June 2018 Review Round Up

June felt like a productive month. I got through a decent amount of albums while making sure everyone got their fair due in terms of attention. Pretty happy about how it all came together.

Some impressive stuff passed through my ears, but the best of the best is Craft’s latest, White Noise and Black Metal. It’s a perfect example of what modern black metal should sound like.

July will hopefully be as good. I’m keen for Deafheaven and Obscura’s new albums.

Hit me up on Facebook if you want. Always up for a chat.

Album of the Month
Craft – White Noise and Black Metal
(Black Metal – Sweden)
Season of Mist – 2018/06/22

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Not a lot of noise going on here, but there are eight tracks of blackened gelid malevolence. It’s a veritable soundtrack for a frolic through the joyless expanse of Cocytus. Too often black metal finds itself trapped within its own tropes, but Craft have taken these tropes and unleashed them in a storm so furious that everything seems new after the destruction wrought.

The Rest in Alphabetical Order
Abstracter – Cinereous Incarnate
(Blackened Sludge – United States of America)
Sentient Ruin Laboratories – 2018/06/08

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When I was a young boy, someone once told me that there was no greater sin, even surpassing the seven deadly sins, than despair, as it meant you believed God was powerless. Abstracter capture this notion of blasphemous misery and turn it loose in an almost weaponised display of sonic might. It’s cacophonous, tumultuous, and savage.

At the Gates – To Drink From The Night Itself
(Melodic Death Metal – Sweden)
Century Media – 2018/05/18

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A slower, more brooding At the Gates is on display here. The anger that has driven their sound to this point has manifested here as smouldering bitterness. It’s not bitter in the sense of hating what their doing. The band still clearly loves performing. It’s bitter about pretty well everything else though. It’s a new plateau of jaded misanthropy.

The Body – I Have Fought Against It, But I Can’t Any Longer
(Avant-garde Metal – United States of America)
Thrill Jockey – 2018/05/11

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Albums like this really highlight the divide between amateur writers, such as myself, and proper music journalists. I just don’t have the vocabulary to do this album justice. It’s ominous. It’s oppressive. It’s sinister as all hell. And bleak doesn’t even begin to describe its emotional darkness. And even with all that laid out, you need to know it goes further and weirder than I can explain.

Funeral Mist – Hekatomb
(Black Metal – Sweden)
Norma Evangelium Diaboli – 2018/06/15

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Not sure if any of you have spent an extended period of time with a crazy street preacher. I have and this reminds me a lot of that experience. An almost overwhelming raging of fevered mania is peppered with moments of terrifying lucidity. It’s the sort of unhinged blasphemous rite that so many black metal acts aspire to, but taken to an extreme beyond expectation.

Genghis Crack – Genghis Crack
(Grindcore – Chile)
House Gore Records – 2018/04/07

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I’m finding South America to fertile ground for excellent grind. From Lxs Jugadxs in Argentina to Kharma in Venezuela, there is a strong trend towards pissed off blasting violence. Feel free to add Genghis Crack to this. I don’t understand all the samples used, but I know anger when I hear it. This is wire garrotte taut and as pummelling as 80s heyday Mike Tyson.

Ghost – Prequelle
(Heavy Metal – Sweden)
Loma Vista Recordings – 2018/06/01

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“Surely the gimmick has worn thin by now?” I hear you asking. And the answer remains no. To be honest, the people in silly masks thing will always be easy to ignore so long as they keep on delivering on quality like they have here. It leans hard into rock territory, making it just as much Bon Jovi as Black Sabbath and that swagger makes it an utter joy to listen to.

Grave Upheaval – —
(Death Doom – Australia)
Nuclear War Now! – 2018/04/15

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I don’t normally enjoy death doom and really only bought this to flex my critical skills. But then it completely kicked my arse. I mean this floored me. It’s so damn heavy that it creates its own atmosphere. It could shatter a diamond. And the vocals sound like a cthonic god slowly tearing into our reality. It’s got me completely turned around on the genre.

Marduk – Viktoria
(Black Metal – Sweden)
Century Media – 2018/06/22

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Marduk is really starting to feel like a spent force. None of their post-Wormwood albums have aged well and Viktoria starts off feeling worse than that. Even when they lean into the controversy surrounding their politics, it feels hollow; it feels like they’re trying to cash in on scandal because it’s all they have left. I know they’re capable of so much more.

Mournful Congregation – The Incubus of Karma
(Funeral Doom – Australia)
20 Buck Spin/Osmose Productions – 2018/03/23

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It might be the clinical depression talking, but I found this to be profoundly soothing. I’m sure that’s not what they were aiming for, but at the same time, it’s not me being critical. It hits that nadir of despair where all of life’s iniquities become a warm blanket, as they allow you to feel something. Anything. It embraces misery in its utter totality.

Necros Christos – Domedon Doxomedon
(Death Metal – Germany)
Sepulchral Voice – 2018/05/18

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I hope everyone is up on their Qabbalistic rituals; pre-Nicean Christian mysticism; and Abrahamic gnosticism, because Necros Christos just assumes you are. For their (alas) swansong they have crafted a complex three disc spiritual meditation that both hyper intelligent and crushingly heavy. I doubt they could have crafted a more fitting farewell. Safe travels, noble initiates; may you find the apotheosis you seek.

Nervosa – Downfall of Mankind
(Thrash – Brazil)
Napalm Records – 2018/06/01

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What you have here is a straight forward thrash album and that needs to be celebrated. It’s not blackened; it’s not crossover; it’s that dying breed of true, fast as hell, angry as a swarm of hornets thrash. It’s a real conflagration of an album too; starts off a bit slow but builds to an intensity that will level whole city blocks and leave a satisfyingly smouldering ruin.

Ritual Necromancy – Disinterred Horror
(Death Metal – United States of America)
Dark Descent – 2018/05/25

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This album earns the critical praise I have seen said of it. And so long as as I’m wearing my critic hat, I’ll recommend it. But as a listener, there’s something not quite to my personal taste here. I think it’s because underneath the blistered exterior of fire and savagery, there’s an unbeating heart of cold, almost alien sterility. It’s uncomfortable to be honest.

