June 2018 Review Round Up

June felt like a productive month. I got through a decent amount of albums while making sure everyone got their fair due in terms of attention. Pretty happy about how it all came together.

Some impressive stuff passed through my ears, but the best of the best is Craft’s latest, White Noise and Black Metal. It’s a perfect example of what modern black metal should sound like.

July will hopefully be as good. I’m keen for Deafheaven and Obscura’s new albums.

Hit me up on Facebook if you want. Always up for a chat.

Album of the Month
Craft – White Noise and Black Metal
(Black Metal – Sweden)
Season of Mist – 2018/06/22

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Not a lot of noise going on here, but there are eight tracks of blackened gelid malevolence. It’s a veritable soundtrack for a frolic through the joyless expanse of Cocytus. Too often black metal finds itself trapped within its own tropes, but Craft have taken these tropes and unleashed them in a storm so furious that everything seems new after the destruction wrought.

The Rest in Alphabetical Order
Abstracter – Cinereous Incarnate
(Blackened Sludge – United States of America)
Sentient Ruin Laboratories – 2018/06/08

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When I was a young boy, someone once told me that there was no greater sin, even surpassing the seven deadly sins, than despair, as it meant you believed God was powerless. Abstracter capture this notion of blasphemous misery and turn it loose in an almost weaponised display of sonic might. It’s cacophonous, tumultuous, and savage.

At the Gates – To Drink From The Night Itself
(Melodic Death Metal – Sweden)
Century Media – 2018/05/18

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A slower, more brooding At the Gates is on display here. The anger that has driven their sound to this point has manifested here as smouldering bitterness. It’s not bitter in the sense of hating what their doing. The band still clearly loves performing. It’s bitter about pretty well everything else though. It’s a new plateau of jaded misanthropy.

The Body – I Have Fought Against It, But I Can’t Any Longer
(Avant-garde Metal – United States of America)
Thrill Jockey – 2018/05/11

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Albums like this really highlight the divide between amateur writers, such as myself, and proper music journalists. I just don’t have the vocabulary to do this album justice. It’s ominous. It’s oppressive. It’s sinister as all hell. And bleak doesn’t even begin to describe its emotional darkness. And even with all that laid out, you need to know it goes further and weirder than I can explain.

Funeral Mist – Hekatomb
(Black Metal – Sweden)
Norma Evangelium Diaboli – 2018/06/15

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Not sure if any of you have spent an extended period of time with a crazy street preacher. I have and this reminds me a lot of that experience. An almost overwhelming raging of fevered mania is peppered with moments of terrifying lucidity. It’s the sort of unhinged blasphemous rite that so many black metal acts aspire to, but taken to an extreme beyond expectation.

Genghis Crack – Genghis Crack
(Grindcore – Chile)
House Gore Records – 2018/04/07

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I’m finding South America to fertile ground for excellent grind. From Lxs Jugadxs in Argentina to Kharma in Venezuela, there is a strong trend towards pissed off blasting violence. Feel free to add Genghis Crack to this. I don’t understand all the samples used, but I know anger when I hear it. This is wire garrotte taut and as pummelling as 80s heyday Mike Tyson.

Ghost – Prequelle
(Heavy Metal – Sweden)
Loma Vista Recordings – 2018/06/01

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“Surely the gimmick has worn thin by now?” I hear you asking. And the answer remains no. To be honest, the people in silly masks thing will always be easy to ignore so long as they keep on delivering on quality like they have here. It leans hard into rock territory, making it just as much Bon Jovi as Black Sabbath and that swagger makes it an utter joy to listen to.

Grave Upheaval – —
(Death Doom – Australia)
Nuclear War Now! – 2018/04/15

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I don’t normally enjoy death doom and really only bought this to flex my critical skills. But then it completely kicked my arse. I mean this floored me. It’s so damn heavy that it creates its own atmosphere. It could shatter a diamond. And the vocals sound like a cthonic god slowly tearing into our reality. It’s got me completely turned around on the genre.

Marduk – Viktoria
(Black Metal – Sweden)
Century Media – 2018/06/22

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Marduk is really starting to feel like a spent force. None of their post-Wormwood albums have aged well and Viktoria starts off feeling worse than that. Even when they lean into the controversy surrounding their politics, it feels hollow; it feels like they’re trying to cash in on scandal because it’s all they have left. I know they’re capable of so much more.

