March 2019 Review Round Up

It been demo month here at Metalshopped. With the exception of Overkill’s latest, which was a gift from Mrs Metalshopped, everything up for review is a demo. And I loved it. It’s a little bit more hit and miss, but I was got into some great bands right on the ground floor of what I hope are fruitful careers. I will most likely do another demo month later in the year too.

The band I was most into this month and, therefore, the album of the month is Suffering. I haven’t enjoyed an instrumental release this much in ages. It does have some vocals, to be honest, but they’re so few and far between that what you are really experiencing is band relying on their ability to play. And those Russians can play.

In live music news, I’m pumped up for April. I get to see Emperor and At the Gates. Good times ahead.

As always, you can reach me for critique and commentary at Facebook. You can also hit me up if you have a demo you want reviewed.

See everyone in May. Enjoy.

Buy Me a Coffee at ko-fi.com

Album of the Month
Suffering – Devouring Hatred
(Death Metal – Russia)
Self-Released – 2019/01/03

This demo is all about demonstrating how good this band could be with a bit of production support. They aim to be blackened, technical, and progressive; and they swing for the fences to achieve it. Largely eschewing vocals was a sensible idea, because it’s obvious their great strength lies in their score. Super talented stuff.

The Rest in Alphabetical Order
Amdusias – Nocturnal Isolation
(Black Metal – France)
Corpse Torture Records – 2019/03/08

Do me two favours and I will love you forever. The first, ditch the abrupt song endings. The second, never release an album with such a shitty intro again. Once it gets going, this has a malevolently sensual feel to it. Reminds me of Satyricon in a positive way. The flaws are jarring, but they can do this black metal business really well.

Ås – Fortgestank
(Black Metal – Germany)
Self-Released – 2019/02/22

The intensity they manage to introduce into these three songs is seriously impressive. The industrial guitar tone sounds like your brain is full of iron filings and is having electricity blasted through it. And the shrieking vocals are abrasive in a headache inducing way. It approaches black metal in a way that wants to push boundaries.

Deathgod – Demo 2019
(Death Metal – Mexico)
Self-Released – 2019/01/03

I love the “We don’t give a fuck” attitude that permeates through this. It doesn’t wait and leaves nothing behind. Three tracks of pulverising death metal that hits all the high notes while not taking any time out to pad. It’s so taut, you’d think it would snap like an elastic band, but it doesn’t. I have trouble believing this is just a demo.

Internal Purgatory – Demonstration of Apathetic Dissociation
(Atmospheric Black Metal – Australia)
Self-Released – 2019/01/10

Moody intro; a track of fuzzy, dissonant lo-fi; another, longer, track of fuzzy, dissonant lo-fi; a cover track that also leans heavily into fuzzy dissonance; and a moody outro. I enjoyed the experience, but there’s no doubt it’s a one-trick pony. It helps that the one trick is more of a sick kickflip than a worn out ollie.

Orbis Daemonium – Opus Contra Naturam
(Doom Metal – Brazil)
OEO – 2019/03/03

I know the band say they’re black metal, but this demo seemingly dives seamlessly into traditional doom with properly growled vocals. It might be on the heavy end of trad, but it’s performed in a clean, precise way. This is the key to Orbis’ success; this may be a demo, but they’ve made every effort to keep the production as crisp as possible.

Overkill – The Wings of War
(Thrash – United States of America)
Nuclear Blast – 2019/02/22

Old school, good times thrash. Not going to lie, I’ve always found Blitz’s vocals a little tough, but they clicked for me on Wings of War. Good and harsh, they compliment the punkish, bratty thrash perfectly. The whole album rattles with serious groove, but isn’t groove metal. It goes to show that melody done right will always be king.

Scourge Lair – One Hundred Eyes One Hundred Hands
(Blackened Death Metal – Finland)
Self-Released – 2019/03/08

I will always enjoy a band that sound like good Marduk and I’ll sing their praises even louder if they put in the effort to be more than a tired knock off. Congratulations, Scourge Lair, you impressed me. It’s a bit of a slow starter, but you really nailed that clandestine murk meets blitzkrieg dichotomy. I love the sinister fury.

Skullord – In Death
(Doom Metal – Brazil)
Self-Released – 2019/01/01

Come on guys. You play traditional doom. True doom. Not drone. Monotony is not your friend. You live in a realm where the riff should be king, but here the riff is a viscount. It’s power here is far from absolute. That’s a big problem, as there are some good moments on display, but the overall tone is perfunctory at best.

