December 2019 Review Round Up

Happy 2020, everybody. December turned out to be far more distracting than I thought it would. I figured I’d get the one or two things I missed, have a short month, and finalise my lists. Nope. It blew out a bit. Shouldn’t complain though; turns out I missed a lot of good stuff.

Best of the lot was Esoteric’s long awaited A Pyrrhic Existence. It’s a gruelling exercise in funeral doom, but it’s like running an ultramarathon; the pain is worth the endorphin rush at the end.

Next month is my Best of 2019 and Best of the Decade lists. Not sure if I’ll publish monthly reviews on top. We’ll see how we go.

As always, feel free to hit me on Facebook.

Until next month \m/

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Album of the Month
Esoteric – A Pyrrhic Existence
(Funeral Doom – United Kingdom)
Season of Mist – 2019/11/08

It’s been a long time between drinks, but good God am I glad Esoteric are back. I’m also glad they took the time, because it’s clear that found a way to make their already titanic sound even bigger, darker, and more funereal. They’ve created a swirling void of utter despair that threatens to suck all life into its infinite depths.

The Rest in Alphabetical Order
Abigail Williams – Walk Beyond the Dark
(Black Metal – United States of America)
Blood Music – 2019/11/15

I’ve never truly known what to expect from Abigail Williams, but I’m more than happy to settle for surprisingly complex black metal. I say surprisingly because this initially seems to be very traditional, but the deeper you go, the more you listen to it, the broader its influences becomes clear. For something so dense, it’s pretty seamless.

Alcest – Spiritual Instinct
(Blackgaze – France)
Nuclear Blast – 2019/10/25

Good to see Neige put a little bit more black into his blackgaze. It still has the dreamy otherness that has been his signature throughout this project, but it’s an angrier sort of dream. A lucid nightmare. This isn’t some fae trickster or changeling; this is the wild hunt, riding high in saddle, their doomed quarry hounded by spirit and mist alike.

Blood Incantation – Hidden History of the Human Race
(Death Metal – United States of America)
Dark Descent – 2019/11/22

If you wondered what the History Channel at 1am would sound like as death metal, here’s your answer. In order to examine the aliens as masters theme, the band have dialled back the chaos in favour of a more atmospheric approach. They’re still Blood Incantation though. What they do is intensity. The approach may change, but the outcome doesn’t.

Cattle Decapitation – Death Atlas
(Death Metal – United States of America)
Metal Blade – 2019/11/25

Love the music. Am awed by the drumming (holy shit). Like the growls. Hate all the other attempts at vocals. It’s so tough to recommend an album that is so good on most levels, but has vocals that sound like Dani Filth with autotune. Maybe I’m being super picky, but their distraction value outweighs the talent of everything else.

Diocletian – Amongst the Flames of a Burning God
(Blackened Death Metal – New Zealand)
Profound Lore – 2019/08/16

Diocletian absolutely brutalise the listener here. War metal is nothing if not direct, but the ruthlessness that is unleashed by these Kiwis is direct in extremis. It tears from a to b to c in a line straight down to Planck scale. There’s no wavering. There is no vacillation. There is no respite. There is naught but furious hatred for all.

Diploid – Glorify
(Grindcore – Australia)
Art as Catharsis – 2019/11/22

Given the bands they name check and the literature they cite in the album’s Bandcamp blurb, it won’t come as a surprise to say Glorify isn’t an easy, accessible listen. But don’t let the elevated difficulty level of the album turn you off. This album yields rich, thoroughly satisfying rewards, but only if you put your shoulder to the yoke.

Life of Agony – The Sound of Scars
(Hard Rock – United States of America)
Napalm Records – 2019/10/11

Mina Caputo is one of music’s great survivors and it shows on The Sound of Scars. It’s an album that takes a lifetime of challenges and presents them with both the immediacy of the lived experience and the perspective of reflection. There’s nothing soft about it either; it’s all high-energy swagger and snarl from go to whoa.

Lingua Ignota – Caligula
(Experimental – United States of America)
Profound Lore – 2019/07/19

Equal parts Swans, Diamanda Galas, and raw black metal, Caligula is a harrowing experience. The unfiltered, unrestrained anger is horrifying. In many ways, I feel like I’m too sheltered to fully appreciate the devastating worldview that Kristin Hayter delivers. Her approach to violence is lived in and all the more terrifying and real as such.

