October 2018 Review Round Up

The year might be getting close to wind up, but October served up some mighty releases. Hopefully November and December will keep on delivering even though the release rate slows.

Bliss Signal justifiably took home the Album of the Month. The melding of Altar of Plagues grimness with club scene electronica works in all sorts of ways it shouldn’t.

I have a temporary employment deficit issue going on at the moment, so November and possibly December might be a whisper slower, but I’ll keep going because I love it.

As usual, if anyone wants to contribute to my Red Bull fund, I still have my ko-fi up and running.

And, as usual, if you have critique or commentary, you can reach me at Facebook.

See you next month.

Album of the Month
Bliss Signal – Bliss Signal
(Blacktronica – Ireland/United Kingdom)
Profound Lore – 2018/09/28

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Bliss Signal is possessed of that beautiful, casual genius that you know will never lose its tarnish no matter how many times you listen to it or how long it has been between spins. It’s nice to see James Kelly return to the more abrasive, blackened sounds, but combining it with grime creates a sublime, haunting sound I didn’t think could exist.

The Rest in Alphabetical Order
Anaal Nathrakh – A New Kind of Horror
(Blackened Industrial Grind – United Kingdom)
Metal Blade – 2018/09/28

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Good to see that a band as committed to unapproachable blackened noise as Anaal Nathrakh can still endeavour to mix things up. With vocals approaching comprehensible and a satisfyingly King Diamond-esque approach to delivery, this may be the closest we get to an accessible album from them. It’s still horrific hell noise though.

Behemoth – I Loved You At Your Darkest
(Black Metal – Poland)
EVP Recordings – 2018/10/05

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Despite being no strangers to blasphemy, this sounds like Behemoth’s Martin Luther moment. Of course, they’re not nailing their list of grievances to the church door; they’re shoving it right down the throat of the church. They understand and articulate their theological underpinnings while making their declaration of eternal war sound so seductive.

Boar Worship – Balance of Terror
(Deathly Sludge Metal – United States of America)
Self-Released – 2018/09/23

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Balance of Terror takes sludge and breaks it down to its barest elements. Guitar, drums, vocals, no messing about. It’s a risky strategy to strip things back this much, but Boar Worship have truly embraced this stylistic primitivism. It raises the riff to a totemic ideal: a spiritual force comprised entirely of rancor. Boar worship? No. Hate worship.

A Forest of Stars – Grave Mounds and Grave Mistakes
(Psychedelic Black Metal – United Kingdom)
Prophecy Productions – 2018/09/28

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This came awfully close to a bad review. It took so many begrudging listens to get to a point where I could review it. But during that last spin, something clicked. Suddenly what was plodding became deliberate, what was melodramatic became operatic. The trick was I had to be alert. This is way too smart an album to be half-arsed.

Gevurah – Sulphur Soul
(Black Metal – Canada)
Profound Lore – 2018/09/28

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Gevurah are where I put my money when asked who I think the most dangerous sounding black metal act is. There’s no lecturing. There’s no preaching. There’s no posturing. There is only black metal at its most fundamentally visceral. Sulphur Soul doesn’t need to deviate from this; something so unhallowed in its simplicity yields its own dark rewards.

High on Fire – Electric Messiah
(Sludge Metal – United States of America)
eOne – 2018/10/05

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High on Fire don’t do bad albums. I’ll just put that out there first. That being said, not all their albums live up to their high standards. Electric Messiah is one of those. It wants for that special combination of resinous sludge and bombastic riffage that make the great albums so memorable. It’s still a good album, but I won’t have any reason to revisit it.

Horrendous – Idol
(Death Metal – United States of America)
Season of Mist – 2018/09/28

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Horrendous faced that nightmare of how to follow up a brilliant album with quiet aplomb. Idol follows Anareta but subtly tweaking the things that made their previous release so good. They haven’t radically changed things; rather, their sound has taken on more progressive elements. It a more complicated experience, but in a good way.

Kurushimi – What is Chaos?
(Avant-garde Jazz – Australia)
Art as Catharsis – 2018/09/13

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No matter how weird/inaccessible you may find [insert metal subgenre here], jazz at its weirdest will always make everything else seem normal in comparison to its batshitness. What is Chaos? is hallucinogenic in delivery, veering wildly between spaced out headfucks and aggressive, grind-esque pummellings. It is absolute madness.

