Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

image

Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

image

eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

image

Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

image

Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

image

Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

image

Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

image

Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

image

Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

image

Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

image

Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

image

Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

image

Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

image

Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

image

Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

image

Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

image

Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

image

Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

image

Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

image

Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

image

Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

image

Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

image

UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

image

Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

image

Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

image

Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

image

InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

image

Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

image

Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

image

Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

image

Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

image

Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

image

Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

image

Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

image

Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

image

625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

image

Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

image

Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

image

Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

image

Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

image

Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

image

Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

image

Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

image

Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

image

Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

image

Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

image

Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

image

Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

image

Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

image

Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

image

Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

Advertisements

July 2015 Review Round Up

It’s happened. It’s finally happened. A demo has taken out “album” of the month. I can’t think of a more deserving band than Lxs Jugadxs. They are the band that reinvigorated my love of grind. No more hanging out for the occasional Napalm Death or Pig Destroyer album. Now I want it. I crave it. Thank you for the obsession. Muchas gracias por la obsesión.

I also need to give due respect to Abyssal. Antikatastaseis is a monster. To be fair, they’re not straight up death metal; there’s definitely black and doom in there too. But death metal needs to claim this. Stick a goddamn flag in it. It’s some of the evilest death metal to come out in years.

Enjoy and I’ll be back next month.

Album of the Month
Lxs Jugadxs – Demo 2015
(Grindcore – Argentina)
Self-released – 2015/07/21

image

I’ve been a huge fan since I heard their 2013 demo, but everything they’ve done before pales in comparison to this. While remaining undeniably grind, there are strong influences from techdeath, melodeath, and thrash all the way through the four tracks. Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them. No hyperbole – they are the best grind band in the world right now.
Try before you buy: La Nube Negra (Bandcamp)

Honourable Mention
Abyssal – Antikatastaseis
(Death metal – United Kingdom)
Profound Lore Records – 2015/06/23

image

There are times when you find yourself reminded that black metal doesn’t have the monopoly on evil. Abyssal sound like nothing less than a worse version of Dante’s depiction of limbo. Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere. It’s nightmarish beyond belief.
Try before you buy: A Casual Landscape (Bandcamp)

The Rest in Alphabetical Order
Abominor – Opus: Decay
(Black metal – Iceland)
Invictus Productions/Vánagandr – 2015/03/26

image

Two tracks of deep, involved black metal. Abominor are another band that take stylistic cues from Deathspell Omega and I was getting real close to dismissing them as derivative. But there are important differences that become evident as the release progresses. They embrace melody far more readily than their French compatriots. It’s still a challenging listen, but it feels slightly less like sandpaper on the soul.
Try before you buy: 474 (Bandcamp)

Anopheli – The Ache of Want
(Post-crust – United States of America)
Alerta Antifascista/Halo of Flies – 2015/07/02

image

Anopheli continue to be the premier proponents of cello in punk. They also continue to insist on describing themselves as emo crust. But the label fits; the music on The Ache of Want is hard edged and gritty, but is born of an overwhelming sadness. The ineffable grief that permeates every note bleeds over into barely controlled anger. It’s a softer album than A Hunger Rarely Sated, but is no worse for it.
Try before you buy: Squanderer (Bandcamp)

Barghest – Into Weeping Firmament
(Black metal – United States of America)
Self-released – 2015/07/03

image

Barghest continue to make furious, hateful music for furious, hateful people. The three tracks are involved meditations on the bestial nature of man. Intensely violent and yet surprisingly contemplative, it’s insightful in a way that truly highlights the often dualistic nature of black metal. If you want some food for thought, this will sate your hunger; if you want to feed your beast, it will throw gamey carcasses.
Try before you buy: Neo-Promethean (Bandcamp)

Battle Hag – Battle Hag
(Doom metal – United States of America)
Self-released – 2015/03/05

image

This is a public service announcement, brought to you by Metalshopped. Tired drivers die. Thank you. I’m doing my civic duty because Battle Hag could have killed me, as it is some of the most soporific doom I have heard in a while. Doom requires more than just down-tuning, reverb, and low growls to be worthwhile. It’s lazy doom that only aims to check boxes. Bass lines can only carry a band so far.
Try before you buy: Never Turn Your Back on the Sea (Bandcamp)

