September 2018 Review Round Up

We’re reaching the crunch point for the critical year. August was impressive, but September really stepped it up as bands and labels try to maximise their visibility. I can’t wait for October.

The album of the month is from Florida death metal veterans, Deicide. You have no idea how surprised I am to have written that. But credit where credit is due, they absolutely nailed that super-hostile sound.

Not too much else to say. Starting to look towards my end of year list, which is always fun. And given that 2019 is just around the corner, I’m starting to look seriously at my best of the decade list too.

As always, for comments and critiquing, you can reach me via Facebook. And I’m still always in need of Red Bull, if you don’t mind the panhandling. I wish I could get the fancy widget to work, but alas, I’m not that competent.

Album of the Month
Deicide – Overtures of Blasphemy
(Death Metal – United States of America)
Century Media – 2018/09/14

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If you thought this was going to be another piece of stodgy filler in Deicide’s extensive catalogue, get to the back of the class! It’s easily their best since Stench of Redemption, and I’m going to have to realisten to that to make sure it’s still their best. I have my doubts to be honest. This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.

The Rest in Alphabetical Order
Archgoat – The Luciferian Crown
(Black Metal – Finland)
Debemur Morti – 2018/09/14

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Archgoat’s best album. Just going to put that straight out there. I buy Archgoat for their signature blend of Fimbulwinter cold and sulphurous balefire. This album more than delivers on those fronts, but is also unexpectedly loaded with sinister groove and infernal sexuality. It’s rare to find a black metal album that so ably encapsulates damnation.

Aura Noir – Aura Noire
(Blackened Thrash – Norway)
Indie Recordings – 2018/04/27

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Aura Noir’s intertwining of thrash and first wave black metal has always yielded razor sharp riffs. Aura Noire continues this trend. They haven’t exactly built extensively on what they’ve done before, but that’s not what this is about. This is, as it always has been, about cramming venomous thrash all the way down your throat.

Black Matter Device – Modern Frenetics
(Mathcore – United States of America)
Self-Released – 2018/04/06

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Fast music for the short tempered. Modern Frenetics is an album for people who don’t have the patience for soft things. It helps that Black Matter Device are (appropriately) mathematically precise. The relentless pummelling that ensues is one of the smartest arse-kickings you will experience. It’s like getting mugged by a mortarboard.

Clutch – Book of Bad Decisions
(Rock – United States of America)
Weathermaker – 2018/09/07

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It’s funny how after all these years Clutch still find a way to deliver just what you want while still surprising you. Book of Bad Decisions comes across as rawer and dirtier than the high octane output of their previous few albums. Real music for smokey dive bars and, by God, it’s beautiful. It gets you right in that part that knows a bit of grime is good for the soul.

Common Eider, King Eider – A Wound of Body
(Black Ambient – United States of America)
Sentient Ruin Laboratories – 2018/09/21

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Dealing only in the bleakest of black ambient, Common Eider, King Eider have turned loose an audio horror upon this world. It creeps and slithers and contorts its way around your psyche; never pushing all the way through, but never letting you get comfortable. Albums that do their work quietly are a challenge, but I recognise darkness when I hear it.

Drawn and Quartered – The One Who Lurks
(Death Metal – United States of America)
Krucyator Productions – 2018/07/27

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How on earth have I managed to get to 2018 without hearing about Drawn and Quartered? These guys have been pounding out old school death metal for ages now and it’s taken until this monster landed for me to know they existed. It’s an appalling oversight on my part. Guttural, almost brutal, The One Who Lurks is a visceral gut ripper.

Grave Dust – Pale Hand
(Death Metal – United States of America)
Self-Released – 2018/08/24

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What is up with 2018 and top notch death metal releases? I’m running out of superlatives; I’m either going to start repeating myself or start using nonsensical adjectives. But, dead set, Pale Hand is another death metal monster. It’s a rumbling, aggressive, menacing beast, but it comes with that vital element of catchiness that lodges the songs in your brain.