Lord Mantis – Universal Death Church
(Blackened Sludge Metal – United States of America)
Profound Lore – 2019/11/22

With the untimely passing of Bill Baumgardner, and the previous acrimony between Charlie Fell and Andrew Markuszewski, I honestly didn’t expect another Lord Mantis album. But here we are and it’s great. Venomous and poisonous in equal measure, it’s mere existence is a hazard. It heaves vitriol and retches spite with every cursed note.

Nephilim’s Noose – Rites of a Death Merchant
(Death Doom – Canada)
Self-Released – 2019/10/11

As a death doom act, Nephilim’s Noose are supposed to sound monolithic and miserable. And, wow, do they do that. But they further that sound by infusing every cavernous riff with a malign violence; a threat to body and soul that is infectious rather than fearsome. You experience the destruction and you want it even more.

Nocturnus AD – Paradox
(Death Metal – United States of America)
Profound Lore – 2019/05/24

Reviving a classic band with a sequel to a classic album is fraught with risks. Fortunately, Paradox delivers everything that you could want from a follow up to The Key. The riffs are infectious and the scifi vibe is intoxicating. The band has lost absolutely nothing over the years; absolutely killer, high-octane death metal.

Öxxö Xööx – Ÿ
(Doom Metal – France)
Blood Music – 2019/11/29

Once again, Öxxö Xööx has come into my life just when I really needed a healthy dose of melodramatic doom. Ÿ is a rich, almost luxurious sounding album; it really allows and encourages you to wallow in its sumptuous riffs. You need to take the time to truly experience the full extent of all nine tracks, as there is a dark majesty on display throughout.

December 2018 Review Round Up

Welcome, oh loyal reader, to the final Metalshopped of 2018. It’s been a pretty impressive year and it’s not quite done. The calendar year may be done, but there are still a few things in the post. That’s why the Best Of for 2018 is coming in February. Got to give every album their due after all.

Speaking of giving due, the album of the month is Corpsessed’s latest, Impetus of Death. I had been keeping an eye out since their surprisingly memorable Abysmal Thresholds, so I was pretty happy to see it pop up. I was ecstatic after hearing it. It’s the realisation of potential.

As always you can contact me via Facebook.

See you next month with both a fresh crop of reviews and the best albums 2018 had to offer.

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Album of the Month
Corpsessed – Impetus of Death
(Death Metal – Finland)
Dark Descent – 2018/11/23


Corpsessed have delivered the goods late in the year. Impetus of Death is grisly and putrid, yet satisfyingly precise. It’s like the coroner performing an autopsy, but in your back shed with garden tools. Every part has its place, but it sheds blood and guts. Copiously and violently. It’s a glorious bloodbath, but all the organs end up in the tray as planned.

The Rest in Alphabetical Order
Ails – The Unraveling
(Black Metal – United States of America)
The Flenser – 2018/04/20


Having desperately felt the void left behind by Ludicra’s split up, hearing that Laurie Shanaman and Christy Cather had reunited for a new project filled me with joy. It’s a hell of an album too. Far more relentless than I expected, it leaves you breathless with its surprisingly punk approach to cryptic black metal. Pushes the limits without being inaccessible.

Corrosion of Conformity – No Cross No Crown
(Sludge Metal – United States of America)
Nuclear Blast – 2018/01/12


It’s been about twenty years since I first encountered CoC (Born Again for the Last Time) and they still sound like a cone of rich Sabbath spun lightly with core being pulled through a bong watered with dank NOLA swamp. But it’s also apparent that they clean their pipes, so to speak, because this is a crisp, clean smoke. No nasty resin, just a pure high.

Death Fortress – Reign of the Unending
(Black Metal – United States of America)
Fallen Empire – 2018/12/26


Death Fortress continue to demonstrate why they are an unmissable force in black metal. For sheer relentless aggression, few other bands can compete with them. Reign of the Unending doesn’t just go for the jugular; it goes for the femoral, the radial, the aorta. It goes for blood and it doesn’t stop. This is black metal as a tool for exsanguination.