Vomit Spell – Demo 2019
(Deathgrind – Germany)
Lower Class Kids Records – 2019/01/02

Deathgrind loses nothing when performed as raw as this. It takes all the immediacy of grind and marries it to the visceral nature of death metal, while the rough and ready nature of the demo keeps it feral. You might say dangerous. It ensures that the tornado of violence touches ground and tears shit up.

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Albums of the Year 2018

And so we come to the end of another year. Lots of talent on display. More than a few surprises along the way too. By and large, I’ve had a cracking year listening to metal.

Last year, I had a laundry list of albums I missed that I wish I hadn’t. This year, I managed to get most of my targets reviewed. That being said, here’s my list of missed opportunities:

Accu§er – The Mastery
Eagle Twin – The Thundering Heard
Tomb Mold – Manor of Infinite Forms
Winterfylleth – The Hallowing of Heirdom
Zeal & Ardor – Stranger Fruit

I’ve kept my promise to myself and kept my named awards for Best Complicated Release, Best Art, and Best Live Act.

Idle chit-chat aside, here’s the best damn eleven albums 2018 sent my way.

11) Mantar – The Modern Art of Setting Ablaze

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Nuclear Blast – 2018/08/24

What I Said Then: Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated.
What I Say Now: I just love how effortlessly catchy these songs are. For something as straight up mean as this, the fact that you can sing (yell) along with it pretty well immediately is a hell of an achievement.

10) Corpsessed – Impetus of Death

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Dark Descent – 2018/11/23

What I Said Then: It’s like the coroner performing an autopsy, but in your back shed with garden tools.
What I Say Now: Corpsessed understand the compelling perversion of horror. That, once the monster is loose, it is impossible to look away from the bloodshed. Behold the captivation of the train wreck.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

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Kurushimi goes everywhere at once, but then the track changes and it finds a whole new set of directions to go all at once. It’s overwhelming, but a great album is contained in the cognitive ultramarathon.

9) Barren Altar – Entrenched in the Faults of the Earth

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Self-Released – 2018/06/12

What I Said Then: This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.
What I Say Now: This album has some incredibly deft touches. Doom, especially of the funereal type, doesn’t typically lend itself to musical agility. But Barren Altar nail some pretty spectacular audio gymnastics.

8) Michael Romeo – War of the Worlds / Pt. 1

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Music Theories Recordings – 2018/07/27

What I Said Then: It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.
What I Say Now: I am going to say this is the most straight up fun album on this list. The lyrics, the solos, the weird directions it goes; all of it is done for maximum enjoyment. Entertainment turned up to eleven.

7) Deicide – Overtures of Blasphemy

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Century Media – 2018/09/14

What I Said Then: This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.
What I Say Now: I’ve gone back and listened to the best of back catalogue. I stand by the above claim. It is heavy, malevolent, blasphemous Deicide at their absolute best. Thoroughly demonic.

Mariusz Lewandowski Award for Best Art
Zbigniew M. Bielak for Overtures of Blasphemy by Deicide

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I keep coming back to this. There’s something both evocative and visceral about this piece. It has a sinister, almost blood-soaked violence to it, which is impressive since it’s a drawing of a scribe.

6) Moss Upon the Skull – In Vengeful Reverence

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I, Voidhanger – 2018/10/19

What I Said Then: Taking Orchid-era Opeth’s proto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious.
What I Say Now: This is a very different beast to your standard prog death. It breathes, it grows, it sounds like a living organism made of rage. I love this organic approach to music making.

5) Nadja – Sonnborner

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Broken Spine Productions – 2018/09/14

What I Said Then: Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom.
What I Say Now: It’s like an anxiety attack slowed down. I can’t think of any other album I’ve listened to that takes something so relaxing and made it seem so tense. Soothing like a persistent catatonic state.

4) Skeletal Remains – Devouring Mortality

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Dark Descent – 2018/04/13

What I Said Then: It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.
What I Say Now: Nothing is quite as invigorating as Being hit by tropical cyclone Devouring Mortality. It’s a maelstrom of chaotic riffs and pounding drums. It smashes like a storm that doesn’t stop.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Sólstafir

I wish I had some pics or a video like I did last year, but Sólstafir were just so hypnotic, intense, and awe-inspiring that the thought of whipping out my phone never occured to me. I could have cried.

