December 2018 Review Round Up

Welcome, oh loyal reader, to the final Metalshopped of 2018. It’s been a pretty impressive year and it’s not quite done. The calendar year may be done, but there are still a few things in the post. That’s why the Best Of for 2018 is coming in February. Got to give every album their due after all.

Speaking of giving due, the album of the month is Corpsessed’s latest, Impetus of Death. I had been keeping an eye out since their surprisingly memorable Abysmal Thresholds, so I was pretty happy to see it pop up. I was ecstatic after hearing it. It’s the realisation of potential.

As always you can contact me via Facebook.

See you next month with both a fresh crop of reviews and the best albums 2018 had to offer.

Buy Me a Coffee at ko-fi.com

Album of the Month
Corpsessed – Impetus of Death
(Death Metal – Finland)
Dark Descent – 2018/11/23

image

Corpsessed have delivered the goods late in the year. Impetus of Death is grisly and putrid, yet satisfyingly precise. It’s like the coroner performing an autopsy, but in your back shed with garden tools. Every part has its place, but it sheds blood and guts. Copiously and violently. It’s a glorious bloodbath, but all the organs end up in the tray as planned.

The Rest in Alphabetical Order
Ails – The Unraveling
(Black Metal – United States of America)
The Flenser – 2018/04/20

image

Having desperately felt the void left behind by Ludicra’s split up, hearing that Laurie Shanaman and Christy Cather had reunited for a new project filled me with joy. It’s a hell of an album too. Far more relentless than I expected, it leaves you breathless with its surprisingly punk approach to cryptic black metal. Pushes the limits without being inaccessible.

Corrosion of Conformity – No Cross No Crown
(Sludge Metal – United States of America)
Nuclear Blast – 2018/01/12

image

It’s been about twenty years since I first encountered CoC (Born Again for the Last Time) and they still sound like a cone of rich Sabbath spun lightly with core being pulled through a bong watered with dank NOLA swamp. But it’s also apparent that they clean their pipes, so to speak, because this is a crisp, clean smoke. No nasty resin, just a pure high.

Death Fortress – Reign of the Unending
(Black Metal – United States of America)
Fallen Empire – 2018/12/26

image

Death Fortress continue to demonstrate why they are an unmissable force in black metal. For sheer relentless aggression, few other bands can compete with them. Reign of the Unending doesn’t just go for the jugular; it goes for the femoral, the radial, the aorta. It goes for blood and it doesn’t stop. This is black metal as a tool for exsanguination.

Devouring Star – The Arteries of Heresy
(Death Metal – Finland)
Dark Descent – 2018/10/26

image

With black metal, you typically have a whole array of modifiers you can apply to the genre. Progressive, symphonic, raw, et cetera. What I choose to use for The Arteries is catastrophic hell noise. It builds a cataclysmic wall of noise and brings as much sonic destruction as possible. It’s overwhelming in places, but I guess that’s the point.

Nachtmystium – Resilient
(Black Metal – United States of America)
Lupus Lounge – 2018/11/30

image

Hard to judge Judd’s attempts and sincerity at reform, but at least we’ve got a pretty fucking awesome e.p. out of the situation. It’s a return to the psychedelic approach he used for the Black Meddle albums, but it’s all intertwined with the utter bleakness of the lessons he (hopefully) has learned. It’s miserable yet forward looking. Hopefully the course correct stays.

Tribulation – Down Below
(Singed Gothic Metal – Sweden)
Century Media – 2818/01/26

image

Singed because it blackens it up a bit. Gothic because it’s a bit moodier than your standard heavy metal. Metal because it makes you want to bang your head. Tribulation have put out an album of dark intensity. It’s the sort of album that speaks to the dark side of humanity and the darker voices that whisper from below. Let its fire beguile.

Varathron – Patriarchs of Evil
(Black Metal – Greece)
Agonia – 2018/04/27

image

This is top shelf black metal, but it’s cut from a different cloth than the stereotypical grim and frostbitten. There’s a swirling maelstrom of blackened fire, thrashy spit, and mournful folk that descends on the listener like a storm. It has its quieter, more ritualised moments, but for the most part it’s a full-throttled ride down the rivers of damnation.