Moss Upon the Skull – In Vengeful Reverence
(Progressive Death Metal – Belgium)
I, Voidhanger – 2018/10/19

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Taking Orchid-era Opeth’s pronto-sensitivity, combining it with Cascadian black metal’s hermit tendencies, then wrapping it in trad death metal hostility is ambitious. Extremely ambitious. But fortune favours the brave because I can’t get enough of this. It manages to strike the perfect balance between sophisticated insight and naked hostility.

Pig Destroyer – Head Cage
(Grindcore – United States of America)
Relapse – 2018/09/07

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I love a bit of grindcore that’s not afraid to add a bit of swagger to their blasts. Head Cage has swagger in spades, but there’s no tongue in cheek, no knowing wink. It’s bravado being delivered with maximum aggression. The great thing about this is the combination of white hot anger and rhodomontade is it super catchy.

Revocation – The Outer Ones
(Technical Death Metal – United States of America)
Metal Blade – 2018/09/28

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You’ve got to admire Revocation; they are the hallmark of consistency and innovation. They’re on to their fifth album this decade and again they’ve delivered a corker that sounds substantially different to what has come before, but is still distinctly them. The Outer Ones is sinister, almost blackened in tone and gives their aggressive style an icy precision.

Sumac – Love in Shadow
(Post Metal – United States of America)
Thrill Jockey – 2018/09/21

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Aaron Turner really knows how to score a headfuck of an album. Pounding sludge deconstructs into spirals of noise and free jazz only to resolve itself almost imperceptibly back into form. And then it splinters off in another direction. Then another. But all of this happens so organically, that it’s the only logical way these tracks can play out.

Voivod – The Wake
(Progressive Thrash – Canada)
Century Media – 2018/09/21

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This is a great Voivod ep wrapped up in a mediocre album. The last half is top notch, weird as a Bosch painting Voivod. But those first few tracks are just such an exhausting slog to get through. The problem is they are lifeless. Barren as the lunar surface with about as much atmosphere. Suffer through the insufferable prog-lite, reap the rewards of later.

Windhand – Eternal Return
(Stoner Doom Metal – United States of America)
Relapse – 2018/10/05

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Of all the stoner doom bands you should know, Windhand are probably the most grounded in reality. There’s no hammer horror, no over the top misanthropy, and no transcendental musings. What there is though is a haunting, sad insight into life. Eternal Return is bleak, but is fuelled by a fire of determination that gives it a curious optimism.

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August 2018 Review Round Up

I entered August without a whole lot on the shopping list for the month, figured I’d clear out some of my bookmarks, and ended up with a surprisingly solid month. Believe me; it’s really good.

It was a crowded field for album of the month, but I eventually settled on Michael Romeo’s often batshit, but always engaging War of the Worlds. It’s pretty impressive what can be done by someone with his level of talent when it’s married to a singularity of purpose.

Never let it be said that I’m above digital panhandling, because judging by this awesome Ko-fi page I set up, I’m very much not. I’d set up a Patreon, but I have no idea what rewards to offer. Maybe in the future. Until then, any tips towards the Metalshopped Needs Red Bull To Live fund are muchly appreciated.

And, as always, you can hit me up on Facebook.

Until October, stay trve. Or false. Whatever works for you.

Album of the Month

Michael Romeo – War of the Worlds/Pt. 1
(Symphonic Neoclassical Metal with Experimental Bits – United States of America)
Music Theories Recordings – 2018/07/27

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Don’t think that this will be more Symphony X just with Michael’s name at the forefront; you’d be wrong. This album pulls into strange territory at times. And it’s all the stronger for it. It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.

The Rest in Alphabetical Order
Barren Altar – Entrenched in the Faults of the Earth
(Blackened Doom Metal – United States of America)
Self-Released – 2018/06/12

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Metal is at its strongest and most engaging when it has something to say. That the band has a message that can only be expressed through growls and blasts and riffs. Barren Altar exemplify this and them some. This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.

Crawl – Rituals
(Death Metal – Sweden)
Transcending Obscurity – 2018/08/20

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We live in a world where Swedish death metal doesn’t hold up to what came before. In Flames, Soilwork, DT; still good live, but that’s about it. Crawl is here to help put things right. Nine tracks, eight of them under three minutes, all of them honed for maximum aggression. It’s a searing beast of an album loaded with killer riffs and an undercurrent of punk sneer.

