March 2019 Review Round Up

It been demo month here at Metalshopped. With the exception of Overkill’s latest, which was a gift from Mrs Metalshopped, everything up for review is a demo. And I loved it. It’s a little bit more hit and miss, but I was got into some great bands right on the ground floor of what I hope are fruitful careers. I will most likely do another demo month later in the year too.

The band I was most into this month and, therefore, the album of the month is Suffering. I haven’t enjoyed an instrumental release this much in ages. It does have some vocals, to be honest, but they’re so few and far between that what you are really experiencing is band relying on their ability to play. And those Russians can play.

In live music news, I’m pumped up for April. I get to see Emperor and At the Gates. Good times ahead.

As always, you can reach me for critique and commentary at Facebook. You can also hit me up if you have a demo you want reviewed.

See everyone in May. Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Suffering – Devouring Hatred
(Death Metal – Russia)
Self-Released – 2019/01/03

This demo is all about demonstrating how good this band could be with a bit of production support. They aim to be blackened, technical, and progressive; and they swing for the fences to achieve it. Largely eschewing vocals was a sensible idea, because it’s obvious their great strength lies in their score. Super talented stuff.

The Rest in Alphabetical Order
Amdusias – Nocturnal Isolation
(Black Metal – France)
Corpse Torture Records – 2019/03/08

Do me two favours and I will love you forever. The first, ditch the abrupt song endings. The second, never release an album with such a shitty intro again. Once it gets going, this has a malevolently sensual feel to it. Reminds me of Satyricon in a positive way. The flaws are jarring, but they can do this black metal business really well.

Ås – Fortgestank
(Black Metal – Germany)
Self-Released – 2019/02/22

The intensity they manage to introduce into these three songs is seriously impressive. The industrial guitar tone sounds like your brain is full of iron filings and is having electricity blasted through it. And the shrieking vocals are abrasive in a headache inducing way. It approaches black metal in a way that wants to push boundaries.

Deathgod – Demo 2019
(Death Metal – Mexico)
Self-Released – 2019/01/03

I love the “We don’t give a fuck” attitude that permeates through this. It doesn’t wait and leaves nothing behind. Three tracks of pulverising death metal that hits all the high notes while not taking any time out to pad. It’s so taut, you’d think it would snap like an elastic band, but it doesn’t. I have trouble believing this is just a demo.

Internal Purgatory – Demonstration of Apathetic Dissociation
(Atmospheric Black Metal – Australia)
Self-Released – 2019/01/10

Moody intro; a track of fuzzy, dissonant lo-fi; another, longer, track of fuzzy, dissonant lo-fi; a cover track that also leans heavily into fuzzy dissonance; and a moody outro. I enjoyed the experience, but there’s no doubt it’s a one-trick pony. It helps that the one trick is more of a sick kickflip than a worn out ollie.

Orbis Daemonium – Opus Contra Naturam
(Doom Metal – Brazil)
OEO – 2019/03/03

I know the band say they’re black metal, but this demo seemingly dives seamlessly into traditional doom with properly growled vocals. It might be on the heavy end of trad, but it’s performed in a clean, precise way. This is the key to Orbis’ success; this may be a demo, but they’ve made every effort to keep the production as crisp as possible.

Overkill – The Wings of War
(Thrash – United States of America)
Nuclear Blast – 2019/02/22

Old school, good times thrash. Not going to lie, I’ve always found Blitz’s vocals a little tough, but they clicked for me on Wings of War. Good and harsh, they compliment the punkish, bratty thrash perfectly. The whole album rattles with serious groove, but isn’t groove metal. It goes to show that melody done right will always be king.

Scourge Lair – One Hundred Eyes One Hundred Hands
(Blackened Death Metal – Finland)
Self-Released – 2019/03/08

I will always enjoy a band that sound like good Marduk and I’ll sing their praises even louder if they put in the effort to be more than a tired knock off. Congratulations, Scourge Lair, you impressed me. It’s a bit of a slow starter, but you really nailed that clandestine murk meets blitzkrieg dichotomy. I love the sinister fury.