Wayfarer – World’s Blood
(Atmospheric Black Metal – United States of America)
Profound Lore – 2018/05/25

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I’m a firm believer that USBM is at its best when it wholeheartedly embraces its American-ness. The gonzo nihilism of Cobalt. Panopticon’s bluegrass/black metal hybrid. And, now, Wayfarer and their desolate, tenebrific distortion of country. There’s no high plains sing-along here. This is all grim paranoia and foreboding cynicism.

Yob – Our Raw Heart
(Doom Metal – United States of America)
Relapse – 2018/06/08

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Despite there being no evidence to back it up, I like to think there’s a competition between Pallbearer and Yob for the USA’s best doom act. And Our Raw Heart puts Yob into the lead. Sure, it’s heavy as a Jovian hell, but it’s the raw emotional heft that makes it such a stunning album. It’s heartfelt, almost touching in places, and bleak without being despairing.

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May 2018 Review Round Up

Hoo boy, June kind of just appeared, didn’t it? Was still hammering out a review or two in the wee hours of publishing day morn. It was a pretty easy month to get distracted by though.

I started the month by travelling to see Ihsahn. As far as I’m concerned he’s one of the great icons of metal and it showed in his live performance. Credit too goes to Direct Touring for matching him up with some great support. Mar Mortuum were frosty and aggressive like black metal should be. The ludicrously good Ylva gave me vertigo through sheer heaviness. And Hybrid Nightmares were so over the top it was pretty well impossible to not enjoy them. But the man himself put them all to shame. Cracking night out.

On that topic of Ihsahn, Àmr is my album of the month. I expect high quality from him. We all should by now. But this is a step beyond. It’s probably the finest album in his catalogue. I’m sure some Emperor purists will disagree, but they should know they’re wrong.

Shout outs go to Altarage and Woundvac for some kick ass merch. Always appreciated when bands do merch in big guy sizes.

I’ll be back next month. As usual, if you have comments or critique, you can hit me up on Facebook.

Enjoy

Album of the Month
Ihsahn – Àmr
(Progressive Metal – Norway)
Candlelight – 2018/05/04

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If you only have one Ihsahn album in your collection, make sure it’s Àmr. It takes all the good things from his previous solo works and distils them down to nine tracks of perfection. It’s technically superb, emotionally vivid, and memorable in a way that defies expectation. From its opening moments I haven’t wanted to listen to anything else. It has completely dominated this month.

The Rest in Alphabetical Order
Amorphis – Queen of Time
(Progressive Metal – Finland)
Nuclear Blast – 2018/05/18

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This is all over the place. I can’t remember another album quite like it to be honest. It has some songs that are contenders for track of the year. It also has a couple of appalling tracks that you just can’t listen to. The production values are universally top notch, so this is all about stylistic choices. And I just can’t fathom how it all came together.

Blood Tsunami – Grave Condition
(Thrash – Norway)
Soulseller Records – 2018/04/27

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Kudos to these mad thrashers. This started life as a four track ep, which they then bulked out with some unreleased material. But for Dungeon of the Rats (originally from For Faen!), I wouldn’t have noticed. It’s real impressive that it sounds so cohesive. Better than cohesive, it’s high quality and entertaining as hell. Quality musicianship from all involved.

Depravity – Evil Upheaval
(Death Metal – Australia)
Transcending Obscurity Records – 2018/04/30

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The toughest albums to review aren’t the great nor the grating. They’re the merely good. And that’s what Evil Upheaval is. Heavy without being crushing. Fast without being blistering. Entertaining without being memorable. And that’s the key point; if you like death metal, you will definitely like this, but don’t expect it to linger in your consciousness.

Drudkh – Їм часто сниться капіж (They Often See Dreams About the Spring)
(Black Metal – Ukraine)
Season of Mist – 2018/03/09

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Following up the terrific A Furrow Cut Short was going to be a tall order, but They Often See Dreams is a resounding success. Invigorated and pissed off, Drudkh’s signature invocation of misery has never sounded so vital. A dark undercurrent of furious energy drives this, never allowing it to settle. The Drudkh renaissance continues.

Ekranoplan – Hypnopædia
(Sludge Metal with a dash of Grind – Germany)
Narshardaa Records – 2018/01/30

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I remember Ekranoplan’s demo being much more of an Entombedcore affair, so this progression was a surprise. While there is still a mighty fistful of HM2 going on, the sound has been built on and enriched by adding aggressive, pounding, High on Fire-esque sludge. It’s not straight up mean; it’s complex layers of mean.

Mesarthim – The Density Parameter
(Black Metal – Australia)
Avantgarde Music – 2018/04/03

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Mesarthim want you to know that if you stare into the void, the void will never stare back. The void does not care that you exist. There is nothing out there but a vast frozen emptiness, occasionally lit by beautiful clouds of radiation capable of flaying flesh from bone and burning bone to ash. Existence is a perilous, bleak, and futile endeavour.

夢遊病者 (Muyūbyō-sha – Sleepwalker) – 一期一会 (Ichi-go ichi-e – For this time only, never again)
(Avantgarde Black Metal – Japan)
Sentient Ruin Laboratories – 2018/05/25

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I have quietly anticipated this album since it was announced. It just seemed so intriguing. It delivered on that promise. It mesmerises as it slowly unveils its many secrets. Such esoteric bleakness really shouldn’t sound this welcoming and warm. And, yet, it’s distant and almost unknowable. This is deliberate, challenging, masterful.

Petrification – Hollow of the Void
(Death Metal – United States of America)
Sentient Ruin Laboratories – 2018/04/23

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I could have been harsh and just written “See review of Depraved – Evil Upheaval”, but that would have doing them an unkindness. What we have here is an album that gives the listener the most tantalising hint of what a live experience would be. It’s evocative of headbanging front rows, circle pits, and windmilling hair. Definitely would see this live.

Serum Dreg – Lustful Vengeance
(Black metal – United States of America)
Vrasubatlat – 2018/04/20

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There’s something about this merciless slab of blackened nastiness that really makes me think of Nachtmystium at their finest. Aside from that being high praise, it comes with the added benefit of being Blake free. It’s more than just aggressive; it has a pervasive, creeping dread that gives it a febrile touch of madness. Sinister at all levels.

Thou – The House Primordial
(Drone Doom – United States of America)
Robotic Empire – 2018/05/01

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Ethereal and beguiling. Bleak and distressing. Horrific and vile. The House Primordial is all these things at once. It creates a maliciously pressurised sonic landscape so catastrophically heavy that light (joy, hope…) struggle to escape it. Thou specialise in these nightmares, but everything on display here still sounds as novel as the freshest hell.

