July 2016 Review Round Up

So. Here it is. The first triumphant post of my glorious return! Or, at least, a collection of assorted words I hope are entertaining.

But what of the first half of the year? It’s gone but not forgotten. I won’t be going back over anything I’ve listened to prior to July 1, but quality albums are still eligible for my end of year list. That’ll add a bit of extra mystery. Also, regrettably, I won’t be doing a Best Self-Released list this year. I haven’t listened to enough independent releases and it would only represent the best of July through December.

Leading the charge is Swans’ latest masterpiece, The Glowing Man. I don’t think Gira et al have put a step wrong since returning and it’s all led to this; eight tracks of dense, complicated beauty.

Getting the Honourable Mention is Eximperituserqethhzebibšiptugakkathšulweliarzaxułum. I’m pretty sure I’ll just refer to them as E-dawg from here on out. Ignoring their deliberately inaccessible name, I was left with a brutal techdeath album that reinvigorated my love of the genre.

It’s not the most review heavy month. I’m still getting back into the groove of things, but damn it feels good to be back.

Album of the Month
Swans – The Glowing Man
(Post-punk – United States of America)
Young God Records – 2016/06/17

As someone whose experiences with psychedelics have been universally bad, the feeling of disconcerting expectation this album is saturated with is uncomfortably familiar. It makes the expected uneasily unexpected. The eight monumental tracks thrum with an energy so fundamental it could spawn new life.
Try before you buy: The World Looks Red / The World Looks Black (Bandcamp)

Honourable Mention
Eximperituserqethhzebibšiptugakkathšulweliarzaxułum –  Prajecyrujučy sinhuliarnaje wypramieńwańnie Daktryny Absaliutnaha j Usiopahłynaĺnaha Zła skroź šaścihrannuju pryzmu Sîn-Ahhī-Erība na hipierpawierchniu zadyjakaĺnaha kaŭčęha zasnawaĺnikaŭ kosmatęchničnaha ordęna palieakantakta, najstaražytnyja ipastasi dawosiewych cywilizacyj prywodziać u ruch ręzanansny transfarmatar časowapadobnaj biaskoncaści budučyni u ćwiardyniach absierwatoryi Nwn-Hu-Kek-Amon, uwasabliajučy ŭ ęfirnuju matęryju prach Ałulima na zachad ad ękzapłaniety PSRB 1620-26b
(Brutal techdeath – Belarus)
Amputated Vein Records – 2016/07/10

A ridiculous album title by a ridiculously named band playing ridiculous brutal techdeath. I haven’t enjoyed a brutal album this much in a long time. I’ve payed lip service here or there to quality albums, but none have given me that sublime feeling of pure enjoyment. High-concept slamming goodness.
Try before you buy: Da pytańniaŭ ab suziraĺnym paznańni naradžęńnia trahiedyi j niaŭchiĺnaści hibeli isnaha ŭ Wučeńni Anihiliacyi, jak pra pieršaęliemienty praŭdziwaj pryrody askietyčnych praliehamienaŭ mižhałaktyčnaha smutku smierciśćwiardžajučaj mudraści Šapienhaŭęra, jakaja kuje apakatastasičnym połymiem hietęradaksaĺnaha katarsisu artęryi mietafizičnych siłahizmaŭ u liazo Liucyfieryjanskaha rozumu j Akaŭzaĺnaha Waliuntaryzmu, zwiartajučy ŭ prach saliarnyja zikkuraty apošniaha świtańnia nadychodziačaj Juhi Nicšęanstwa (Bandcamp)

The Rest in Alphabetical Order
Caïna – Christ Clad in White Phosphorus
(Black metal – United Kingdom)
Apocalyptic Witchcraft Recordings – 2016/07/15