Devouring Star – The Arteries of Heresy
(Death Metal – Finland)
Dark Descent – 2018/10/26


With black metal, you typically have a whole array of modifiers you can apply to the genre. Progressive, symphonic, raw, et cetera. What I choose to use for The Arteries is catastrophic hell noise. It builds a cataclysmic wall of noise and brings as much sonic destruction as possible. It’s overwhelming in places, but I guess that’s the point.

Nachtmystium – Resilient
(Black Metal – United States of America)
Lupus Lounge – 2018/11/30


Hard to judge Judd’s attempts and sincerity at reform, but at least we’ve got a pretty fucking awesome e.p. out of the situation. It’s a return to the psychedelic approach he used for the Black Meddle albums, but it’s all intertwined with the utter bleakness of the lessons he (hopefully) has learned. It’s miserable yet forward looking. Hopefully the course correct stays.

Tribulation – Down Below
(Singed Gothic Metal – Sweden)
Century Media – 2818/01/26


Singed because it blackens it up a bit. Gothic because it’s a bit moodier than your standard heavy metal. Metal because it makes you want to bang your head. Tribulation have put out an album of dark intensity. It’s the sort of album that speaks to the dark side of humanity and the darker voices that whisper from below. Let its fire beguile.

Varathron – Patriarchs of Evil
(Black Metal – Greece)
Agonia – 2018/04/27


This is top shelf black metal, but it’s cut from a different cloth than the stereotypical grim and frostbitten. There’s a swirling maelstrom of blackened fire, thrashy spit, and mournful folk that descends on the listener like a storm. It has its quieter, more ritualised moments, but for the most part it’s a full-throttled ride down the rivers of damnation.

December 2015 Review Round Up

Happy new year, everybody! I hope the season of mandated festivity brought much brutality or grimness or drinking or whatever makes your sloop particularly buoyant.

It would remiss of me to not mention the passing of Ian ‘Lemmy’ Kilmister. The man was a god to me from the moment I first saw him hammering through Ace of Spades on The Young Ones. The pure rock badassery the man-god exuded was overwhelming. I’m pretty sure he’s the reason why I’m the metalhead I am today, instead of some whiny alternative rock loser. He lived the rock and roll lifestyle like no else has or possibly could. He was on stage for as long as he could. He continued to release amazing albums at regular intervals. Seriously, go check out Bad Magic if you doubt me. Others have eulogised him more eloquently than I could, but the impact he had on my life is undeniable. Born to lose, lived to win. Vale, you magnificent bastard.

2015 has passed, which means everybody is putting out their ebd of year best ofs. I’m no different. My best self-released releases list went up along with this lot of reviews. My overall best of list goes live next month. Just waiting on a few last minute purchases to arrive.

Can’t really say I’m surprised that Baroness released an album of the month quality album. They have a way with sludge that makes them stand out and apart from the masses.

Was surprised by the top quality of Lamantide’s Carnis Tempora: Abyssus. I was blown away by its intensity and ended up listening to it on repeat for a long time. I just couldn’t stop.

2015 was amazing and I welcome 2016 with open arms.

Feel free to contact me via Facebook.

See you next month.

Album of the Month
Baroness – Purple
(Sludge metal – United States of America)
Abraxan Hymns – 2015/12/18


After the wistful splash of melancholy in the sun that was Yellow & Green, it was always going to be interesting to see Baroness return to material with greater immediacy. I was right to not have any doubt in their talents. Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly. It demands to be heard. If it had hands, it would hold your head in front of the speakers.
Try before you buy: Shock Me (YouTube)

Honourable Mention
Lamantide – Carnis Tempora: Abyssus
(Post-hardcore – Italy)
Self-released – 2015/10/26


Seriously good stuff from a four piece out of Cremona. It’s one of those releases that doubles as an advertisement for learning another language. I’d love to have sufficient Italian to understand what was being growled at me so expertly. I couldn’t get enough of the guitar tone either, especially since it was combined so perfectly with heavy distortion and screams of feedback. It’s an intense experience in the best way.
Try before you buy: Immortalis Lapis (Bandcamp)

The Rest in Alphabetical Order
Chronovorus – To Those Who Dwell in Ruin
(Blackened sludge metal – United States of America)
Merdümgiriz – 2015/09/05