Turbonegro – RockNRoll Machine
(Deathpunk – Norway)
Mercury Records – 2018/02/02

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Something got under the skin of the band in the years between Sexual Harassment and this. Deliberate throwbacks and obvious homages to other rock greats are delivered with their characteristic shit eating grin. It’s like their saying “Didn’t like what we did last time? Want us to only do things how you like it? Fine. RockNRoll Machine beep boop.” And yet, it’s still pretty damn good.

Woundvac – Terrorizing the Swarm
(Grindcore – United States of America)
Self-Released – 2018/05/04

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Listening to this, you might be tricked into thinking that Phoenix, Arizona is some sort of frozen wasteland. Why else would Woundvac need to bring this level of blistering heat? Believe me; this is an absolute scorcher and it rendered me slightly insensible for a bit. So much so that I temporarily forgot the US has other grind acts. It’s that good.

Albums of the Year 2017

Metalshopped is back. I tried to put it behind me, but I just couldn’t. I love metal. And I enjoy writing. So, here I am. Back again.

2017 was solid year for heaviness. A great blend of big label blockbusters and independent gems wended their way through my ears. Some albums you will probably recognise from other end of year lists. Others, I hope, will be completely fresh.

I’ve changed things up a little bit. Instead of a list of 50, I’ve pared it down to 11. Yes. I’m doing a very faint Spinal Tap reference. But every album here deserves the attention and to be turned up to, well, you know. 11. I’m also doing it as a countdown. Best of at the bottom. Gotta give 11-2 their due.

Also going to indulge myself and give out some named awards. They’re going to be a little bit self-explanatory this year, but if I carry them forward it’ll be pretty sweet.

And, the last thing before the best of 2017 kicks off, some housekeeping. I never published my best of 2016, so here it is:

Cobalt – Slow Forever
SubRosa – For This We Fought the Battle of Ages
Swans – The Glowing Man
Inter Arma – Paradide Gallows
Altarage – Nihl
Nails – You Will Never Be One of Us
Revocation – Great is Our Sin
Dälek – Asphalt for Eden
Mizmor (מזמור) – Yodh
Fleshgod Apocalypse – King

And, as usual, there’s a long list of albums I missed. This is a list of most serious regrets for the year:

All Pigs Must Die – Hostage Animal
Amenra – Mass IV
Electric Wizard – Wizard Bloody Wizard
Integrity – Howling, For the Nightmare Shall Consume
Pyrrhon – What Passes For Survival
Power Trip – Nightmare Logic
Tombs – The Grand Annihilation
Ufomammut – 8
Ulver – The Assassination of Julius Caesar
Wolves in the Throne Room – Thrice Woven

So, without further adieu, here’s the best damn 11 albums 2017 sent my way.

11) Hadal Maw – Olm
(Technical Death Metal – Australia)
EVP Recordings – 2017/02/03

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A damn fine example of technical death metal, but not what you might expect. This is less like being torn apart by a visceral assault, and a lot more like the grinding of entropy. Its fretwork is undeniably powerful, but it isn’t afraid to slow down and let the pressure build. Topped off with outstanding vocals, there’s a reason I extended the list to eleven to fit them in.

10) Hummingbird of Death – Forbidden Techniques
(Fastcore – United States of America)
To Live A Lie – 2017/12/01

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Deliciously punk, Forbidden Techniques is like unearthing a hidden gem from the height of 1980s New York Hardcore then trying to play it on a turntable stuck on cyclonic. Tracks fly by in a flurry of beats and barks and grime. Absolutely relentless and, in case you’re unfamiliar with fastcore, blisteringly fast, this is the best way to kill 20 minutes.

The Prurient Award for Best Album that Doesn’t Lend Itself to Easy Reviewing
Prurient – Rainbow Mirror
(Ambient – United States of America)
Profound Lore – 2017/12/01

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Languid yet thoroughly unsettling ambience spread out across 4 cds, this is an endurance test as much as a listening experience. Utterly gruelling, but totally worth it.

9) Heresiarch – Death Ordinance
(Blackened Death Metal – New Zealand)
Dark Descent Records – 2017/07/07

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So, this is war metal. I’ve seen the term. I know about the bands that exemplify the subgenre. But now I get it. This takes the blood-drenched psychopathy of brutal death, combines it with the void-touched malevolence of black metal, then douses itself in a mix of diesel and napalm and self-combusts. It is the raw frequency of total destruction.

8) Friendship – Hatred
(Powerviolence – Japan)
Southern Lord (Vinyl/Digital)/Sentient Ruin Laboratories (Tape)/Daymare Recordings (CD) – 2017/11/03

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Hatred lives up to the powerviolence moniker. It’s anchored by a rhythm section that sounds like a roof collapsing during a cyclone. Make no mistake; it’s immensely powerful and monstrously violent. Over the course of twelve tracks, Friendship whips through blistering tempos and sneers through venomous sludge. No swagger, no bravado, just (as the name suggests) hatred.

7) Enslaved – E
(Progressive Black Metal – Norway)
Nuclear Blast – 2017/10/13

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E. Or as it’s represented by on the cover, Ehwaz. Forward energy and movement, if you believe in the power of runes. An excellent way to simply sum up what Enslaved has produced on this album. It’s more than just their ongoing voyage through the progsphere; there’s an inventiveness to their song construction that makes this a standout.

Mariusz Lewandowski Award for Best Art
Mirror Reaper by Mariusz Lewandowski for Bell Witch

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Looks impressive, doesn’t it? Wait until you see the full spread.

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See? See!? It’s just so majestic. A towering, grim edifice for a haunting, grief-stricken album. Mariusz’ art is truly something to behold.

6) Kreator – Gods of Violence
(Thrash – Germany)
Nuclear Blast – 2017/01/27

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The Teutonic thrash titans’ 14th album is a hellraising good time. From the grandiose opening drum march of Apocalypticon to final epic chords of Death Becomes My Light, it entertains in the most aggressively positive way imaginable. I honestly don’t think any other 2017 album has spent as much time on repeat. Good God, I love thrash and this is why.