Divide and Dissolve – Abomination
(Drone – Australia)
Self-Released – 2018/02/16

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Describing the post-colonial experience and its ongoing negative impact on those dispossessed and enslaved through the medium of drone was a surprisingly engaging experience. The rumbling, almost subaudible bass and the machine precise drums create a unique atmosphere of palpable discomfort. Best drone release in a long, long time.

Facegrinder – Kugelblitz
(Grindcore – Australia)
Self-Released – 2018/08/01

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Fearsome, technically precise grind is a beautiful thing and Facegrinder deliver it like an impressionist master. It comes across as techdeath of the more ridiculous variety (think Origin or Necrophagist) that has been stripped right back to the barest essentials necessary to wreck shit in under a minute. Blastbeat nirvana.

Hadal Maw – Charlatan
(Technical Death Metal – Australia)
Self-Released – 2018/08/03

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The more I listen to them, the more I’m convinced Hadal Maw are the best sinister techdeath band out there right now. The way they craft their songs ably marries their undeniable technical skill with pall of tenebrous bleakness. Charlatan continues from this and progresses it further. It’s an album that plays with primal fears like a monstrous 8 string.

Hell to Pay – bliss.
(Grindcore – United States of America)
Self-Released – 2018/03/16

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First impressions were Hell to Pay were going to fill the hole Trap Them left with their split. It was aggressive, abrasive, and fun to listen to. But then shit started getting weird. The tone got darker, song structures got more cryptic, and the whole affair took on a far more menacing demeanour. This is no substitute; this is a new obsession.

Innumerable Forms – Punishment in Flesh
(Death Metal – United States of America)
Profound Lore – 2018/08/17

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About as slow and ominous as old school death metal can get, Innumerable Forms understand what it takes to turn a joyless existence into quality listening. Miserable dirges are juxtaposed against pulverising aggression to create an album that is as bleak as it is satisfying. It’s an album that wants you to embrace your inner darkness.

ION – A Path Unknown
(Ambient Black Metal – United States of America)
Self-Released – 2018/01/28

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It always amazes me how much one little detail can affect an overall review. I really quite like A Path Unknown. It’s long form approach to ambient black metal is mostly engaging. But I have an issue with drum tone. Not all of it, but the kicks sound somewhere between a speed ball being punched, rustling cardboard, and a wet fart. Takes me right out of the moment.

Lurid Panacea – Demo
(Grindcore – Australia)
Self-Released – 2018/07/11

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Melbourne has a very fertile grind scene, absolutely loaded to the gunwales with potential. Lurid Panacea’s potential just happens to be swampy and very much on the deathgrind side of things. This is nasty, visceral grind. Even if it had better-than-demo production values, this would be a rough listen. And that just how these sickos want it.

Neckbeard Deathcamp – White Nationalism is for Basement Dwelling Losers
(Black Metal – United States of America)
Self-Released – 21/07/2018

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I love how unsubtly subversive this is. It takes fantastically delivered black metal and then turns the typical genre tropes on their head by invoking a steady stream of left wing invective. I hope this isn’t a gimmick. I hope it’s not a one shot for shits and giggles. I want this band to keep on punishing the ear drums with pulverising blackened fury.

Obscura – Diluvium
(Progressive Techdeath – Germany)
Relapse – 2018/07/13

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Obscura, for me at least, has always been one of those bands always just shy of greatness. And I’ve tried to give them a chance. Diluvium was my final crack at them. Make or break. And they made it like you wouldn’t believe. Where has this been? Their blend of pulsating technicality and inventive prog comes together seamlessly and joyously.

Rolo Tomassi – Time Will Die and Love Will Bury It
(Mathcore – United Kingdom)
Holy Roar – 2018/03/02

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Unlike most of the mathcore I’m used to, Rolo Tomassi allow their songs to take their time and luxuriate. The end result is an album that successfully manages to indulge in a soothing, Sunny Day Real Estate-esque sensitivity while being able to turn up the aggression to Dillinger/Converge levels of fury as required. It offers a different level of sophistication.

Sleep – The Sciences
(Stoner Doom Metal – United States of America)
Third Man Records – 2018/04/20

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I’ve had to battle some cognitive dissonance to get into Sleep. You hear so much positive press about a band that it turns you off. Glad I finally got over that hurdle because The Sciences is an absolute beast of a doom album. Its four substantive tracks are some of the most fuzzed out, resinous music to ever be heavy. It’s satisfyingly dank.