Skullord – In Death
(Doom Metal – Brazil)
Self-Released – 2019/01/01

Come on guys. You play traditional doom. True doom. Not drone. Monotony is not your friend. You live in a realm where the riff should be king, but here the riff is a viscount. It’s power here is far from absolute. That’s a big problem, as there are some good moments on display, but the overall tone is perfunctory at best.

Vomit Spell – Demo 2019
(Deathgrind – Germany)
Lower Class Kids Records – 2019/01/02

Deathgrind loses nothing when performed as raw as this. It takes all the immediacy of grind and marries it to the visceral nature of death metal, while the rough and ready nature of the demo keeps it feral. You might say dangerous. It ensures that the tornado of violence touches ground and tears shit up.

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Albums of the Year 2018

And so we come to the end of another year. Lots of talent on display. More than a few surprises along the way too. By and large, I’ve had a cracking year listening to metal.

Last year, I had a laundry list of albums I missed that I wish I hadn’t. This year, I managed to get most of my targets reviewed. That being said, here’s my list of missed opportunities:

Accu§er – The Mastery
Eagle Twin – The Thundering Heard
Tomb Mold – Manor of Infinite Forms
Winterfylleth – The Hallowing of Heirdom
Zeal & Ardor – Stranger Fruit

I’ve kept my promise to myself and kept my named awards for Best Complicated Release, Best Art, and Best Live Act.

Idle chit-chat aside, here’s the best damn eleven albums 2018 sent my way.

11) Mantar – The Modern Art of Setting Ablaze

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Nuclear Blast – 2018/08/24

What I Said Then: Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated.
What I Say Now: I just love how effortlessly catchy these songs are. For something as straight up mean as this, the fact that you can sing (yell) along with it pretty well immediately is a hell of an achievement.

10) Corpsessed – Impetus of Death

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Dark Descent – 2018/11/23

What I Said Then: It’s like the coroner performing an autopsy, but in your back shed with garden tools.
What I Say Now: Corpsessed understand the compelling perversion of horror. That, once the monster is loose, it is impossible to look away from the bloodshed. Behold the captivation of the train wreck.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

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Kurushimi goes everywhere at once, but then the track changes and it finds a whole new set of directions to go all at once. It’s overwhelming, but a great album is contained in the cognitive ultramarathon.

9) Barren Altar – Entrenched in the Faults of the Earth

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Self-Released – 2018/06/12

What I Said Then: This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.
What I Say Now: This album has some incredibly deft touches. Doom, especially of the funereal type, doesn’t typically lend itself to musical agility. But Barren Altar nail some pretty spectacular audio gymnastics.

8) Michael Romeo – War of the Worlds / Pt. 1

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Music Theories Recordings – 2018/07/27

What I Said Then: It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.
What I Say Now: I am going to say this is the most straight up fun album on this list. The lyrics, the solos, the weird directions it goes; all of it is done for maximum enjoyment. Entertainment turned up to eleven.

7) Deicide – Overtures of Blasphemy

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Century Media – 2018/09/14

What I Said Then: This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.
What I Say Now: I’ve gone back and listened to the best of back catalogue. I stand by the above claim. It is heavy, malevolent, blasphemous Deicide at their absolute best. Thoroughly demonic.

Mariusz Lewandowski Award for Best Art
Zbigniew M. Bielak for Overtures of Blasphemy by Deicide

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I keep coming back to this. There’s something both evocative and visceral about this piece. It has a sinister, almost blood-soaked violence to it, which is impressive since it’s a drawing of a scribe.

6) Moss Upon the Skull – In Vengeful Reverence

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I, Voidhanger – 2018/10/19

What I Said Then: Taking Orchid-era Opeth’s proto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious.
What I Say Now: This is a very different beast to your standard prog death. It breathes, it grows, it sounds like a living organism made of rage. I love this organic approach to music making.