5) american – Violate and Control
(The Intersection Between Black Metal and Noise Without Truly Being Either – United States of America)
Sentient Ruin Laboratories – 2017/06/23

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Too often I’ll say an album “hates”; that is not appropriate here. Hatred is far too human an emotion for this nightmare. american makes post-apocalyptic, post-human noise. This is a beast of shattered concrete, burning plastic, and rebar slowly corroding in the blood of humanity long rejected and gone. Monstrous and enthralling in equal measure.

4) Obituary – Obituary
(Old School Death Metal – United States of America)
Relapse – 2017/03/17

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This is an album that keeps the faith in metal strong. It’s proof that a great band, even if it has a down patch, can be great again. No more going through the motions, this self-titled effort proves Obituary are still the kings of Florida Death. It’s their best album since Cause of Death. And Cause of Death is their best album, so that’s high praise indeed.

The Dillinger Escape Plan Memorial Award for Most Kick Ass Live Act
Meshuggah

I feel privileged to have seen two of the most amazing live acts in 2017. But, by the time this will be published, DEP will have jumped off their last stack and smashed their last guitar, so that leaves the sublime, hypnotic, and monstrously heavy Meshuggah to take the crown. And it’s well deserved. The five men on stage perform seamlessly. And their lighting guy might as well be member six, because his contribution is massive. It turned a concert into an audiovisual hallucinatory headfuck.
Here’s a small bit of footage I took at their Brisbane gig to hopefully back me up.

3) Leprous – Malina
(Progressive Metal – Norway)
InsideOut Music – 2017/08/25

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A seamless amalgamation of rock, metal, prog, and jazz, Malina is a new high water mark for Leprous. Einar’s contra tenor vocals will never not be polarising, but I think they’re absolutely vital and wonderfully mesmerising. The music has a sophisticated, organic feel to it; it pulses, throbs, and flows. It’s like a mighty river that also happens to be a circulatory system.

2) Altarage – Endinghent
(Blackened Death Metal – Spain)
Season of Mist – 2017/10/13

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The angry swarm of wasps guitar sound this opens with should be a warning that Endinghent is no trifle of an album. By the time it’s over, things are even clearer: Altarage have taken febrile power of a long lost god of madness and weaponised it in sonic form. Hypnotic yet savage, fevered yet horrifyingly coherent, but, above all else, brilliant.

Heads up, this is awesome but probably not epilepsy friendly. I’ll also post the bandcamp link.

1) Alder Glade – Spine of the World
(Blackened Folk Metal – Australia)
Self-Released (Digital)/Northern Silence Productions (Limited Edition CD) – 2017/09/01

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Winterfylleth. Primordial. Negură Bunget. Drudkh. Alder Glade. It may seem a little odd to include an Australian band with a focus on Asgardian lore in that list, but with Spine of the World, they have earned it. As aggressive as a good Black metal album should be, it also possesses both a haunting melancholy and an ethereal sadness. It’s a beautiful album, worthy to sit alongside the other greats of the genre.

There you have it; Metalshopped’s best albums for 2017. I had a great year listening to music and picking out just 11 albums was tough. I couldn’t be happier to see Alder Glade take the win. I’ve been talking them up since Demo 1 because I knew they an album like this was possible. I’m also pretty stoked to see Altarage crack my top 5 in consecutive years. I hope they can maintain that terrifying level of intensity.

Here’s to 2018. I already have my eyes set on some big name releases, but I’m always on the lookout for hidden gems from small labels and self-released artists.

August 2016 Review Round Up

August has been one of those months that make me question whether or not I should keep going. So much top quality music passed through my ears that I found it difficult to say a bad thing. Even the album I’m most critical of is, in all honesty, pretty good.

Am I too soft? Possibly.

Or it could just be that August was one of those lucky months that came without a dud.

Altarage shone the brightest over all the other gems this month. Bit of an ironic description; they are a bleak experience. But within their withering contempt lies a brilliant stroke of death metal genius.

Grave Miasma gets the nod for honourable mention. Any other month would see them at the top of the tree. Their latest ep is a death metal masterclass.

I’m still active on Facebook, so feel free to get in touch.

Until September, enjoy.

Album of the Month
Altarage – Nihl
(Blackened death metal – Spain)
Sentient Ruin Laboratories/Doomentia Records/Iron Bonehead Productions – 2016/02/26

Dear GOD, that’s an aggressive album. Damn. But more than that, it’s an invigorating album. It’s an album that makes the genre sound vital and new in every way. It’s horrifying. It’s malevolent. Its every note and growl are invocations to indulge in all of humanity’s worst. Captivating in its darkness, Nihl doesn’t let up. Not for one second.
Try before you buy: Vortex Pyramid (Bandcamp)

Honourable Mention
Grave Miasma – Endless Pilgrimage
(Death metal – United Kingdom)
Profound Lore Records/Sepulchral Voice Records – 2016/05/06

I missed Grave Miasma on their last spin through critical country. I’m guessing that was a mistake, as this EP is exactly what death metal should sound like. It is a paragon of death metal, if you will. It absolutely, and perfectly, nails the balance between blistering fury and sinister malice that the genre was built upon.
Try before you buy: Utterance of the Foulest Spirit (Bandcamp)

The Rest in Alphabetical Order
Atrament – Eternal Downfall
(Blackened death crust – United States of America)
Sentient Ruin Laboratories – 2016/03/04

A swirling cacophony of bleakness, Eternal Downfall puts it all out there and all it is is horror. The raw spit and venom of crust turns the blackened death metal into a nightmarish amalgamation of cult and gangland initiations. A flurry of fists and feet pummelling you while thick, noisome incense chokes you.
Try before you buy: Rotting Twilight (Bandcamp)

Karcavul – Intersaone
(Blackened sludge – France)
Sentient Ruin Laboratories – 2016/07/01

Sometimes muddy production aids an album. That is definitely the case here. Karcavul’s take on sludge is venomous in the extreme and the ‘recorded in a sewer’ vibe they have going on here only serves to highlight this. Torrid, toxic, and downright sinister, Intersaone is a reminder that metal often hates you.
Try before you buy: Mangepierres (Bandcamp)

Katatonia – The Fall of Hearts
(Depressive rock – Sweden)
Peaceville Records – 2016/05/20

This is what a band embracing their maturity sounds like. The music is always finely balanced between melancholic and bleak. This is further complemented by vocals that are somehow achingly delicate and powerfully desperate. It certainly has its tonally heavy moments, but it is the thematic heaviness that leaves the biggest mark.
Try before you buy: Old Heart Falls (YouTube)

