Albums of the Decade 2010-2019, Part 1 (100-71)

Here we go. The best 100 albums of the last decade, starting with albums 100 through 71. We’ve got a little bit of everything: shoegaze, pv, all sorts of metal. Enjoy.

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100) True Widow – Circumambulation
Relapse – 2013

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Their self-description as stonegaze is still one of the the quickest ways to describe the sound True Widow have created for Circumambulation. The thundering low-end anchors the shoegaze staples of fuzzed guitars and spacey vocals to a much heavier place, both sonically and emotionally. I like to think that hope still exists in these chords, but getting there takes a far more circuitous route. The catharsis this album offers is earned rather than gifted. I’m glad the journey up Mt Purgatory is a beautiful one though.

99) Vallenfyre – A Fragile King
Century Media – 2011

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Dirty. That’s what this sounds like. Yes, there is undeniably death metal here. Tinges of doom too. But Vallenfyre do things in such a filthy, gritty way that genre distinctions get pushed aside. The riffs churn through the sodden muck like a farmer plowing a field in preparation for a fresh crop of utter misery. That misery contributes to the grime on the album. You can feel it building up under your nails, tangling your hair, staining your skin. But as nasty as it is, it is hugely satisfying. It’s loaded with the degenerate glee of sin committed with absolute purpose.

98) Pseudcommando – A Home Beneath the Floorboards
Sentient Ruin Laboratories – 2019

I suppose it’s harder to get much more nihilisticly misanthropic than an amalgamation of harsh noise and power electronics. Pseudcommando layer distortion on top of feedback on top of static to create a howling vortex of dissonance. But beneath it all, struggling to survive like a butterfly in a cyclone, is a haunting melody. It’s like a tiny, sputtering flame of humanity trying to warm a cold and inhospitable void of darkness. It creates a stark interplay between determined hope and rapacious cruelty.

97) Hate Eternal – Infernus
Season of Mist – 2015

Technically precise and heavy as hell, Infernus is the album you go to when you want old school Florida crunch with a satisfying technical ganache layered on top. It’s an indulgent, luxurious sort of death metal on display here; it doesn’t set out to fancy, but it’s so well produced that you can’t help but feel a little decadent listening to it. I hope it doesn’t seem too odd describing an outstanding album from a visceral genre like I’m reviewing a restaurant, but Hate Eternal have delivered Michelin Star quality.

96) Hummingbird of Death – Forbidden Techniques
To Live A Lie – 2017

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It’s a world where the grind scene is dominated by po-faced seriousness. Even pornogrinders and mincecorers are deadly serious about making their awful, awful racket. Forbidden Techniques is refreshingly different. It still simmers and boils over with anger, but the band packages it with an almost pop-punkish irreverence. It’s an album they clearly enjoyed making and they want to pass that along. As far as pissed off polemic goes, it’s hard to go past an album as comfortable with a joint as it is a molotov.

95) 铁骑 [Tengger Cavalry] – 黑骏/Black Steed
Dying Art Productions – 2013

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There’s a reason this is probably the closest thing to a true folk metal album on this list. There’s other folkish acts, but they are very much black metal first. Tengger Cavalry are not that. The Mongolian folk elements, the mantoquin, and the throat singing aren’t just distinct amongst the folk metal canon, but are perfectly incorporated into the metal. The ability to transcend gimmickry is something not nearly enough folk types can do, so to have an album land that is so evocative is something that needs celebrating.

94) Lamb of God – VII: Sturm und Drang
Nuclear Blast – 2015

If you wanted measured, considered, and insightful content from a metal album, I’m willing to bet Lamb of God wouldn’t be anywhere near your list. But, then again, given Randy’s experiences in the Czech Republic, it probably shouldn’t surprise that Sturm und Drang is reflection wrapped in catharsis. Lyrically it’s starless-sky dark and the music is as maliciously sinister as it is relentlessly intense. It’s essentially a cliché that personal struggles deliver great art, but this is an album that proves it.

93) Cephalic Carnage – Misled by Certainty
Relapse – 2010

Thematic and melodic unity is a fine thing to hear in an album and Misled by Certainty achieves it in unconventional fashion. They take death metal and grindcore, then blend them, fold them, pull them, and distort them until the resultant fuzz is so weird that it pulls off things you never thought possible. This remaking of the noise pairs so well with worst weed-induced paranoias on display in the lyrics. Mind controlling fungus, evil cybernetics, the Second Coming; it’s madness. Drug-fuelled headfuckery all round.