3) Bliss Signal – Bliss Signal

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Profound Lore – 2018/09/28

What I Said Then: It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.
What I Say Now: Bliss Signal upends the black metal status quo. This is functionally a techno album, but lives and breathes the left hand path. Trailblazing, unique and utterly compelling.

2) Daughters – You Won’t Get What You Want


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Ipecac – 2018/10/26

What I Said Then: With guitars that sound like a musical air raid siren, drumming that consistently surprises in the best way, and one of the most evocative vocal deliveries I’ve heard they have delivered one of the most welcoming forays into discomfort ever.
What I Say Now: By moving noise rock closer to noise than is typical for the genre, Daughters have tapped into a mighty wellspring of disquiet. It still rocks, but in a tremendously unsettling way.

1) Ihsahn – Àmr

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Candlelight – 2018/05/04

What I Said Then: It’s technically superb, emotionally vivid, and memorable in a way that defies expectation
What I Say Now: It’s about as close to a perfect album as possible from Ihsahn. At its core is a marvellously complicated heart. Hearth warm and deathly cold, locked in precarious balance.

So there we are. That’s as firm a one, two, and three as you can get. I’m still pretty blown away by Ámr to be honest.

And forward to 2019 and the end of an amazing decade in heaviness.

December 2018 Review Round Up

Welcome, oh loyal reader, to the final Metalshopped of 2018. It’s been a pretty impressive year and it’s not quite done. The calendar year may be done, but there are still a few things in the post. That’s why the Best Of for 2018 is coming in February. Got to give every album their due after all.

Speaking of giving due, the album of the month is Corpsessed’s latest, Impetus of Death. I had been keeping an eye out since their surprisingly memorable Abysmal Thresholds, so I was pretty happy to see it pop up. I was ecstatic after hearing it. It’s the realisation of potential.

As always you can contact me via Facebook.

See you next month with both a fresh crop of reviews and the best albums 2018 had to offer.

Buy Me a Coffee at ko-fi.com

Album of the Month
Corpsessed – Impetus of Death
(Death Metal – Finland)
Dark Descent – 2018/11/23

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Corpsessed have delivered the goods late in the year. Impetus of Death is grisly and putrid, yet satisfyingly precise. It’s like the coroner performing an autopsy, but in your back shed with garden tools. Every part has its place, but it sheds blood and guts. Copiously and violently. It’s a glorious bloodbath, but all the organs end up in the tray as planned.

The Rest in Alphabetical Order
Ails – The Unraveling
(Black Metal – United States of America)
The Flenser – 2018/04/20

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Having desperately felt the void left behind by Ludicra’s split up, hearing that Laurie Shanaman and Christy Cather had reunited for a new project filled me with joy. It’s a hell of an album too. Far more relentless than I expected, it leaves you breathless with its surprisingly punk approach to cryptic black metal. Pushes the limits without being inaccessible.

Corrosion of Conformity – No Cross No Crown
(Sludge Metal – United States of America)
Nuclear Blast – 2018/01/12

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It’s been about twenty years since I first encountered CoC (Born Again for the Last Time) and they still sound like a cone of rich Sabbath spun lightly with core being pulled through a bong watered with dank NOLA swamp. But it’s also apparent that they clean their pipes, so to speak, because this is a crisp, clean smoke. No nasty resin, just a pure high.

Death Fortress – Reign of the Unending
(Black Metal – United States of America)
Fallen Empire – 2018/12/26

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Death Fortress continue to demonstrate why they are an unmissable force in black metal. For sheer relentless aggression, few other bands can compete with them. Reign of the Unending doesn’t just go for the jugular; it goes for the femoral, the radial, the aorta. It goes for blood and it doesn’t stop. This is black metal as a tool for exsanguination.

Devouring Star – The Arteries of Heresy
(Death Metal – Finland)
Dark Descent – 2018/10/26

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With black metal, you typically have a whole array of modifiers you can apply to the genre. Progressive, symphonic, raw, et cetera. What I choose to use for The Arteries is catastrophic hell noise. It builds a cataclysmic wall of noise and brings as much sonic destruction as possible. It’s overwhelming in places, but I guess that’s the point.