Leather Glove – Skin on Glass
(Crusty death metal – United States of America)
Sentient Ruin Laboratories – 2016/05/05

Always good to listen to death metal that doesn’t sacrifice entertainment in the name of brutality or technicality. Make no mistake, this is aggressive, but the crust influence gives it a degree of punk swagger. Over the course of the three tracks, this demo brings death metal down to the gutter and lets the dirty rock rhythms reign.
Try before you buy: Skin on Glass (Bandcamp)

Mesarthim – .- -… … . -. -.-. .
(Atmospheric black metal – Australia)
Self-released – 2016/08/28

Points awarded straight away for being an atmospheric black metal act that looks beyond the sylvan and verdant. Looking to the broader cosmos is a theme I feel is surprisingly underused in black metal. This album takes mankind’s insignificance in the universe and twists it into knots of futility and rage.
Try before you buy: …– (Bandcamp)

מזמור — Yodh
(Blackened doom metal – United States of America)
Gilead Media – 2016/08/12

Did you ever get the feeling something was going to be brilliant before experiencing it? You try to manage your expectations and keep your hopes in check. Most of the time you will be let down. Not the case with מזמור, aka Mizmor. Harrowing and mournful, Yodh is a death rattle amplified and distorted
Try before you buy: iii. The Serpent Eats Its Tail (Bandcamp)

Psalm Zero – Stranger to Violence
(Metallic post-punk – United States of America)
Profound Lore Records – 2016/06/15

Some solid love for Killing Joke is on display here. I don’t mean to make them sound derivative, as they’re not. It’s more that they push the limits of post-punk far out into the murky waters of metal. It’s a hypnotic affair; swirling synths and meticulous guitar work produce an album furious in its deliberation.
Try before you buy: White Psyche (Bandcamp)

Revocation – Great is Our Sin
(Death thrash – United States of America)
Metal Blade Records – 2016/07/22

I first got into Revocation with their titanic release, Chaos of Forms. It’s a beast of an album. Great is Our Sin is easily its equal. Probably its superior, once I excise the nostalgia. Its speed and heaviness are rounded out by flourishes of technicality. It’s instantly accessible and deeply complicated.
Try before you buy: Only the Spineless Survive (Bandcamp)

Ritual Chamber – Obscurations (To Feast On The Seraphim)
(Death metal – United States of America)
Profound Lore Records – 2016/02/26

The curse of being merely good made manifest. Everything about Obscurations is on point. The riffs sound like Satan blowing off steam. The rhythms are relentless. The growls are low and guttural invocations of damnation. And, yet, for all this positivity, it’s not memorable. Definitely for genre fans, but it’s charm is ephemeral.
Try before you buy: Beings of Entropy (Bandcamp)

Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

June 2015 Review Round Up

June is gone. More than halfway done for the year 2015. It’s going quick.

It’s been a surprisingly big month for me. It’s still less than a release per day, but that 25 review count snuck up on me. Lots of competition for the top spot this month too.

I couldn’t pass on High on Fire for album of the month. Luminiferous is such a colossal sounding album that I needed to expand my scope for metaphors.

I’m also giving a nod to Folivore. A band still getting on with business via demos has no right releasing music so good.

Thanks to everyone who has shared Metalshopped over the last few months. I may not have a huge readership, but that only makes me appreciate the support I get more.

As usual, you can reach me on Facebook. If you give me a share, drop me a line too.

Now to get started on July. Good times.

Album of the Month
High on Fire – Luminiferous
(Sludge metal – United States of America)
eOne Music – 2015/06/23

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You should already know that High on Fire go large. Luminiferous is an album where they go HUUUUUGE. The riffs soar way higher than Everest; they proudly plant their flag atop Olympus Mons. Matt Pike’s vocals are so gravelly, it’s like someone turned the Himalayas into a quarry. The whole album sounds heavier than the Hercules–Corona Borealis Great Wall. You may think I’m overselling this, but trust me; it’s that big.
Try before you buy: Slave the Hive (YouTube)

Honourable Mention
Folivore – Eve of Conception
(Blackened stoner doom – United States of America)
Black Goat Records – 2015/04/20

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This blew me away. Even now, multiple listens in, I can’t quite get over how good this. And it’s a demo. A goddamn demo. It’s a particularly whacked out blend marijuana and Mephistopheles. Kind of like Mayhem after many cones of dank skunk. Or Electric Wizard peaking on mdma. I got high just listening to it’s fuzzed out tributes to evil. It’s a gateway drug that will result in the loss of your soul.
Try before you buy: Black Magic Baptism (Bandcamp)

The Rest in Alphabetical Order
Abaton & Viscera/// – Diade(ms)
(Post-black metal – Italy & Italy)
Sentient Ruin Laboratories et al – 2015/06/23

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Definitely an interesting collaboration. I wasn’t familiar with either band beforehand, but my interest has been piqued in both. Abaton’s doom infused black metal blends with Viscera///’s post-metal to create a weighty, intellectual sound. The overwhelming theme is one of brooding malevolence. The darkness is almost tangible; it’s like a looming darkness always threatening to overtake you. Intriguing stuff.
Try before you buy: Special Needs (Bandcamp)

Before the Harvest – Wretched Existence
(Deathcore – Australia)
Vicious Instinct Records – 2015/06/15

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Always good to find some deathcore that I like. There’s a certain spiritual connection between these guys and Fleshgod Apocalypse, as they incorporate some symphonic-esque elements to great effect. There’s nothing delicate about them though. They bludgeon with a persistent aura of brutality. It creates a thoroughly entertaining sense of sophistication portrayed by early man.
Try before you buy: Filthy Breed (Bandcamp)

Carnero – Carnero
(Hardcore – Italy)
Self-released – 2015/05/29

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Maximum bang for your pay-what-you-want buck. It’s releases like this that keep me engaged with hardcore. It has enough metallic elements to give it some extra oomph, but it remains utterly true to its roots. There were more than a few times I found myself making favourable comparisons to Minor Threat. It has that perfect combination of energy, intensity, and message that all great hardcore has.
Try before you buy: La scelta del corpo (Bandcamp)

Casket Garden – In the Name of Nobody
(Crusty death metal – Italy)
Self-released – 2015/01/03