92) Heresiarch – Death Ordinance
Dark Descent – 2017

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When it comes to war songs, too often you get “courage, valour, over the wall, pip pip”, or “Look at this specific moment in time. Ain’t it fucked up?” Heresiarch don’t do either. They deal in the pants-crapping horror of the trenches, the creeping dread of not knowing what trauma is yet to come, and the thundering bewilderment of a pitched battle. They get right down to the visceral emotions and they want you to feel every waking nightmare freezing your veins. Never forget; war is hell.

91) Power Trip – Nightmare Logic
Southern Lord – 2017

I think the highest praise I can heap upon Power Trip is that they sound unique. Too often with modern thrash, you hear callbacks. This band sound like Slayer, that band sound like Kreator, and so on. Not Power Trip. Power Trip sound like Power Trip and no one else. I confess being late for the Nightmare Logic hype train, but the athletic riffs and muscular vocals they put to wax deserve all the praise 2017 sent its way. To find a new voice for the genre and deliver it with such gusto and poise is phenomenal.

90) Corpsessed – Impetus of Death
Dark Descent – 2018

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Looking back, I focussed heavily on the gooeyer aspects of Impetus of Death. But, as accurate as the bloodiness was, it wouldn’t hold the album together nearly as well on its own. It needs the technical precision at its core. It’s definitely not techdeath, but everything is fitted together so immaculately that it stands as testament to the composers’ skill. Putting together a grisly monstrosity doesn’t require much finesse. Just pile meat on top of meat. But breathing life into it? That’s the work of twisted genius.

89) Monolithe – Monolithe IV
Debemur Morti – 2013

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Of all the albums on this list, I was most worried about this one’s ability to hold up. But it did more than hold up; it actually improved in my estimations. Their ability to play metal in its longest form without turning it into a chore is something to be celebrated. Across the almost 60 minute run time, this one song traverses a massive vista of sonic landscapes. Importantly it sounds like one consistent, coherent journey. Like any great expedition, this takes endurance, but the satisfaction you feel at the end is intense.

88) Wolves in the Throne Room – Thrice Woven
Artemisia Records – 2017

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I took the time to listen to Celestial Lineage, Celestite, and Thrice Woven in the lead up to this. Celestial Lineage sounds like the ending it was supposed to be. Celestite, beautiful as it is, is still definitely a companion piece. Then there’s Thrice Woven. They’ve got that full force of nature sound blasting again. I may come from somewhere thoroughly not frosty, but this is very much an album of towering pines, winter frost melting in spring sun, and the ancient, arboreal deities rousing from their winter hibernation.

87) Serpents Lair – Circumambulating the Stillborn
Self-Released – 2015

Serpents Lair chose their album title 100% accurately, as this sounds like a horrific and profane ritual put to music. Their melodic choices are aggressive, intimidating, and jarring; this is black metal performed to cow the listener into submission. And yet, for all its attempts to bend you to its will with brute force, the album also possesses an intoxicating, hallucinatory allure. As it thrashes and assaults, it also manipulates and seduces. Your soul faces a grave peril in these chords.

86) Mizmor (מזמור) – Yodh
Gilead Media – 2016

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Mizmor, to use the Anglicised version, use despair as a form of torture. Every beat a hammer blow. Every melody a razor’s slice. Every growl an expression of raging emptiness. And every shriek a gale of utter futility. In case I haven’t made it clear enough, Yodh is bleak. It’s neither sadistic nor masochistic; it is pain in purest form. But in this total supplication to misery, lies captivating musicianship. As tortuous as the music can be, there’s a sublime dedication to the pain that must be witnessed.

85) Barren Altar – Entrenched in the Faults of the Earth
Self-Released – 2018

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As I think about it, I don’t really consider doom to be in tune with nature. It’s always struck me as extremely focussed on the human condition. It’s a way of looking at the genre that’s erroneous at best. I can thank Barren Altar for shaking up my mindset. Entrenched is definitely miserable, but for all its attention to human failings, there also seems to be a great affinity for the power and the darkness of nature. It uses the titanic, uncontrollable forces of the wild to re-enforce the futility of human existence.