Choking – Choking
(Blackened sludge metal – United States of America)
Self-released – 2015/05/15

image

True misanthropy takes total dedication. Any idiot can hate, but to take that primal, animalistic emotion and extend it to the entirety of humanity and the self requires a level of commitment few can sustain. Choking sustain it though. Seething contempt suffuses every note, every growl, every sustain. Choking is an apt name for the band, as every stanza tries to crush the life out of you.
Try before you buy: Labyrinthine (Bandcamp)

Epäihminen – Epäihminen IV
(Ambient black metal – Finland)
Self-released – 2015/07/17

image

I almost dismissed this; the flat production values and the borderline stereotypical introduction lowered my expectations. But I’m glad I pushed through, as there is a depth to this release that left me aching. It’s like standing on a sunlit fen on a winter day, feeling almost uncomfortably cold, and contemplating mortality and the futility of existence. It serene in the bleakest way possible.
Try before you buy: Op. 24 (Bandcamp)

Haldol – Haldol
(Post-punk – United States of America)
Self-released – 2015/05/22

image

An interesting take on post-punk. It’s not without its faults, but overall it’s definitely worth your time. The vocalist doesn’t have the strongest of deliveries, but that doesn’t detract heavily from the experience. The release saves itself with its guitar work. There is an unsettling disorientation to the music that turns familiar gothic riffs into distorted refrains of discomfort. There’s a lot to like.
Try before you buy: Law of Indifference (Bandcamp)

Indesinence – III
(Doom metal – United Kingdom)
Profound Lore Records – 2015/07/21

image

It’s an odd thing to say given that the majority of tracks come in around the ten minute mark, but this album doesn’t truly shine until it hits the even lengthier tracks near the end of the album. Indesinence’s take on doom, while undeniably oppressive, allows flickers of lights through. It’s like moonlight filtered through broken glass in a bombed out hellhole. This panorama is in sharpest relief in III’s longest form.
Try before you buy: Mountains Of Mind / Five Years Ahead (Of My Time) (Bandcamp)

Jesus Wept – Pit of Blasphemy
(Blackened Brutal Death – United States of America)
Self-released – 2015/07/09

image

Dr Jekyll and Mr Hyde all over this release. At it’s best, it cherry-picked appropriate elements of black metal and used them to invigorate slamming brutality. At it’s worst it’s like the thing was recorded with djent sticks and clockwork toy drums. Even the vocals are on an extreme spectrum. Annunciation is key. Done properly, they’re articulate and sinister. Done badly, it’s a guttural recitation of vowels.
Try before you buy: A Pit of Blasphemy (Bandcamp)

Krvshr – Church Burner
(Sludge metal – United States of America)
Self-released – 2015/05/25

image

There must be something wrong with me. Hateful noise shouldn’t make me smile so much. It helps that it lands squarely between the good drugs for hard times vibe of High on Fire and the darkness of deep space blackness of Lord Mantis. It opens slow as pitch, but builds steadily to a mid-paced riff-fest and not in the stodgy, bland way. Each riff has the space to ooze. Nasty in a really satisfying way.
Try before you buy: Highlander (Bandcamp)

Kult of the Wizard – The White Wizard
(Doom metal – United States of America)
Reflections Records – 2015/03/13

image

Bonged out doom firmly in the mould of Blood Ceremony. According to the band themselves, this is their first release with vocals. I’m glad they took their time, because she’s amazing. She has that sultry white soul quality; it makes you wonder why she isn’t singing about not going to rehab because of the son of a preacher man. She gives the otherwise standard doom the necessary lift to separate it from the masses.
Try before you buy: Black Moon (Bandcamp)

Lamb of God – VII: Sturm und Drang
(Groove metal – United States of America)
Nuclear Blast – 2015/07/24

image

Lamb of God: the Garth Brooks of metal. Sure, they’re popular, but why? Didn’t understand the appeal for years. But their seventh album¹ makes me eat my words and my doubts. There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage that has made them Pantera’s spiritual successors.
Try before you buy: Overlord (YouTube)