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The first time I listened to this, I wasn’t a fan. I didn’t hate it, but I did feel underwhelmed. That was my fault, not Casket Garden’s. You see, I was listening to it while actively relaxing and a chilled out frame of mind is totally inappropriate for this blend of death metal and agitated punk. Their Bolt Thrower meets Black Flag sound requires emotional investment on their level. Get mad, stay mad.
Try before you buy: Alpha, Beta, Gamma Rays (Bandcamp)

Church of Lies – No Gods… No Manners
(Stoner doom metal – United Kingdom)
Self-released – 2015/06/10

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Music can take you to strange places, but Church of Lies decides to go somewhere more familiar. It takes you to a raucous party with a beer in one hand, whiskey in the other. People are doing bucket bongs in the next room, but they’re giggling about pepper cones so you’ll give it a miss for a bit. Someone keeps yelling “FUCKING SLAYER”, regardless of what’s playing. It’s nothing new, but it sure is fun.
Try before you buy: Desperate Words (Bandcamp)

Cloud Rat – Qliphoth
(Grindcore – United States of America)
Halo of Flies – 2015/05/29

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Cloud Rat are a provocative grindcore act. I don’t mean in the lyrical sense. Every grind act should aim to be lyrically provocative. Cloud Rat are provocative in the sense that they dare to be melodic, something that is usually antithetical to grind as a whole. Qliphoth is an album that really drives this point home. It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
Try before you buy: Botched (Bandcamp)

Dakhma – Raze
(Black metal – United States of America)
Self-released – 2015/03/06

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It’s a little bit repetitive and it’s hardly ground breaking, but I challenge you to not like this. The success they achieve here is the malevolent atmosphere they build and maintain throughout the course of the four tracks. It allows the listener to comfortably gloss over any misgivings they might have. I may have mentioned repetition above, but the music still keeps the listener engaged with their malice.
Try before you buy: Eulogy (Bandcamp)

Eigenlicht – Sacrel Regicide
(Blackened doom metal – United States of America)
Self-released – 2015/05/05

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I say blackened doom metal above, but maybe that should read doomy black metal. It’s a very fine line separating the dominant genre on this release. Nomenclature aside, this is two tracks of atmospheric heaviness that could be spectacular, but for production problems. It sounds muffled. Not lo-fi. Not fuzzed out. Muffled. It needs to be levelled better because it’s loaded with stirring passages.
Try before you buy: Province of Immolated Kings (Bandcamp)

Exhaaust – Demo
(Hardcore – United States of America)
Self-released – 2015/05/26

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This is muscular hardcore. And by muscular I mean veins bulging like a steroid boosted power lifter getting furious at someone mid lift muscular. It was a bit of a calculated risk. Other bands have taken a crack at the ultra-buff sound and it has turned into limp, dull affair. Exhaaust got it right though. It gets consistently in your face; you can almost feel the vocalist’s spit on your face.
Try before you buy: The Same Last Straw (Bandcamp)

Fermented Masturbation/Decomposition of Entrails/Morphogenetic Malformation/注射針混入豚¹ – Impregnated Through Pathogenic Agony
(Brutal death metal – Norway/Russia/Russia/Japan)
Rebirth the Metal Productions – 2015/06/06

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Brutal death metal is supposed to scratch a very specific itch: bloodthirsty depravity. The four bands on display here more than scratch it; they cut off the offending appendage and serve it to some poor sod trapped in their basement. The alpha brute is definitely 注射針混入豚. It’s bowel-loosening horror given a soundtrack. The others are no slouches either. Prepare for death by slam.
Try before you buy: Manipulate the Mangle Roller (Bandcamp)

A Forest of Stars – Beware the Sword You Cannot See
(Avant-garde black metal – United Kingdom)
Prophecy Productions – 2015/02/27

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I normally don’t go in for steampunk. The cogs and octopuses just aren’t my thing. I can’t deny A Forest of Stars make it work for them. I also can’t deny that I enjoyed the hell out this album a lot more than their previous work. They got the interplay between blackened intensity and Victorian aesthetic spot on. They finally sound like the arcane and esoteric society they portray.
Try before you buy: Proboscis Master Versus The Powdered Seraphs (Bandcamp)

Funeste – Demo MMXV
(Black metal – Canada)
Self-released – 2015/05/01

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Knowing your target demographic is an important thing. Funeste is not going to win any converts to black metal, but these sinister Quebecois make damn sure that if hellish cacophony is your thing then so are they. And that’s not a bad thing at all. They are another band that truly understands the necessity of atmosphere to the genre. It’s a cornucopia of negativity. Murderously depressing stuff.
Try before you buy: Diptera (Bandcamp)

Hadak Ura – Forever Dying//Forever Dead
(Death grind – United States of America)
Self-released – 2015/05/06

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They may tag themselves as blackened, but I hear way more Trap Them in them than I do anything grim and frostbitten. Happy to be proven wrong, but ultimately it doesn’t make a whole lot of difference. Hadak Ura build atmosphere like pros. A few atmospheric interludes here and a truckload of chainsaw riffs there and all of a sudden you’re listening to an album that cons its way inside then brutalises you like a Kubrick film. An audio nasty.
Try before you buy: Cannabis Ex Mortis (Bandcamp)

Nel Ventre Della Bestia – Nel Ventre Della Bestia
(Drone – Italy)
UTU Conspiracy – 2015/04/10

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Drone fans rejoice; this is a band that gets it. It opens with with a maddening ten minute loop with only subtle variations providing relief. It is a fine example of monotony as a weapon. It finally gives way to crushing, bass-heavy, speaker destruction. It’s like a ten tonne weight on the brain. The crushing heaviness that follows the monotony perfectly encapsulates the soul-rendering bleakness of the genre.
Try before you buy: Bordoni e bordate (Bandcamp)

Occult 45 – Human Abhorrence
(D-beat – United States of America)
Broken Limbs Recordings – 2015/03/10

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It’s a release that opens with a lot of promise, but does tend to peter out by the end. The positives come in the form of ultra-aggressive d-beat. And they maintain the rage for the duration. They get that part of the equation spot on. The problem is that the rage ends up being the totality of the experience. It becomes a one-dimensional experience pretty quick and the tracks all roll into one big curbstomp.
Try before you buy: Tyranny Stomp (Bandcamp)