Deliberate, methodical, and relentless, To Those Who Dwell in Ruin balances achingly slow drone and furiously driven sludge in a way that sees their juxtaposition seem completely natural. Heavy sustains and heavier riffs combine in pitiless fashion, driving any hope of succour from the listener. “Listen”, it commands and, powerless in its presence, the listener will obey. Tyrannical is the beast at its core.
Try before you buy: A Star Oath (Bandcamp)

The Horn – Volume 14
(Black metal – Australia)
Self-released – 2015/12/02


High-concept, synth heavy, one man black should send me running for cover. I’ve had plenty of bad experiences before, but this bucks the trend. I definitely like this. The Horn’s ongoing efforts to set the entirety of Book of the Dead to music works on this release because it actually sounds like ritual msgic is being performed. I may tire of the Gollum vocals, but overall this is so engaging you could call it spellbinding.
Try before you buy: Spell 174 (Bandcamp)

Iron Curtain – Gulag
(Grindcore – United States of America)
Self-released – 2015/11/01


Grindcore acts can have a hard time standing out. The blisteringly short tracks and the persistent blastbeats that dominate the genre can make it tough for bands to stand out. The best thing a grind band can do, if they insist on not deviating from genre staples, is do everything damn well. Iron Curtain do exactly that. Intense bursts of grind are delivered with the fury of a thousand suns. Tropes delivered with aplomb.
Try before you buy: Kill Them All (Bandcamp)

Plague Phalanx – Plague Phalanx
(Death metal – United States of America)
Aphotic Sonance – 2015/05/15


Claustrophobic, dissonant music overlaid with guttural vocals makes for an uncompromising experience. Combined with a production that maximises the aggression, this should be a great release. Should. Repetitiveness holds it back. The relentless drums merge into one long rhythm track, while the riffs come very close to outright recycling. Too many tracks sound the same. Not good when there’s only five.
Try before you buy: Raped by Apparitions (Bandcamp)

Rubber Mate – Hell Bent For Rubber
(Noise punk – United States of America)
Self-released – 2015/05/14

Sweet Jesus, what a racket. It’s what I expect a collaboration between the Dead Kennedys and Merzbow would sound like. I don’t think I’ve heard a guitar sound that fucked up. They’ve taken infectious, upbeat punk and stretched, pulled, distorted, and distressed it in every possible way while still, somehow, maintaining cohesion. I’ve heard plenty of messed up punk before, but very little with this commitment to harshness.
Try before you buy: Nightstalker (Bandcamp)

Sombre – Flora and fauna, Feast Upon My Flesh
(Blackened noisey sludgeviolence – Canada)
Self-released – 2015/08/03


As you can probably tell by the genre heading, there’s a lot going on here. Certainly, there’s no doubt that it’s challenging. Possibly too challenging for its own good? Nah. It’s good. Multifaceted though it might be, Sombre haven’t taken their eyes off the goal: a cohesive listening experience. Flora and Fauna may take you all over the place, but it never loses track of the destination and you will enjoy the journey.
Try before you buy: Humans of Earth (Bandcamp)

Sunn O))) – Kannon
(Drone – United States of America)
Southern Lord – 2015/12/04


Continuing to push the limits of what guitars can do, Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud. For a non-spiritual band, it’s amazing how much of a spiritual experience Kannon is. The dark loops of guitar and the aching sustains are crafted wirh reverential awe. And Csihar’s death chants are grimly intense. Worship at the throne of loud.
Try before you buy: Kannon 2 (Bandcamp)

Unyielding Love – Demo 2015
(Experimental black metal – United Kingdom)
Self-released – 2015/09/29


Some bands intimidate with raw fury. Others with alienating peals of noise. And yet others rely on an abject lack of humanity to bruise their way to success. Unyielding Love do all these things and more. Thuggish and muscular black metal is made even nastier with sociopathic noise. On top of this, the tracks are played with a grind-esque urgency. Merciless and venomous is just the beginning.
Try before you buy: Swelling Absence (Bandcamp)

Wildspeaker – Survey the Wreckage
(Blackened crust – United States of America)
Self-released – 2015/08/29


