January 2018 Review Round Up

A quietish start to the new year, but a strong one nonetheless. Feels good to have a month where every release feels like it will hold its own in the coming months.

I’m still tinkering with my formats now that I’m back. I’m doing away with the honourable mentions. I think just having the Album of the Month is sufficient.

Speaking of the Album of the Month, Shining’s new album is amazing. It was the first album I listened to this year and it’s already a firm contender for Album of the Year. Kvarforth is still the high priest of self-destruction as a form of worship, but Varg Utan Flock is an album apart.

Album of the Month
Shining – X: Varg Utan Flock
(Progressive Black Metal – Sweden)
Season of Mist – 2018/01/05


I thought I knew what to expect from a Shining album. Invitingly bleak black metal is typically what’s on offer. And that might describe this, if you were willing to thoroughly undersell this album. The level of sophistication in the songwriting feels like a quantum leap from what came before. It’s still a Shining album, but it’s the absolute pinnacle of their self-destructive craft.

The Rest in Alphabetical Order
Afgrund – The Dystopian
(Grindcore – Sweden/Finland)
Self-Released – 2018/01/05


As a grindcore act, a sure way to my heart is to evoke Rotten Sound. Afgrund do that in spades on The Dystopian. They absolutely nail that heaviest possible grind without being deathgrind cacophony and pair it roiling fury vocals. It wants for a truly great track to stand out; a very good album could be great that way. Grindcore gets a belter to kick off 2018.

Agrimonia – Awaken
(Post-Sludge – Sweden)
Southern Lord Recordings – 2018/01/26


The successful juxtaposition of post-metal’s contemplative tendencies with sludge’s swampy punkishness is something Agrimonia achieve with aplomb. The outcome is something probably best described as soothing anger. I found myself relaxing totally, which is an odd thing to say about an album that fires me up like a jet lighter.

HFMFM – Trapped
(HM2 Powerviolence – Australia)
Self-Released – 2018/01/08


Few things are as satisfying as a demo that makes serious statement of intent. HFMFM’s intent seems to be landing as many blows as they can in the shortest amount of time. Trapped is thuggish, hostile, and otherwise straight up mean. It’s bruising flurry that puts the violence front and centre in the powerviolence. Puts the heart rate up just thinking about it.

Krvshr – Night Terrors
(Sludge Metal – United States of America)
Self-Released – 2018/01/05


Bass heavy, aggressive sludge firmly in the mould of High On Fire or early Mastodon, but with a distinctly punk edge to it. And, like those other aforementioned bands, Krvshr brings a hell of a lot of good times to the table. Not necessarily happy music, but you will have a great time listening to it. It delivers catchy tunes with a snarl and clenched fist.

Sulphur Seas – Suzanne
(Black Metal – Spain)
Self-Released – 2018/01/09


In a month with some big name black metal releases, I found myself consistently drawn back to Suzanne. Modelled exclusively in mould of French black metal, there is stylistic esotericism that adds long shadows to the fires lit by their fury. It remains a consistently engaging album; the sort of album that reveals something new with each listen.


Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03


A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01


Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01


Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07


So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03


Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13


E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch


Looks impressive, doesn’t it? Wait until you see the full spread.


See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27


The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23


Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17


This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25


A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13


The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01


Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls


Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous


eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms


Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat


Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015


Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple


Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower


Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image


Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise


Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic


Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception


Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times


Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal


Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis


Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld


Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor


Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell


Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted


Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria


Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda


Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats


Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic


UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus


Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking


Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame


Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation


InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo


Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal


Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert


Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages


Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II


Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak


Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus


Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire


Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt


625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo


Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015


Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth


Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta


Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero


Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)


Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn


Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon


Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur


Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang


Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki


Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls


Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic


Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See


Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond


Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.


October 2015 Review Round Up

When I started writing this month’s instalment, I forgot to set it to draft. So, there’s most of a month’s worth of spoilers there. No matter. I’ll be more careful next time.

Windhand killed it for album of the month. They get that great doom requires great emotional investment. And there is an almighty heaviness to their commitment on Grief’s Infernal Flower.

Despite being a bit spoiled for choice, it was hard to go past Deafheaven for the honourable mention. They may not be the trvest band ever. Far from it frankly. But fuck that petty scene shit. They play some of the most innovative metal there is and fully deserve their plaudits.

Getting close to the business end of the year. Still hanging out for some big releases though. It’s good to be this engaged.

Hit me up on Facebook.

Until next month.

Album of the Month
Windhand – Grief’s Infernal Flower
(Stoner doom metal – United States of America)
Relapse Records – 2015/09/18


I get the feeling there’s a personal tragedy at the heart of this album. I could be wrong, but it sounds like someone trying to cope with unfathomable loss. At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke. It makes for a powerful but depressing experience. It’s fantastic to see a band approach stoner doom from an angle different than fuzzed out melancholy.
Try before you buy: Hesperus (Bandcamp)

Honourable Mention
Deafheaven – New Bermuda
(Post-black metal – United States of America)
Anti Records – 2015/10/02


Hipster cred will soon fade. Beards will recede. Ironic tattoos will be regretted. Once this happens, all that will remain is song-writing talent. It’s a good thing then that Deafheaven has more talent than they know what to do with. The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic. Even for a forward thinking band, such an evolution is impressive.
Try before you buy: Come Back (Bandcamp)

The Rest in Alphabetical Order
Archivist – Archivist
(Post-black metal – Austria/Germany/United Kingdom)
Alerta Antifascista Records/Grain of Sand Records – 2015/06/02


How does one mend a broken heart? Light Bearer going on permanent hiatus halfway through a four album conceptual piece was gutting. Good thing Archivist is here to fill the void. They do the contemplative hard work of Light Bearer, but with substantially more aggression. It makes for a very intense listen. I was concerned going in that it would just be a rebound. But there’s potential for a lasting relationship here.
Try before you buy: Hades (Bandcamp)

Boar Worship – Boar Worship
(Sludge metal – United States of America)
Self-released – 2015/07/08


I love a release that has strong narative flow. I’m not talking about a concept; I’m talking about how well-crafted music draws the listener in, builds tension, and closes in appropriately climactic fashion. Boar Worship have a crystal clear understanding of these principles. The four tracks of dark, harsh sludge build (and release) tension like a classic horror film. The pervasive misery is masterful.
Try before you buy: Two (Bandcamp)

Children of Bodom – I Worship Chaos
(Melodic death metal – Finland)
Nuclear Blast – 2015/10/02


This is the sound of a band treading water. It’s still distinctly Bodom and it’s not objectively bad, but they’re not exactly pushing things to the limit here. I am prepared to say it’s a better album than Halo of Blood or Relentless Reckless Forever. That doesn’t excuse the band for getting stuck in a deep well of creative ennui. The question now is, where do Laiho et al go from here? Hopefully there’s some forward momentum left in them.
Try before you buy: Morrigan (YouTube)