5) Nadja – Sonnborner

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Broken Spine Productions – 2018/09/14

What I Said Then: Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom.
What I Say Now: It’s like an anxiety attack slowed down. I can’t think of any other album I’ve listened to that takes something so relaxing and made it seem so tense. Soothing like a persistent catatonic state.

4) Skeletal Remains – Devouring Mortality

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Dark Descent – 2018/04/13

What I Said Then: It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.
What I Say Now: Nothing is quite as invigorating as Being hit by tropical cyclone Devouring Mortality. It’s a maelstrom of chaotic riffs and pounding drums. It smashes like a storm that doesn’t stop.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Sólstafir

I wish I had some pics or a video like I did last year, but Sólstafir were just so hypnotic, intense, and awe-inspiring that the thought of whipping out my phone never occured to me. I could have cried.

3) Bliss Signal – Bliss Signal

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Profound Lore – 2018/09/28

What I Said Then: It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.
What I Say Now: Bliss Signal upends the black metal status quo. This is functionally a techno album, but lives and breathes the left hand path. Trailblazing, unique and utterly compelling.

2) Daughters – You Won’t Get What You Want


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Ipecac – 2018/10/26

What I Said Then: With guitars that sound like a musical air raid siren, drumming that consistently surprises in the best way, and one of the most evocative vocal deliveries I’ve heard they have delivered one of the most welcoming forays into discomfort ever.
What I Say Now: By moving noise rock closer to noise than is typical for the genre, Daughters have tapped into a mighty wellspring of disquiet. It still rocks, but in a tremendously unsettling way.

1) Ihsahn – Àmr

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Candlelight – 2018/05/04

What I Said Then: It’s technically superb, emotionally vivid, and memorable in a way that defies expectation
What I Say Now: It’s about as close to a perfect album as possible from Ihsahn. At its core is a marvellously complicated heart. Hearth warm and deathly cold, locked in precarious balance.

So there we are. That’s as firm a one, two, and three as you can get. I’m still pretty blown away by Ámr to be honest.

And forward to 2019 and the end of an amazing decade in heaviness.

December 2018 Review Round Up

Welcome, oh loyal reader, to the final Metalshopped of 2018. It’s been a pretty impressive year and it’s not quite done. The calendar year may be done, but there are still a few things in the post. That’s why the Best Of for 2018 is coming in February. Got to give every album their due after all.

Speaking of giving due, the album of the month is Corpsessed’s latest, Impetus of Death. I had been keeping an eye out since their surprisingly memorable Abysmal Thresholds, so I was pretty happy to see it pop up. I was ecstatic after hearing it. It’s the realisation of potential.

As always you can contact me via Facebook.

See you next month with both a fresh crop of reviews and the best albums 2018 had to offer.

Buy Me a Coffee at ko-fi.com

Album of the Month
Corpsessed – Impetus of Death
(Death Metal – Finland)
Dark Descent – 2018/11/23

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Corpsessed have delivered the goods late in the year. Impetus of Death is grisly and putrid, yet satisfyingly precise. It’s like the coroner performing an autopsy, but in your back shed with garden tools. Every part has its place, but it sheds blood and guts. Copiously and violently. It’s a glorious bloodbath, but all the organs end up in the tray as planned.

The Rest in Alphabetical Order
Ails – The Unraveling
(Black Metal – United States of America)
The Flenser – 2018/04/20

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Having desperately felt the void left behind by Ludicra’s split up, hearing that Laurie Shanaman and Christy Cather had reunited for a new project filled me with joy. It’s a hell of an album too. Far more relentless than I expected, it leaves you breathless with its surprisingly punk approach to cryptic black metal. Pushes the limits without being inaccessible.

Corrosion of Conformity – No Cross No Crown
(Sludge Metal – United States of America)
Nuclear Blast – 2018/01/12

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It’s been about twenty years since I first encountered CoC (Born Again for the Last Time) and they still sound like a cone of rich Sabbath spun lightly with core being pulled through a bong watered with dank NOLA swamp. But it’s also apparent that they clean their pipes, so to speak, because this is a crisp, clean smoke. No nasty resin, just a pure high.