Mournful Congregation – The Incubus of Karma
(Funeral Doom – Australia)
20 Buck Spin/Osmose Productions – 2018/03/23

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It might be the clinical depression talking, but I found this to be profoundly soothing. I’m sure that’s not what they were aiming for, but at the same time, it’s not me being critical. It hits that nadir of despair where all of life’s iniquities become a warm blanket, as they allow you to feel something. Anything. It embraces misery in its utter totality.

Necros Christos – Domedon Doxomedon
(Death Metal – Germany)
Sepulchral Voice – 2018/05/18

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I hope everyone is up on their Qabbalistic rituals; pre-Nicean Christian mysticism; and Abrahamic gnosticism, because Necros Christos just assumes you are. For their (alas) swansong they have crafted a complex three disc spiritual meditation that both hyper intelligent and crushingly heavy. I doubt they could have crafted a more fitting farewell. Safe travels, noble initiates; may you find the apotheosis you seek.

Nervosa – Downfall of Mankind
(Thrash – Brazil)
Napalm Records – 2018/06/01

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What you have here is a straight forward thrash album and that needs to be celebrated. It’s not blackened; it’s not crossover; it’s that dying breed of true, fast as hell, angry as a swarm of hornets thrash. It’s a real conflagration of an album too; starts off a bit slow but builds to an intensity that will level whole city blocks and leave a satisfyingly smouldering ruin.

Ritual Necromancy – Disinterred Horror
(Death Metal – United States of America)
Dark Descent – 2018/05/25

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This album earns the critical praise I have seen said of it. And so long as as I’m wearing my critic hat, I’ll recommend it. But as a listener, there’s something not quite to my personal taste here. I think it’s because underneath the blistered exterior of fire and savagery, there’s an unbeating heart of cold, almost alien sterility. It’s uncomfortable to be honest.

Wayfarer – World’s Blood
(Atmospheric Black Metal – United States of America)
Profound Lore – 2018/05/25

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I’m a firm believer that USBM is at its best when it wholeheartedly embraces its American-ness. The gonzo nihilism of Cobalt. Panopticon’s bluegrass/black metal hybrid. And, now, Wayfarer and their desolate, tenebrific distortion of country. There’s no high plains sing-along here. This is all grim paranoia and foreboding cynicism.

Yob – Our Raw Heart
(Doom Metal – United States of America)
Relapse – 2018/06/08

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Despite there being no evidence to back it up, I like to think there’s a competition between Pallbearer and Yob for the USA’s best doom act. And Our Raw Heart puts Yob into the lead. Sure, it’s heavy as a Jovian hell, but it’s the raw emotional heft that makes it such a stunning album. It’s heartfelt, almost touching in places, and bleak without being despairing.

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February 2015 Review Round Up

Happy March, everyone.

2015 is shaping up nicely already. Napalm Death’s new album is an absolute wrecking ball of an album. It has that effortless quality to it, as though the band were so confident in what they were doing that the album was always going to come out perfect.

There was a fair bit of competition for the honourable mention too, but I eventually settled on KharmA. Incendiary grind at its best, SubReal is sonic arson.

I have finally got around to setting up a Facebook page too. Drop by and give me a like. If you like.

Until April, enjoy.

Album of the Month
Napalm Death – Apex Predator – Easy Meat
(Grindcore – United Kingdom)
Century Media Records – 2015/01/27

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The Godfathers of grind are back with their fifteenth album. They’re not struggling for material either. Greenway’s vocals, sublimely harsh and expertly spat, are an intelligent examination of the relationship between consumerism and slavery. The music itself is a way more catchy than grindcore has any right being. It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
Try before you buy: Metaphorically Screw You (YouTube)

Honourable Mention
KharmA – SubReal
(Death grind – Venezuela)
Self-released – 2015/02/06

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I’m a pretty chilled out sort of guy on a day to day basis. I don’t have great insight into revolutionary zeal. KharmA, on the other hand, are made of fiery conviction. Their uncompromising blend of grind and death angries up the blood like few releases I’ve heard recently. The brutal vocals and severe guitars assault the ear drums, with the blasting drums beating a death march for the speed addled. I’m impressed by how well they use music as a medium for rage.
Try before you buy: Obliterados (Bandcamp)

The Rest in Alphabetical Order
Addaura – …And the Lamps Expire
(Black metal – United States of America)
Self-released – 2015/01/19