Christian Mistress – To Your Death
(Heavy metal – United States of America)
Relapse Records – 2015/09/18


Christian Mistress continue to be one of the most consistently entertaining purveyors of old school heavy metal. The key is that they don’t nakedly imitate NWOBHM. They take that glorious 80s sound and bring it into the new millennium. To that end, To Your Death is loaded with riffs that bring out your air guitar. And I don’t think there’s been a greater female voice since Doro than Christine Davis. Strong, energetic metal.
Try before you buy: Eclipse (Bandcamp)

Clutch – Psychic Warfare
(Rock – United States of America)
Weathermaker Music – 2015/10/02


This album is so much more entertaining when you treat it as the rambling legal statement of a conspiracy nut trying to stave off whatever actual trouble his life, loves, adventures, and misadventures have created. It’s high quality rock and roll, as you’d expect from Clutch, but the concept makes it all the better. Make sure you use your equaliser properly though. It suffers without levelling.
Try before you buy: X-Ray Visions (YouTube)

Cruciamentum – Charnel Passages
(Death metal – United Kingdom)
Profound Lore Records – 2015/09/04


Charnel Passages is kind of like being trapped aboard an aggressively haunted ship while it’s being buffeted by a severe storm. I may have drawn inspiration from the cover art for that, but it’s more than appropriate. The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos. It’s a sinister sounding album, with no space for light or hope.
Try before you buy: Piety Carved From Flesh (Bandcamp)

Hate Eternal – Infernus
(Death metal – United States of America)
Season of Mist – 2015/08/21


Hate Eternal is much like the Ferrari of the death metal world. They don’t reinvent the wheel, but they do use it with great precision and at high speed. And I wouldn’t have it any other way. Sometimes you just want to hit play and know exactly what you’re going to get. With such aggressive fret work on display, there’s no possible way to be disappointed. When your riffs are earth-shattering, you don’t need to be ground-breaking.
Try before you buy: Pathogenic Apathy (Bandcamp)

Ironic Reversal – Dysgenic
(Progressive death metal – India)
Self-released – 2015/10/15


I felt like a real shitheel leaving Ironic Reversal off my overall best of last year. They are a genuinely fantastic death metal act. Their follow up ep, Dysgenic, cements this. It’s a tightly constructed concept piece that allows both progressive and technical expertise to shine through. Make no mistake: these guys can write riffs that put most other death metallers to shame. Innovative, intelligent and severe.
Try before you buy: Consume (Bandcamp)

Kylesa – Exhausting Flame
(Sludge metal – United States of America)
Season of Mist – 2015/10/02


I’m waiting for Kylesa to make a bad album. I’m curious as to how they’d manage to do it. Exhausting Flame is another excellent addition to their discography. Lush, verdant riffs played over one of the most indomitable rhythm sections in metal. It’s what they do and, yet, it’s not more of the same. Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
Try before you buy: Out of My Mind (Bandcamp)

Mudbath – Corrado Zeller
(Stoner sludge – France)
Lost Pilgrims Records – 2015/01/31


It’s not a happy type of stoner here. There’s a bleakness at play here that isn’t typically found among the stoner folk. The drawn out riffs verge on the psychedelic, looping around and fuzzed out like the worst kind of sonic psilocybin. It does start to actually feel mind altering after a while. It has some flaws, the chief of which is the repetition is occasionally dull rather than atmospheric. But the misery they put to wax is definitely worth a listen.
Try before you buy: Salmonella (Bandcamp)

O – Pietra
(Grinding black metal – Italy)
Grindpromotion/Unquiet Records – 2015/10/02


O (pronounced Circular Sign) have an odd but satisfying aesthetic going here. To my ears, it’s a reimagining of Enslaved, where the fascination with Pink Floyd and King Crimson is replaced with an overdose of Napalm Death and Brutal Truth. That may sound impossible, but there are key tonal agreements that more than make it work. It packs a hell of a punch as well. Always a bonus when an experiment works out.
Try before you buy: Maledetto (Bandcamp)

Panopticon – Autumn Eternal
(Blackgrass – United States of America)
Bindrune Recordings/Nordvis Produktion – 2015/10/16


I continue to be impressed with the blackened take on Kentucky that Panopticon produce. They understand nuance in a way that great bands do. They’re not a folk metal band; loading their laments with fiddle would severely diminish them. Instead they focus on taking bluegrass technique and scorching the hell out of it with blackened fire. In the process, all the joy has been burned out, leaving only a charred stump of bitterness.
Try before you buy: Oaks Ablaze (Bandcamp)

Sovereign – Deceptum
(Crusty black metal – Italy)
Self-released – 2015/06/04


If black metal with a tinge of punk is your thing, then Deceptum will more than fit the bill. They play with maximum aggression and a total dearth of pity, compassion, or mercy. Not a lot on offer to win converts to the cause though, until you reach the total black majesty of the final track. That’s the disappointment here; they are clearly capable of something jaw dropping but they hold themselves in reserve until the last. I still recommend them, but I am also left wanting.
Try before you buy: Colourless (Bandcamp)

TesseracT – Polaris
(Djent – United Kingdom)
Kscope – 2015/09/18


TesseracT continues to be one of the few bands to make djent look good. The palm muting is still there, but TesseracT go out of their way to not sound like a poor man’s Meshuggah. Polaris is an album that pushes their progressive proclivities to a new level. Intricate, often delicate melodies are held up by a distinctively djent low end. The clean vocals are crisp yet soulful. Entertaining from start to finish.
Try before you buy: Survival (YouTube)

Trivium – Silence in the Snow
(Core-tinged heavy metal – United States of America)
Roadrunner Records – 2015/10/02


Trivium have clearly put some effort into making Silence as anthemic as possible. Almost every track has a memorable, sing-along quality. Fist-pumping good times. I do wish they could settle on whether they want to be Metallica or Maiden. Consistency matters. But there are some fantastic solos and the complete absence of metalcore screeching is more than welcome. Their maturation as a band continues.
Try before you buy: Blind Leading the Blind (YouTube)

Unwanted Existence – Silhouettes of a Mental Disorder
(Depressive suicidal black metal – Venezuela/Mexico)
Winterwolf Records – 2015/09/17


Don’t listen to this for the vocals. They don’t sound like the vocalist’s testicles are being repeatedly flicked with an elastic band, but they’re not far off. The real selling point are the instrumentals. You can actually tell that they were penned in the throes of suicidal mania. Gentle melodies that sound like stitches being unpicked. Harsh sections reminiscent of smashing your skull into bricks. Flawed, but the pain is genuine.
Try before you buy: Black Procession (To My Grave) (Bandcamp)

Chelsea Wolfe – Abyss
(Industrial folk – United States of America)
Sargent House – 2015/08/07


This is my first encounter with Chelsea Wolfe. It’s a new kind of heaviness for me. New and thoroughly satisfying. Vocals are skilfully delivered with both the passionate power and reflective restraint that only the greats can manage. And the way rumbling industrial is interwoven with melancholy folk is revelatory. It’s a smart, challenging album that rewards with each and every chord.
Try before you buy: Grey Days (Bandcamp)


August 2015 Review Round Up

It’s been a month heavy on depravity. Pissgrave and Gnaw Their Tongues bring radically different approaches to human misery, but they’re both outstanding. Bleak. Inhuman. But outstanding.