Death Fortress – Reign of the Unending
(Black Metal – United States of America)
Fallen Empire – 2018/12/26

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Death Fortress continue to demonstrate why they are an unmissable force in black metal. For sheer relentless aggression, few other bands can compete with them. Reign of the Unending doesn’t just go for the jugular; it goes for the femoral, the radial, the aorta. It goes for blood and it doesn’t stop. This is black metal as a tool for exsanguination.

Devouring Star – The Arteries of Heresy
(Death Metal – Finland)
Dark Descent – 2018/10/26

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With black metal, you typically have a whole array of modifiers you can apply to the genre. Progressive, symphonic, raw, et cetera. What I choose to use for The Arteries is catastrophic hell noise. It builds a cataclysmic wall of noise and brings as much sonic destruction as possible. It’s overwhelming in places, but I guess that’s the point.

Nachtmystium – Resilient
(Black Metal – United States of America)
Lupus Lounge – 2018/11/30

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Hard to judge Judd’s attempts and sincerity at reform, but at least we’ve got a pretty fucking awesome e.p. out of the situation. It’s a return to the psychedelic approach he used for the Black Meddle albums, but it’s all intertwined with the utter bleakness of the lessons he (hopefully) has learned. It’s miserable yet forward looking. Hopefully the course correct stays.

Tribulation – Down Below
(Singed Gothic Metal – Sweden)
Century Media – 2818/01/26

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Singed because it blackens it up a bit. Gothic because it’s a bit moodier than your standard heavy metal. Metal because it makes you want to bang your head. Tribulation have put out an album of dark intensity. It’s the sort of album that speaks to the dark side of humanity and the darker voices that whisper from below. Let its fire beguile.

Varathron – Patriarchs of Evil
(Black Metal – Greece)
Agonia – 2018/04/27

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This is top shelf black metal, but it’s cut from a different cloth than the stereotypical grim and frostbitten. There’s a swirling maelstrom of blackened fire, thrashy spit, and mournful folk that descends on the listener like a storm. It has its quieter, more ritualised moments, but for the most part it’s a full-throttled ride down the rivers of damnation.

November 2018 Review Round Up

Welcome to a slightly abridged version of Metalshopped. Given the employment circumstances, I’m actually pretty happy with how much got done. There was a period during the month when I worried there would only be two reviews.

One of those reviews was always going to be the Album of the Month, You Won’t Get What You Want. Daughters nailed their comeback album. Nailed it right to the wall. I loved what they had done before, but this is an altogether different beast.

Preparations for the best of 2018 list will begin in earnest in December. It still won’t actually get published until February. Always like to give the postie a reasonable timeframe for delivering December purchases.

As always, if you have critique or commentary, you can reach me at Facebook.

Buy Me a Coffee at ko-fi.com

Album of the Month
Daughters – You Won’t Get What You Want
(Noise Rock – United States of America)
Ipecac – 2018/10/26

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I would have sworn blind that Daughters had broken up, but here we are; they’re back and they’re brilliant. With guitars that sound like a musical air raid siren, drumming that consistently surprises in the best way, and one of the most evocative vocal deliveries I’ve heard they have delivered one of the most welcoming forays into discomfort ever.

The Rest in Alphabetical Order
Fucked Up – Dose Your Dreams
(Hardcore. Mostly… – Canada)
Merge Records – 2018/10/05

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Fucked Up have returned with their second turn at scoring a hardcore opera. And in using music to tell a story, it has allowed them to delve into sounds far removed from their core origins. Dandy Warhols-esque alternative, saxophone driven jazz, and thumping electronica all add a very distinct, truly unique sound. Its sophistication transcends punk.