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I probably shouldn’t have listened to this while feeling a bit bummed, as it turned a mild funk into a spiralling depression. Then again, every band should be seeking to make a genuine emotional impact on the listener, so in this regard, Addaura is a raging success. The two long-ish tracks (separated by a short interlude) hit the right combination of guitars, keyboards, and vocals to make a poignant listening experience. Stunningly harrowing.
Try before you buy: Amid the Tumult and Clamor (I Look for the Light Through the Pouring Rain.) (Bandcamp)

Annúlond – The Baker of Aljubarrota
(Blackened folk metal – Australia)
Self-released – 2015/02/17

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An Australian band who self-describe as viking metal doing an album about a figure from Portuguese folklore. Good to see another female folk figure getting some attention. A seven foot tall woman with six fingers on each hand and innate knack for killing is pretty metal. Surprised the good baker doesn’t get more attention to be honest. The music itself is on the dour end of folk, like someone sucked all the joy and energy out of Finntroll. An interesting diversion.
Try before you buy: Rise of Penthesilea (Bandcamp)

Antareth – The Mask of Truth
(Doom metal – Canada)
Self-released – 2015/02/12

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Didn’t have high hopes for Antareth. That cover art set off all sorts of alarms. Being described as avant-garde didn’t sit well either. Pointless weirdness played slow didn’t sound appealing. Happily, the Mask of Truth exceeded my expectations. It’s a little bit dull, but not nearly as excruciating as it could have been. The clean vocals need to be scrubbed from future recordings too. Yes, it’s dull, but it does at least manage to sound original. A small victory.
Try before you buy: The Pearly Road (Bandcamp)

Archgoat – The Apocalyptic Triumphator
(Black metal – Finland)
Debemur Morti Productions – 2015/01/27

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If you want a blueprint for straight to the point, straight for your throat black metal, you could do worse than following Archgoat’s lead. The Apocalyptic Triumphator is an anti-cosmic high mass, leading the profane in worship most blasphemous. It does this through one of the finest combinations of guitars, drums, and vocals in black metal today. They’re not particularly strong on innovation, but given the performance, they don’t need to be.
Try before you buy: Grand Luciferian Theophany (Bandcamp)

Cowards – Rise to Infamy
(Blackened sludge – France)
Throatruiner Records – 2015/02/09

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I feel slightly uneasy about the thought of hearing this live. The malice broadcast through these ten songs should whip a live audience into a dervish of hatred that would tear apart the venue. They strike a fine balance between the heft of sludge’s mighty riffs and black metal’s coruscating fury. Balancing these elements creates an atmosphere of primal anger that the band only just contained long enough to successfully put to wax. Scary stuff.
Try before you buy: Beyond My Hands (Bandcamp)

Death Engine – Mud
(Sludgey hardcore – France)
Throatruiner Records – 2015/03/02

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I love Throatruiner. The label make all their releases available for free download. Rest assured, I went back and purchased a copy of Mud. Death Engine’s speciality is harsh and unrelenting music. Sludgey hardcore doesn’t seem entirely appropriate as a descriptor, but it’s as close to a specific genre as I can get. The raw barks of the vocalist collide with the pitiless melodies in a jagged rhythmic battleground. It’s an exhilarating experience.
Try before you buy: Organs (Bandcamp)

Eall – Scents of a Wandering Ghost
(Atmospheric black metal – France)
Self-released – 2015/02/07

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I detect the fear of failure in this demo. There are some movements that have the potential to be truly spectacular, but they always pull up too short, leaving the listener feeling short-changed. It’s like the band doesn’t fully trust their skills, which would explain why they so readily slide back into the murk of generic Burzum worship. This intermingling of the awe-inspiring and the insipid leaves the demo sounding disjointed. It’s disappointing rather than bad.
Try before you buy: That Brought Shining Visions In A Cold Water Stream (Bandcamp)

Ethereal Shroud – They Became the Falling Ash
(Blackened doom metal – United Kingdom)
Grimoire Cassette Cvlture – 2015/02/21

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This is more grandiose than I expected. In many ways it is a union of miserable metal’s soul mates, dsbm and funeral doom. There’s not an once of doubt that the three long tracks are bleak, but there’s definitely something else to it. There’s a grandeur to it that would be equally appropriate for an epic doom act, were it not so depressing. It’s the guitar movements. There’s a sweep to them that allows the band to generate a dark energy to hammer home the misery.
Try before you buy: Look Upon the Light (Bandcamp)

