February 2019 Review Round Up

And so that was February. It was a thought provoking month for me too.

Starting off with the album of the month. Lots of competition for it this time round. I settled on Yerûšelem’s album, The Sublime. It’s put together by some of the madmen/geniuses in Blut Aus Nord, but it’s a substantially different beast. Trust me. It’s definitely of them, but not like them.

You will also read a review of another album that I can assure you is positive, despite my revulsion. You’ll know it when you read it. It’s the challenge of reviewing something critically significant, but abhorrent.

And then there’s Dream Theater. Certainly not album of the month, but it’s a mighty improvement. What I don’t understand from my perusal of reviews, is why people expect something out of the box from them? They’ve been around forever and firmly established their sound. It’s not necessarily formulaic to play to their strengths; they just want an album that sounds good. I think we learned a lesson about unnecessarily tampering with things last time, so I’m pretty glad they went back to the old well to drink the familiar water.

As I said, it’s been a thought-provoking month. It’s kept me busy.

I am still, as always, contactable via Facebook.

Send me your demos. More accurately, send me the links to your demos on Bandcamp. I need more of them in my life. Spread the word.

See everyone again in April, first Monday of the month.

Buy Me a Coffee at ko-fi.com

Album of the Month
Yerûšelem – The Sublime
(Industrial Post Punk – France)
Debemur Morti – 2019/02/08

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This is sublime. There. I said it. The problem is that the lazy wordplay is also the most accurate way to describe The Sublime. It’s like Swans and Killing Joke doing a joint set in a Buddhist temple that was still under construction. The combination of crushing industrial rhythms with meditative melodies and chanting vocals is utterly mesmerising.

The Rest in Alphabetical Order
Blue Hummingbird on the Left – Atl Tlachinolli
(Black Metal – United States of America)
Iron Bonehead – 2019/02/08

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In a world full of posturing, antagonistic, “outsider” black metal, it’s nice to come across something that sounds like resistance. Blue Hummingbird perform furiously in the name of Huitzilopochtli, the primary god of war and human sacrifice in the Aztec pantheon. Their pride in their heritage is as clear cut as their overt, naked hostility.

Candlemass – The Door to Doom
(Epic Doom Metal – Sweden)
Napalm Records – 2019/02/22

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Candlemass is one of the great gateway bands to doom metal and The Door to Doom shows why. They hit that magical combination of sweeping grandeur and thrumming reverberation. The melodies announce their presence with vigour then linger in the low end long enough to rattle the bones. That album title is awfully apt in retrospect.

Charnel Altar – Demo
(Death Doom – Australia)
Self-Released – 2019/01/09

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They say they’re blackened death; I reckon they’re far too monolithic to be anything but death doom. Genre semantics aside, you should probably listen to these guys. When I said they were monolithic, I mean it. They sound like a graveyard made animate, dripping soil; long dead bones; and recently dead viscera. It’s ominous and putrescent.

Dream Theater – Distance Over Time
(Progressive Metal – United States of America)
InsideOut – 2019/02/22

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I hated The Astonishing so much I burnt it in a pit of fire; suffice to say, expectations were low here. Maybe they were chastened by the negative reaction, because this is stripped back, basic DT. Good God, it’s a change for the better. It’s actually fun to listen to. There’s nothing superfluous here, just rock-solid entertainment. I’m astonished.

Gets Worse – Snubbed
Powerviolence – United Kingdom
Self-Released – 2019/02/11

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This is powerviolence, so no surprises that it comes on like an assault. It’s good and shouty too; nice to listen to a pv act that sounds old school punk without being a drag. And as spasmodic as their time signatures may be (and believe me, they get pretty epileptic), the whole album is cohesive. A stream of consciousness put to blastbeats.