Urfaust – The Constellatory Practice
(Ambient Black Metal – The Netherlands)
Ván Records – 2018/05/04

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Urfaust are stretching the definition of black metal into bizarre contortions. Aggressively meditative, it sounds like the mad chant of a cultist trying to distort their chakras to awaken a dark godlike force in themselves. And despite the ambient nature of the album, there is no doubt this is black metal to its malevolent core.

June 2018 Review Round Up

June felt like a productive month. I got through a decent amount of albums while making sure everyone got their fair due in terms of attention. Pretty happy about how it all came together.

Some impressive stuff passed through my ears, but the best of the best is Craft’s latest, White Noise and Black Metal. It’s a perfect example of what modern black metal should sound like.

July will hopefully be as good. I’m keen for Deafheaven and Obscura’s new albums.

Hit me up on Facebook if you want. Always up for a chat.

Album of the Month
Craft – White Noise and Black Metal
(Black Metal – Sweden)
Season of Mist – 2018/06/22

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Not a lot of noise going on here, but there are eight tracks of blackened gelid malevolence. It’s a veritable soundtrack for a frolic through the joyless expanse of Cocytus. Too often black metal finds itself trapped within its own tropes, but Craft have taken these tropes and unleashed them in a storm so furious that everything seems new after the destruction wrought.

The Rest in Alphabetical Order
Abstracter – Cinereous Incarnate
(Blackened Sludge – United States of America)
Sentient Ruin Laboratories – 2018/06/08

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When I was a young boy, someone once told me that there was no greater sin, even surpassing the seven deadly sins, than despair, as it meant you believed God was powerless. Abstracter capture this notion of blasphemous misery and turn it loose in an almost weaponised display of sonic might. It’s cacophonous, tumultuous, and savage.

At the Gates – To Drink From The Night Itself
(Melodic Death Metal – Sweden)
Century Media – 2018/05/18

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A slower, more brooding At the Gates is on display here. The anger that has driven their sound to this point has manifested here as smouldering bitterness. It’s not bitter in the sense of hating what their doing. The band still clearly loves performing. It’s bitter about pretty well everything else though. It’s a new plateau of jaded misanthropy.

The Body – I Have Fought Against It, But I Can’t Any Longer
(Avant-garde Metal – United States of America)
Thrill Jockey – 2018/05/11

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Albums like this really highlight the divide between amateur writers, such as myself, and proper music journalists. I just don’t have the vocabulary to do this album justice. It’s ominous. It’s oppressive. It’s sinister as all hell. And bleak doesn’t even begin to describe its emotional darkness. And even with all that laid out, you need to know it goes further and weirder than I can explain.

Funeral Mist – Hekatomb
(Black Metal – Sweden)
Norma Evangelium Diaboli – 2018/06/15

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Not sure if any of you have spent an extended period of time with a crazy street preacher. I have and this reminds me a lot of that experience. An almost overwhelming raging of fevered mania is peppered with moments of terrifying lucidity. It’s the sort of unhinged blasphemous rite that so many black metal acts aspire to, but taken to an extreme beyond expectation.

Genghis Crack – Genghis Crack
(Grindcore – Chile)
House Gore Records – 2018/04/07

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I’m finding South America to fertile ground for excellent grind. From Lxs Jugadxs in Argentina to Kharma in Venezuela, there is a strong trend towards pissed off blasting violence. Feel free to add Genghis Crack to this. I don’t understand all the samples used, but I know anger when I hear it. This is wire garrotte taut and as pummelling as 80s heyday Mike Tyson.

Ghost – Prequelle
(Heavy Metal – Sweden)
Loma Vista Recordings – 2018/06/01

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“Surely the gimmick has worn thin by now?” I hear you asking. And the answer remains no. To be honest, the people in silly masks thing will always be easy to ignore so long as they keep on delivering on quality like they have here. It leans hard into rock territory, making it just as much Bon Jovi as Black Sabbath and that swagger makes it an utter joy to listen to.

Grave Upheaval – —
(Death Doom – Australia)
Nuclear War Now! – 2018/04/15

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I don’t normally enjoy death doom and really only bought this to flex my critical skills. But then it completely kicked my arse. I mean this floored me. It’s so damn heavy that it creates its own atmosphere. It could shatter a diamond. And the vocals sound like a cthonic god slowly tearing into our reality. It’s got me completely turned around on the genre.