Nachtmystium – Resilient
(Black Metal – United States of America)
Lupus Lounge – 2018/11/30

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Hard to judge Judd’s attempts and sincerity at reform, but at least we’ve got a pretty fucking awesome e.p. out of the situation. It’s a return to the psychedelic approach he used for the Black Meddle albums, but it’s all intertwined with the utter bleakness of the lessons he (hopefully) has learned. It’s miserable yet forward looking. Hopefully the course correct stays.

Tribulation – Down Below
(Singed Gothic Metal – Sweden)
Century Media – 2818/01/26

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Singed because it blackens it up a bit. Gothic because it’s a bit moodier than your standard heavy metal. Metal because it makes you want to bang your head. Tribulation have put out an album of dark intensity. It’s the sort of album that speaks to the dark side of humanity and the darker voices that whisper from below. Let its fire beguile.

Varathron – Patriarchs of Evil
(Black Metal – Greece)
Agonia – 2018/04/27

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This is top shelf black metal, but it’s cut from a different cloth than the stereotypical grim and frostbitten. There’s a swirling maelstrom of blackened fire, thrashy spit, and mournful folk that descends on the listener like a storm. It has its quieter, more ritualised moments, but for the most part it’s a full-throttled ride down the rivers of damnation.

September 2018 Review Round Up

We’re reaching the crunch point for the critical year. August was impressive, but September really stepped it up as bands and labels try to maximise their visibility. I can’t wait for October.

The album of the month is from Florida death metal veterans, Deicide. You have no idea how surprised I am to have written that. But credit where credit is due, they absolutely nailed that super-hostile sound.

Not too much else to say. Starting to look towards my end of year list, which is always fun. And given that 2019 is just around the corner, I’m starting to look seriously at my best of the decade list too.

As always, for comments and critiquing, you can reach me via Facebook. And I’m still always in need of Red Bull, if you don’t mind the panhandling. I wish I could get the fancy widget to work, but alas, I’m not that competent.

Album of the Month
Deicide – Overtures of Blasphemy
(Death Metal – United States of America)
Century Media – 2018/09/14

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If you thought this was going to be another piece of stodgy filler in Deicide’s extensive catalogue, get to the back of the class! It’s easily their best since Stench of Redemption, and I’m going to have to realisten to that to make sure it’s still their best. I have my doubts to be honest. This is laser beam focussed and whip cord taut. Fuck it; it’s their best album ever.

The Rest in Alphabetical Order
Archgoat – The Luciferian Crown
(Black Metal – Finland)
Debemur Morti – 2018/09/14

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Archgoat’s best album. Just going to put that straight out there. I buy Archgoat for their signature blend of Fimbulwinter cold and sulphurous balefire. This album more than delivers on those fronts, but is also unexpectedly loaded with sinister groove and infernal sexuality. It’s rare to find a black metal album that so ably encapsulates damnation.

Aura Noir – Aura Noire
(Blackened Thrash – Norway)
Indie Recordings – 2018/04/27

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Aura Noir’s intertwining of thrash and first wave black metal has always yielded razor sharp riffs. Aura Noire continues this trend. They haven’t exactly built extensively on what they’ve done before, but that’s not what this is about. This is, as it always has been, about cramming venomous thrash all the way down your throat.

Black Matter Device – Modern Frenetics
(Mathcore – United States of America)
Self-Released – 2018/04/06

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Fast music for the short tempered. Modern Frenetics is an album for people who don’t have the patience for soft things. It helps that Black Matter Device are (appropriately) mathematically precise. The relentless pummelling that ensues is one of the smartest arse-kickings you will experience. It’s like getting mugged by a mortarboard.

Clutch – Book of Bad Decisions
(Rock – United States of America)
Weathermaker – 2018/09/07

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It’s funny how after all these years Clutch still find a way to deliver just what you want while still surprising you. Book of Bad Decisions comes across as rawer and dirtier than the high octane output of their previous few albums. Real music for smokey dive bars and, by God, it’s beautiful. It gets you right in that part that knows a bit of grime is good for the soul.

Common Eider, King Eider – A Wound of Body
(Black Ambient – United States of America)
Sentient Ruin Laboratories – 2018/09/21

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Dealing only in the bleakest of black ambient, Common Eider, King Eider have turned loose an audio horror upon this world. It creeps and slithers and contorts its way around your psyche; never pushing all the way through, but never letting you get comfortable. Albums that do their work quietly are a challenge, but I recognise darkness when I hear it.