It’s the Japanese economy of metal; it sounds impressive, but it’s bloated with unnecessary infrastructure. It’s forever building to something, but never really gets there. Bit of a shame really, because if they could hammer that final rivet into some of these towering edifices of sound, they would have crafted one of metal’s great colossi. It’s still an exciting listen, but it’s tainted with the realisation it could have been much more.
Try before you buy: Apex Predator (Bandcamp)

WitcheR – Csendes Domb
(Black metal – Hungary)
Dark East Productions/Mercy Despise/Neverheard Distro – 2015/08/28


I’m awfully conflicted by this. On the one hand, it is remarkably monotonous. The songs are long and don’t vary much. But I enjoy it and I do so way more than I should. For all of its potential for boredom, there is a genuine emotional truth at its core. Now, I don’t speak a word of what I assume is Magyar, but there is a total and unremitting bleakness that dominates the entire play time and that transcends language.
Try before you buy: Eltemettelek (Bandcamp)

December Review Round Up

So here we are at the end of 2014. It’s been a big year and things are getting crowded in my provisional top 50. That gets published next month; I’m still waiting on a few albums to arrive by post and I don’t want to short-change anyone. I have, however, posted my top 50 self-released titles for the year. Please take it all in. Lots of good stuff there.

As for what’s happened this month, Death Fortress is an album you just can’t go past. It’s an absolute standout in a month with more than its fair share of good stuff.

So happy new year, everyone. 2014 was pretty spectacular and 2015 is shaping up nicely.

Album of the Month
Death Fortress – Among the Ranks of the Unconquerable
(Black metal – United States of America)
Fallen Empire Records – 2014/11/15


This album reminds me of Cobalt’s debut album, War Metal. Aside from fact that it’s absolutely cracking black metal (one of the year’s best bm releases), it’s replete with the promise of dark things to come. Their take on darkness is a contagious invocation of malice and domination, infecting your soul with hatred most profane. Everything about this album is geared towards making you a worse person in the most magnificent way possible.
Try before you buy: Among the Ranks of the Unconquerable (Bandcamp)

Honourable Mentions
Autopsy – Tourniquets, Hacksaws and Graves
(Death metal – United States of America)
Peaceville Records – 2014/04/21


I wasn’t sure about getting this. It’s their third album in four years and their brand of gory death, while excellent, doesn’t offer a lot of variety. Or so I thought. I’m so very glad I got over that misconception, as I think it’s the pick of their post-comeback albums. The thing I love most is the rock and roll swagger they manage to incorporate into their chainsaw guitars. It brought to mind a ZZ Top album penned purely for psychopaths. It’s a very wrong shade of right.
Try before you buy: The Howling Dead (YouTube)

The Hyle – Demo
(Doom metal – Denmark)
Caligari Records – 2014/09/17


It’s demo quality, so it’s a little bit lo-fi. Don’t let that deter you; The Hyle’s debut demo is brilliant example of creeping occult doom. They deliver drawn out lamentations, gloriously heavy on the low end. The low and slow elegantly frames surprisingly delicate vocals. They have a message that they desperately need you to hear, so not a single second is wasted on unnecessary distortion or growls. This is doom at its most deliberately hypnotic.
Try before you buy: Lucifero/Serpent King (Bandcamp)

Interspersing Bone and Blood – Immix Rejectamenta
(Brutal death metal – United States of America)
Torn Flesh Records – 2014/12/01


Every year there’s at least one brutal death album that reaffirms my love of the genre. Last year it was Devourment’s Conceived in Sewage. This year, although it took a bit to get here, is Immix Rejectamenta. Undeniably grindcore influenced, Interspersing Bone and Blood still give their tracks room to grow and metastasize. They don’t just deliver brutality; they do it in a way that is never dull, derivative, or repetitive.
Try before you buy: Molesting the Massacred (Bandcamp)

Mörkhimmel – Ostří černé kosy zní
(Crusty death thrash – Czech Republic)
Self-released – 2014/12/24


This is good times music for fucked up folk. To take top quality, high tempo death thrash and then grime it all up with crust is a brilliant idea. Frankly, I’m surprised I don’t see more of it. The vocals are a dead ringer for Martin van Drunen, which, given my love of Hail of Bullets, is a pretty good thing. But the guitar work is the real star here. Nothing is held back, which results in a relentless sonic barrage perfect for fist pumping, furniture tossing, and casual arson.
Try before you buy: Na věky věků (Bandcamp)