Hyperdontia – Nexus of Teeth
(Death Metal – Denmark)
Dark Descent – 2018/09/06

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Nexus of Teeth is a fine death metal record that may not set the world on fire but is definitely enjoyable. It suffers a little from repetitiveness, but in Hyperdontia’s defence, they do a couple of things really well, so it makes total sense that they play to their strengths. You can put this on in a room of genre buffs and they will be headbanging all over the place.

Imperial Triumphant – Vile Luxury
(Technical Black Metal – United States of America)
Gilead Media – 2018/07/13

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This is different. Cacophonous black metal played with a level of technicality that should require an engineering degree all wrapped up with Fritz Lang-esque noir. This is what a smokey jazz dive sounds like in hell. I like this a lot, but I’m not going to lie; it’s a tough album to get into and even once you’re in, it can be overwhelming. Extremity done differently.

Kaerulean – The Orwellian Dream
(Blackened Death Metal – Australia)
Truth Inc – 2018/08/10

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It makes a hell of an entertaining racket. But, more than that, it impresses on multiple levels and you will get more out of it with each subsequent listen. For starters, I genuinely didn’t expect the clean vocals to be as good as they are. And the rhythm section is just a fucking beast underneath. This band deserves much broader exposure.

Mantar – The Moden Art of Setting Ablaze
(Sludge Metal – Germany)
Nuclear Blast – 2018/08/24

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Finally getting around to Mantar and I totally get why they are, and rightly should be, considered sludge’s premier arsonists. Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated. I know I’m not the first to say it, but it’s amazing that this sonic firestorm is made by just two people. Incredible stuff.

Nadja – Sonnborner
(Ambient Doom Metal – Canada)
Broken Spine Productions – 2018/09/14

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Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom. The 30 minute opener is an album in and of itself. It’s awe-inspiring too. It weaves, lilts, and flows beautifully. The following four tracks include dramatic and jarring tonal shifts, giving the ambience some unexpected, but welcome exhilaration.

Primordial – Exile Amongst the Ruins
(Blackened Folk Metal – Ireland)
Metal Blade – 2018/03/30

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I can only assume that Primordial are sick of Metal Blade, as this sound like nothing more than a contractual obligation album. All the hallmarks of a Primordial album are there, but they’re so listless and seemingly dialed in. It’s tough to listen to something that sounds like nobody cared. It’s especially tough when it’s a band as hugely talented as Primordial.

Thou – Magus
(Doom Metal – United States of America)
EVP Recordings – 2018/08/31

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Other bands must wish they could match Thou’s ability to be both prolific and talented. Magus is their fourth release this year, the second to get a review by me, and easily the best thing they’ve done recently. Which is impressive, because they are consistently excellent. The raspy growls, the subtle melodies, the monstrous low end; it is amazing.

The Vintage Caravan – Gateways
(Rock – Iceland)
Nuclear Blast – 2018/08/31

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I love what The Vintage Caravan have done previously, so it really pains me to say this: Gateways is boring. At best it’s dull, at worst it’s tedious, and it all balances out as boring. There’s nothing on display here to get the listener actively involved in the music. It just kinda plods along without doing anything noteworthy. At least it’s easy to forget.

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August 2016 Review Round Up

August has been one of those months that make me question whether or not I should keep going. So much top quality music passed through my ears that I found it difficult to say a bad thing. Even the album I’m most critical of is, in all honesty, pretty good.

Am I too soft? Possibly.

Or it could just be that August was one of those lucky months that came without a dud.

Altarage shone the brightest over all the other gems this month. Bit of an ironic description; they are a bleak experience. But within their withering contempt lies a brilliant stroke of death metal genius.

Grave Miasma gets the nod for honourable mention. Any other month would see them at the top of the tree. Their latest ep is a death metal masterclass.

I’m still active on Facebook, so feel free to get in touch.

Until September, enjoy.