84) Friendship – Hatred
Southern Lord – 2017

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Purveyors of misanthropic powerviolence, Japan’s Friendship turn the short, fast, and weird of the genre into a brutish pit fight. Flurries of blows are interspersed with slow, wound up haymakers. This isn’t a professional fight. This isn’t even a fight club scenario. This is, as the album title suggests, fucking personal. This is about hatred so intense, you don’t care how badly you wind up, so long as they wind up worse. This is all about broken bones, missing teeth, crushed windpipes, and blood. All the blood.

83) Fleshgod Apocalypse – King
Nuclear Blast – 2016

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Symphonic death metal with serious operatic features being performed to tell the story of a syphilitic monarch’s decent into paranoid madness may sound a whisper over the top, but it’s done with such gusto that it doesn’t lose a single shred of charm. Make no mistake, this does veer strongly into the ridiculous at times, but it needs to. The melodramatic bombast raises King from yet another death metal album with a quirk to a triumph of vision. A triumph over common sense too, but a triumph nonetheless.

82) Absu – Abzu
Candlelight – 2011

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Under normal circumstances you should expect an album devoted to the arcane and esoteric aspects of Sumerian mysticism to venture firmly into the avant-garde depths of black metal. But that’s not how Absu does things. They put their sonic spells together with the chainsaw riffs of blackened thrash. It’s a curious combination that actually works fantastically well. The spiritual devotion is thoroughly hammered into your eardrums, as though the surest way to achieve enlightenment is through audacious ferocity.

81) Winterfylleth – The Threnody of Triumph
Candlelight – 2012

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Winterfylleth’s paeans to pre-Christian England are at their most strident on The Threnody of Triumph. It’s an album whose interplay between the sense of loss arising from the demise of pagan tradition and the anger born of a response to an invading, militant faith is resolved in an articulate, yet blistering manner. It’s indicative of a band who are more than fiercely passionate, but are also well-read. These are ten tracks dedicated to a crystal clear vision of a Britain that could have been in a world less Christian.

80) Michael Romeo – War of the Worlds // Pt. 1
Music Theories Recordings – 2018

If someone could hand Mr Romeo the responsibility for a major movie’s score, that would great. War of the Worlds isn’t just a great prog album; it’s a testament to his ability to use music to evoke specific emotions and set a vivid scene. I routinely half-joke with Mrs Metalshopped that when the world inevitably loses John Williams, they (Disney, WB, et al) should give Michael a crack. Based on this album, I’d much rather listen to a Romeo Star Wars than an Elfman one or, gods help us, a Newman one.

79) Carcass – Surgical Steel
Nuclear Blast – 2013

Carcass’ comeback album is a more than welcome return from some of the most gifted musicians metal has given the world. They have the luxury of doing things on their own terms (because how else would you get Jeff to do anything, ever?) and what they delivered was a seething yet gratifying blast of pissed off melodic death metal. The great thing is you can still hear the grind in them. It’s all in the attitude, which Surgical Steel has in spades. It’s an angry album tempered by the focus afforded by experience.

78) The Dillinger Escape Plan – Option Paralysis
Season of Mist – 2010

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This is the perfect storm as far as the already volatile Dillinger goes. It gave Ben Weinman all the opportunity to show off his virtuoso with severe a.d.d. talent, but the directions the album go are so unpredictable. It’s weird to hear a band that is so cacophonously electric veer so wildly into territory normally covered by Muse or Faith No More. It goes to show just how versatile an act they were; that they could deliver such affecting pathos in a package of raging mania. It lingers in the brain long after it’s played its last.

77) Opeth – Pale Communion
Roadrunner Records – 2014

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The “where are the growls” camp need to let it go. What’s been delivered on this album is about an hour of dark, psychedelic prog that coalesced Opeth’s less metallic material into a beautiful, melancholy whole. It’s a maturation of sound and approach that wouldn’t be possible by ardently sticking to what came before. Emotionally, Pale Communion is one of the band’s most sophisticated efforts, taking motifs of depression and grief, and extrapolating out to fully explore that human experience.