Miscarriage – Imminent Horror
(Atmospheric Sludge – United States of America/Sweden)
Sentient Ruin Laboratories – 2019/02/22

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I know what they were attempting. I know they succeeded. But it’s way outside my comfort levels. It’s the fetishisation of suffering. It’s a perverse, transgressive ritual that starts with erotic vivisection and culminates in a noisome, necrophillic hatefuck. It’s definitely not my sonic kink, but if it’s yours listen to it, watch some Salo, and leave me alone.

Ostro – Ostro
(Doom Metal – Australia)
Self-Released – 2019/01/08

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If you’re going to strive to put some epic into your doom, your singer needs some serious chops and the guitars need to pack a wallop. Ostro is almost there. So close. But that proximity to epicness serves to highlight the failure to attain it. They aimed for Candlemass, but had to settle for flashlight tag. I’ll buy their next release though. They could nail it.

Rotting Christ – The Heretics
(Melodic Black Metal – Greece)
Season of Mist – 2019/02/15

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BAM! That’s how you return to form. Rituals was a bit naval gazing for my taste, but The Heretics is right on point. Its sharp thematic focus allows the melodies to soar majestically while buffeting mercilessly, much like being caught in the path of a legendary roc. Conventional theology takes a beating here, but they’re points that need hearing.

Thetan – Abysmal
(Powerviolence – United States of America)
Self-Released – 2019/02/01

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Thetan strip their punk right back to drum, bass, and vocals. That means they’ve got less to work with, so what they do have has to go much further. But there’s only so far they can stretch their stock. So they land some killers, but there’s also quite a bit of filler. And by filler, I mean stretches of tracks that sort of mush together. Stick around for the good stuff though.

Vanum – Ageless Fire
(Black Metal – United States of America)
Profound Lore – 2019/02/15

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Ageless Fire was the perfect album for a terrible day. It’s an album that speaks to the transcendental power of furious rage. To achieve this, Vanum take a longer form approach. Rather than simply blasting away, they take the meditative focus that pure anger can afford you, and turn it into a blistering, ash-raining firestorm.

August 2016 Review Round Up

August has been one of those months that make me question whether or not I should keep going. So much top quality music passed through my ears that I found it difficult to say a bad thing. Even the album I’m most critical of is, in all honesty, pretty good.

Am I too soft? Possibly.

Or it could just be that August was one of those lucky months that came without a dud.

Altarage shone the brightest over all the other gems this month. Bit of an ironic description; they are a bleak experience. But within their withering contempt lies a brilliant stroke of death metal genius.

Grave Miasma gets the nod for honourable mention. Any other month would see them at the top of the tree. Their latest ep is a death metal masterclass.

I’m still active on Facebook, so feel free to get in touch.

Until September, enjoy.

Album of the Month
Altarage – Nihl
(Blackened death metal – Spain)
Sentient Ruin Laboratories/Doomentia Records/Iron Bonehead Productions – 2016/02/26

Dear GOD, that’s an aggressive album. Damn. But more than that, it’s an invigorating album. It’s an album that makes the genre sound vital and new in every way. It’s horrifying. It’s malevolent. Its every note and growl are invocations to indulge in all of humanity’s worst. Captivating in its darkness, Nihl doesn’t let up. Not for one second.
Try before you buy: Vortex Pyramid (Bandcamp)

Honourable Mention
Grave Miasma – Endless Pilgrimage
(Death metal – United Kingdom)
Profound Lore Records/Sepulchral Voice Records – 2016/05/06

I missed Grave Miasma on their last spin through critical country. I’m guessing that was a mistake, as this EP is exactly what death metal should sound like. It is a paragon of death metal, if you will. It absolutely, and perfectly, nails the balance between blistering fury and sinister malice that the genre was built upon.
Try before you buy: Utterance of the Foulest Spirit (Bandcamp)

The Rest in Alphabetical Order
Atrament – Eternal Downfall
(Blackened death crust – United States of America)
Sentient Ruin Laboratories – 2016/03/04