Album of the Month
Altarage – Nihl
(Blackened death metal – Spain)
Sentient Ruin Laboratories/Doomentia Records/Iron Bonehead Productions – 2016/02/26

Dear GOD, that’s an aggressive album. Damn. But more than that, it’s an invigorating album. It’s an album that makes the genre sound vital and new in every way. It’s horrifying. It’s malevolent. Its every note and growl are invocations to indulge in all of humanity’s worst. Captivating in its darkness, Nihl doesn’t let up. Not for one second.
Try before you buy: Vortex Pyramid (Bandcamp)

Honourable Mention
Grave Miasma – Endless Pilgrimage
(Death metal – United Kingdom)
Profound Lore Records/Sepulchral Voice Records – 2016/05/06

I missed Grave Miasma on their last spin through critical country. I’m guessing that was a mistake, as this EP is exactly what death metal should sound like. It is a paragon of death metal, if you will. It absolutely, and perfectly, nails the balance between blistering fury and sinister malice that the genre was built upon.
Try before you buy: Utterance of the Foulest Spirit (Bandcamp)

The Rest in Alphabetical Order
Atrament – Eternal Downfall
(Blackened death crust – United States of America)
Sentient Ruin Laboratories – 2016/03/04

A swirling cacophony of bleakness, Eternal Downfall puts it all out there and all it is is horror. The raw spit and venom of crust turns the blackened death metal into a nightmarish amalgamation of cult and gangland initiations. A flurry of fists and feet pummelling you while thick, noisome incense chokes you.
Try before you buy: Rotting Twilight (Bandcamp)

Karcavul – Intersaone
(Blackened sludge – France)
Sentient Ruin Laboratories – 2016/07/01

Sometimes muddy production aids an album. That is definitely the case here. Karcavul’s take on sludge is venomous in the extreme and the ‘recorded in a sewer’ vibe they have going on here only serves to highlight this. Torrid, toxic, and downright sinister, Intersaone is a reminder that metal often hates you.
Try before you buy: Mangepierres (Bandcamp)

Katatonia – The Fall of Hearts
(Depressive rock – Sweden)
Peaceville Records – 2016/05/20

This is what a band embracing their maturity sounds like. The music is always finely balanced between melancholic and bleak. This is further complemented by vocals that are somehow achingly delicate and powerfully desperate. It certainly has its tonally heavy moments, but it is the thematic heaviness that leaves the biggest mark.
Try before you buy: Old Heart Falls (YouTube)

Leather Glove – Skin on Glass
(Crusty death metal – United States of America)
Sentient Ruin Laboratories – 2016/05/05

Always good to listen to death metal that doesn’t sacrifice entertainment in the name of brutality or technicality. Make no mistake, this is aggressive, but the crust influence gives it a degree of punk swagger. Over the course of the three tracks, this demo brings death metal down to the gutter and lets the dirty rock rhythms reign.
Try before you buy: Skin on Glass (Bandcamp)

Mesarthim – .- -… … . -. -.-. .
(Atmospheric black metal – Australia)
Self-released – 2016/08/28

Points awarded straight away for being an atmospheric black metal act that looks beyond the sylvan and verdant. Looking to the broader cosmos is a theme I feel is surprisingly underused in black metal. This album takes mankind’s insignificance in the universe and twists it into knots of futility and rage.
Try before you buy: …– (Bandcamp)

מזמור — Yodh
(Blackened doom metal – United States of America)
Gilead Media – 2016/08/12

Did you ever get the feeling something was going to be brilliant before experiencing it? You try to manage your expectations and keep your hopes in check. Most of the time you will be let down. Not the case with מזמור, aka Mizmor. Harrowing and mournful, Yodh is a death rattle amplified and distorted
Try before you buy: iii. The Serpent Eats Its Tail (Bandcamp)

Psalm Zero – Stranger to Violence
(Metallic post-punk – United States of America)
Profound Lore Records – 2016/06/15

Some solid love for Killing Joke is on display here. I don’t mean to make them sound derivative, as they’re not. It’s more that they push the limits of post-punk far out into the murky waters of metal. It’s a hypnotic affair; swirling synths and meticulous guitar work produce an album furious in its deliberation.
Try before you buy: White Psyche (Bandcamp)

Revocation – Great is Our Sin
(Death thrash – United States of America)
Metal Blade Records – 2016/07/22