Okazaki Fragments – Abandoned
(Death grind – Canada)
Self-released – 2015/06/06

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It’s not for me, but it may well be for you. It takes grind’s discordance to the verge of avant-garde. It may well cross that line. But it still has the lumbering meathead violence of brutal death metal. It’s like a roided up pit fighter (it’s Brock Lesnar in my mind) hooked up with Yoko Ono, did a shit-tonne of pcp, and decided to go on a cross-country rampage, a la Starkweather and Fugate. If this is your thing, enjoy.
Try before you buy: The Earth Aflame (Bandcamp)

Pattern Breaker – Demo for Sagan
(Oddcore – United States of America)
Self-released – 2015/06/11

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This started out as a short, sharp shock of hardcore, but by the end it’s like they blew a steaming money shot of weirdness into my ears. The samples and the riffs are designed to leave the listener completely bewildered. It makes for a demo that’s simultaneously highly entertaining yet very challenging. If you like simple, mosh-friendly core, Pattern Breaker may not be for you. Personally, I like having my head fucked with.
Try before you buy: For Sagan (Bandcamp)

Peasant – Go to Hell
(Blackened heavy metal – United States of America)
Self-released – 2015/04/20

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I’ve always said that Venom started out as a nwobhm band that couldn’t play very well and decided to be evil instead. Peasant remind me of early Venom, with one very important distinction: they can actually play damn well. It’s unmistakably black metal, but it’s played like it’s classic heavy metal. It doesn’t worship at the altar of nostalgia either. This is an album that gushes evil from every rollicking note.
Try before you buy: Wretched Codex (Bandcamp)

Serial Apathy – Hate in the Name of Love
(Grindcore – United States of America)
Self-released – 2015/06/07

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It’s a loud burst of rage. While I’m sure he was aiming for the primal rage of a great beast, unfortunately he only managed the rage of a boozehound so wasted you can’t tell what they’re mad about. Maybe his wife left him. Maybe he just spilled his beer. I understand that lo-fi has its place. I listen to way to much grind and black metal to deny that. But this is just an unfocused, undifferentiated mess.
Try before you buy: Null (Bandcamp)

Shaidar Logoth – Chapter II: The Ritualist
(Atmospheric black metal – United States of America)
Self-released – 2015/03/01

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Hidden in the world there’s a long abandoned church. Amidst the rubble, there is an unhallowed space. The holy space has been profaned, the air is noisome with rot, and the walls tangibly hum with the susurrus of vermin. Sitting at the nadir of the ruin is a man in immaculate white clothing, telling parables of malice and self-gratification. His evil is undeniable, but is utterly compelling. I love the effect evocative music has on me.
Try before you buy: Drink Thine Wretched Wine (Bandcamp)

Strutter – Demo 2015
(Hardcore – United States of America)
Self-released – 2015/04/04

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Walking a fine line between punk and hardcore, Strutter are certainly entertaining. They combine the three chord simplicity of the Ramones with the outright oddity of the Dead Kennedys and then play it with the rough and ready rawness of early hardcore. It may not be the greatest thing you’ll ever hear, but it does the heart good to see a band keeping the spirit of punk alive and well. Definitely worth a listen.
Try before you buy: Forced Entry (Bandcamp)

Sunset in the 12th House – Mozaic
(Post-rock – Romania)
Prophecy Productions – 2015/06/05

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I had an immediate and intensely positive reaction to this album. It’s one of those albums that creates an emotional bond with the listener from the first note. Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track. Stylistically, it’s a very complicated album; it’s a spectacular blend of traditional arrangements, metal, and post-rock.
Try before you buy: Paraphernalia of Sublimation (Bandcamp)

The Vintage Caravan – Arrival
(Rock – Iceland)
Nuclear Blast – 2015/05/15

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It opens with substantially less bombast than their previous release, but it develops into a far superior album. It takes their existing classic rock love of free-wheeling guitars and builds stronger, catchier tunes around them. This allows the listener to remain actively engaged for the duration of the songs, rather than killing time between awesome widdly guitar bits. They remain the future of rock.
Try before you buy: Crazy Horses (YouTube)

¹Needle Contaminated Pork

April 2015 Review Round Up

I’m way too much of a soft touch. Either that, or I’ve become more discerning somehow, as it’s been pretty well impossible to hate anything this month. Going to chalk it up to good luck at this point.

The album of the month rightfully belongs to Bell Witch. It’s one of those rare albums that should transcend taste. You may not like it low and slow, but you will like Four Phantoms.

Leucrota’s Demo is something to get behind. Throw money at this band. Get them as much exposure as you can. If this is what they’re capable of on a demo, imagine the wrecking ball they could put to wax with enough support.

I’ve decided to retire Om as a basis of comparison. Negură Bunget’s magnum opus is, simply put, such a creative outlier that it will always make other albums in its shadow look weak. People will inevitably listen to Tău, say it’s not as good as Om, and dismiss it. I don’t like that, as it’s certainly better than Vîrstele pămîntului, which was a fine album in and of itself. I honestly doubt that Om will ever be topped by Negură Bunget (or Dordeduh); it’s a masterpiece and, as such, that renders it useless as a tool for critical comparison. I will inevitably retire other similar masterworks in the future, but for now I think I’m just going to bask in the majesty that is Om.

I’d like to give a big shout out State Line Records for sending me the copy of Back From the Land of Nod. I ordered it without noticing that they only shipped to the USA. I may have been a little overwhelmed with Ramallah related excitement. They would have been well within their rights to say no to shipping to Australia and refund me, but they followed through on the order anyway. Super stoked about that.

Hope you enjoy this month’s releases. I know I did. As usual, you can reach me on Facebook. See you next month.