Marduk – Viktoria
(Black Metal – Sweden)
Century Media – 2018/06/22

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Marduk is really starting to feel like a spent force. None of their post-Wormwood albums have aged well and Viktoria starts off feeling worse than that. Even when they lean into the controversy surrounding their politics, it feels hollow; it feels like they’re trying to cash in on scandal because it’s all they have left. I know they’re capable of so much more.

Mournful Congregation – The Incubus of Karma
(Funeral Doom – Australia)
20 Buck Spin/Osmose Productions – 2018/03/23

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It might be the clinical depression talking, but I found this to be profoundly soothing. I’m sure that’s not what they were aiming for, but at the same time, it’s not me being critical. It hits that nadir of despair where all of life’s iniquities become a warm blanket, as they allow you to feel something. Anything. It embraces misery in its utter totality.

Necros Christos – Domedon Doxomedon
(Death Metal – Germany)
Sepulchral Voice – 2018/05/18

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I hope everyone is up on their Qabbalistic rituals; pre-Nicean Christian mysticism; and Abrahamic gnosticism, because Necros Christos just assumes you are. For their (alas) swansong they have crafted a complex three disc spiritual meditation that both hyper intelligent and crushingly heavy. I doubt they could have crafted a more fitting farewell. Safe travels, noble initiates; may you find the apotheosis you seek.

Nervosa – Downfall of Mankind
(Thrash – Brazil)
Napalm Records – 2018/06/01

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What you have here is a straight forward thrash album and that needs to be celebrated. It’s not blackened; it’s not crossover; it’s that dying breed of true, fast as hell, angry as a swarm of hornets thrash. It’s a real conflagration of an album too; starts off a bit slow but builds to an intensity that will level whole city blocks and leave a satisfyingly smouldering ruin.

Ritual Necromancy – Disinterred Horror
(Death Metal – United States of America)
Dark Descent – 2018/05/25

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This album earns the critical praise I have seen said of it. And so long as as I’m wearing my critic hat, I’ll recommend it. But as a listener, there’s something not quite to my personal taste here. I think it’s because underneath the blistered exterior of fire and savagery, there’s an unbeating heart of cold, almost alien sterility. It’s uncomfortable to be honest.

Wayfarer – World’s Blood
(Atmospheric Black Metal – United States of America)
Profound Lore – 2018/05/25

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I’m a firm believer that USBM is at its best when it wholeheartedly embraces its American-ness. The gonzo nihilism of Cobalt. Panopticon’s bluegrass/black metal hybrid. And, now, Wayfarer and their desolate, tenebrific distortion of country. There’s no high plains sing-along here. This is all grim paranoia and foreboding cynicism.

Yob – Our Raw Heart
(Doom Metal – United States of America)
Relapse – 2018/06/08

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Despite there being no evidence to back it up, I like to think there’s a competition between Pallbearer and Yob for the USA’s best doom act. And Our Raw Heart puts Yob into the lead. Sure, it’s heavy as a Jovian hell, but it’s the raw emotional heft that makes it such a stunning album. It’s heartfelt, almost touching in places, and bleak without being despairing.

April 2018 Review Round Up

Happy May! Here’s what I listened to in April. And, as a heads up, it was a pretty fantastic month.

To start of with, you have Panopticon’s latest album. It’s hard to imagine a blackened folk album being this good. And, as much as I like Panopticon, I didn’t expect it from them.

But the real winner this month was death metal. Every release is a highlight, but each in a different way. Couldn’t believe my luck.

I saw Revocation again last month too. Holy crap. Just holy crap. I’ve seen them three times and each time they have blown the stage away. See them if you get the chance.

Aa usual, you can hit me up on Facebook. If you share the blog, do me favour and tag the page. I love to know this sort of stuff.

Album of the Month

Panopticon – The Scars of Man on the Once Nameless Wilderness (I and II)
(Blackened Folk Metal – United States of America)
Bindrune/Nordvis – 2018/04/08

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This double album, half their signature blackgrass sound; half true folk, is hands down the best thing Panopticon have ever produced. The blend of oddly uplifting, empowering black metal and bleak, soulful folk allows the band to truly explore the full breadth of their talent. It goes places I didn’t think they could reach. Absolutely astounding.

The Rest on Alphabetical Order
Alucinari – Alucinari
(Deathviolence – United States of America)
Night Animal Records – 2018/04/05

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Whew, this is some aggressive stuff. The combination of death metal’s pummelling relentlessness with the bombastic hyperactivity of powerviolence creates one hell of an assault on the ears. It blasts through at an energy level that makes you worry about them burning up. This complete disregard for sonic welfare is a pretty glorious thing to behold.