Gomgoma – Medicine Apophthegms
(Doom metal – Greece)
Self-released – 2015/02/07

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It’s a bit of a dog’s breakfast. The vocalist would be better served in a funeral doom act, rather than this somewhat sludgey affair. The drummer is wasted here; easily an A+ performer in a C band. Lays down a triumphant beat that gives the songs at least some semblance of energy. The guitar work is a buzzkill; there’s not a lot to enjoy here. They either need to be slower to pack some wallop or faster to build some energy. Tempo limbo is a killer.
Try before you buy: Asstray (Bandcamp)

Karmageddon – Preborn
(Southern metal – Hungary)
Self-released – 2015/02/08

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Southern metal: typically a term used by bands who owe so much to Dimebag and Vinnie Paul, they might as well drop a sack of royalties off directly at the House of Abbott. Karmageddon don’t exactly distance themselves from this assessment. They’re pretty hard to hate though. The vocals aren’t brilliant, but the rest of the music has an infectious energy to it that you can’t help but enjoy. They’ll never be critical darlings, but they are good, solid fun.
Try before you buy: Faith in Me (Bandcamp)

Marduk – Frontschwein
(Black metal – Sweden)
Century Media Records – 2015/01/19

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This is a punch in the face with black metal. The military theme is well executed, turning the album into a mighty blitzkrieg. I think what appeals to me more is that Frontschwein manages to arrest the Funeral Mist-ification that Marduk was undergoing. I love Mortuus’ other band, but I got into Marduk with Panzer Division Marduk. I’m all about the war themes and the militaristic rhythms, which this album delivers on in a big way. Brutal and hellish.
Try before you buy: Afrika (YouTube)

Misþyrming – Söngvar elds og óreiðu
(Black metal – Iceland)
Fallen Empire Records – 2015/02/07

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This is a fine addition to world of intellectual black metal. It sounds like it belongs to the wonderfully fruitful French scene that spawned Deathspell Omega and Arkhon Infaustus. Rhythm and melody are tortured into twisted abominations. The vocals, while mostly harshly intoned venom, have a range not commonly seen in this particular neck of the blackened woods. It’s an album that revels in bleak inhumanity. As monstrous and unforgiving as hell.
Try before you buy: Friðþæging blýþungra hjartna (Bandcamp)

Mortum – Ascending Calamity
(Black metal – United States of America)
Vanguard Productions – 2015/02/14

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Mortum, we need to talk. It’s about your intentions. Do you plan on remaining an underground act, only heard by the trve and the occasional falsey (such as myself) who stumbles upon you? Or do you want to be bigger and have wider exposure? I hope it’s the later, because your talent is wasted on basement recordings. I’m very grateful to Vanguard. They did put this out for you and I heard it as a result. But you have talent that deserves to be heard above tape hiss.
Try before you buy: Scourge of Suffering (Bandcamp)

Rusco – Demo 2015
(Grindcore – Italy)
Self-released – 2015/02/22

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As relentless and destructive as an archetypal slasher film villain, Rusco’s demo doesn’t mess about. There isn’t even the illusion of respite during the ten tracks on offer. Bass heavy and jammed to overflowing with blastbeats, they still manage to make each song stand out on its own; they have succeeded in cultivating relentlessness without falling into the trap of monotony. It’s also good to hear organ-gargling vocals outside of goregrind.
Try before you buy: Cloaca (Bandcamp

Seventh Dimension – Recognition
(Progressive metal – Sweden)
Self-released – 2015/02/13

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An entertaining effort from Seventh Dimension. They’re out on the power metal end of prog’s spectrum, so expect something closer to Symphony X, albeit without their panache, than Dream Theater. It maintains an upbeat pace and avoids self-indulgence. It’s crowd pleasing. The cynic in me thinks they have a specific label they’re trying to woo, but that shouldn’t take away from the fact that they have produced an album geared up for broad appeal.
Try before you buy: Third Eye (Bandcamp)

Sumac – The Deal
(Post-metal – United States of America)
Profound Lore Records – 2015/02/17

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Aaron Turner’s latest musical venture, in collaboration with Nick Yacyshyn and Brian Cook, sees him once again venturing into the realms of post-metal. It’s an impressive release. The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy. It’s so heavy it forms its own gravitational pull, keeping the listener drawn in until the final note fades. But it’s effortless in its heavyness, allowing the listener to bear the full brunt of its atmosphere.
Try before you buy: Hollow King (Bandcamp)