I first got into Revocation with their titanic release, Chaos of Forms. It’s a beast of an album. Great is Our Sin is easily its equal. Probably its superior, once I excise the nostalgia. Its speed and heaviness are rounded out by flourishes of technicality. It’s instantly accessible and deeply complicated.
Try before you buy: Only the Spineless Survive (Bandcamp)

Ritual Chamber – Obscurations (To Feast On The Seraphim)
(Death metal – United States of America)
Profound Lore Records – 2016/02/26

The curse of being merely good made manifest. Everything about Obscurations is on point. The riffs sound like Satan blowing off steam. The rhythms are relentless. The growls are low and guttural invocations of damnation. And, yet, for all this positivity, it’s not memorable. Definitely for genre fans, but it’s charm is ephemeral.
Try before you buy: Beings of Entropy (Bandcamp)

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

August 2015 Review Round Up

It’s been a month heavy on depravity. Pissgrave and Gnaw Their Tongues bring radically different approaches to human misery, but they’re both outstanding. Bleak. Inhuman. But outstanding.

I’ve never actually brought this up before, but there’s a reason why I don’t use a scoring system. In my own experience, I tend to be a lazy review reader. Scores will determine how much attention I pay to the details. I doubt I’m the only one that does this. So for my reviews, I ditched the scores; let the details stand on their own merit.

You can, as always, reach me on Facebook. See you next month.

Album of the Month
Pissgrave – Suicide Euphoria
(Death metal – United States of America)
Profound Lore Records – 2015/08/04

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This album is as stripped back and grotesque as the liner notes. It really is the leanest death metal album I have heard in a long time. Not a single second is wasted on fripperies or extravagances. It’s refreshing really. The complete absence of bullshit means that there is nothing to distract from the music. And the music they play is easily some of the most satisfyingly visceral death metal out there.
Try before you buy: Fields of Scattered Bones (Bandcamp)

Honourable Mention
Gnaw Their Tongues – Abyss of Longing Throats
(Black ambient – Netherlands)
Crucial Blast – 2015/08/04

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Mories, the mind behind Gnaw Their Tongues, is a sick and twisted genius. A previous album title sums his work up perfectly: all the dread magnificence of perversity. Your skin crawls with horror and with anticipation. And as much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side. It’s a monstrous example of human darkness.
Try before you buy: From the Black Mouth of Spite (Bandcamp)

The Rest in Alphabetical Order
Bath Salt Zombies – Ghouls vs Zombies
(Crossover thrash – Puerto Rico)
Self-released – 2015/04/01

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This is straight up dumb as hell. Crass sexual references, horror schlock, and other weirdness are the dominant themes here. Other weirdness seems a bit vague, I know, but how else do you categorise a song dedicated to avocados? There’s nothing complicated about the music either; it’s crossover at its three chord songs simplest. But it’s endearing in its simplicity. Won’t win awards, but you will enjoy it.
Try before you buy: Gimme Avocados (Bandcamp)

Cartilage – It’s Necrotic
(Death metal – United States of America)
Self-released – 2015/06/14

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It’s always a fantastic thing to hear a band that are obviously gore obsessed, but don’t slam their way through their tunes. It takes me back to death metal’s roots. The three tracks on display here are toe-tappingly and headbangingly catchy. They clearly don’t see any problems with making songs about blood clots into enjoyable experiences. And neither do I. It left me with an ear to ear grin and the need to blast it louder on repeat.
Try before you buy: Dialect of the Dead (Bandcamp)

Christophobia – As vozes daqueles que sucumbiram
(Black metal – Brazil)
Self-released – 2015/08/02

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This is delightfully lo-fi. The fuzz and the crackles add a sense a claustrophobia to the production. But here’s the thing; this isn’t a raw black metal album. It eschews the trve kvlt über alles tropes that dominate the raw end of the spectrum and instead focuses on actual melody. This combination of low fidelity production and high quality songwriting makes for an entertaining and engaging listen.
Try before you buy: Crociffigere il Bastardo (Bandcamp)

Dawn of Dissolution – Nightfrost
(Blackened powerdeath – United States of America)
Self-released – 2015/08/22