Deadly Carnage – Through the Void, Above the Suns
(Blackened Doom Metal – Italy)
Aeternitas Tenebrarum Musicae Fundamentum – 2018/03/30

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Track 1 is a pretty stock intro. Track 2 is painfully beige. It beiges to the point of turning off. Track 3 onwards is solid gold. I ordinarily wouldn’t break an album down so crassly, but it’s necessary this time. The bulk of the album juggles and blends black metal, doom, and shoegaze in such a beautiful way that it would be criminal to write it off prematurely because of the initial blandness.

Hide – Castration Anxiety
(Industrial – United States of America)
Dais Records – 2018/03/23

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I may not be hugely knowledgeable when it comes to industrial, but Castration Anxiety really speaks to me. It seethes in a way that builds tension but rarely releases it. It’s one of those rare albums that is at its best when taken as a cohesive whole. Individual tracks are fantastic in their own right, but the tension dynamics make the entirety the goal.

Impure – Satan’s Eclipse Demo MMXVII
(Death Metal – United States of America)
Self-Released – 2018/01/12

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The lack of polish that is the almost inevitable result of demo production can definitely be turned to an advantage, if used properly. Impure certainly have. They’ve taken recording conditions that might make other bands sound muddy, and have turned out this fantastically cavernous, cadaverous sound. It’s a murky, ominous gem.

Indica – Disparity of a Day
(Stoner Doom Metal – Australia)
Self-Released – 2018/04/20

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Hands up who can guess what an album, released by Indica on 4/20, might sound like? If you said “fuzzed out, heavy as hell stoner doom”, you’d get a C+. To get the A, you’d have to talk about how in amongst the heaviness, there is a carefully woven thread of psychedelic light, which ensures a compositional sophistication. It’s much more than bong rips and fat riffs.

Of Feather and Bone – Beastial Hymns of Perversion
(Bestial Death Metal – United States of America)
Profound Lore – 2018/03/23

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If bestial death metal isn’t a subgenre, it bloody well should be. Bestial Hymns of Perversion can’t truly be called brutal death, but it’s way too aggressive and abrasive to be considered old school. The genre musings are important here because Of Feather of Bone have produced a truly standout album and it deserves to have its place in history immortalised properly.

Ripped to Shreds – 埋葬 (Máizàng – “Bury”)
(Death Metal – United States of America)
Craneo Negro Records – 2018/03/27

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Solo projects provide an artist the opportunity for singularity of vision; in Andrew Lee’s case, this vision is a thundering beast of an old school death metal album. Listening to it made me think of what would have happened Bolt Thrower got together with Scream Bloody Gore era-Death, except with a background in East Asian history. Unbelievably impressive.

Skeletal Remains – Devouring Mortality
(Death Metal – United States of America)
Dark Descent/Century Media – 2018/04/13

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This is an irresistibly fine album. It does more than just tick all of death metal’s boxes; it attacks them in such a way that makes all that was old new again. I haven’t heard anything in this genre sound so fresh in a long time. It makes me feel like I’m windmilling with luxurious waist length hair, even if I’m just gently headbanging while driving.

Vile Creature – Cast of Static and Smoke
(Doom Metal – Canada)
Self-Released – 2018/03/07

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Deeply atmospheric, this album is as entertaining as it is flawed. It’s lyrical themes are a tad mawkish, the guitar work leans simplistic, and there are some awkward momentum killers. But it’s engaging in spite of these factors. I can go from start to finish without wanting to skip bits. There’s no hate listening here. It’s not great but it’s far from terrible.

March 2018 Review Round Up

2018 is shaping up to be a great year. I haven’t heard a genuinely bad album yet. Pickyness has helpes, but even when I have bought an album on a whim, I’ve got lucky and landed something entertaining each time.

All that aside, Noose Rot’s EP The Creeping Unknown firmly deserves its place as Album of the Month. Its intro toys with your expectations and then builds into a monstrous, heaving beast of old school death metal.

An awful lot of black metal related stupidity happened this month. I’m not going to editorislise extensively, but I will say if people want to act provocatively, they can’t really complain when they provoke people.

As always, I can be contacted on Facebook.

See you next month.