Gaerea – Unsettling Whispers
(Black Metal – Portugal)
Transcending Obscurity – 2018/06/22

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It’s uncommon to find black metal that operates at this level of sophistication. Unsettling Whispers achieves a level of emotional depth that most of their genre mates can only dream of. Not just from song to song, but within songs there is range of dark feeling. They grieve and rage and hate and explore all the dark recesses of humanity.

Hank Von Hell – Egomania
(Glam Punk – Norway)
Headbanger – 2018/11/02

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Welcome back, Hank. Egomania is great example of what happens when someone takes their negative life experiences and turns it into creative gold. It’s got the riffs and the rock that you would expect, but what really impresses is the pathos. Hank clearly understands where he’s been and where he is now, and he uses it to sell deathpunk that touches you.

Hate Eternal – Upon Desolate Sands
(Death Metal – United States of America)
Season of Mist – 2018/10/26

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Hate Eternal come out swinging on this one. And in a death metal environment where every band seems to bring the fight like an MMA ground and pounder, it’s nice to see an approach more like Wladimir Klitschko: landing super-heavy blows with punishing cleanliness and devastating precision. They’re not here to fight; they’re here to win.

Outer Heaven – Realms of Eternal Decay
(Death Metal – United States of America)
Relapse – 2018/10/12

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Gristly and fetid death metal is what’s on display here, but in this year’s spirit of keeping the old school flame alive, Outer Heaven have produced an album more nuanced than your average gore-fed zombie blaster. Flourishes of technicality rub up against doomy chug in ways that allow distortion of the true death sound without diminishing it.

Psycroptic – As the Kingdom Drowns
(Technical Death Metal – Australia)
EVP Recordings – 2018/11/09

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More technical than their self-titled album, less technical than Sceptre of the Ancients, Psycroptic are trying to balance the old and the new on this album. It mostly works too. It’s definitely nice to hear an album that sets out to challenge from them, especially since it doesn’t try to alienate either. Not flawless, but it will certainly entertain.

Shining – Animal
(Hard Rock – Norway)
Spinefarm – 2018/10/19

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The blackjazz merchants are back with something definitely not blackened, nor jazzy. This is straight up “we owe royalties to Bon Jovi and Adrenaline Mob” hard rock. Nary a saxophone in sight. Not what anyone should expect, but it’s damn entertaining nonetheless. It’s delightfully boisterous, doubly so given how unexpected it was.

October 2018 Review Round Up

The year might be getting close to wind up, but October served up some mighty releases. Hopefully November and December will keep on delivering even though the release rate slows.

Bliss Signal justifiably took home the Album of the Month. The melding of Altar of Plagues grimness with club scene electronica works in all sorts of ways it shouldn’t.

I have a temporary employment deficit issue going on at the moment, so November and possibly December might be a whisper slower, but I’ll keep going because I love it.

As usual, if anyone wants to contribute to my Red Bull fund, I still have my ko-fi up and running.

And, as usual, if you have critique or commentary, you can reach me at Facebook.

See you next month.

Album of the Month
Bliss Signal – Bliss Signal
(Blacktronica – Ireland/United Kingdom)
Profound Lore – 2018/09/28

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Bliss Signal is possessed of that beautiful, casual genius that you know will never lose its tarnish no matter how many times you listen to it or how long it has been between spins. It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.

The Rest in Alphabetical Order
Anaal Nathrakh – A New Kind of Horror
(Blackened Industrial Grind – United Kingdom)
Metal Blade – 2018/09/28

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Good to see that a band as committed to unapproachable blackened noise as Anaal Nathrakh can still endeavour to mix things up. With vocals approaching comprehensible and a satisfyingly King Diamond-esque approach to delivery, this may be the closest we get to an accessible album from them. It’s still horrific hell noise though.

Behemoth – I Loved You At Your Darkest
(Black Metal – Poland)
EVP Recordings – 2018/10/05

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Despite being no strangers to blasphemy, this sounds like Behemoth’s Martin Luther moment. Of course, they’re not nailing their list of grievances to the church door; they’re shoving it right down the throat of the church. They understand and articulate their theological underpinnings while making their declaration of eternal war sound so seductive.