76) Meshuggah – The Violent Sleep of Reason
Nuclear Blast – 2016

Meshuggah’s quest to thoroughly contort and distort what the average human would consider melody, while still delivering engaging, memorable, and (most importantly) entertaining music reached another high point on Violent Sleep of Reason. The challenge rating on these tracks is super high; no easy “headbang on the downbeat” advice here. But for all the polyrhythmic intensity, there is also an underlying infectious sense of groove that worms its way in and nests in your psyche.

75) Enslaved – E
Nuclear Blast – 2017

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These Norwegian progsters keep finding new levels to hit. E is deep on both a lyrical and musical level. The lyrics are like the wisdom of auld; a guide to life and secrets to the old ways lie there, if you are willing to listen and smart enough to decipher the layers of meaning. And the music is like nature at its extremes. Much like a great frozen river, it combines thick layers of frost over a mighty, flowing torrent. Alternatively, it’s like a towering oak in a terrifying storm; mighty earthen roots grounding the furious movement above.

74) Marilyn Manson – The Pale Emperor
Hell, etc – 2015

Looking back at his career as a whole, it’s pretty clear that this is one of Manson’s best efforts and the more time wears on, the better it holds up. It’s because, of all his work, this is his most introspective, most considered, and most mature. Listening to it now, it still sounds like a suicide note, but that is largely due to its reflective nature. It’s the sound of Manson writing not about the outside world or how he is perceived by others, but about how he views himself. Dark, sad, but captivating.

73) Dragged Into Sunlight – WidowMaker
Prosthetic – 2012

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One massive song is conveniently broken down by track into three distinct movements. Part I is trepidation and tension. Part II is fury and release. Part III is insistence and madness. The understated pacing and subtle distortions of the first feed into an all consuming anger, which by the end of the third has warped into a profane hysteria that wishes perpetual degradation upon itself. It’s the life of a serial killer, from creation through to unravelling, set to the beat of twisted, blackened death.

72) Darkthrone – Circle the Wagons
Peaceville – 2010

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Why Circle the Wagons? Why not Arctic Thunder? Why not celebrate their return to trve form? Because, as good as Arctic Thunder is, Darkthrone have a legendary black metal back catalogue. Circle the Wagons, however, is peak Punk Throne. It distils all the spit, venom, and grime of their crust worship into nine tracks of purest pissed off attitude. It’s personal too; the airing of grievances makes up much of the lyrical content. This anchors the album to a very real place and gives it authenticity that you wouldn’t otherwise find.

71) Mastodon – The Hunter
Reprise – 2011

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Of Mastodon’s three albums this decade, The Hunter isn’t just the best critically; it’s also the easiest album to enjoy. Once More and Emperor are both fine albums, in smallest doses. Extended exposure leads to alienation and discontent I find. But The Hunter holds up to repeated listens without losing any of its impact. All the players perform their part immaculately, allowing the band to evolve their sound enthusiastically. It’s metal. It’s prog. It’s rock. It’s spaced out. It’s grounded. It’s everything it wants to be.

November 2018 Review Round Up

Welcome to a slightly abridged version of Metalshopped. Given the employment circumstances, I’m actually pretty happy with how much got done. There was a period during the month when I worried there would only be two reviews.

One of those reviews was always going to be the Album of the Month, You Won’t Get What You Want. Daughters nailed their comeback album. Nailed it right to the wall. I loved what they had done before, but this is an altogether different beast.

Preparations for the best of 2018 list will begin in earnest in December. It still won’t actually get published until February. Always like to give the postie a reasonable timeframe for delivering December purchases.

As always, if you have critique or commentary, you can reach me at Facebook.

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Album of the Month
Daughters – You Won’t Get What You Want
(Noise Rock – United States of America)
Ipecac – 2018/10/26

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I would have sworn blind that Daughters had broken up, but here we are; they’re back and they’re brilliant. With guitars that sound like a musical air raid siren, drumming that consistently surprises in the best way, and one of the most evocative vocal deliveries I’ve heard they have delivered one of the most welcoming forays into discomfort ever.

The Rest in Alphabetical Order
Fucked Up – Dose Your Dreams
(Hardcore. Mostly… – Canada)
Merge Records – 2018/10/05

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Fucked Up have returned with their second turn at scoring a hardcore opera. And in using music to tell a story, it has allowed them to delve into sounds far removed from their core origins. Dandy Warhols-esque alternative, saxophone driven jazz, and thumping electronica all add a very distinct, truly unique sound. Its sophistication transcends punk.