Album of the Month
Bell Witch – Four Phantoms
(Funeral doom – United States of America)
Profound Lore Records – 2015/04/28

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Most funeral doomsters create an atmosphere of all encompassing darkness, crushing the listener with an oppressive atmosphere. Bell Witch do it differently. They let the light in. That doesn’t make it any more pleasant. The flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you. It’s one of the grimmest albums I’ve heard. That they achieve all of this with only drum, bass, and vocals is amazing.
Try before you buy: Suffocation, A Drowning: II – Somniloquy (The Distance Of Forever) (Bandcamp)

Honourable Mention
Leucrota – Demo
(Crusty hardcore – United States of America)
Sentient Ruin Laboratories – 2015/02/28

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I love a demo I can really sink my teeth into and Leucrota’s demo is a big hunk of raw meat just waiting for mastication. The promo tag over at Sentient Ruin describes it as, “completely wretched, botched, cruel and self-mutilating hardcore punk” and it’s impossible to disagree with that assessment. But raw masochism only goes so far. Fortunately, Leucrota have the talent to fill out any of the gaps. It’s unforgiving, but absolutely necessary. Buy it. Buy it now.
Try before you buy: Systematic Violence (Bandcamp)

The Rest in Alphabetical Order
Abstracter – Wound Empire
(Blackened doom metal – United States of America)
Sentient Ruin Laboratories et al – 2015/02/10

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I think I may need to create a word for Wound Empire. Misegony. Not misogyny. Misegony. The hatred of the self. That’s exactly what Abstracter have delivered here. They have taken all of black metal’s misanthropy and reflected it inwards. This amplifies doom’s existing penchant for depression into something much darker and more intense. And yet, it doesn’t sound like a down-tuned suicide note. It’s actually captivating in its misery.
Try before you buy: Open Veins (Bandcamp)

Concealed Blade – Demo 2015
(Hardcore – United States of America)
Self-released – 2015/02/17

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Do you like Sick of It All? I love Sick of It All. And it’s clear Concealed Blade do too. They’ve done a fantastic job of incorporating that high impact energy, without nakedly imitating the sound. Short, catchy tracks are brimming with the sort of aggression that you would associate with a band willing to punch on with their fan base. And they do it without ever becoming repetitive. It’s a direct line to the underground that’s guaranteed to get your blood pumping.
Try before you buy: Don’t Get Caught (Bandcamp)

Deathblow – The Other Side of Darkness
(Thrash – United States of America)
Self-released – 2015/04/21

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Deathblow have served up a short but intense serve of classic thrash. It’s like the eighties have only just got to Utah, because this would slot in nicely next to Exodus and Testament on a play bill. As you listen to the five tracks, you will definitely pick out their influences, but there is no way it would fair to call them derivative. They have put together a fantastic package of breakneck thrash. It redlines the whole way through. Even slow passages race by. Roaring good stuff.
Try before you buy: The Other Side of Darkness (Bandcamp)

Dødheimsgard – A Umbra Omega
(Black metal – Norway)
Peaceville Records – 2015/03/16

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A Umbra Omega is kind of like the foie gras of black metal; it’s extravagant, but it’s also a little bit indulgent and to make it, the band crammed an unnecessary amount of material into it. The songs shouldn’t have been trimmed back to 3½ minute standards, but I am fairly certain the 10+ minute tracks could have been pared down. They get everything else right on this album. In many ways it’s revelatory, which is why I’m (probably) unfairly harping on about song length.
Try before you buy: Aphelion Void (YouTube)

Hurricane Death – Demo
(Grindcore – Australia)
Castigated Records – 2015/03/08

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I like this a lot. The Brisbane grind scene is wonderfully fruitful at the moment and Hurricane Death is a particularly choice morsel. They incorporate enough death metal into their work to add some real edge, but not enough to be called deathgrind. In my mind there’s a certain Napalm Deathness to their sound, which is a big plus in my book. It’s raw and rough, but it manages to be memorable in a way that puts most other grinders to shame.
Try before you buy: Gutter Rat (Bandcamp)

Kindergarten Hazing Ritual – Ugly World Order
(Cybergrind – United States of America)
37564 Recordings – 2015/03/31

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Grindcore is often symbolised by two struck-through quavers. Ugly World Order lives up to this emblam, because it is a jarring, disorientating experience. Wonderfully so I might add. It’s kind of like a musical equivalent of 2 Everything 2 Terrible 2: Tokyo Drift; every time you think you get comfortable with what’s happening, KHR throw in some weirdness from left field, bewildering you and yet, somehow, advancing the narative. Odd genius.
Try before you buy: extreme home makeover urban edition turbo hyper fighting (Bandcamp)

Negură Bunget – Tău
(Blackened folk metal – Romania)
Lupus Lounge/Prophecy Productions – 2015/02/27

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I never tire of the soundscapes that Negru and his cohorts create. The blending of haunting black metal and beautiful folk generates near endless possibilities for emotional discovery. Tău itself is the first part of a trilogy dedicated to Transylvanian heritage. There is a profound but extraordinarily proud sadness to it. The combination of the vocal tone, the blackened guitars, and the traditional instruments is both stark and lush. I await part two with baited breath.
Try before you buy: (Bandcamp)

Perspex Flesh – Ordered Image
(Hardcore – United Kingdom)
Self-released – 2015/03/31

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The Golden Age of Hardcore (i.e. the 80s) lives on loud and proud in Perspex Death. The guitar tone, the rhythms, the vocals – it’s all spot on with some of the greats. The vocals are initially jarring, but they quickly become absolutely vital. Reminds me of my initial contact with HR. The melodies are infectious. It’s exactly the sort of music that takes me back to the few basement punk gigs I got along to in my youth. It’s a release of pent up tension that is cathartic and joyous.
Try before you buy: Euthanasia (Bandcamp)

Ramallah/Sinners & Saints – Back From the Land of Nod
(Hardcore – United States of America)
State Line Records/Last Punk Rockers Records – 2015/04/28

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Anyone who knew me circa 2007 couldn’t help but know how much of a hard on I had for Ramallah. So I was overjoyed to see them return after a long absence. Getting tracks from Sinners & Saints was a bonus. Truth be told, I feel sort of bad reviewing this. Lind has clearly used this split to exorcise some particularly nasty demons. I miss the fierce political invective, but not so much that I can’t appreciate how devastatingly raw these tracks are.
Try before you buy: Here We Are (Bandcamp)

Torche – Restarter
(Sludge metal – United States of America)
Relapse Records – 2015/02/24

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I challenge you not to like Restarter. If it’s one thing that Torche does well, it’s writing an album that is eminently likeable. Few metal bands do this. They’ve all got agendas and angst and whatnot; Torche just want you smile. It makes them unique. To review this album properly, I have to contextualise it within their canon. It’s a slightly more dour album, but I think that’s a necessary correction after successive albums of gooey thunder pop. It’s still fun.
Try before you buy: Annihilation Affair (YouTube)