A swirling cacophony of bleakness, Eternal Downfall puts it all out there and all it is is horror. The raw spit and venom of crust turns the blackened death metal into a nightmarish amalgamation of cult and gangland initiations. A flurry of fists and feet pummelling you while thick, noisome incense chokes you.
Try before you buy: Rotting Twilight (Bandcamp)

Karcavul – Intersaone
(Blackened sludge – France)
Sentient Ruin Laboratories – 2016/07/01

Sometimes muddy production aids an album. That is definitely the case here. Karcavul’s take on sludge is venomous in the extreme and the ‘recorded in a sewer’ vibe they have going on here only serves to highlight this. Torrid, toxic, and downright sinister, Intersaone is a reminder that metal often hates you.
Try before you buy: Mangepierres (Bandcamp)

Katatonia – The Fall of Hearts
(Depressive rock – Sweden)
Peaceville Records – 2016/05/20

This is what a band embracing their maturity sounds like. The music is always finely balanced between melancholic and bleak. This is further complemented by vocals that are somehow achingly delicate and powerfully desperate. It certainly has its tonally heavy moments, but it is the thematic heaviness that leaves the biggest mark.
Try before you buy: Old Heart Falls (YouTube)

Leather Glove – Skin on Glass
(Crusty death metal – United States of America)
Sentient Ruin Laboratories – 2016/05/05

Always good to listen to death metal that doesn’t sacrifice entertainment in the name of brutality or technicality. Make no mistake, this is aggressive, but the crust influence gives it a degree of punk swagger. Over the course of the three tracks, this demo brings death metal down to the gutter and lets the dirty rock rhythms reign.
Try before you buy: Skin on Glass (Bandcamp)

Mesarthim – .- -… … . -. -.-. .
(Atmospheric black metal – Australia)
Self-released – 2016/08/28

Points awarded straight away for being an atmospheric black metal act that looks beyond the sylvan and verdant. Looking to the broader cosmos is a theme I feel is surprisingly underused in black metal. This album takes mankind’s insignificance in the universe and twists it into knots of futility and rage.
Try before you buy: …– (Bandcamp)

מזמור — Yodh
(Blackened doom metal – United States of America)
Gilead Media – 2016/08/12

Did you ever get the feeling something was going to be brilliant before experiencing it? You try to manage your expectations and keep your hopes in check. Most of the time you will be let down. Not the case with מזמור, aka Mizmor. Harrowing and mournful, Yodh is a death rattle amplified and distorted
Try before you buy: iii. The Serpent Eats Its Tail (Bandcamp)

Psalm Zero – Stranger to Violence
(Metallic post-punk – United States of America)
Profound Lore Records – 2016/06/15

Some solid love for Killing Joke is on display here. I don’t mean to make them sound derivative, as they’re not. It’s more that they push the limits of post-punk far out into the murky waters of metal. It’s a hypnotic affair; swirling synths and meticulous guitar work produce an album furious in its deliberation.
Try before you buy: White Psyche (Bandcamp)

Revocation – Great is Our Sin
(Death thrash – United States of America)
Metal Blade Records – 2016/07/22

I first got into Revocation with their titanic release, Chaos of Forms. It’s a beast of an album. Great is Our Sin is easily its equal. Probably its superior, once I excise the nostalgia. Its speed and heaviness are rounded out by flourishes of technicality. It’s instantly accessible and deeply complicated.
Try before you buy: Only the Spineless Survive (Bandcamp)

Ritual Chamber – Obscurations (To Feast On The Seraphim)
(Death metal – United States of America)
Profound Lore Records – 2016/02/26

The curse of being merely good made manifest. Everything about Obscurations is on point. The riffs sound like Satan blowing off steam. The rhythms are relentless. The growls are low and guttural invocations of damnation. And, yet, for all this positivity, it’s not memorable. Definitely for genre fans, but it’s charm is ephemeral.
Try before you buy: Beings of Entropy (Bandcamp)