I’ve never actually brought this up before, but there’s a reason why I don’t use a scoring system. In my own experience, I tend to be a lazy review reader. Scores will determine how much attention I pay to the details. I doubt I’m the only one that does this. So for my reviews, I ditched the scores; let the details stand on their own merit.

You can, as always, reach me on Facebook. See you next month.

Album of the Month
Pissgrave – Suicide Euphoria
(Death metal – United States of America)
Profound Lore Records – 2015/08/04


This album is as stripped back and grotesque as the liner notes. It really is the leanest death metal album I have heard in a long time. Not a single second is wasted on fripperies or extravagances. It’s refreshing really. The complete absence of bullshit means that there is nothing to distract from the music. And the music they play is easily some of the most satisfyingly visceral death metal out there.
Try before you buy: Fields of Scattered Bones (Bandcamp)

Honourable Mention
Gnaw Their Tongues – Abyss of Longing Throats
(Black ambient – Netherlands)
Crucial Blast – 2015/08/04


Mories, the mind behind Gnaw Their Tongues, is a sick and twisted genius. A previous album title sums his work up perfectly: all the dread magnificence of perversity. Your skin crawls with horror and with anticipation. And as much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side. It’s a monstrous example of human darkness.
Try before you buy: From the Black Mouth of Spite (Bandcamp)

The Rest in Alphabetical Order
Bath Salt Zombies – Ghouls vs Zombies
(Crossover thrash – Puerto Rico)
Self-released – 2015/04/01


This is straight up dumb as hell. Crass sexual references, horror schlock, and other weirdness are the dominant themes here. Other weirdness seems a bit vague, I know, but how else do you categorise a song dedicated to avocados? There’s nothing complicated about the music either; it’s crossover at its three chord songs simplest. But it’s endearing in its simplicity. Won’t win awards, but you will enjoy it.
Try before you buy: Gimme Avocados (Bandcamp)

Cartilage – It’s Necrotic
(Death metal – United States of America)
Self-released – 2015/06/14


It’s always a fantastic thing to hear a band that are obviously gore obsessed, but don’t slam their way through their tunes. It takes me back to death metal’s roots. The three tracks on display here are toe-tappingly and headbangingly catchy. They clearly don’t see any problems with making songs about blood clots into enjoyable experiences. And neither do I. It left me with an ear to ear grin and the need to blast it louder on repeat.
Try before you buy: Dialect of the Dead (Bandcamp)

Christophobia – As vozes daqueles que sucumbiram
(Black metal – Brazil)
Self-released – 2015/08/02


This is delightfully lo-fi. The fuzz and the crackles add a sense a claustrophobia to the production. But here’s the thing; this isn’t a raw black metal album. It eschews the trve kvlt über alles tropes that dominate the raw end of the spectrum and instead focuses on actual melody. This combination of low fidelity production and high quality songwriting makes for an entertaining and engaging listen.
Try before you buy: Crociffigere il Bastardo (Bandcamp)

Dawn of Dissolution – Nightfrost
(Blackened powerdeath – United States of America)
Self-released – 2015/08/22


Kind of envious of Houston’s metal scene at the moment. Dawn of Dissolution is yet another damn entertaining band from Texas’ biggest city and they do it in a way that shouldn’t work. Combining blackened death and power metal shouldn’t sound this good. But those guitars just roll in and lay out menacing riff after menacing riff in the most upbeat way imaginable. Gauntlet thrown: I challenge you to not like this.
Try before you buy: Frozen Conquest (Bandcamp)

Dowrr – Demo Tape
(Metallic hardcore – United States of America)
Self-released – 2015/08/10


Metallic hardcore? Why not metalcore? Because Dowrr have nothing to do with that shitty genre, so I won’t use the shitty portmanteau. Pretty sure this is the most hateful hardcore I’ve heard, possibly ever. They play like they want to shatter every bone in your face, then take your wallet, then break what’s left of you. The lyrics are barked and spat out with maximum contempt. It’s fantastically nasty.
Try before you buy: Misfortune (Bandcamp)

Evenstate – Inside
(Progressive metal – Netherlands)
Self-released – 2015/07/25


I’ll call this progressive ore. It’s metallic rock. And Dream Theater has thoroughly colonised this space, pushing all others to the fringes. Evenstate do a damn good job of taking some space back. They are at least proximate to the technicality and ingenuity of New York’s finest. And what they lack, they make up by having a vocalist who has the big brass blast of Shirley Bassey. She’s fantastic.
Try before you buy: Chosen One (Bandcamp)

Fear Factory – Genexus
(Industrial metal – United States of America)
Nuclear Blast – 2015/08/07


It’s been a while since I’ve checked in with FF. I mean, they’re hardly the same band whose last minute cancelation started a riot circa Demanufacture. No way known they could generate that level of passion anymore. But that doesn’t make Genexus a bad album. In fact, it’s surprisingly solid. Energetic riffs and machine-line drumming are well delivered. Burton’s reliance on his croon didn’t piss me off this time either. It’s not great, but it is good.
Try before you buy: Soul Hacker (YouTube)

Fractal Generator – Apotheosynthesis
(Atmospheric death metal – Canada)
Self-released – 2015/07/21


I was wondering what they meant when they self-described as atmospheric death metal. Now I know; it’s a version of techdeath that’s had some of the complexity taken out and the rest turned askew. The important thing to bear in mind is that they perform at a very high standard. As much as their take on death is different, they haven’t made it too odd to be accessible. Nine solid tracks of good times.
Try before you buy: Paragon (Bandcamp)

Ghost – Meliora
(Heavy metal – Sweden)
Loma Vista Recordings – 2015/08/21


Not every band treading the left hand path need to sound like they’re marching to war, axe in hand, for their dark master. Ghost sound like they’re spooning Satan after a particularly torrid tryst. And while I doubt they will ever truly recapture the majesty of Opus Eponymous, their work is still of amazingly high quality. Meliora, in particular, is hard rockin’ for the devil, with nods to AC/DC, Van Halen, and others. Damnation’s good time soundtrack.
Try before you buy: Cirice (YouTube)