Gaerea – Unsettling Whispers
(Black Metal – Portugal)
Transcending Obscurity – 2018/06/22

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It’s uncommon to find black metal that operates at this level of sophistication. Unsettling Whispers achieves a level of emotional depth that most of their genre mates can only dream of. Not just from song to song, but within songs there is range of dark feeling. They grieve and rage and hate and explore all the dark recesses of humanity.

Hank Von Hell – Egomania
(Glam Punk – Norway)
Headbanger – 2018/11/02

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Welcome back, Hank. Egomania is great example of what happens when someone takes their negative life experiences and turns it into creative gold. It’s got the riffs and the rock that you would expect, but what really impresses is the pathos. Hank clearly understands where he’s been and where he is now, and he uses it to sell deathpunk that touches you.

Hate Eternal – Upon Desolate Sands
(Death Metal – United States of America)
Season of Mist – 2018/10/26

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Hate Eternal come out swinging on this one. And in a death metal environment where every band seems to bring the fight like an MMA ground and pounder, it’s nice to see an approach more like Wladimir Klitschko: landing super-heavy blows with punishing cleanliness and devastating precision. They’re not here to fight; they’re here to win.

Outer Heaven – Realms of Eternal Decay
(Death Metal – United States of America)
Relapse – 2018/10/12

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Gristly and fetid death metal is what’s on display here, but in this year’s spirit of keeping the old school flame alive, Outer Heaven have produced an album more nuanced than your average gore-fed zombie blaster. Flourishes of technicality rub up against doomy chug in ways that allow distortion of the true death sound without diminishing it.

Psycroptic – As the Kingdom Drowns
(Technical Death Metal – Australia)
EVP Recordings – 2018/11/09

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More technical than their self-titled album, less technical than Sceptre of the Ancients, Psycroptic are trying to balance the old and the new on this album. It mostly works too. It’s definitely nice to hear an album that sets out to challenge from them, especially since it doesn’t try to alienate either. Not flawless, but it will certainly entertain.

Shining – Animal
(Hard Rock – Norway)
Spinefarm – 2018/10/19

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The blackjazz merchants are back with something definitely not blackened, nor jazzy. This is straight up “we owe royalties to Bon Jovi and Adrenaline Mob” hard rock. Nary a saxophone in sight. Not what anyone should expect, but it’s damn entertaining nonetheless. It’s delightfully boisterous, doubly so given how unexpected it was.

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

October 2015 Review Round Up

When I started writing this month’s instalment, I forgot to set it to draft. So, there’s most of a month’s worth of spoilers there. No matter. I’ll be more careful next time.

Windhand killed it for album of the month. They get that great doom requires great emotional investment. And there is an almighty heaviness to their commitment on Grief’s Infernal Flower.

Despite being a bit spoiled for choice, it was hard to go past Deafheaven for the honourable mention. They may not be the trvest band ever. Far from it frankly. But fuck that petty scene shit. They play some of the most innovative metal there is and fully deserve their plaudits.

Getting close to the business end of the year. Still hanging out for some big releases though. It’s good to be this engaged.

Hit me up on Facebook.

Until next month.

Album of the Month
Windhand – Grief’s Infernal Flower
(Stoner doom metal – United States of America)
Relapse Records – 2015/09/18

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I get the feeling there’s a personal tragedy at the heart of this album. I could be wrong, but it sounds like someone trying to cope with unfathomable loss. At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke. It makes for a powerful but depressing experience. It’s fantastic to see a band approach stoner doom from an angle different than fuzzed out melancholy.
Try before you buy: Hesperus (Bandcamp)

Honourable Mention
Deafheaven – New Bermuda
(Post-black metal – United States of America)
Anti Records – 2015/10/02

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Hipster cred will soon fade. Beards will recede. Ironic tattoos will be regretted. Once this happens, all that will remain is song-writing talent. It’s a good thing then that Deafheaven has more talent than they know what to do with. The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic. Even for a forward thinking band, such an evolution is impressive.
Try before you buy: Come Back (Bandcamp)

The Rest in Alphabetical Order
Archivist – Archivist
(Post-black metal – Austria/Germany/United Kingdom)
Alerta Antifascista Records/Grain of Sand Records – 2015/06/02