Album of the Month
Noose Rot – The Creeping Unknown
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/02/16

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If old school death metal is your thing, then Noose Rot have delivered a monster for you. And if old school death metal isn’t really your thing, then you should probably listen to this anyway. Four tracks, all of them gold, all of them landing with such impact it’ll change your perspective on the genre. Or at the very least, they bloody well should. An unstoppable juggernaut.

The Rest in Alphabetical Order
Ataraxy – Where All Hope Fades
(Death Metal – Spain)
Dark Descent Records – 2018/02/16

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While it lacks that special something that makes a great album, this is still a perfectly enjoyable slab of death metal. Ataraxy have written an album that is about as slow and malevolent as a death metal album can be without being death doom. The aggression needed to keep the music engaging shines through in deft tempo changes. Nasty fun.

Esoctrilihum -Pandaemorthium (Forbidden Formulas To Awaken The Blind Sovereigns Of Nothingness)
(Black Metal – France)
I, Voidhanger – 2018/02/23

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I love this album. It absolutely has its flaws, but I love this album. The big flaw is it’s self-indulgent as hell; every track noticeably runs longer than necessary. But you can get past it. Especially since it rocks so hard. It pushes black metal as far as it can into death metal without being blackened death metal. You will absolutely enjoy the knives out approach to the esoteric.

Feral Chaos – Mankind in Ruin
(Grindcore – Finland)
Kuolema Records – 2018/02/03

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Feral Chaos get that Finnish grind sound spot on perfect. Easily passes the loud test; turn it up and feel the earth-shattering good times. But it also passes the quiet test. The quiet test is what separates great grind from the rest. Play it at a sensible volume and levels of sophistication reveal themselves. This is a genuine genre and scene highlight.

Insect Ark – Marrow Hymns
(Instrumental Doom Metal – United States of America)
Profound Lore – 2018/02/23

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Instrumental doom can either be cripplingly dull or crushingly cool. Insect Ark’s combination of true doom, drone, and slide guitar definitely guarantees Marrow Hymns falls in the latter category. The southern twang of the slide guitar lends a curiously satisfying tone of Americana to the throbbing, intense doom. A genuinely unique sound.

Judas Priest – Firepower
(Heavy Metal – United Kingdom)
Epic Records – 2018/03/09

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At this point, Judas Priest can do whatever the hell they want. They’ve earned that right. So it’s lucky for us that they’ve decided to continue putting out rollicking, badass heavy metal. Firepower starts strong with the title track and never eases off for its hour run time. They have the energy of a band thirty years their junior. Metal’s first wave still delivers.

Serpents Lair – Perpetual Hunger
(Black Metal – Denmark)
Amor Fati Productions – 2018/02/15

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Serpents Lair keep on delivering. They keep on improving too. From their demo through their first album to this EP, they have shown a capacity for sonic evil that doesn’t diminish. Indeed, Perpetual Hunger is well-named; the three tracks demonstrate a rapaciousness rarely seen in black metal. No preaching. No lecturing. There is only a horrific, ravenous void.

February 2018 Review Round Up

Another quiet month, but it’s no weaker for it. Quality over quantity seems to be my current measure. It’s back to back months without a dud album, so I’m definitely stoked about that.

Go buy Támsins Likam now. Drop everything and click the link. Doom is rarely so good.

The Facebook page is still up and running. Feel free to hit me up with listening suggestions.

Album of the Month
Hamferð – Támsins Likam
(Doom Metal – Faroe Islands)
Metal Blade – 2018/01/12

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A truly unmissable experience, Hamferð have delivered one of the great doom albums of our time. Crafted with the lonely majesty of Orchid-era Opeth and the aggressive melancholy of Kvarforth’s Shining, Támsins Likam is still all doom. It’s low, slow, and heavy, but is hauntingly beautiful in its execution. Paradoxically sparse and lush all at once.

The Rest in Alphabetical Order
Black Mecha – Counterforce
(Experimental Electronica – Canada)
Profound Lore – 2018/01/12

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Definitely outside my usual wheelhouse, but so worth my time. Dark, hypnotic acoustic electronica builds tension through thrumming repetition. It sounds like an unseele rave; the drugs are very good, but the vibe is dark. Horrifyingly dark. There is no comfort to be found, but that knowledge creates a soothing masochism that sustains you through it.

Eigenlicht – Self-Annihilating Consciousness
(Black Metal – United States of America)
I, Voidhanger – 2018/02/16

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Risky business slowburning the start off an album when you’ve only got five tracks to play with, but when it pays off it was worth the gamble. Eigenlicht have delivered a dense, esoteric album. Inaccessible on the first spin, but on subsequent listens doors unlock and it starts to make sense. It pays substantial intellectual dividends to those willing to put the time in.