Goblin Hovel – Loveless, Loreless, Lost
(Metallic folk – United States of America)
Self-released – 2015/08/19


A dark and thoroughly austere take on the folk genre, with just enough goblin-esque croaks in the vocal department to keep it connected to metal. This is bleak stuff. It makes sense when you take into account the album’s eschatological themes. But the austerity of it, with its grave tempos and dirge-like melodies, makes it a tough listen. And that’s coming from someone who loves doom. It’s just such a miserable album.
Try before you buy: Stifled Song (Bandcamp)

Krallice – Ygg Huur
(Avant-garde black metal – United States of America)
Gilead Media/Avantgarde Music – 2015/07/30


Krallice is one of those bands I believe everyone interested in black metal should know. Their take on the genre, somewhat paradoxically, uses the standard tropes while remaining truly unique. Ygg Huur is less monolithic than their earlier albums. It’s like they set the great beast in motion many years ago and it’s finally rumbled to full speed. And now it can’t be stopped. An immovable object given irresistible force.
Try before you buy: Over Spirit (Bandcamp)

Kriegszittern – Frostbite
(Death metal – Germany)
Self-released – 2015/08/16


Primitive as Australopithecus’ aunt, Frostbite comes straight at you, as though you’re food for its ravenous maw. It’s an excellent example of the direct approach paying dividends. The three track demo opens and closes with raw aggression, complimented by smatterings of crust punk vitriol. Sandwiched in between is a slower track, focussed heavily on lingering malevolence. There is no compromise here.
Try before you buy: Primitive Instinct (Bandcamp)

Leprous – The Congregation
(Progressive metal – Norway)
InsideOut Music – 2015/05/25


Reflective in a depressed and almost bitter fashion, The Congregation undoubtedly lacks the immediate punch of its predecessor, Coal. That lack of immediacy does nothing to undermine the depth of emotional maturity that has gone into this record. The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos. As delicate and beautiful as the finest crystal.
Try before you buy: The Price (YouTube)

L.O.T.I.O.N. – Digital Control and Man’s Obsolescence
(Industrial punk – United States of America)
La Vida Es Un Mus Discos – 2015/07/31


Landing in the middle ground between Napalm Death and Atari Teenage Riot, Digital… leaves an impact crater with its intensity. The amazing thing is, despite the aforementioned shout-outs and undeniably industrial nature, it retains its character as a true punk album. In your face and unashamedly political, they capture that revolutionary zeal that all non-apathetic punk should have.
Try before you buy: Fukushima Fallout (Bandcamp)

No Form – No Form
(Noise punk – United Kingdom)
Reagent Records/Muscle Horse Records – 2015/06/02


Jarring and antagonistic, No Form’s self-titled 12″ is a confronting experience. The first four tracks fly past in a blur of discordant aggression. But then it opens up. The fifth and final track is a seven minute, free-form explosion of punk at its most creative. It changes the entire dynamic of the release. The first four tracks aren’t mindless assaults on the ears; they are priming you for a revelatory experience.
Try before you buy: Side B (Bandcamp)

Royal Thunder – Crooked Doors
(Rock – United States of America)
Relapse Records – 2015/04/07


Bluesy and soulful, Royal Thunder bring a thoughtful approach to the classic rock sound. Crooked Doors shows how traditional rock norms can be played with to make the genre sound fresh. Powerful hooks are interwoven with lilting laments and all the while Mlny delivers one of the strongest rock vocal performances since Skin. Underscoring it all is a lingering psychedelia. There’s a many-layered majesty to it.
Try before you buy: Forget You (YouTube)

Shining – IX: Everyone, Everything, Everywhere, Ends
(Suicidal metal – Sweden)
Season of Mist – 2015/04/20


There’s a reason I hold Shining and Kvarforth up on a pedestal. Unlike the rest of the dsbm world, who force their demons to conform to the constraints of black metal, Shining force their music to comform to Kvarforth’s numerous demons. This is the ninth full length in the canon and it’s my favourite since Halmstad. It’s deeply personal and extraordinarily troubling but not at all alienating. As dark and inviting as the grave.
Try before you buy: Människotankens Vägglösa Rum (Bandcamp)

Skullreader – The Origin of Doubt
(Black metal – United States of America)
Open Casket Cassettes – 2015/03/10


I have a certain respect for bands that go straight for the jugular. Hold nothing back, take no prisoners, no fucking around, no bullshit. It’s an all or nothing approach that, even if it misses its mark, you’ve got to admire. Skullreader somehow take this further. It doesn’t just go for the jugular; it goes for the femoral too. Pretty sure they dig at the aorta too. Non-stop violence from go to whoa.
Try before you buy: Vengeance and Prophecy (Bandcamp)

The Unchaining – To the Peaks
(Black metal – Italy)
Self-released – 2015/08/13


I’m coming to the conclusion that it’s better to be terrible than it is to be forgettable. At least being terrible engenders a genuine, albeit negative, emotional response. Forgettable material is simply lost to the ether. To the Peaks is regrettably forgettable. The music is on the mark for black metal, as are the vocals. But there is nothing new here. It’s just the same trite darkness rehashed by yet another act bound to genre stereotypes.
Try before you buy: A Sea of Storms (Bandcamp)


May 2015 Review Round Up

May came and went in a flash. As I write this, I can hardly believe that it’s almost been a full 31 days. A steady stream of good tunes helped the time fly I guess.

Top of the tree is Prurient’s Frozen Niagra Falls. It has been the only release this year (and in a long time) I have listened to every day since receiving it. And I’m going to keep listening to it. The whip-cracks of static, snarls of feedback, and evocative loops are expertly crafted into an album of momentous heft.

Invertebrate takes out the honourable mention in a close contest. Powerviolence is a curious beast sometimes, but Regression/Devolution tries to simplify things by trying to be the most aggressive thing you can listen to. It may well be that, as hostility pours out of every note.

As an aside, I may not do live reviews, but I have to mention the joy that was seeing Opeth again. They are one of metal’s great live acts. They can play anything from their back catalogue to utter perfection. Even technical difficulties don’t stop them from being hugely entertaining.

Feel free to drop by Facebook with comments or feedback.

See everyone next month.

