015/11/06

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Blaze era Darkthrone in space. That’s what we’ve got going on here. The first thing that struck me was the production. Raw, of course, but it came across as hearing the band from outside a club venue rather than a recording taken in a spooky forest with terrible equipment. Secondly, the music is excellent. It holds up better than most raw sounding black metal. Finally, the concept they use works. Kvlt in the void of space.
Try before you buy: Phosphorus (Bandcamp)

Savage Blind God – Demo
(Punk – United States of America)
Self-released – 2015/09/11

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This demo is six tracks of feisty, raw punk with a beating black heart of Killing Joke-esque post-punk. Waves of anger batter unfeeling cliffs of dissonance like a hurricane off Dover. Forgive the unlikely metaphor, but that’s how it plays out. It has that absolute immediacy of raw punk and hardcore; it’s very in your face. But it’s loaded to the gunwales with intelligent instrumental technique. Engaging stuff.
Try before you buy: Sickening Sanity (Bandcamp)

Sergeant Thunderhoof – Ride the Hoof
(Stoner doom metal – United Kingdom)
Self-released – 2015/11/05

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Got your order of beer and pretzels metal, right here. This is exactly the sort of riff-pounding, bong-rocking metal you need blasting at any party. You honestly won’t care that it’s not the deepest of records; when you have a case of beers to get through, you don’t exactly want a case of the feels. It’s pretty well impossible to hate an album when its biggest fault is that it’s not a thought-provoking chin-scratcher.
Try before you buy: Reptilian Woman (Bandcamp)

Serpents Lair – Circumambulating the Stillborn
(Black metal – Denmark)
Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

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Serpents Lair’s demo from last year brimmed with malign promise, even if it didn’t quite deliver. Their first full length, however, is a baleful delivery on all promises made. And then some. It’s nothing less than pure, uncut evil. Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous. This is an affirmation of how awe-inspiringly terrifying black metal can be in its purest form.
Try before you buy: Epistemology of Death (Bandcamp)

Shining – International Blackjazz Society
(Avant-garde metal – Norway)
Spinefarm Records – 2015/10/16

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Increasingly difficult to categorise, International Blackjazz Society sees Shining become something not jazz and, yet, not truly metal. They have finally reached that point of transcendence they’ve been building to. Such experimental drive had the potential to end in an album more challenging than enjoyable, but the risk paid off. It’s an intelligent album that entertains rather than alienates.
Try before you buy: Last Day (YouTube)

Tuer – Ivresse & Enfer
(Grindcore – Switzerland)
Self-released – 2015/09/25

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At the risk of offending by comparison, I’m going to compare this intense slab of hostile grind to pop punk. Living dangerously, I know. I went there because the nine tracks are catchy as hell. Every track is an earworm. They get right into your head and stay there. The big difference is that, unlike pop punk, the album doesn’t make you want to commit suicide. Get stuck into it. It’s meaty good violence.
Try before you buy: Odyssée Ethylique (Bandcamp)

Vhöl – Deeper Than Sky
(Crusty blackened power metal – United States of America)
Profound Lore Records – 2015/10/23

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Vhöl is giving Sigh a run for their money in the competition for “Most Over The Top Release”. The key difference is coherence. Sigh threw notes at the score like they’re Jackson Pollock and hoped for the best, whereas Vhöl clearly had a plan they were executing. It’s still a mighty overwhelming combination of punk, power metal and black metal. It’s like a stoned berserker; charging ever forward, but in an upbeat manner.
Try before you buy: Red Chaos (Bandcamp)