My last experience with Caïna didn’t light my fires, but they have a certain critical appeal, so I’ll try again. Good idea. This is a tumultuous affair; a blast of unhallowed negativity that is emotionally exhausting on a level beyond most black metal’s limits. As precise as in utero surgery, as destructive as a cyclone.
Try before you buy: Fumes of God (Bandcamp)

EDxKEMPER – Cut Her Head and Love Her
(Grindcore – Greece)
Symbol of Domination/VEX Microlab – 2016/01/30

This is a deceptive release. It’s straight up, back to basics grindcore. No frills. Nothing pretty. But it’s done so damn well. Violence gushes from every note. Grind is inherently furious, but these Greeks take it to a further, darker level. Dan Swanö’s mastering puts the cherry on top. Ugly, brutal, satisfying.
Try before you buy: Desperate Cries (Bandcamp)

Gevurah – Hallelujah!
(Black metal – Canada)
Profound Lore – 2016/06/03

Some black metal bands approach their Satanism with evangelical zeal; others with intellectual rigour. Not Gevurah. They hate. Sometimes with fury, sometimes with ice in their veins, but always with as much hate as they can humanly muster. It leads to a refreshing listen to be honest. Intimidation made spiritual
Try before you buy: Un Feu Indomptable (Bandcamp)

Goolagoon – Life of Crime
(Powerviolence – United States of America)
Self-released – 2016/06/28

I genuinely enjoyed Goolagoon’s Patrickviolence Demo, so it’s interesting to see how the band has progressed their sound. For one thing, they’ve eschewed a lot of their quirkiness. Only two Spongebob samples this time round. In its place is a doubling down on their manic energy. The eight tracks are a relentless blitz of furious punk.
Try before you buy: Pressure (Bandcamp)

Oligarch – Hypocrisy Oath
(Blackened death metal – Australia)
Self-released – 2016/05/19

Think of a blackened death metal album you want to listen to. Imagine the overlap between fury and violence. Factor in the musical skill necessary to make the album worth both your time and multiple listens. That leaves you with Hypocrisy Oath. Oligarch have put this together with apocalyptic violence in mind.
Try before you buy: Winds of Apocalyptic Incineration (Bandcamp)

Through – Manuskript
(Black metal – Ukraine)
Hell Division Productions – 2016/07/13

Always a shame to come across a quality band after they’ve broken up. Through are fantastic. Each track on Manuskript starts with crackling fire and a whispered incantation. It sets the atmosphere perfectly before launching into fretwork that is equally cryptic and pitiless. A dark and sinister swansong.
Try before you buy: Сфера (Bandcamp)

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Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

September 2015 Review Round Up

[insert editorial content]

That’s how it feels this month. Maybe if I had a broader focus than reviews, I’d have more to wax editorial about. But I like reviews. It keeps a hermit like myself engaged with the community.

The picks of the month, Motörhead’s Bad Magic and Goolagoon’s Patrickviolence Demo forced me to re-evaluate some core beliefs.

Motörhead will always be Motörhead. You know what you’re going to get. But Bad Magic proves that albums that stick to a well worn oeuvre can still demolish expectations, so long as the delivery is up to scratch.

I ordinarily have a not unjustified suspicion of gimmicks and a Spongebob themed anything that’s not actually Spongebob has no right to work. Again, the delivery is what matters. Goolagoon exemplify this. They could sell any idea with delivery that sharp.

Feel free to Facebook me. If you share my beloved vanity blog, tag me too. I like to keep up with publicity.

See everyone next month.