Album of the Month
Prurient – Frozen Niagara Falls
(Noise – United States of America)
Profound Lore Records – 2015/05/12


This. Is. Stunning. I never in my wildest imagination thought I would hear a noise album so immaculate. Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling. Harsh noise, industrial, and ambient are seamlessly interwoven to create enthralling soundscapes that beguile the listener even in spite of their severity. It’s a double album that demands to be experienced. Give it your undivided attention.
Try before you buy: Cocaine Daughter (Bandcamp)

Honourable Mention
Invertebrate – Regression/Devolution
(Powerviolence – United States of America)
Self-released – 2015/03/26


I suppose you’re interested in tunes that can reasonably be described as music. Well, you’re out of luck. Or maybe noise is your thing? Nope. Perhaps you’re thinking you should write this off as unlistenable shit? Dead wrong. I’m not exactly sure how Invertebrate crammed so much middle finger into these tracks, but however they did it they made sure to say “FUCK YOU!” to everybody and everything, including your expectations. Best pv in a long time.
Try before you buy: Fuck Punk, Fuck Grind, Drive Scion(Bandcamp)

The Rest in Alphabetical Order
Alder Glade – Demo II
(Black metal – Australia)
Auris Apothecary – 2015/05/14


How good is this band? Two demos in and I’m hard pressed to think of any other up and coming black metal act with this much promise. I’m especially impressed given it’s a one man act. The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal. It’s music for mangroves in nuclear winter. Glad to see they got picked up for physical distribution.
Try before you buy: Obsidian Death (Bandcamp)

Bosse de Nage – All Fours
(Black metal – United States of America)
Profound Lore Records – 2015/04/14


It’s a tough album to review. I get the artistic vision. I understand what they trying to convey. The dark eroticism is impossible to miss. And the message is conveyed through excellent musicianship. But in spite of this, I’m still left nonplussed by the whole affair. For me, at least, I found the album to be emotionally sterile. I could take it in, analyse it, and debate its merits, but I couldn’t enjoy it. It’s an album very strong on technical merit, but light on soul.
Try before you buy: Washerwoman (Bandcamp)

Cloak – Succumb
(Bastard metal – United States of America)
Transylvanian Tapes – 2015/03/11


Cloak sounds like it was spawned in some sort of horrible orgy involving the black, death, and doom metals with some dirty punks jumping in on the sleaze. It’s possessed of grimy malevolence that can only come out of combining so many dark elements. To my ears it’s a little bit disjointed, which I suspect is a stylistic choice, but it does make it a difficult listen from time to time. But when it comes together, it’s a crushing nightmare of relentless evil.
Try before you buy: Roman Shower (Bandcamp)

Constant Fear – Dronekill
(Powerviolence – United States of America)
Video Disease Records – 2015/02/26


I was stuck in horrendous traffic while I was blasting this, so I was able to get real familiar with it. It was also great for venting the road rage. But it is definitely a hit and miss affair. More hits but not by enough to discount the misses. The hits are distinct bursts of anger with some interesting stylistic flair. The misses are interchangeable blobs of disaffection; pissed off for sure, but in a who gives a shit sort of way. I’ll keep an eye on them though. At their best, they’re brilliant.
Try before you buy: I Will Haunt You Forever (Bandcamp)

Drudkh – Борозна обірвалася (A Furrow Cut Short)
(Black metal – Ukraine)
Season of Mist – 2015/04/20


Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. Given the state of Ukraine at the moment, it’s probably no great surprise that the music leans away from songs for the forlorn and broken spirit and towards violence, victory, and the toll that both require. They have a mastery of tone that is almost unrivalled in black metal. Each track vigorously grabs the listener and drags them deep into whatever hell the song is crafting.
Try before you buy: Dishonour I (Bandcamp)

Ekranoplan – Ekranoplan
(Crust – Germany)
Narshardaa – 2015/05/08


This gives me the same warm, fuzzy feeling deep in my guts that Trap Them gives me. They’re not exactly in the same ballpark, sonically, but they are at least playing the same sport. And by sport I mean ultra-aggressive metallic punk played with the intensity to intimidate and the talent to be memorable. The five songs are a genuine tour-de-force that highlights all that is right with the genre, but retains a diversity that shows that they still have room to grow.
Try before you buy: Pressure (Bandcamp)

Faith No More – Sol Invictus
(Alternative – United States of America)
Reclamation Records/Ipecac – 2015/05/19


I’m not in the least bit disappointed by this. It’s a damn fine album. It doesn’t change the fact that it’s exactly the sort of album you would expect from Faith No More. I can overlook the lack of surprise, as the album’s eclectic nature allows the listener to truly experience the depth of the band’s talent. In many ways it’s hard to believe that there’s been 18 years between albums. It’s the logical follow on from Album of the Year. Consistency is a fine thing when you’re talented.
Try before you buy: Motherfucker (YouTube)

Feign – Lost to Eternity
(Black metal – United States of America)
Self-released – 2015/01/11


Got to be a bit cautious with one man black metal projects. They can be either a testament to clarity of vision or a colossal victory of ego over talent. Fortunately, Lost to Eternity is the former. There’s a coldness and despair conveyed throughout this three track demo that, despite the potential for cliché, remains unique. That is a significant achievement. It’s not a bit of wonder a label has scooped Feign up. The ability to tread new ground here is not to be sneezed at.
Try before you buy: Lost to Eternity (Bandcamp)

G.L.O.S.S. – Demo
(Punk – United States of America)
Not Normal – 2015/01/16


Girls Living Outside Society’s Shit. Based on their long form title, it should come as no surprise that G.L.O.S.S. play anarchofeminist punk. And it’s a rabble rousing good time too. Five no nonsense tracks loaded with idealogical invective. It’s abundantly clear that they are as well read in feminist theory as they are skilled with their instruments, as each track conveys a strong point punched home by quality musicianship. Good to see on message punk still exists.
Try before you buy: Masculine Artifice (Bandcamp)

The Nepalese Temple Ball – Arbor
(Doom metal – United Kingdom)
Self-released – 2015/05/23


Everyone knows the tale of Icarus. Wax wings, too close to sun, grizzly death. Of course you know it. The Nepalese Temple Ball are the Daedalus of doom. They soar, but do it safely and, as a result, are not the memorable force they could be. Sure, Icarus burnt out spectacularly, but you remember him. That’s the problem here, as Arbor is a perfectly fine album for doom enthusiasts, but it doesn’t push the envelope. It could be great, but settles for fine.
Try before you buy: The Axeman (Bandcamp)

Ósserp – Sang i Sutge
(Death metal – Spain)
Kremón Records – 2015/04/28


I listen to much of my reviewable material while I’m driving and, truth be told, I wasn’t exactly in a death metal mood when I hit the ignition. Sang i Sutge put me in mood. Violently shoved me into it really. It’s a brutal sounding album without being loaded with slam. It helps that there are dustings of grind throughout, so it maintains an aura of imminent violence. Killer performances by all involved ensure the band successfully cultivates this environment of hostility.
Try before you buy: Bèstia cega (Bandcamp)

Öxxö Xööx – Nämïdäë
(Gothic doom metal – France)
Blood Music – 2015/05/26


As much as this is definitely a gothic doom album, it also owes a great debt to Devin Townsend. The ridiculous pomposity of the album is as over the top as it is oddly endearing. The whole made up language thing is a little bit silly, but it still works. The atmosphere they craft is consistently engaging. The synthesisers and the guitars ebb and flow like surging tides. And they get the interplay between the vocalists just right. It’s completely daft, but totally worth it.
Try before you buy: Därkäë (Bandcamp)