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How does one mend a broken heart? Light Bearer going on permanent hiatus halfway through a four album conceptual piece was gutting. Good thing Archivist is here to fill the void. They do the contemplative hard work of Light Bearer, but with substantially more aggression. It makes for a very intense listen. I was concerned going in that it would just be a rebound. But there’s potential for a lasting relationship here.
Try before you buy: Hades (Bandcamp)

Boar Worship – Boar Worship
(Sludge metal – United States of America)
Self-released – 2015/07/08

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I love a release that has strong narative flow. I’m not talking about a concept; I’m talking about how well-crafted music draws the listener in, builds tension, and closes in appropriately climactic fashion. Boar Worship have a crystal clear understanding of these principles. The four tracks of dark, harsh sludge build (and release) tension like a classic horror film. The pervasive misery is masterful.
Try before you buy: Two (Bandcamp)

Children of Bodom – I Worship Chaos
(Melodic death metal – Finland)
Nuclear Blast – 2015/10/02

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This is the sound of a band treading water. It’s still distinctly Bodom and it’s not objectively bad, but they’re not exactly pushing things to the limit here. I am prepared to say it’s a better album than Halo of Blood or Relentless Reckless Forever. That doesn’t excuse the band for getting stuck in a deep well of creative ennui. The question now is, where do Laiho et al go from here? Hopefully there’s some forward momentum left in them.
Try before you buy: Morrigan (YouTube)

Christian Mistress – To Your Death
(Heavy metal – United States of America)
Relapse Records – 2015/09/18

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Christian Mistress continue to be one of the most consistently entertaining purveyors of old school heavy metal. The key is that they don’t nakedly imitate NWOBHM. They take that glorious 80s sound and bring it into the new millennium. To that end, To Your Death is loaded with riffs that bring out your air guitar. And I don’t think there’s been a greater female voice since Doro than Christine Davis. Strong, energetic metal.
Try before you buy: Eclipse (Bandcamp)

Clutch – Psychic Warfare
(Rock – United States of America)
Weathermaker Music – 2015/10/02

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This album is so much more entertaining when you treat it as the rambling legal statement of a conspiracy nut trying to stave off whatever actual trouble his life, loves, adventures, and misadventures have created. It’s high quality rock and roll, as you’d expect from Clutch, but the concept makes it all the better. Make sure you use your equaliser properly though. It suffers without levelling.
Try before you buy: X-Ray Visions (YouTube)

Cruciamentum – Charnel Passages
(Death metal – United Kingdom)
Profound Lore Records – 2015/09/04

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Charnel Passages is kind of like being trapped aboard an aggressively haunted ship while it’s being buffeted by a severe storm. I may have drawn inspiration from the cover art for that, but it’s more than appropriate. The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos. It’s a sinister sounding album, with no space for light or hope.
Try before you buy: Piety Carved From Flesh (Bandcamp)

Hate Eternal – Infernus
(Death metal – United States of America)
Season of Mist – 2015/08/21

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Hate Eternal is much like the Ferrari of the death metal world. They don’t reinvent the wheel, but they do use it with great precision and at high speed. And I wouldn’t have it any other way. Sometimes you just want to hit play and know exactly what you’re going to get. With such aggressive fret work on display, there’s no possible way to be disappointed. When your riffs are earth-shattering, you don’t need to be ground-breaking.
Try before you buy: Pathogenic Apathy (Bandcamp)

Ironic Reversal – Dysgenic
(Progressive death metal – India)
Self-released – 2015/10/15

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I felt like a real shitheel leaving Ironic Reversal off my overall best of last year. They are a genuinely fantastic death metal act. Their follow up ep, Dysgenic, cements this. It’s a tightly constructed concept piece that allows both progressive and technical expertise to shine through. Make no mistake: these guys can write riffs that put most other death metallers to shame. Innovative, intelligent and severe.
Try before you buy: Consume (Bandcamp)

Kylesa – Exhausting Flame
(Sludge metal – United States of America)
Season of Mist – 2015/10/02

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I’m waiting for Kylesa to make a bad album. I’m curious as to how they’d manage to do it. Exhausting Flame is another excellent addition to their discography. Lush, verdant riffs played over one of the most indomitable rhythm sections in metal. It’s what they do and, yet, it’s not more of the same. Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
Try before you buy: Out of My Mind (Bandcamp)