Melechesh – Enki
(Blackened death metal – Israel)
Nuclear Blast – 2015/02/27

image

How have I not listened to Melechesh before? It should have been a no-brainer given that to my ear they sound like an amalgamation of Absu and Rotting Christ. I love Enki. It wields fury and malice like a fanatic wielding a censer brimming with balefire. But it’s done with a level of nuance that turns a relentless assault into a cinematic portrayal of devotional violence. I can listen to it over and over.
Try before you buy: Multiple Truths (YouTube)

Padre Lobo – Padre Lobo
(Stoner sludge metal – Spain)
Self-released – 2015/07/17

image

The first thing that stood out to me was just how much the vocalist, Lore, sounds like Jessicka from Jack Off Jill. I actually double checked to be completely sure she wasn’t. It’s uncanny and, more importantly, very appropriate. The riot grrrl by way of goth vocals belted out over the top of Orange Goblin proximate stoner jams works in a satisfying way. They could probably benefit from a whisper more variety, but damn this is fun.
Try before you buy: Lilith (Bandcamp)

Rebel Wizard – Negative Wizard Metal
(Blackened heavy metal – Australia)
Self-released – 2015/07/17

image

First Peasant, and now Rebel Wizard. I’m coming across a few blackened heavy types at the moment. Rebel Wizard are pretty good too. They do lack the knock out punch that Peasant has, but that’s a slightly unfair criticism. The important thing is the riffs the rock are high energy and on the thrashy end of NWOBHM worship. They still retain the sinisterness that black metal requires. Blast it a kvlt gatherings.
Try before you buy: Heavy Negative Wizard Metal (Bandcamp)

A Secret Death – Epilogue
(Hardcore – Australia)
Monolith – 2015/06/25

image

Good hardcore is a bit like religion; you hope and you pray for it, but a lot of the time it feels like nothing’s there. But then an album like Epilogue descends like an ecstatic vision. Nuanced aggression is interwoven with deft touches of gentle melody and passages of Dillinger-esque intensity. There is a level of sophistication here that is so very rare in the broader genre. It’s a bright light in an often dark place.
Try before you buy: Strong, Silent Type (Bandcamp)

Sigh – Graveward
(A little bit of everything – Japan)
Candlelight Records – 2015/05/04

image

This may seem like a strange thing to say in a metal review, but this is a noisy album. Obviously it’s loud. I mean noisy in the sense that there is a lot going on. It’s confrontational in its creative scope. I still have a fondness for the album, but there’s no doubt I had to open myself up to it. Mirai is one of metal’s great composers; I don’t think anyone else could get this to work. Chaos is a tough thing to reign in.
Try before you buy: Out of the Grave (Bandcamp)

Symphony X – Underworld
(Progressive neoclassical metal – United States of America)
Nuclear Blast – 2015/07/24

image

I get the feeling their time on Nuclear Blast hasn’t been the happiest, but Underworld gets it right. It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good. It’s lyrically sophisticated too; successfully synthesising classical mythology and mediaeval poetry into a cohesive whole. A long awaited and much appreciated return to form.
Try before you buy: Nevermore (YouTube)

Vanum – Realm of Sacrifice
(Black metal – United States of America)
Profound Lore Records – 2015/06/23

image

Vanum have a real sense of organic flow on display with Realm of Sacrifice. And by organic flow, I mean every note is driven by what comes before and in turn pushes the rest of the album forward. It’s like blood coursing through your veins or synapses firing across the cerebellum. Experiencing an album like this is like having another key system in your body. It becomes a part of you and you need to let it do its thing.
Try before you buy: Convergence (Bandcamp)

Vishwanath – Portals to the Inanimate
(Progressive metal – India)
Self-released – 2015/02/18

image

I really like this. So much could have gone wrong with a one man, self-released, progressive title. Especially since he openly discussed production problems on his Bandcamp page. But any negatives are quickly brushed aside by his excellent sense of melody. Effortlessly transitioning between heavy grooves and delicate movements is not a skill usually seen in prog part-timers. Thoroughly enjoyable.
Try before you buy: Perception (Bandcamp)

¹Burn the Priest never counts.