Tales from Beyond – Putrid Realm
(Death metal – Serbia)
Self-released – 2015/05/17


I love Jane Dark, but they are on hiatus. A few of the members got together to form Tales from Beyond though. I actually prefer Tales from Beyond. It’s a tight contest, but the whispers of blackened thrash add an extra dimension to their Morbid Angel-esque heaviness. They’re not ground breaking, but you don’t need to be a trailblazer when you’re capable of delivering entertainment with every single track. It’s an album that reminds you why you love death metal.
Try before you buy: Psychosis (Bandcamp)

UFOmammut – Ecate
(Doom metal – Italy)
Neurot Recordings – 2015/03/30


Ecate is all about the fuzziest doom you can possibly comprehend. It’s loaded with that warm, tripped-out feeling that only comes with psychedelics. The riffs are deliciously heavy and the rhythms are thunderous bong rips. It does suffer a little bit from self-indulgence; some movements last fractionally longer than they probably should. Don’t let that put you off too much. The sheer weight of the stoned out jams more than justify the asking price. UFOmammut do heavy so well.
Try before you buy: Chaosecret (YouTube)

Undersmile – Anhedonia
(Sludge metal – United Kingdom)
Black Bow Records – 2015/04/01


This is slow. Unbelievably slow in fact, and yet, it doesn’t qualify as drone nor as funeral doom. It, simply put, is earth shaking doom with a solid love for the breeve. It’s a depressing album. It shares that sense of genuine hurt that SubRosa have, but where they have a certain resinous bongness, Undersmile prefer to slow down as much as they can to truly let the pain set in. I’m pretty sure the entire album has fewer notes than a Slayer solo. It takes skill to make that work.
Try before you buy: Atacama Sunburn (Bandcamp)


Releases of the Year for 2014

It’s finally here. A bit later than most annual lists, but I stand by my policy of waiting to review everything. Some amazing albums turned up late in the year and no list would be complete without them.

I’ve put the list together differently this year. Last year’s list was just a collection of my previously unreleased reviews. Reposting old reviews didn’t seem right, so I went back, relistened to everything, and tried to reflect on the year.

So without further adieu, here’s my best of 2014.

Album of the Year
Sólstafir – Ótta


Season of Mist – 2014/08/29

What I said then: If you can’t appreciate the wonder of this album, I weep for you.
What I say now: This album really does improve with every listen. By the time I’m two tracks in, I’m already choked up. It’s raw and devastatingly emotional, but it’s so beautiful I will take the pain.

Some Other Top Things Worth Mentioning
Best Live Act: Death Angel

I saw these guys supporting Kreator. They completey blew their Teutonic compatriots off the stage. I haven’t been so thoroughly entertained by a band for a long, long time.

Best cover art: Among the Ranks of the Unconquerable by Ola Larsson

It’s a remarkably evocative piece of art, perfectly suited to its album. It doesn’t just convey a sense of palpable darkness; it conveys the futility of even attempting to fight it.

My Other Picks for 2014
2) Primordial – Where Greater Men Have Fallen


Metal Blade Records – 2014/11/25

What I said then: Few bands can do what Primordial do; fewer still could match this effort.
What I say now: I really didn’t expect another album to muscle its way into the top three, but underestimating Primordial was foolish on my part. Awe inspiring and heart wrenching in equal measure.

3) Triptykon – Melana Chasmata


Century Media Records – 2014/04/14

What I said then: [The] album is replete with the seething contempt and haunting introspection that make his work so engaging.
What I say now: The darkness only deepens the more you listen to it. Hardly a surprise though. Triptykon are masters of the inky depths. Few bands can juggle beauty and despair this well.

4) Wolves in the Throne Room – Celestite


Artemisia Records – 2014/07/08

What I said then: It takes alienation and isolation, and makes them beautiful.
What I say now: Easily the most soothing release on this list. I can lose myself in their ambience for a long time, reclining into their subtle blend of delicacy and tension. It’s a thing of beauty.

5) Opeth – Pale Communion


Roadrunner Records – 2014/08/24

What I said then: Rich, evocative rhythms are woven through with striking string passages and delicate accoustic movements, creating sumptuously dark listening experience.
What I say now: I figured Pale Communion might have lost some lustre over the passing months. Wrong. Very wrong. It drew me in as easily now as it did when it was released in August.

6) Swans – To Be Kind


Young God Records – 2014/05/12

What I said then: That an album can be so dense and seemingly impenetrable, but be utterly compelling is a mark of true genius.
What I say now: It admittedly isn’t an album I’ve returned to often, but that’s because every time I start, I’m compelled to listen to it in its entirety. It’s an album that demands to be experienced.

7) Wovenhand – Refractory Obdurate


Deathwish Inc – 2014/04/29

What I said then: Just as the band deftly tiptoes around classification, so too do the songs dance gracefully across the emotional spectrum.
What I say now: Wovenhand really have put together something wonderful. It’s contemplative in a way that shouldn’t be possible given the album’s pacing. Excuse me while I rock out while meditating.

8) Trap Them – Blissfucker


Prosthetic Records – 2014/06/10

What I said then: You are pummled with fury and defiance, and yet, track by track, desperation and exhaustion creep in.
What I say now: The fury of this album is still the chief selling point of this album. Lots of bands do angry; few do it with the absolute lack of restraint on display here. Relentless, malicious abandon.

9) Devin Townsend Project – Z²


HevyDevy Records – 2014/10/28

What I said then: This double album hammers home both Townsend’s talent and his bizarreness.
What I say now: Devin Townsend makes his music so damn easy to listen to. It’s big and bombastic, successfully filling any empty space in your mind with ridiculously good music.

10) Decapitated – Blood Mantra


Nuclear Blast – 2014/09/26

What I said then: Blood Mantra is polished death metal perfection, delivering non-stop pummelling action.
What I say now: The polish has endured; not a hint of tarnish to be seen. It remains an album that blows you away from the moment you press play. It deserves it’s ‘2014 best death’ crown.

11) Various Artists – One and All, Together, For Home


Season of Mist – 2014/05/23

What I said then: Serious, moving, and proof that black metal can have some pride without going full Varg.
What I say now: The contributing artists clearly throw everything into these songs, as the raw emotional heft remains as potent today as it was in September. Best compilation in years.

12) Agalloch – The Serpent & the Sphere


Profound Lore Records – 2014/05/13

What I said then: The rhythms and melodies flow with a natural progression that turn lengthy songs into meaningful reflective experiences.
What I say now: The Serpent & the Sphere is the model modern black metal album. It doesn’t piss away its energy with mindless fury; rather, it cultivates a mature, yet devastating ambience.