Boar Worship – Balance of Terror
(Deathly Sludge Metal – United States of America)
Self-Released – 2018/09/23

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Balance of Terror takes sludge and breaks it down to its barest elements. Guitar, drums, vocals, no messing about. It’s a risky strategy to strip things back this much, but Boar Worship have truly embraced this stylistic primitivism. It raises the riff to a totemic ideal: a spiritual force comprised entirely of rancor. Boar worship? No. Hate worship.

A Forest of Stars – Grave Mounds and Grave Mistakes
(Psychedelic Black Metal – United Kingdom)
Prophecy Productions – 2018/09/28

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This came awfully close to a bad review. It took so many begrudging listens to get to a point where I could review it. But during that last spin, something clicked. Suddenly what was plodding became deliberate, what was melodramatic became operatic. The trick was I had to be alert. This is way too smart an album to be half-arsed.

Gevurah – Sulphur Soul
(Black Metal – Canada)
Profound Lore – 2018/09/28

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Gevurah are where I put my money when asked who I think the most dangerous sounding black metal act is. There’s no lecturing. There’s no preaching. There’s no posturing. There is only black metal at its most fundamentally visceral. Sulphur Soul doesn’t need to deviate from this; something so unhallowed in its simplicity yields its own dark rewards.

High on Fire – Electric Messiah
(Sludge Metal – United States of America)
eOne – 2018/10/05

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High on Fire don’t do bad albums. I’ll just put that out there first. That being said, not all their albums live up to their high standards. Electric Messiah is one of those. It wants for that special combination of resinous sludge and bombastic riffage that make the great albums so memorable. It’s still a good album, but I won’t have any reason to revisit it.

Horrendous – Idol
(Death Metal – United States of America)
Season of Mist – 2018/09/28

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Horrendous faced that nightmare of how to follow up a brilliant album with quiet aplomb. Idol follows Anareta but subtly tweaking the things that made their previous release so good. They haven’t radically changed things; rather, their sound has taken on more progressive elements. It a more complicated experience, but in a good way.

Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

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No matter how weird/inaccessible you may find [insert metal subgenre here], jazz at its weirdest will always make everything else seem normal in comparison to its batshitness. What is Chaos? is hallucinogenic in delivery, veering wildly between spaced out headfucks and aggressive, grind-esque pummellings. It is absolute madness.

Moss Upon the Skull – In Vengeful Reverence
(Progressive Death Metal – Belgium)
I, Voidhanger – 2018/10/19

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Taking Orchid-era Opeth’s proto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious. Extremely ambitious. But fortune favours the brave because I can’t get enough of this. It manages to strike the perfect balance between sophisticated insight and naked hostility.

Pig Destroyer – Head Cage
(Grindcore – United States of America)
Relapse – 2018/09/07

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I love a bit of grindcore that’s not afraid to add a bit of swagger to their blasts. Head Cage has swagger in spades, but there’s no tongue in cheek, no knowing wink. It’s bravado being delivered with maximum aggression. The great thing about this is the combination of white hot anger and rhodomontade is it super catchy.

Revocation – The Outer Ones
(Technical Death Metal – United States of America)
Metal Blade – 2018/09/28

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You’ve got to admire Revocation; they are the hallmark of consistency and innovation. They’re on to their fifth album this decade and again they’ve delivered a corker that sounds substantially different to what has come before, but is still distinctly them. The Outer Ones is sinister, almost blackened in tone and gives their aggressive style an icy precision.

Sumac – Love in Shadow
(Post Metal – United States of America)
Thrill Jockey – 2018/09/21

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Aaron Turner really knows how to score a headfuck of an album. Pounding sludge deconstructs into spirals of noise and free jazz only to resolve itself almost imperceptibly back into form. And then it splinters off in another direction. Then another. But all of this happens so organically, that it’s the only logical way these tracks can play out.