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Kind of envious of Houston’s metal scene at the moment. Dawn of Dissolution is yet another damn entertaining band from Texas’ biggest city and they do it in a way that shouldn’t work. Combining blackened death and power metal shouldn’t sound this good. But those guitars just roll in and lay out menacing riff after menacing riff in the most upbeat way imaginable. Gauntlet thrown: I challenge you to not like this.
Try before you buy: Frozen Conquest (Bandcamp)

Dowrr – Demo Tape
(Metallic hardcore – United States of America)
Self-released – 2015/08/10

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Metallic hardcore? Why not metalcore? Because Dowrr have nothing to do with that shitty genre, so I won’t use the shitty portmanteau. Pretty sure this is the most hateful hardcore I’ve heard, possibly ever. They play like they want to shatter every bone in your face, then take your wallet, then break what’s left of you. The lyrics are barked and spat out with maximum contempt. It’s fantastically nasty.
Try before you buy: Misfortune (Bandcamp)

Evenstate – Inside
(Progressive metal – Netherlands)
Self-released – 2015/07/25

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I’ll call this progressive ore. It’s metallic rock. And Dream Theater has thoroughly colonised this space, pushing all others to the fringes. Evenstate do a damn good job of taking some space back. They are at least proximate to the technicality and ingenuity of New York’s finest. And what they lack, they make up by having a vocalist who has the big brass blast of Shirley Bassey. She’s fantastic.
Try before you buy: Chosen One (Bandcamp)

Fear Factory – Genexus
(Industrial metal – United States of America)
Nuclear Blast – 2015/08/07

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It’s been a while since I’ve checked in with FF. I mean, they’re hardly the same band whose last minute cancelation started a riot circa Demanufacture. No way known they could generate that level of passion anymore. But that doesn’t make Genexus a bad album. In fact, it’s surprisingly solid. Energetic riffs and machine-line drumming are well delivered. Burton’s reliance on his croon didn’t piss me off this time either. It’s not great, but it is good.
Try before you buy: Soul Hacker (YouTube)

Fractal Generator – Apotheosynthesis
(Atmospheric death metal – Canada)
Self-released – 2015/07/21

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I was wondering what they meant when they self-described as atmospheric death metal. Now I know; it’s a version of techdeath that’s had some of the complexity taken out and the rest turned askew. The important thing to bear in mind is that they perform at a very high standard. As much as their take on death is different, they haven’t made it too odd to be accessible. Nine solid tracks of good times.
Try before you buy: Paragon (Bandcamp)

Ghost – Meliora
(Heavy metal – Sweden)
Loma Vista Recordings – 2015/08/21

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Not every band treading the left hand path need to sound like they’re marching to war, axe in hand, for their dark master. Ghost sound like they’re spooning Satan after a particularly torrid tryst. And while I doubt they will ever truly recapture the majesty of Opus Eponymous, their work is still of amazingly high quality. Meliora, in particular, is hard rockin’ for the devil, with nods to AC/DC, Van Halen, and others. Damnation’s good time soundtrack.
Try before you buy: Cirice (YouTube)

Goblin Hovel – Loveless, Loreless, Lost
(Metallic folk – United States of America)
Self-released – 2015/08/19

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A dark and thoroughly austere take on the folk genre, with just enough goblin-esque croaks in the vocal department to keep it connected to metal. This is bleak stuff. It makes sense when you take into account the album’s eschatological themes. But the austerity of it, with its grave tempos and dirge-like melodies, makes it a tough listen. And that’s coming from someone who loves doom. It’s just such a miserable album.
Try before you buy: Stifled Song (Bandcamp)

Krallice – Ygg Huur
(Avant-garde black metal – United States of America)
Gilead Media/Avantgarde Music – 2015/07/30

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Krallice is one of those bands I believe everyone interested in black metal should know. Their take on the genre, somewhat paradoxically, uses the standard tropes while remaining truly unique. Ygg Huur is less monolithic than their earlier albums. It’s like they set the great beast in motion many years ago and it’s finally rumbled to full speed. And now it can’t be stopped. An immovable object given irresistible force.
Try before you buy: Over Spirit (Bandcamp)