Drawn and Quartered – The One Who Lurks
(Death Metal – United States of America)
Krucyator Productions – 2018/07/27

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How on earth have I managed to get to 2018 without hearing about Drawn and Quartered? These guys have been pounding out old school death metal for ages now and it’s taken until this monster landed for me to know they existed. It’s an appalling oversight on my part. Guttural, almost brutal, The One Who Lurks is a visceral gut ripper.

Grave Dust – Pale Hand
(Death Metal – United States of America)
Self-Released – 2018/08/24

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What is up with 2018 and top notch death metal releases? I’m running out of superlatives; I’m either going to start repeating myself or start using nonsensical adjectives. But, dead set, Pale Hand is another death metal monster. It’s a rumbling, aggressive, menacing beast, but it comes with that vital element of catchiness that lodges the songs in your brain.

Hyperdontia – Nexus of Teeth
(Death Metal – Denmark)
Dark Descent – 2018/09/06

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Nexus of Teeth is a fine death metal record that may not set the world on fire but is definitely enjoyable. It suffers a little from repetitiveness, but in Hyperdontia’s defence, they do a couple of things really well, so it makes total sense that they play to their strengths. You can put this on in a room of genre buffs and they will be headbanging all over the place.

Imperial Triumphant – Vile Luxury
(Technical Black Metal – United States of America)
Gilead Media – 2018/07/13

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This is different. Cacophonous black metal played with a level of technicality that should require an engineering degree all wrapped up with Fritz Lang-esque noir. This is what a smokey jazz dive sounds like in hell. I like this a lot, but I’m not going to lie; it’s a tough album to get into and even once you’re in, it can be overwhelming. Extremity done differently.

Kaerulean – The Orwellian Dream
(Blackened Death Metal – Australia)
Truth Inc – 2018/08/10

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It makes a hell of an entertaining racket. But, more than that, it impresses on multiple levels and you will get more out of it with each subsequent listen. For starters, I genuinely didn’t expect the clean vocals to be as good as they are. And the rhythm section is just a fucking beast underneath. This band deserves much broader exposure.

Mantar – The Moden Art of Setting Ablaze
(Sludge Metal – Germany)
Nuclear Blast – 2018/08/24

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Finally getting around to Mantar and I totally get why they are, and rightly should be, considered sludge’s premier arsonists. Their incendiary songs roll along with a pyroclastic flow that ensures that everything in their path is obliterated. I know I’m not the first to say it, but it’s amazing that this sonic firestorm is made by just two people. Incredible stuff.

Nadja – Sonnborner
(Ambient Doom Metal – Canada)
Broken Spine Productions – 2018/09/14

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Open your ears and marvel; Nadja have produced a masterpiece of dreamy, inspired doom. The 30 minute opener is an album in and of itself. It’s awe-inspiring too. It weaves, lilts, and flows beautifully. The following four tracks include dramatic and jarring tonal shifts, giving the ambience some unexpected, but welcome exhilaration.

Primordial – Exile Amongst the Ruins
(Blackened Folk Metal – Ireland)
Metal Blade – 2018/03/30

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I can only assume that Primordial are sick of Metal Blade, as this sound like nothing more than a contractual obligation album. All the hallmarks of a Primordial album are there, but they’re so listless and seemingly dialed in. It’s tough to listen to something that sounds like nobody cared. It’s especially tough when it’s a band as hugely talented as Primordial.

Thou – Magus
(Doom Metal – United States of America)
EVP Recordings – 2018/08/31

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Other bands must wish they could match Thou’s ability to be both prolific and talented. Magus is their fourth release this year, the second to get a review by me, and easily the best thing they’ve done recently. Which is impressive, because they are consistently excellent. The raspy growls, the subtle melodies, the monstrous low end; it is amazing.

The Vintage Caravan – Gateways
(Rock – Iceland)
Nuclear Blast – 2018/08/31

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I love what The Vintage Caravan have done previously, so it really pains me to say this: Gateways is boring. At best it’s dull, at worst it’s tedious, and it all balances out as boring. There’s nothing on display here to get the listener actively involved in the music. It just kinda plods along without doing anything noteworthy. At least it’s easy to forget.

July 2018 Review Round Up

So. That was July. A month with more than a few surprises. I didn’t expect such a strong showing from the black metal hordes, for example. But Immortal, Deafheaven, and Panegyrist all demonstrated the potential black metal has, be it old school, new wave, or wtf.