Album of the Month
Motörhead – Bad Magic
(Rock and Roll – United Kingdom)
UDR Music – 2015/08/28

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Bad Magic is a friendly reminder that Airheads, despite its flaws, got it right: Lemmy is God. Forty years of performance and Motörhead are still capable of releasing an album that blows you away. All bands long for this sort of longevity. Phil Campbell’s guitar work is nothing short of spectacular. And Mickey Dee owns the drum kit like a kid half his age. They rock and they roll and they bring the energy and they do it damn well.
Try before you buy: Fire Storm Hotel (YouTube)

Honourable Mention
Goolagoon – Patrickviolence Demo
(Powerviolence – United States of America)
Dickcrush – 2015/03/30

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If you’re going to a band with a gimmick, you better not be tiresome. If you’re a gimmick band in the grind/crust/pv family, you had best be fucking awesome. If your pv gimmick is based on Spongebob fucking Squarepants, you better be blowing my skin off with awesomeness. Boy howdy, do Goolagoon deliver on that. I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
Try before you buy: Walking Small (Bandcamp)

The Rest in Alphabetical Order
Blutbad – Abandonment
(Harsh noise – United States of America)
Self-released – 2015/09/19

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So. That’s a harsh noise wall. Kind of unnerved that I don’t hate it. The unrelenting cascade of static is alienating and unnerving. It’s also oddly soothing. It creates the effect of listening to a comforting, repetitive noise, like a waterfall crashing. It’s relaxing, but after a while it sounds like someone is drowning in the endless stream of water. It gets discomforting once you start to hear it. Unsettling. Very much so.
Try before you buy: Ritual (Bandcamp)

Cavernlight – Corporeal
(Droning sludge – United States of America)
Self-released – 2015/04/07

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Each listen draws you in more and more. The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole. The first three tracks of droning sludge pave the way for the final, crushing track of true drone. Subsequent listens allow the listener to truly appreciate sophistication of this release. It’s intricate in its slowness.
Try before you buy: Upon the Threshold of Reason, Embracing Our Corporeal Forms (Bandcamp)

Concilium – Demo
(Occult doom – United States of America)
Self-released – 2015/09/08

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I’m a huge fan of occult-flavoured doom, especially the sort that features a strong female vocal lead. Blood Ceremony and Jex Thoth are huge in my book. But even I have to admit that the field has been a little saturated of late. Concilium is a fine example of this. They have a damn fine singer; her vocals are as silky as Jex’s. But the music, while atmospheric, lacks the necessary power to hold interest. It’s regrettably dull.
Try before you buy: Tempest (Bandcamp)

Devoid – II
(Droning sludge – United States of America)
Self-released – 2015/06/09

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The second low and slow release for the month, and it too is a damn fine example of drone metal. The sustains have Sunn O)))-esque malevolence and the distortion can easily ruin your equipment. It’s not afraid to up the tempo either, which makes for well-considered stylistic changes. There’s no doubt that II is at its finest at its slowest though. It manifests a palpable sense of dread and aguish with every tortured note.
Try before you buy: Excavation (Bandcamp)

Iron Maiden – Book of Souls
(Heavy metal – United Kingdom)
Parlophone – 2015/09/04

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It’s a testament to Iron Maiden’s obvious love for their craft that so shortly after Bruce’s run in with cancer, they put out their best album since Matter of Life and Death. Admittedly, the vocals do sound a little chemo affected still, but not in a way that’s an overall detriment. The decision to make a double album paid big dividends too. Never have Maiden songs had this much room to soar. Another classic.
Try before you buy: Speed of Light (YouTube)

Monolith – Legacy of the Opium Eater
(Death metal – South Africa)
Self-released – 2015/09/12

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Rumbling along, this ep is about as slow as death can get without being death doom. Ordinarily, this sort of deathly barage comes across like a plague of zombies; a slow, steady, relentless crush leading to an inevitability bloody end. Monolith tweak this a bit. It’s far from a mindless barrage; there are some evil smarts at work here. Instead of zombies, it’s more like wights. Possibly bodaks. Slow, but intelligent death at work.
Try before you buy: Seemingly False Fantasies (Bandcamp)

Mouth Breather – Mouth Breather
(Grindviolence – United States of America)
Self-released – 2015/09/14