Mudbath – Corrado Zeller
(Stoner sludge – France)
Lost Pilgrims Records – 2015/01/31

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It’s not a happy type of stoner here. There’s a bleakness at play here that isn’t typically found among the stoner folk. The drawn out riffs verge on the psychedelic, looping around and fuzzed out like the worst kind of sonic psilocybin. It does start to actually feel mind altering after a while. It has some flaws, the chief of which is the repetition is occasionally dull rather than atmospheric. But the misery they put to wax is definitely worth a listen.
Try before you buy: Salmonella (Bandcamp)

O – Pietra
(Grinding black metal – Italy)
Grindpromotion/Unquiet Records – 2015/10/02

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O (pronounced Circular Sign) have an odd but satisfying aesthetic going here. To my ears, it’s a reimagining of Enslaved, where the fascination with Pink Floyd and King Crimson is replaced with an overdose of Napalm Death and Brutal Truth. That may sound impossible, but there are key tonal agreements that more than make it work. It packs a hell of a punch as well. Always a bonus when an experiment works out.
Try before you buy: Maledetto (Bandcamp)

Panopticon – Autumn Eternal
(Blackgrass – United States of America)
Bindrune Recordings/Nordvis Produktion – 2015/10/16

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I continue to be impressed with the blackened take on Kentucky that Panopticon produce. They understand nuance in a way that great bands do. They’re not a folk metal band; loading their laments with fiddle would severely diminish them. Instead they focus on taking bluegrass technique and scorching the hell out of it with blackened fire. In the process, all the joy has been burned out, leaving only a charred stump of bitterness.
Try before you buy: Oaks Ablaze (Bandcamp)

Sovereign – Deceptum
(Crusty black metal – Italy)
Self-released – 2015/06/04

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If black metal with a tinge of punk is your thing, then Deceptum will more than fit the bill. They play with maximum aggression and a total dearth of pity, compassion, or mercy. Not a lot on offer to win converts to the cause though, until you reach the total black majesty of the final track. That’s the disappointment here; they are clearly capable of something jaw dropping but they hold themselves in reserve until the last. I still recommend them, but I am also left wanting.
Try before you buy: Colourless (Bandcamp)

TesseracT – Polaris
(Djent – United Kingdom)
Kscope – 2015/09/18

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TesseracT continues to be one of the few bands to make djent look good. The palm muting is still there, but TesseracT go out of their way to not sound like a poor man’s Meshuggah. Polaris is an album that pushes their progressive proclivities to a new level. Intricate, often delicate melodies are held up by a distinctively djent low end. The clean vocals are crisp yet soulful. Entertaining from start to finish.
Try before you buy: Survival (YouTube)

Trivium – Silence in the Snow
(Core-tinged heavy metal – United States of America)
Roadrunner Records – 2015/10/02

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Trivium have clearly put some effort into making Silence as anthemic as possible. Almost every track has a memorable, sing-along quality. Fist-pumping good times. I do wish they could settle on whether they want to be Metallica or Maiden. Consistency matters. But there are some fantastic solos and the complete absence of metalcore screeching is more than welcome. Their maturation as a band continues.
Try before you buy: Blind Leading the Blind (YouTube)

Unwanted Existence – Silhouettes of a Mental Disorder
(Depressive suicidal black metal – Venezuela/Mexico)
Winterwolf Records – 2015/09/17

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Don’t listen to this for the vocals. They don’t sound like the vocalist’s testicles are being repeatedly flicked with an elastic band, but they’re not far off. The real selling point are the instrumentals. You can actually tell that they were penned in the throes of suicidal mania. Gentle melodies that sound like stitches being unpicked. Harsh sections reminiscent of smashing your skull into bricks. Flawed, but the pain is genuine.
Try before you buy: Black Procession (To My Grave) (Bandcamp)

Chelsea Wolfe – Abyss
(Industrial folk – United States of America)
Sargent House – 2015/08/07

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This is my first encounter with Chelsea Wolfe. It’s a new kind of heaviness for me. New and thoroughly satisfying. Vocals are skilfully delivered with both the passionate power and reflective restraint that only the greats can manage. And the way rumbling industrial is interwoven with melancholy folk is revelatory. It’s a smart, challenging album that rewards with each and every chord.
Try before you buy: Grey Days (Bandcamp)