I also didn’t expect Khemmis to actually love up to the hype. You hear things about the “it” band doing the rounds and so often you can tack a “sh” onto the front of it. Not Khemmis. Believe in Khemmis.

The final surprise was the album of the month. I wouldn’t have pegged it to be Korean old school thrash. It was bought on a whim with some leftover cash. And it kicks arse. It’s everything positive about thrash. Get into Sahon. They’ve been around for ages apparently. I feel ashamed for not knowing this.

August is looking oddly sparse, so if you know anything I don’t, hit me up. Always happy to take suggestions.

As always, you can reach me on Facebook.

Enjoy August

Album of the Month
Sahon – Chanting for the Fallen
(Thrash – South Korea)
Transcending Obscurity – 2018/07/15

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Old school thrash done properly still holds a certain magic. Sahon have captured this magic, distilled it down to an even purer form, and turned it loose upon an unsuspecting world. With vocals like a halfway point between Lemmy and Joey Belladonna, solos that soar like a drag racing eagle, and rhythms that blast like artillery on speed, how could you not like this?

The Rest in Alphabetical Order

Burial Invocation – Abiogenesis
(Death Metal – Turkey)
Dark Descent – 2018/07/06

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Abiogenesis is the perfect album for when you are already furious. It taps into that primal primate rage that we all try to pretend we’ve evolved past. The four main tracks are lengthy sojourns into death metal’s grimiest, darkest depths. This is appended by a final sinister instrumental track that is cathartic but uncomfortable. It feeds the beast.

Deafheaven – Ordinary Corrupt Human Love
(Post-Black Metal – United States of America)
Anti- – 2018/07/13

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Sunbather was polarising but brilliant on its merits. New Bermuda was an acceptable follow up, but not particularly memorable. So I had to approach this some trepidation. But this could well be their magnum opus. It’s the finest example of their craft. It truly shows that any emotion can be examined in extremity.

Fukpig – Bastards
(Blackened Grindcore – United Kingdom)
Devizes Records – 2018/06/01

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It would appear that they world has become sufficiently messed up for Fukpig to lurch forth and vomit forth their signature bile-crusted blend of grind and black metal. And believe me when I say they are mad as all the hells combined. They’ve never been a band that does pretty, but that ugliness works wonders when spewing invective and polemic.

Golgothan Remains – Perverse Offerings to the Void
(Death Metal – Australia)
Self-Released – 2018/02/08

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I’ve had the difference Satanism and Luciferianism (probably badly) explained as embracing humanity’s beastial nature versus striving to transcend humanity’s mortal limits. Golgothan Remains, judging by this savagery, are definitely on the Satanist side of the fence. Bestial, dark, and remorseless; this is a true embrace of animalistic fury.

Immortal – Northern Chaos Gods
(Black Metal – Norway)
Nuclear Blast – 2018/07/06

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Abbath who? Immortal may have returned sans their most iconic panda, but they have delivered a total masterclass in Fimbulwinter-cold black metal. Demonaz and Horgh play entirely to their strengths, producing an album that is crisp, taut, and furious. It’s a blizzard with the soul of a serial killer; frostbitten violence with intent.

Khemmis – Desolation
(Doom Metal – United States of America)
20 Buck Spin – 2018/06/22

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While technically doom metal, this really sounds like a very muscular heavy metal. Listening to it made me think they were trying to reverse engineer Black Sabbath but only had epic doom and Bay Area thrash to put it together with. I very nearly listed it as doom thrash for that reason. It has that magical quality that old school heaviness used to bogart.

Organ Dealer/Nerve Grind/Invertebrate – Split EP
(Grindcore/Grindcore/Powerviolence – United States of America)
Night Animal Records – 2018/07/01

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You may have noticed that I don’t really do splits, but Invertebrate are long term supporters of Metalshopped. Also helps that the three bands on offer have all delivered the goods. It opens with Organ Dealer’s shouty brand of grind, leads into three tracks of harsh, almost deathgrind from Nerve Grind, before finishing on Invertebrate’s ever-entertaining pv. Cracking stuff from start to finish.

Panegyrist – Hierurgy
(Black Metal – United States of America)
I, Voidhanger – 2018/05/18

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This is a pretty damn incredible album. It is instantly identifiable as black metal, but it sounds so radically different from anything else in the genre. Clean vocals and extensive melodic passages are integrated into Hierurgy alongside aggressive abrasiveness in such a seamless way that they sound as one. It is breathtaking in its technical merit.