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Mouth Breather is one of those tough releases that definitely not mediocre, but it is still hard to get enthusiastic about. They do grindcore with an endearingly lunkheaded charm. And, despite the racket, it’s not a sloppy release. Every bark, every blast well considered. But it’s lacking something. It feels like they have held something back; as though the option to go to eleven was there, but ten suited them fine.
Try before you buy: Death Metal Hell (Bandcamp)

Nile – What Should Not Be Unearthed
(Brutal techdeath – United States of America)
Nuclear Blast – 2015/08/28

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Memory is a funny thing. Every time a new Nile album rolls around, I’ve done the mental gymnastics to convince myself I don’t like them. I waste a lot of time; time that could be better spent listening to Nile. I broke the cycle this time and jumped straight in. Even by their already high standards, Unearthed is monstrous. It strikes a perfect balance between technicality and brutality that every band in the genre should strive for.
Try before you buy: Call to Destruction (YouTube)

Sermos – (husk)
(Death metal – United States of America)
Self-released – 2015/07/04

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Some death metal exists to wallow in misery. Some exists to ruthlessly molest frets. And some simply exists to be enjoyed. Sermos is definitely in the latter category. (husk) has a loose, faux-sloppy sound that is just a joy to listen to. It’s the sort of release that begs to be drunkenly headbanged to. It has some forays into guttural territory, which don’t work as well, but overall it’s a fine release that every death buff should get into.
Try before you buy: The End of Flesh (Bandcamp)

Slayer – Repentless
(Thrash – United States of America)
Nuclear Blast – 2015/09/11

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Definitely sounds like Slayer. Any concerns about the transition from Hanneman to Holt have been assuaged. I think the transition has had a positive effect. The songs have a depth that has been lacking from recent releases. It no longer sounds like a collection of solos loosely stitched together with melody. It’s a welcome reminder of why Slayer is one of metal’s most important acts.
Try before you buy: Repentless (YouTube)

Steel Chains – Demo 2015
(Post-punk – United States of America)
Self-released – 2015/02/14

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I spent way too much time trying to fit this demo into a convenient genre. It’s post-punk. But it’s really upbeat. But it’s gloomy as hell. But. But. But. I eventually settled on the moniker, Tsunami Punk. It’s got the upbeat slacker sound of surf punk but it’s infused with a pervasive sense of imminent doom. I love having my expectations messed with. And I’m happy to find another post-punk band that is a joy to listen to.
Try before you buy: Hard to Follow (Bandcamp)

Verheerer – Archar
(Black metal – Germany)
Self-released – 2015/09/12

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This is a release for fans of Dissection, Watain, and Necrophobic. It’s firmly in the mould of melodic yet aggressive black metal made great by the aforementioned. Importantly, Verheerer’s take on majestic darkness is a hell of a racket. It allows a minor lack of originality to be completely forgiven and forgotten. It’s proof positive that operating in genre boundaries can work.
Try before you buy: Archar (Bandcamp)

Woundvac – Disgraced Convert
(Grindcore – United States of America)
Self-released – 2015/09/08

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There’s nothing quite as satisfying as grindcore done well. The intrinsic violence played out in short, sharp bursts isn’t so much a thoughtful musical exercise as it is a raw emotional outburst. Woundvac is one of the bands that best exemplify this. Their songs see anger and disaffection collide in explosive blasts of discontent. It’s like they put the barest minimum of effort into control, allowing for an unhinged sound.
Try before you buy: Disgraced Convert (Bandcamp)

Zombie X Incest – The First Violent Step
(Powerviolence – Nepal)
Self-released – 2015/09/12

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This is raw. I’m left wondering whether it’s a limitation of the recording environment or a stylistic choice. Whatever the answer, the coarse grain sandpaperiness of their sound works to their advantage. It comes across like the band are right there next to you instead of in a studio/basement thousands of kilometres away. The in your face aggression is complemented by damn entertaining melodies too.
Try before you buy: How is punk dead when powerviolence is still alive? (Bandcamp)