Kriegszittern – Frostbite
(Death metal – Germany)
Self-released – 2015/08/16

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Primitive as Australopithecus’ aunt, Frostbite comes straight at you, as though you’re food for its ravenous maw. It’s an excellent example of the direct approach paying dividends. The three track demo opens and closes with raw aggression, complimented by smatterings of crust punk vitriol. Sandwiched in between is a slower track, focussed heavily on lingering malevolence. There is no compromise here.
Try before you buy: Primitive Instinct (Bandcamp)

Leprous – The Congregation
(Progressive metal – Norway)
InsideOut Music – 2015/05/25

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Reflective in a depressed and almost bitter fashion, The Congregation undoubtedly lacks the immediate punch of its predecessor, Coal. That lack of immediacy does nothing to undermine the depth of emotional maturity that has gone into this record. The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos. As delicate and beautiful as the finest crystal.
Try before you buy: The Price (YouTube)

L.O.T.I.O.N. – Digital Control and Man’s Obsolescence
(Industrial punk – United States of America)
La Vida Es Un Mus Discos – 2015/07/31

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Landing in the middle ground between Napalm Death and Atari Teenage Riot, Digital… leaves an impact crater with its intensity. The amazing thing is, despite the aforementioned shout-outs and undeniably industrial nature, it retains its character as a true punk album. In your face and unashamedly political, they capture that revolutionary zeal that all non-apathetic punk should have.
Try before you buy: Fukushima Fallout (Bandcamp)

No Form – No Form
(Noise punk – United Kingdom)
Reagent Records/Muscle Horse Records – 2015/06/02

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Jarring and antagonistic, No Form’s self-titled 12″ is a confronting experience. The first four tracks fly past in a blur of discordant aggression. But then it opens up. The fifth and final track is a seven minute, free-form explosion of punk at its most creative. It changes the entire dynamic of the release. The first four tracks aren’t mindless assaults on the ears; they are priming you for a revelatory experience.
Try before you buy: Side B (Bandcamp)

Royal Thunder – Crooked Doors
(Rock – United States of America)
Relapse Records – 2015/04/07

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Bluesy and soulful, Royal Thunder bring a thoughtful approach to the classic rock sound. Crooked Doors shows how traditional rock norms can be played with to make the genre sound fresh. Powerful hooks are interwoven with lilting laments and all the while Mlny delivers one of the strongest rock vocal performances since Skin. Underscoring it all is a lingering psychedelia. There’s a many-layered majesty to it.
Try before you buy: Forget You (YouTube)

Shining – IX: Everyone, Everything, Everywhere, Ends
(Suicidal metal – Sweden)
Season of Mist – 2015/04/20

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There’s a reason I hold Shining and Kvarforth up on a pedestal. Unlike the rest of the dsbm world, who force their demons to conform to the constraints of black metal, Shining force their music to comform to Kvarforth’s numerous demons. This is the ninth full length in the canon and it’s my favourite since Halmstad. It’s deeply personal and extraordinarily troubling but not at all alienating. As dark and inviting as the grave.
Try before you buy: Människotankens Vägglösa Rum (Bandcamp)

Skullreader – The Origin of Doubt
(Black metal – United States of America)
Open Casket Cassettes – 2015/03/10

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I have a certain respect for bands that go straight for the jugular. Hold nothing back, take no prisoners, no fucking around, no bullshit. It’s an all or nothing approach that, even if it misses its mark, you’ve got to admire. Skullreader somehow take this further. It doesn’t just go for the jugular; it goes for the femoral too. Pretty sure they dig at the aorta too. Non-stop violence from go to whoa.
Try before you buy: Vengeance and Prophecy (Bandcamp)

The Unchaining – To the Peaks
(Black metal – Italy)
Self-released – 2015/08/13

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I’m coming to the conclusion that it’s better to be terrible than it is to be forgettable. At least being terrible engenders a genuine, albeit negative, emotional response. Forgettable material is simply lost to the ether. To the Peaks is regrettably forgettable. The music is on the mark for black metal, as are the vocals. But there is nothing new here. It’s just the same trite darkness rehashed by yet another act bound to genre stereotypes.
Try before you buy: A Sea of Storms (Bandcamp)