Six Brew Bantha – Intravenously Commodified
(Grindcore – Canada)
Dead Heroes et al – 2014/11/12


I was hoping against hope that I’d get a chance to throw in a Six Brew Bantha review this year. I’ve been a huge fan since their self-titled debut waaaaaay back in 2012. Intravenously Commodified is another brilliant addition to their canon of weird as hell grind. They managed to create an album that sounds as cohesive as a single track, while each individual track retains its own unique character. That’s a hell of an achievement for a grind album.
Try before you buy: Anti-Music Part 2 (Bandcamp)

The Rest in Alphabetical Order
Abysmal Growls of Despair – Lovecraftian Drone
(Drone doom – France)
Self-released – 2014/09/05


One of this year’s better drone releases. The band actually gets what Lovecraftian actually means. The album almost literally drips with inhuman dread. One of the crowning achievements is that monstrous guitar tone, which simultaneously sounds like the crackling static of a dimensional portal and the susurrus of oozing flesh. I don’t think they could have captured the sound of lurking extra-dimmensional horror any better.
Try before you buy: The Great Old Ones (Bandcamp)

AC/DC – Rock or Bust
(Rock – Australia)
Columbia – 2014/11/28


Rock or Bust comes at a time of upheaval for the band not seen since the passing of Bon Scott. The departure of Malcolm Young is a huge deal, but Stevie Young is a more than capable replacement for his uncle. The album does lack a killer single, but the overall album is probably their best since The Razors Edge way back in 1990. That’s because AC/DC still rocks. They remain the quintessential rock band and I can’t see that changing anytime soon.
Try before you buy: Play Ball (YouTube – not mobile friendly)

Acid Dream – Lowly Sun Dies
(Stoner doom metal – United States of America)
Self-released – 2014/09/14


A sub-par effort from these Yoopers. The main problem is that Lowly Sun Dies is a monotonous, soulless affair. It’s a big problem. The vocals lack desperately for range. They can be pretty inconsistent too. The guitar work hasn’t progressed past the “down tune then strum” section of the doom manual. The drumming starts out sloppy but does improve as the ep goes on. And the samples are clearly there to pad not add. Which is not rad.¹ It’s dull stuff.
Try before you buy: Voluntary Human Extinction (Bandcamp)

Barren Altar – A Monument to Endless Suffering
(Blackened doom metal – United States of America)
Self-released – 2014/10/08


Going to get the criticism done first. The blackened vocals sound like a strangled Gollum. You won’t notice at first, but then they draw attention to those vocals and you can’t unhear it. That aside, this is a remarkable slab of darkness. The riffs are all about maximum impact and the low growls more than compensate for kvlt Sméagol. Everything about A Monument to Endless Suffering is constructed to grind hate into your soul.
Try before you buy: The Nectar of Human Blood (Bandcamp)

Black Reaper – Flames of Sitra Ahra
(Black metal – China)
Pest Productions – 2014/12/26


Always good to find a band that gets the basics right on their debut. Especially in black metal, which suffers from a surplus of mediocre or worse basement bands. Black Reaper does even better by adding elements of musical sophistication usually seen in bands much further along in their career. It demonstrates that the band understand that black metal needs to be dynamic to matter. Schtick only goes so far.
Try before you buy: Marching Towards the Infinity (Bandcamp)

Blood Urn – … Of Gory Sorcery and Death
(Death metal – Austria)
Terrorghoul Productions – 2014/04/20


I had to warm up to this one. I find the vocals extremely offputting. Whoever thought using that much reverb was a good idea was dead wrong. It sounds like they were recorded in a wind tunnel and is way more distracting than anything else. But the further I got in the album, the more I realised that the band are actually very talented. There are some amazing riffs and the drums are razor sharp. It’s flawed, but there’s a tonne of promise.
Try before you buy: Katakombic Veins of the Black Earth Below (Bandcamp)

Deadbeat – Demo 2014
(Hardcore – United States of America)
Self-released – 2014/03/23


It might have taken until December for me to stumble upon these bruisers, but I’m glad I did. They take tracks that would be appropriate for the radio-friendly spectrum of core, strip out all the pretty (while leaving the catchy untouched), and then dial the mayhem up to 11. It’s only eight short tracks, so it’s over in a flash, but that’s kind of a good thing. The sheer immediacy of this demo gives it a visceral nature that draws the listener right into its heart of violence.
Try before you buy: Nuke Fear (Bandcamp)