Advertisements

April 2015 Review Round Up

I’m way too much of a soft touch. Either that, or I’ve become more discerning somehow, as it’s been pretty well impossible to hate anything this month. Going to chalk it up to good luck at this point.

The album of the month rightfully belongs to Bell Witch. It’s one of those rare albums that should transcend taste. You may not like it low and slow, but you will like Four Phantoms.

Leucrota’s Demo is something to get behind. Throw money at this band. Get them as much exposure as you can. If this is what they’re capable of on a demo, imagine the wrecking ball they could put to wax with enough support.

I’ve decided to retire Om as a basis of comparison. Negură Bunget’s magnum opus is, simply put, such a creative outlier that it will always make other albums in its shadow look weak. People will inevitably listen to Tău, say it’s not as good as Om, and dismiss it. I don’t like that, as it’s certainly better than Vîrstele pămîntului, which was a fine album in and of itself. I honestly doubt that Om will ever be topped by Negură Bunget (or Dordeduh); it’s a masterpiece and, as such, that renders it useless as a tool for critical comparison. I will inevitably retire other similar masterworks in the future, but for now I think I’m just going to bask in the majesty that is Om.

I’d like to give a big shout out State Line Records for sending me the copy of Back From the Land of Nod. I ordered it without noticing that they only shipped to the USA. I may have been a little overwhelmed with Ramallah related excitement. They would have been well within their rights to say no to shipping to Australia and refund me, but they followed through on the order anyway. Super stoked about that.

Hope you enjoy this month’s releases. I know I did. As usual, you can reach me on Facebook. See you next month.

Album of the Month
Bell Witch – Four Phantoms
(Funeral doom – United States of America)
Profound Lore Records – 2015/04/28

image

Most funeral doomsters create an atmosphere of all encompassing darkness, crushing the listener with an oppressive atmosphere. Bell Witch do it differently. They let the light in. That doesn’t make it any more pleasant. The flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you. It’s one of the grimmest albums I’ve heard. That they achieve all of this with only drum, bass, and vocals is amazing.
Try before you buy: Suffocation, A Drowning: II – Somniloquy (The Distance Of Forever) (Bandcamp)

Honourable Mention
Leucrota – Demo
(Crusty hardcore – United States of America)
Sentient Ruin Laboratories – 2015/02/28

image

I love a demo I can really sink my teeth into and Leucrota’s demo is a big hunk of raw meat just waiting for mastication. The promo tag over at Sentient Ruin describes it as, “completely wretched, botched, cruel and self-mutilating hardcore punk” and it’s impossible to disagree with that assessment. But raw masochism only goes so far. Fortunately, Leucrota have the talent to fill out any of the gaps. It’s unforgiving, but absolutely necessary. Buy it. Buy it now.
Try before you buy: Systematic Violence (Bandcamp)

The Rest in Alphabetical Order
Abstracter – Wound Empire
(Blackened doom metal – United States of America)
Sentient Ruin Laboratories et al – 2015/02/10

image

I think I may need to create a word for Wound Empire. Misegony. Not misogyny. Misegony. The hatred of the self. That’s exactly what Abstracter have delivered here. They have taken all of black metal’s misanthropy and reflected it inwards. This amplifies doom’s existing penchant for depression into something much darker and more intense. And yet, it doesn’t sound like a down-tuned suicide note. It’s actually captivating in its misery.
Try before you buy: Open Veins (Bandcamp)

Concealed Blade – Demo 2015
(Hardcore – United States of America)
Self-released – 2015/02/17

image

Do you like Sick of It All? I love Sick of It All. And it’s clear Concealed Blade do too. They’ve done a fantastic job of incorporating that high impact energy, without nakedly imitating the sound. Short, catchy tracks are brimming with the sort of aggression that you would associate with a band willing to punch on with their fan base. And they do it without ever becoming repetitive. It’s a direct line to the underground that’s guaranteed to get your blood pumping.
Try before you buy: Don’t Get Caught (Bandcamp)

Deathblow – The Other Side of Darkness
(Thrash – United States of America)
Self-released – 2015/04/21

image

Deathblow have served up a short but intense serve of classic thrash. It’s like the eighties have only just got to Utah, because this would slot in nicely next to Exodus and Testament on a play bill. As you listen to the five tracks, you will definitely pick out their influences, but there is no way it would fair to call them derivative. They have put together a fantastic package of breakneck thrash. It redlines the whole way through. Even slow passages race by. Roaring good stuff.
Try before you buy: The Other Side of Darkness (Bandcamp)