Voivod – The Wake
(Progressive Thrash – Canada)
Century Media – 2018/09/21

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This is a great Voivod ep wrapped up in a mediocre album. The last half is top notch, weird as a Bosch painting Voivod. But those first few tracks are just such an exhausting slog to get through. The problem is they are lifeless. Barren as the lunar surface with about as much atmosphere. Suffer through the insufferable prog-lite, reap the rewards of later.

Windhand – Eternal Return
(Stoner Doom Metal – United States of America)
Relapse – 2018/10/05

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Of all the stoner doom bands you should know, Windhand are probably the most grounded in reality. There’s no hammer horror, no over the top misanthropy, and no transcendental musings. What there is though is a haunting, sad insight into life. Eternal Return is bleak, but is fuelled by a fire of determination that gives it a curious optimism.

March 2018 Review Round Up

2018 is shaping up to be a great year. I haven’t heard a genuinely bad album yet. Pickyness has helpes, but even when I have bought an album on a whim, I’ve got lucky and landed something entertaining each time.

All that aside, Noose Rot’s EP The Creeping Unknown firmly deserves its place as Album of the Month. Its intro toys with your expectations and then builds into a monstrous, heaving beast of old school death metal.

An awful lot of black metal related stupidity happened this month. I’m not going to editorislise extensively, but I will say if people want to act provocatively, they can’t really complain when they provoke people.

As always, I can be contacted on Facebook.

See you next month.

Album of the Month
Noose Rot – The Creeping Unknown
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/02/16

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If old school death metal is your thing, then Noose Rot have delivered a monster for you. And if old school death metal isn’t really your thing, then you should probably listen to this anyway. Four tracks, all of them gold, all of them landing with such impact it’ll change your perspective on the genre. Or at the very least, they bloody well should. An unstoppable juggernaut.

The Rest in Alphabetical Order
Ataraxy – Where All Hope Fades
(Death Metal – Spain)
Dark Descent Records – 2018/02/16

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While it lacks that special something that makes a great album, this is still a perfectly enjoyable slab of death metal. Ataraxy have written an album that is about as slow and malevolent as a death metal album can be without being death doom. The aggression needed to keep the music engaging shines through in deft tempo changes. Nasty fun.

Esoctrilihum -Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness)
(Black Metal – France)
I, Voidhanger – 2018/02/23

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I love this album. It absolutely has its flaws, but I love this album. The big flaw is it’s self-indulgent as hell; every track noticeably runs longer than necessary. But you can get past it. Especially since it rocks so hard. It pushes black metal as far as it can into death metal without being blackened death metal. You will absolutely enjoy the knives out approach to the esoteric.

Feral Chaos – Mankind in Ruin
(Grindcore – Finland)
Kuolema Records – 2018/02/03

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Feral Chaos get that Finnish grind sound spot on perfect. Easily passes the loud test; turn it up and feel the earth-shattering good times. But it also passes the quiet test. The quiet test is what separates great grind from the rest. Play it at a sensible volume and levels of sophistication reveal themselves. This is a genuine genre and scene highlight.

Insect Ark – Marrow Hymns
(Instrumental Doom Metal – United States of America)
Profound Lore – 2018/02/23

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Instrumental doom can either be cripplingly dull or crushingly cool. Insect Ark’s combination of true doom, drone, and slide guitar definitely guarantees Marrow Hymns falls in the latter category. The southern twang of the slide guitar lends a curiously satisfying tone of Americana to the throbbing, intense doom. A genuinely unique sound.

Judas Priest – Firepower
(Heavy Metal – United Kingdom)
Epic Records – 2018/03/09

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At this point, Judas Priest can do whatever the hell they want. They’ve earned that right. So it’s lucky for us that they’ve decided to continue putting out rollicking, badass heavy metal. Firepower starts strong with the title track and never eases off for its hour run time. They have the energy of a band thirty years their junior. Metal’s first wave still delivers.