Evig Hat – Evig Hat
(Black metal – Norway)
Bad Noise Records – 2014/10/22


I’ll say one thing for Evig Hat; they’re prolific beyond all belief. Essentially a one man band, he has put out five albums and two eps this year. I figured I would start with the self-titled. I had some initial concerns that it would be yet another dose of cookie cutter black metal. Its relentless drum beats didn’t help that initial appraisal. But once I delved down into the depths, I realised I was wrong. There is a deep wellspring of talent in his guitars and vocals.
Try before you buy: Ensomhetens Offer (Bandcamp)

False Flag Attack – Everything is Shit
(Grindcore – Germany)
Self-released – 2014/12/26


It’s a tough one to review is Everything is Shit. Very tough. The dilemma is that it’s a technically proficient album with a lot to like, but there’s not a great deal about it that lends itself to recommendation. If you like grindcore, you will love it. Guaranteed. If the genre isn’t something you ordinarily listen to, then there’s absolutely nothing here to change your mind. I think that appeal is the big difference between False Flag Attack and this year’s leading grinders.
Try before you buy: Galgenmännchen (Bandcamp)

Gnaw Their Tongues – Wir essen Seelen in der Nacht
(Blackened ambient noise – Netherlands)
Self-released – 2014/11/01


It’s been a bit quiet on the Gnaw Their Tongues front. I suppose Mories has other projects to focus on, which is probably a good thing; GTT’s fetishism of death, sadism, and eroticism can’t be healthy long term. This ep, however, shows that he can still tap into that wellspring of horror and capture riveting descents into smothering bleakness. It’s jarring as a car crash and as discomforting as sitting on a spike, yet I can’t help but listen to it.
Try before you buy: Wir essen Seelen in der Nacht (Bandcamp)

Gorgonaut – The Foul and the Feral
(Death metal – Sweden)
Self-released – 2014/12/02


Rough and ready death metal is what this demo is all about. No frills, just a bad attitude. It’s all they need though, as this is entertaining stuff. It’s not original and it is occasionally repetitive, but you can’t deny it’s definitely entertaining. It has just enough grime in its sound to give it an old school flavour. And they’ve borrowed one or two Slayerisms; just enough to give it a kick without turning death thrash. It’s not ground breaking, but it doesn’t need to be.
Try before you buy: Wendigo Psychosis (Bandcamp)

James Doesn’t Exist – The Kid Wins Again
(Grindcore – United States of America)
Self-released – 2014/08/06


Grind eps can be sorely disappointing; their sheer brevity can be a real let down, especially when the music is as good as The Kid Wins Again. James Doesn’t Exist have that special knack of writing tracks that are as infectious as influenza. They put together all the other grind elements well, but that extra level of attention to detail goes a long way to ensuring that the four brief tracks stay firmly lodged in the brain long after the criminally short ep is finished.
Try before you buy: To High to Get High (Bandcamp)

Macerie – Demo
(Black metal – Italy)
Self-released – 2014/11/26


Macerie is another band to keep an eye on. Sure, they don’t completely nail it here, but this is a demo. Moreover, they’re not a band that churns out demo after demo after demo of shit. This is their start point and there’s a lot to like. Their almost doom like approach to black metal is a selling point. It builds a foreboding malevolence that wouldn’t be possible if they hammered through at top speed. La Luce del Buio alone justifies getting it.
Try before you buy: La Luce del Buio (Bandcamp)

Saloth – Darkness
(Death metal – United States of America)
Music for the Dead – 2014/03/16


I listened to it. I enjoyed it. I promptly forgot it. That’s not entirely fair; I do have fleeting memories of a satisfying guitar tone. The pinch in my neck would also indicate a degree of headbanging too. So it’s clearly not a bad release. It just suffers from a crippling lack of impetus. No song delivers enough oomph to leave any impact. It’s another fine example of a band having some promise but pissing it away on forgettable dross. Get it if you’re a death metal nut.
Try before you buy: Devil’s Mark (Bandcamp)

¹: Couldn’t help myself. So not sorry.