Shrine of the Serpent – Entropic Disillusion
(Sludgy Death Doom – United States of America)
Memento Mori – 2018/04/23

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Grimey, slow, and heavy, Entropic Disillusion is exactly the sort of swampy mire you want to get stuck in. It has venomous ichor pumping through every note, every sustain, every growl. And it seems to improve with each subsequent listen. Put all together, you have an album that masterfully revels in its darkness, malevolence, and filth.

Skeletonwitch – Devouring Radiant Light
(Progressive Blackened Thrash – United States of America)
Prosthetic – 2018/07/20

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I thought I knew Skeletonwitch. Their bruising combination of black metal and thrash was always predictable but welcome. Devouring Radiant Light is an altogether different beast. Sophisticated, intelligent, and nuanced aren’t exactly terms you’re used to seeing next to blackened thrash, but here we are. A huge leap forward for an already great band.

Svalbard – It’s Hard to Have Hope
(Hardcore – United Kingdom)
Translation Loss – 2018/05/25

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Loudly, proudly, and unashamedly liberal and progressive, so if songs about reproductive freedom, wage theft, or animal liberation aren’t your thing, you should probably keep on walking. Those who stick around are rewarded with a rich, satisfying hardcore album. It carefully balances its specific directed fury with moments of delicate introspection.

Whoresnation – Mephitism
(Grindcore – France)
Throatruiner – 2015/04/13

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Fantasy, as a genre, has lied to me. It routinely claims that ritual magic takes a long time to complete. Total bullshit. Whoresnation can ignite the air and reduce everything around them to molten slag in under ninety seconds. It is a hell of sonic assault. They take enough death metal to give the grind some heft and they wield that heft like a vicious weapon.

May 2018 Review Round Up

Hoo boy, June kind of just appeared, didn’t it? Was still hammering out a review or two in the wee hours of publishing day morn. It was a pretty easy month to get distracted by though.

I started the month by travelling to see Ihsahn. As far as I’m concerned he’s one of the great icons of metal and it showed in his live performance. Credit too goes to Direct Touring for matching him up with some great support. Mar Mortuum were frosty and aggressive like black metal should be. The ludicrously good Ylva gave me vertigo through sheer heaviness. And Hybrid Nightmares were so over the top it was pretty well impossible to not enjoy them. But the man himself put them all to shame. Cracking night out.

On that topic of Ihsahn, Àmr is my album of the month. I expect high quality from him. We all should by now. But this is a step beyond. It’s probably the finest album in his catalogue. I’m sure some Emperor purists will disagree, but they should know they’re wrong.

Shout outs go to Altarage and Woundvac for some kick ass merch. Always appreciated when bands do merch in big guy sizes.

I’ll be back next month. As usual, if you have comments or critique, you can hit me up on Facebook.

Enjoy

Album of the Month
Ihsahn – Àmr
(Progressive Metal – Norway)
Candlelight – 2018/05/04

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If you only have one Ihsahn album in your collection, make sure it’s Àmr. It takes all the good things from his previous solo works and distils them down to nine tracks of perfection. It’s technically superb, emotionally vivid, and memorable in a way that defies expectation. From its opening moments I haven’t wanted to listen to anything else. It has completely dominated this month.

The Rest in Alphabetical Order
Amorphis – Queen of Time
(Progressive Metal – Finland)
Nuclear Blast – 2018/05/18

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This is all over the place. I can’t remember another album quite like it to be honest. It has some songs that are contenders for track of the year. It also has a couple of appalling tracks that you just can’t listen to. The production values are universally top notch, so this is all about stylistic choices. And I just can’t fathom how it all came together.

Blood Tsunami – Grave Condition
(Thrash – Norway)
Soulseller Records – 2018/04/27

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Kudos to these mad thrashers. This started life as a four track ep, which they then bulked out with some unreleased material. But for Dungeon of the Rats (originally from For Faen!), I wouldn’t have noticed. It’s real impressive that it sounds so cohesive. Better than cohesive, it’s high quality and entertaining as hell. Quality musicianship from all involved.