13) At the Gates – At War With Reality


Century Media – 2014/10/27

What I said then: They have released an album that sounds exactly like it came out of the creative high-point they were in for Slaughter of the Soul.
What I say now: The comparison to Slaughter of the Soul may have been a whisper generous, but this is still some of the best melodeath out there. Easily the best thing out of Gothenburg for a long time.

14) Winterfylleth – The Divination of Antiquity


Candlelight Records – 2014/10/07

What I said then: The guitars are furious but clockwork precise, the drums are captivating in their intricacy, and the vocals have a nuance rarely seen in black metal.
What I say now: Winterfylleth improve with every album they do. And The Divination of Antiquity is far and away their best effort to date. Technically proficient and emotionally mature metal.

15) Death Fortress – Among the Ranks of the Unconquerable


Fallen Empire Records – 2014/11/15

What I said then: Their take on darkness is a contagious invocation of malice and domination, infecting your soul with hatred most profane.
What I say now: When it starts, you wonder what you’ve gotten yourself into. By the end, you’re pretty sure you can’t live without it. Congratulations, Death Fortress has recorded damnation.

16) Mayhem – Esoteric Warfare


Season of Mist – 2014/06/06

What I said then: It’s easily the best thing they’ve done since they defined the genre all those years ago.
What I say now: Alienation and obliteration. That’s what Esoteric Warfare serves up. This isn’t just Mayhem; this is Mayhem at their most ruthless. Which is a terrifying thought.

17) Plebeian Grandstand – Lowgazers


Throatruiner Records – 2014/03/31

What I said then: It’s a combination of avant-garde darkness and technical fury that creates an atmosphere of relentless misanthropy.
What I say now: That it sounds like a combination of blackened horrors, Deathspell Omega, and jazz metal weirdos, Shining, is reason enough to get this. It remains a dark revelation.

18) Grand Magus – Triumph and Power


Nuclear Blast – 2014/01/31

What I said then: Triumph and Power has everything you could possibly want in a metal album: anthemic choruses, towering solos, fist-pumping rhythms.
What I say now: It’s an album I have listened to a lot this year. I keep on getting the itch and it can only be scratched by Grand Magus’ particular brand of metalness. Rousing good times.

19) Earth – Primitive and Deadly


Southern Lord – 2014/09/01

What I said then: It can bring a tear to the eye while simultaneously destroying speakers.
What I say now: Sublime in its contemplativeness, Primitive and Deadly is an album that, four months on, is already demonstrating that it will stand the test of time. Irresistible and immovable.

20) Horsehunter – Caged in Flesh


Self-released – 2014/09/30

What I said then: Even the weakest track on the album will kill the competition.
What I say now: Horsehunter justifiably took home the crown for best self-released title for the year. What they’ve done on their own, most of their labelled genre-mates couldn’t hope to achieve.

21) Pallbearer – Foundations of Burden


Profound Lore Records – 2014/08/19

What I said then: It draws you in and keeps you nestled in its heart.
What I say now: Pallbearer have put together a benchmark album here; it’s the album by which they, and many others, shall be judged from here on out. It’s a defining moment in quality doom.

22) Gnaw Their Tongues & Alkerdeel – Dyodyo Asema


ConSouling Sounds – 2014/01/01

What I said then: Be transported to a scene of abject horror.
What I say now: Sweet Jesus, this is bleak. I’m used to Gnaw Their Tongues’ brand of horror, but the introduction of Alkerdeel’s maddening sludge took this to an unexpected realm of darkness.

23) Mastodon – Once More ‘Round the Sun


Reprise Records – 2014/06/24

What I said then: It’s a beautiful expedition into progressive expanses, that is challenging, uplifting, and hard rocking.
What I say now: There was a 50/50 chance I was going to return to this and feel let down. But I wasn’t; it’s held up over the passing months. It remains an album dedicated to rocking the great riff.

24) 铁骑 [Tengger Cavalry] – 远古呼唤 / Ancient Call


Metal Hell Records – 2014/02/01

What I said then: Ancient Call is more blackened than their last album, but it is still an utter joy to listen to.
What I say now: I fretted that maybe Tengger Cavalry were, dare I say it, a one trick pony. But I can’t argue with results. They put out consistently high quality blackened folk that begs to be heard.

25) Woundvac – Woundvac


Self-released – 2014/02/25

What I said then: Woundvac’s self-titled debut is the sound of emerging from a mosh pit, covered in sweat and blood (not all of it mine), nose busted across my face, spitting teeth, and smiling like a madman.
What I say now: Why did I rate this so highly? Oh yeah. That’s right. It kicks the living shit out of everything in sight. It’s easily the best pure grind album in a year populated with excellent grind releases.

26) Blut Aus Nord – Memoria Vetusta III: Saturnian Poetry


Debemur Morti Productions – 2014/10/10

What I said then: It’s an album that, knowing it already speaks to the other, seeks to engage rather than alienate.
What I say now: I’m glad that this is another addition to the Memoria Vetusta series. As much as I love Blut aus Nord’s more avant-garde material, what they do with trad black metal is amazing.

27) Lord Mantis – Death Mask


Profound Lore Records – 2014/04/29

What I said then: Death Mask is a concentrated mass of metastasised malignancy.
What I say now: It hasn’t so much aged like fine wine as it has putrefied like a corpse in a swamp. It was nasty when I first got it and has somehow grown into something much worse in the interim.

28) Eyehategod – Eyehategod


Housecore Records – 2014/05/27

What I said then: Thanks to Hurricane Katrina and their own personal demons, the notorious sludge lords truly have been through hell and back, [which] has translated directly to their music.
What I say now: I enjoyed revisiting this. I had forgotten just how punk it was. Unmistakably metal, don’t get me wrong, but still punk as fuck. It makes an already grimey band sound extra dirty.

29) End Silence – The Waters


Self-released – 2014/09/19

What I said then: Everything from the vocalist’s range to the intriguing solos is near perfect.
What I say now: The year’s best thrash album, right here. The fact that it doesn’t play to either the traditional thrash tropes or a frat house mentality helps. That it kicks ass is more important.

30) Rotten Soil – Los Caretas


The Olmo Records – 2014/06/02

What I said then: Aside from the in your face immediacy, Los Caretas succeeds in combining hardcore rhythms with death metal tuning in a way that few of their genremates do.
What I say now: I continue to be a huge fan of their deathcore for the attention deficient. The album snaps by a breakneck speed, but still somehow allows the music room to breathe.

31) Tombs – Savage Gold


Relapse Records – 2014/06/10

What I said then: Densely symbolic. Thematically complicated. Tantalisingly unknowable.
What I say now: I have always been a fan of Tombs’ smart metal. I love to be challenged intellectually by music. Savage Gold takes the intellectual approach and adds extra layers of nasty.