Portal – Ion
(Avant-garde Technical Death Metal – Australia)
Profound Lore – 2018/01/26

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Portal continue to ensure that a steady stream of weird lives on in techdeath. Ion is harsh and unforgiving, but is so absolutely driven that it makes it extremely difficult to stop. It absolutely has to be this way, as respite is a completely alien construct in the sonic universe created by these mad Brisbanites. Let its energy consume you.

Watain – Trident Wolf Eclipse
(Black Metal – Sweden)
Century Media – 2018/01/05

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Black metal’s high proselytisers have returned with another punishing dose of unhallowed fervour. Unlike recent efforts, this seems to be less interested in converting the unbeliever and a lot more involved in drumming up fury from the already damned. It’s aggressive in a way you thought they couldn’t be anymore. Never doubt what the iron-willed can do.

September 2016 Review Round Up

An abbreviated review collection this month. Metalshopped’s hard earned cash was geared towards live music this month. How could I turn down tickets to Enslaved, Opeth, Meshuggah, etc? They’re not going to see themselves, now are they?

That being said, there was some absolute gold this month. SubRosa’s phenomenal For This We Fought the Battle of Ages ran first with distance for second. Other albums this month were good, even great; but SubRosa stood apart.

Insomnium’s colossal one track album, Winter’s Gate, more than deserved its honourable mention. Listening to what is traditionally a melodeath band put out such a complicated slab of prog is very satisfying.

As usual, feel free to hit me up on Facebook. Especially if you’ve got a release you think is worth a listen.

Until next month
\m/

Album of the Month
SubRosa – For This We Fought the Battle of Ages
(Doom metal – United States of America)
Profound Lore Records – 2016/08/26

In doom circles, SubRosa has always been in a league of their own, but this album sees them push out even further. It’s a perfect combination of ethereal vocals, surprisingly technical guitars, and lyrics that delve deeply into uncomfortable truths. Here is the beauty in despair; here is death’s loving embrace.
Try before you buy: Despair is a Siren (Bandcamp)

Honourable Mention
Insomnium – Winter’s Gate
(Progressive death metal – Finland)
Century Media – 2016/09/23

This is what I like to see; a prog band actually taking a calculated risk to progress themselves as a band. The album’s one track runs for forty minutes, but it uses that time well. In a literal sense, it tells a story. A damn good one. But it’s their music that fleshes out the drama. Riveting.
Try before you buy: the first ten minutes should provide ample introduction. (YouTube)

The Rest in Alphabetical Order
Oranssi Pazuzu – Värähtelijä
(Psychedelic black metal – Finland)
20 Buck Spin/Svart Records – 2016/02/26

Your average psychedelic black metal album is the result of taking a load of hallucinogens and embracing the darkness. Oranssi Pazuzu aims to break the mold with Värähtelijä. This is an album that sounds like it’s supposed to be the drug. Its ebbs and flows worm their way into the cracks in your psyche. It wants to alter you. It almost succeeds.
Try before you buy: Saturaatio (Bandcamp)

Schammasch – Triangle
(Black metal – Switzerland)
Prosthetic Records – 2016/04/29

Put some time aside, because at three discs, Triangle needs some time to get acquainted. Humming with monastic contemplation and possessed of a Behemoth-esque fervour, this triple album challenges you to think and rewards you with intensity. There’s something almost perverse about something so austere sounding so lavish.
Try before you buy: Awakening from the Dream of Life (Bandcamp)

Sumac – What One Becomes
(Post-metal – United States of America)
Thrill Jockey – 2016/06/10

This isn’t a bold splash into new territory, which some may see as disappointing. Not me though, because what it does is continue on from where The Deal left off. This isn’t an endnote or an unnecessary sequel; this is an album born of the same creative impetus that gave us one of 2015’s better albums.
Try before you buy: Clutch of Oblivion (Bandcamp)

Tombs – All Empires Fall
(Post-black metal – United States of America)
Relapse Records – 2016/04/01

What Tombs does better than pretty well any other post-black act is subtlety. They blast and howl. They swoon and meditate. This isn’t unusual for the genre. It’s how they incorporate the extremes of style in such an organic, almost imperceptible way that is. An uncannily expert performance.
Try before you buy: Deceiver (Bandcamp)