Serpents Lair – Perpetual Hunger
(Black Metal – Denmark)
Amor Fati Productions – 2018/02/15

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Serpents Lair keep on delivering. They keep on improving too. From their demo through their first album to this EP, they have shown a capacity for sonic evil that doesn’t diminish. Indeed, Perpetual Hunger is well-named; the three tracks demonstrate a rapaciousness rarely seen in black metal. No preaching. No lecturing. There is only a horrific, ravenous void.

January Review Round Up

Slim pickings in January, but there are still some gems and curiosities.

Album of the Month
Larvae – Grave Descent
(Blackened doom death – United States of America)
Self-released – 2014/01/14

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An underground Venn metal masterpiece, this album seamlessly melds its three component genres to create toxic aura of black bile and venom. Pitch paced dirges are interspersed with comparatively faster blackened passages, with vocals that land somewhere between a growl and a rasp. Overall, Grave Descent portrays an atmosphere of creeping malevolence that all doom death albums should seek to emulate.
Try before you buy: Fallen, Left to Die

The Rest in Alphabetical Order
AlNamrood – Heen Yadhar Al Ghasq
(Blackened folk metal – Saudi Arabia)
Shaytan Productions – 2014/01/06

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Bonus points for producing black metal in a country that executes blasphemers, but what about the music itself? The distinctly Middle Eastern compositions lend themselves quite well to blackened folk, sounding suitably sinister, and the vocalist sounds like he was trained by Anaal Nathrakh’s V.I.T.R.I.O.L. However, it lacks the level of spite necessary to make it a spectacular blackened nightmare. It’s still a good listen though.
Try before you buy: Bat Al Tha Ar Nar Muheja

Amaranthine Lament – Spirit Geist
(Atmospheric black metal – United Kingdom)
Self-released – 2014/01/06

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A demo that, more than anything, leaves me confused. Sometimes it’s synth heavy like prison Burzum and sometimes it’s blasting icy venom like Mayhem. But then it channels industrial black metal in the vein of Mysticum and follows it up with pop metal a la Ghost. It even manages to throw some folk in too. The songs are interesting and the musicianship is excellent, but does it work? I don’t know honestly. I really don’t.
Try before you buy: Ulalume

巨人大虐殺 [Kyojin Daigyakusatsu] – Muhaka
(Brutal death metal – Japan/United States of America)
Amputated Vein Records – 2014/01/14

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I’ve said before that brutal death metal often leaves me cold, but I keep on trying it because at his best, it’s amazing. Which brings us to Muhaka. Amazing might be a bit of a stretch, but it certainly is entertaining. It left me a smiling, happy mosh monkey, cheerily daydreaming about windmilling. It has its flaws, such as occasionally tinny drums, but its chunky riffs and bullfrog vocals make it worthwhile.
Try before you buy: Preta Lovers

Lascaille’s Shroud – Interval 02: Parallel Infinities – The Abscinded Universe
(Progressive metal – United States of America)
Self-released – 2014/01/28

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Lascaille’s Shroud is a one man, progressive death band and Interval 02 is an almost two hour long, cosmic odyssey based on science fiction novels, Mass Effect, and a sprinkling of BioShock. Sounds like a self-indulgent wankfest, doesn’t it? And yet, somehow, it’s not. The songs wend and weave in an engaging way, with strong guitar leads and spot on drumming. I just wish it was short enough to enjoy in one sitting.
Try before you buy: Obscured: The Great Aphotic Barriers

Waldgeflüster – Meine Fesseln
(Black metal – Germany)
Bindrune Recordings – 2014/01/10

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Waldgeflüster sits alongside Drudkh and Winterfylleth as a proponent of what I like to call ‘heritage metal’. But their take on pagan heritage is absolutely mournful. The pride in Germany’s pagan history is absolutely washed out with loss, regret, and bitterness. The music speaks of a nationalism that is thoroughly jaded. Depressive suicidal acts could take lessons in emotional songwriting from Meine Fesseln.
Try before you buy: Karhunkierros