Depravity – Evil Upheaval
(Death Metal – Australia)
Transcending Obscurity Records – 2018/04/30

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The toughest albums to review aren’t the great nor the grating. They’re the merely good. And that’s what Evil Upheaval is. Heavy without being crushing. Fast without being blistering. Entertaining without being memorable. And that’s the key point; if you like death metal, you will definitely like this, but don’t expect it to linger in your consciousness.

Drudkh – Їм часто сниться капіж (They Often See Dreams About the Spring)
(Black Metal – Ukraine)
Season of Mist – 2018/03/09

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Following up the terrific A Furrow Cut Short was going to be a tall order, but They Often See Dreams is a resounding success. Invigorated and pissed off, Drudkh’s signature invocation of misery has never sounded so vital. A dark undercurrent of furious energy drives this, never allowing it to settle. The Drudkh renaissance continues.

Ekranoplan – Hypnopædia
(Sludge Metal with a dash of Grind – Germany)
Narshardaa Records – 2018/01/30

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I remember Ekranoplan’s demo being much more of an Entombedcore affair, so this progression was a surprise. While there is still a mighty fistful of HM2 going on, the sound has been built on and enriched by adding aggressive, pounding, High on Fire-esque sludge. It’s not straight up mean; it’s complex layers of mean.

Mesarthim – The Density Parameter
(Black Metal – Australia)
Avantgarde Music – 2018/04/03

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Mesarthim want you to know that if you stare into the void, the void will never stare back. The void does not care that you exist. There is nothing out there but a vast frozen emptiness, occasionally lit by beautiful clouds of radiation capable of flaying flesh from bone and burning bone to ash. Existence is a perilous, bleak, and futile endeavour.

夢遊病者 (Muyūbyō-sha – Sleepwalker) – 一期一会 (Ichi-go ichi-e – For this time only, never again)
(Avantgarde Black Metal – Japan)
Sentient Ruin Laboratories – 2018/05/25

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I have quietly anticipated this album since it was announced. It just seemed so intriguing. It delivered on that promise. It mesmerises as it slowly unveils its many secrets. Such esoteric bleakness really shouldn’t sound this welcoming and warm. And, yet, it’s distant and almost unknowable. This is deliberate, challenging, masterful.

Petrification – Hollow of the Void
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/04/23

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I could have been harsh and just written “See review of Depraved – Evil Upheaval”, but that would have doing them an unkindness. What we have here is an album that gives the listener the most tantalising hint of what a live experience would be. It’s evocative of headbanging front rows, circle pits, and windmilling hair. Definitely would see this live.

Serum Dreg – Lustful Vengeance
(Black metal – United States of America)
Vrasubatlat – 2018/04/20

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There’s something about this merciless slab of blackened nastiness that really makes me think of Nachtmystium at their finest. Aside from that being high praise, it comes with the added benefit of being Blake free. It’s more than just aggressive; it has a pervasive, creeping dread that gives it a febrile touch of madness. Sinister at all levels.

Thou – The House Primordial
(Drone Doom – United States of America)
Robotic Empire – 2018/05/01

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Ethereal and beguiling. Bleak and distressing. Horrific and vile. The House Primordial is all these things at once. It creates a maliciously pressurised sonic landscape so catastrophically heavy that light (joy, hope…) struggle to escape it. Thou specialise in these nightmares, but everything on display here still sounds as novel as the freshest hell.

Turbonegro – RockNRoll Machine
(Deathpunk – Norway)
Mercury Records – 2018/02/02

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Something got under the skin of the band in the years between Sexual Harassment and this. Deliberate throwbacks and obvious homages to other rock greats are delivered with their characteristic shit eating grin. It’s like their saying “Didn’t like what we did last time? Want us to only do things how you like it? Fine. RockNRoll Machine beep boop.” And yet, it’s still pretty damn good.

Woundvac – Terrorizing the Swarm
(Grindcore – United States of America)
Self-Released – 2018/05/04

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Listening to this, you might be tricked into thinking that Phoenix, Arizona is some sort of frozen wasteland. Why else would Woundvac need to bring this level of blistering heat? Believe me; this is an absolute scorcher and it rendered me slightly insensible for a bit. So much so that I temporarily forgot the US has other grind acts. It’s that good.

Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03

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A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01

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Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01

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Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07

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So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03

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Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13

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E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch

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Looks impressive, doesn’t it? Wait until you see the full spread.

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See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27

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The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23

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Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17

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This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Meshuggah

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25

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A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13

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The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01

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Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.