32) Lxs Jugadxs – Demo 2014


Self-released – 2014/07/02

What I said then: There is more to this than naked rage; there’s something darker in there, possibly grief, possibly melancholy.
What I say now: A grimey grindcore nasty, Lxs Jugadxs’ most recent demo stands as a firm reminder that some of the world’s best grind comes from deep in the underground. ¡Viva grind!

33) The Haunted – Exit Wounds


Century Media Records – 2014/08/25

What I said then: This is a seemless blend of thrash and melodic death metal, keeping the invigorating energy of the former and the naked aggression of the latter.
What I say now: The simple joy of Exit Wounds makes you wonder why they’re the only ones nailing it. It has a familiarity that allows you to drop staight in at the deep end of the mosh.

34) Alcest – Shelter


Prophecy Productions – 2014/01/17

What I said then: The end result is a sun-drenched journey through the ether.
What I say now: Neige’s full embrace of shoegaze is a welcome thing. I loved his previous trvegaze work, but Shelter is a step apart. It allows his dreams to bloom out of the shadow of nightmare.

35) Nachtmystium – The World We Left Behind


Century Media – 2014/08/05

What I said then: Bitterness, regret, and occasional self-pity make for a surprisingly honest outcome.
What I say now: Blake Judd may have gone out of his way to act like a colossal, steaming turd, but that’s no reason to take it out on The World We Left Behind. It’s a striking, stark beauty.

36) YOB – Clearing the Path Ascend


Neurot Recordings – 2014/08/29

What I said then: Another fantastic addition to Yob’s already outstanding catalogue of American heaviness.
What I say now: As ominous and oppressive as a looming thunderstorm, Clearing the Path to Ascend is a literal embodiment of doom. It has some rough edges, but that’s not a bad thing.

37) Panopticon – Roads to the North


Bindrune Recordings – 2014/08/01

What I said then: Roads to the North is absolutely coruscating black metal that incorporates Southern song structure and fiddles in a way that pays due homage to the band’s Kentucky heritage.
What I say now: I’m willing to add Panopticon to the list of bands that get heritage metal right. Right up there with Primordial, Winterfylleth, and Drudkh. Heartache and fury abound.

38) Ancient VVisdom – Sacrificial


Magic Bullet Records – 2014/10/28

What I said then: It sounds fantastic and feels like you are having your own damnation broadcast directly to you.
What I say now: Coming across as less folksie and more like a lower, slower Ghost (B.C.) has worked wonders for the band. It sounds like they actually have forward momentum again.

39) Ofghost – Eeva


Self-released – 2014/08/01

What I said then: The driving rhythms speak to a post-humanity environment; mankind is dead and this is the music of the machines.
What I say now: I’ve heard lots of industrial influenced black metal in my time, but Ofghost’s synthesised approach sets it apart. It adds some novelty to a genre that is normally far too staid.

40) Shores of Null – Quiescence


Candlelight Records – 2014/03/24

What I said then: You don’t often get to associate the word ‘beautiful’ with death metal, but that’s what Quiescence is: beautiful death metal.
What I say now: This is somewhat more aggressive than memory served. But so it should be. I remembered the excellent gothic parts, but I needed the reminder of how kickass the death passages are.

41) Außerwelt – Our Lives Out of Balance


Self-released – 2014/09/21

What I said then: It truly is a remarkable ep; every listen unearths something new, nuances in song structure that, while not immediately noticeable, make every song completely and truly vital.
What I say now: As much as I love Our Lives Out of Balance, I still feel I’ve underrated it. It plays with black metal tropes like a cat with its prey. It sounds familiar but is remarkably different.

42) Black Khox – Akab


Self-released – 2014/04/20

What I said then: Once the sample fanfare ended and the rock started, I was left with an ear to ear grin.
What I say now: There’s way more fun contained here than should be legal. I’m sure some will say it needs more polish, but they’re the sort of people who think no social event is complete without doilies.

43) Vermin Womb – Permanence


Throatruiner Records – 2014/09/01

What I said then: Its merciless, pitiless, remorseless blast-driven beat underscores some of the nastiest guitar work I’ve heard this year.
What I say now: Permanence goes way past nasty. This is the sonic equivalent of violently hate-fucking in filth. It’s hateful, malicious, and contemptuous. It would kill you if it could.

44) Old Man Gloom – The Ape of God


Profound Lore Records – 2014/11/11

What I said then: Much like a mad emperor, it effortlessly commands you, but you cannot be at ease.
What I say now: The decision to write fewer tracks but make them substantially longer paid dividends. This isn’t only the superior Ape of God; this is an outstanding album in its own right.

45) Twilight – III: Beneath Trident’s Tomb


Century Media Records – 2014/03/17

What I said then: Twilight is black metal that embodies the death of light of their namesake phenomena.
What I say now: It’s a crying shame that Twilight have gone their separate ways, as they improved with every release. Beneath Trident’s Tomb is sinister black metal performed at the highest standard.

46) Anopheli – A Hunger Rarely Sated


Self-released – 2014/04/24

What I said then: The combination of harsh, crusty guitars and more elegant string sections create an e.p. that is beautiful in its anger, furious in its eloquence.
What I say now: It still seems somewhat antithetical for a crust album to not be 100% grimey, but credit to Anopheli, they have successfully incorporated lighter, cleaner elements without losing impact.

47) ACxDC – Antichrist Demoncore


Melotov Records – 2014/06/24

What I said then: The sheer level of audio violence crammed into these twenty odd minutes is truly inspiring.
What I say now: Wild and anarchic, I had forgotten just how punishing this album was. There is no safe volume level for this. Played at one, it’ll start a fight. At eleven, it’ll start wars.

48) Amnesian – No Atonement


Self-released – 2014/02/08

What I said then: I could easily ramble about the quality of the performers, but I’d rather marvel in the creation of a sound that is distinctly, and uniquely, Amnesian.
What I say now: It may seem a bit low on the list, but I love Amnesian. They approach grind in a way that still seems fresh almost a year after this was released. An amazing new band.

49) Fvck Mountain – Dead Dogs


Self-released – 2014/10/02

What I said then: As I listened to Dead Dogs it slowly dawned on me that I may be listening to the best hardcore release of the year.
What I say now: I was right; it is 2014’s best hardcore release. They strike a balance between technical skill and pure vitriol that is desperately lacking across the genre as a whole.

50) Morbus Chron – Sweven


Century Media Records – 2014/02/24

What I said then: Their music has an otherworldly quality to it now, which allows them to expand their songwriting into progressive territory, while still indulging in the supernatural.
What I say now: Sweven remains a stand out album for straight up death metal. What it trades out in tempo it more than makes up in composition. Swedeath has a bright future here.