Dødheimsgard – A Umbra Omega
(Black metal – Norway)
Peaceville Records – 2015/03/16

image

A Umbra Omega is kind of like the foie gras of black metal; it’s extravagant, but it’s also a little bit indulgent and to make it, the band crammed an unnecessary amount of material into it. The songs shouldn’t have been trimmed back to 3½ minute standards, but I am fairly certain the 10+ minute tracks could have been pared down. They get everything else right on this album. In many ways it’s revelatory, which is why I’m (probably) unfairly harping on about song length.
Try before you buy: Aphelion Void (YouTube)

Hurricane Death – Demo
(Grindcore – Australia)
Castigated Records – 2015/03/08

image

I like this a lot. The Brisbane grind scene is wonderfully fruitful at the moment and Hurricane Death is a particularly choice morsel. They incorporate enough death metal into their work to add some real edge, but not enough to be called deathgrind. In my mind there’s a certain Napalm Deathness to their sound, which is a big plus in my book. It’s raw and rough, but it manages to be memorable in a way that puts most other grinders to shame.
Try before you buy: Gutter Rat (Bandcamp)

Kindergarten Hazing Ritual – Ugly World Order
(Cybergrind – United States of America)
37564 Recordings – 2015/03/31

image

Grindcore is often symbolised by two struck-through quavers. Ugly World Order lives up to this emblam, because it is a jarring, disorientating experience. Wonderfully so I might add. It’s kind of like a musical equivalent of 2 Everything 2 Terrible 2: Tokyo Drift; every time you think you get comfortable with what’s happening, KHR throw in some weirdness from left field, bewildering you and yet, somehow, advancing the narative. Odd genius.
Try before you buy: extreme home makeover urban edition turbo hyper fighting (Bandcamp)

Negură Bunget – Tău
(Blackened folk metal – Romania)
Lupus Lounge/Prophecy Productions – 2015/02/27

image

I never tire of the soundscapes that Negru and his cohorts create. The blending of haunting black metal and beautiful folk generates near endless possibilities for emotional discovery. Tău itself is the first part of a trilogy dedicated to Transylvanian heritage. There is a profound but extraordinarily proud sadness to it. The combination of the vocal tone, the blackened guitars, and the traditional instruments is both stark and lush. I await part two with baited breath.
Try before you buy: (Bandcamp)

Perspex Flesh – Ordered Image
(Hardcore – United Kingdom)
Self-released – 2015/03/31

image

The Golden Age of Hardcore (i.e. the 80s) lives on loud and proud in Perspex Death. The guitar tone, the rhythms, the vocals – it’s all spot on with some of the greats. The vocals are initially jarring, but they quickly become absolutely vital. Reminds me of my initial contact with HR. The melodies are infectious. It’s exactly the sort of music that takes me back to the few basement punk gigs I got along to in my youth. It’s a release of pent up tension that is cathartic and joyous.
Try before you buy: Euthanasia (Bandcamp)

Ramallah/Sinners & Saints – Back From the Land of Nod
(Hardcore – United States of America)
State Line Records/Last Punk Rockers Records – 2015/04/28

image

Anyone who knew me circa 2007 couldn’t help but know how much of a hard on I had for Ramallah. So I was overjoyed to see them return after a long absence. Getting tracks from Sinners & Saints was a bonus. Truth be told, I feel sort of bad reviewing this. Lind has clearly used this split to exorcise some particularly nasty demons. I miss the fierce political invective, but not so much that I can’t appreciate how devastatingly raw these tracks are.
Try before you buy: Here We Are (Bandcamp)

Torche – Restarter
(Sludge metal – United States of America)
Relapse Records – 2015/02/24

image

I challenge you not to like Restarter. If it’s one thing that Torche does well, it’s writing an album that is eminently likeable. Few metal bands do this. They’ve all got agendas and angst and whatnot; Torche just want you smile. It makes them unique. To review this album properly, I have to contextualise it within their canon. It’s a slightly more dour album, but I think that’s a necessary correction after successive albums of gooey thunder pop. It’s still fun.
Try before you buy: Annihilation Affair (YouTube)