June 2018 Review Round Up

Halfway through the year already. Hasn’t time flown past?

June was another month that fell into the surprisingly busy category. I went in expecting, for several reasons, to only have maybe five reviews. More than doubled that. Pretty happy about that to be honest.

Album of the month belongs justly to the unstoppable thrash machine that is Death Angel. A startlingly consistent band to begin with, it wasn’t a huge surprise that they put out more gold. But that it was this gleaming? Didn’t truly call that.

Lots of other good stuff too, plus the return of the transcendently bad review. Always fun.

A gig free month for me. Sad, but inevitable. There’s always later in the year.

As always, you can reach me via Facebook.

See you next month.

Enjoy.

Buy Me Caffeine at ko-fi.com

Album of the Month
Death Angel – Humanicide
(Thrash – United States of America)
Nuclear Blast – 2019/05/31

You want Bay Area thrash these days? You want Death Angel. Humanicide is one of their strongest showings in their long career. It’s blisteringly fast. It’s unabashedly rabble rousing. And it’s easily the most memorable of their albums. They have penned an album of thrash anthems that will absolutely stay fresh and loud in your mind.

The Rest in Alphabetical Order
Alphanumeric – Condemnation of Memory
(Grindcore – United States of America)
Self-released – 2019/06/01

Don’t let the fact this is grindcore (and a particularly incendiary version of the genre at that) fool you; the primary emotion on display here isn’t anger. It’s despair. They have expressed a worldview so bleak and futile that it’s impossible to not be affected by it. As it cuts to the core of human failure, you will feel the incisions.

Baroness – Gold & Grey
(Progressive Sludge – United States of America)
Abraxan Hymns – 2019/06/14

Is it just me, or is there something wrong with the levelling on this otherwise fine album? It was a complaint levelled at Purple too, but it seems so much worse this time around. It’s an hour of soulful, engaging music, but without serious tweaks to your equaliser, it’s a tough listen. Great if you have the patience. Not so much if not.

Brain Bleed – Automated Eradication
(Slamgrind – United States of America)
Self-released – 2019/06/07

It’s a controversial opinion in my social circle, but I love grind with breakdowns and, in Brain Bleed’s case, slams. There’s something about the primal call to headbang that the slowdowns generate that blends perfectly with the manic fury of blasting grindcore. This burst gets right into the lizard brain and stirs shit up.

Imprecation – Damnatio Ad Bestias
(Death Metal – United States of America)
Dark Descent – 2019/03/22

Imprecation unleash their death metal like an even more feral early Roadrunner-era Deicide; their sound isn’t so much brutal, as it is pure evil. There’s nothing esoteric here; assault and battery take the place of ritual, as ultimately the blood that flows is all the same and always welcomed by those who lurk in the shadows of this reality.

Kūka’ilimoku – Kūka’ilimoku
(Raw Black Metal – Hawaii)
Self-released – 2019/05/29

As far as raw black metal goes, this is raw. But, and I hesitate to mention it given the band’s existence is a hostile reaction to Anglo-American oppression of Hawaiian Polynesian culture, there’s an almost surf rock vibe to it. This does so much to separate the band from the standard death by frostbite sound that raw black metal usually peddles.

Misþyrming – Algleymi
(Black Metal – Iceland)
Norma Evangelium Diaboli – 2019/05/24

For a genre that strongly purports the “You are your own God” worldview, black metal can be very restrictive. Pick a lane and stick to it tends to be the creative ethos. Algleymi bucks this trend by seamlessly incorporating various black metal styles into the one album. It’s melodic. It’s post. It’s punk. It’s avant. It’s brilliant.

Possessed – Revelations of Oblivion
(Death Thrash – United States of America)
Nuclear Blast – 2019/05/10

With a layover between albums of over 30 years, a bit of concern about performance rust is valid. But let me assure you, Possessed are every bit as vital in 2019 as they were in the 80s. Revelations hits like a heavyweight but moves like a cruiserweight. Their classic amalgamation of thrash and death metal fully retains its brilliance.

Skáphe + Wormlust – Kosmískur Hryllingur
(Black Metal – United States of America + Iceland)
Mystískaos – 2019/06/06

I don’t cover a lot of collaborations, but Skáphe and Wormlust teaming up is worth the print. As far as avant-garde black metal goes, this isn’t so much mind-bending but mind-breaking. They’ve combined their already considerable abilities to headfuck a listener and unleashed a swirling, claustrophobic nightmare.

Sunn O))) – Life Metal
(Drone – United States of America)
Southern Lord – 2019/04/26

Life Metal makes it sound like this album is an affirmation of positivity. Nope. It’s more because the dead can’t feel the tension and anxiety these drones inspire. It’s Sunn O)))’s best work this decade for exactly that reason. The noise permeates the body and the brain, and then starts to mess with them. You don’t listen to this; you experience it.

Throat Ditch – Throat Ditch
(Fastcore – United States of America)
Self-released – 2019/06/15

Throat Ditch’s take on fastcore is hardcore that’s all fight and no think. Even with the lulls, samples, and other assorted quiet moments, this is an ep that puts aggression front, centre, and lit up with spotlights. And it’s all the better for it. It has a singularity of purpose that brokers no compromise to its overall vision.

Ulcerated Offal – Wipe Out
(Goregrind – Russia)
Self-released – 2019/05/13

I hate this so much I have trouble fathoming it. The production is muddier than anything I have ever heard. The “songs” are virtually indistinguishable. It hurts to listen to. But all of these are deliberate and considered stylistic choices. It’s a hard push into noise. It’s virtually unlistenable and I hate it so much, I begrudgingly respect it.

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Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

December 2015 Review Round Up

Happy new year, everybody! I hope the season of mandated festivity brought much brutality or grimness or drinking or whatever makes your sloop particularly buoyant.

It would remiss of me to not mention the passing of Ian ‘Lemmy’ Kilmister. The man was a god to me from the moment I first saw him hammering through Ace of Spades on The Young Ones. The pure rock badassery the man-god exuded was overwhelming. I’m pretty sure he’s the reason why I’m the metalhead I am today, instead of some whiny alternative rock loser. He lived the rock and roll lifestyle like no else has or possibly could. He was on stage for as long as he could. He continued to release amazing albums at regular intervals. Seriously, go check out Bad Magic if you doubt me. Others have eulogised him more eloquently than I could, but the impact he had on my life is undeniable. Born to lose, lived to win. Vale, you magnificent bastard.

2015 has passed, which means everybody is putting out their ebd of year best ofs. I’m no different. My best self-released releases list went up along with this lot of reviews. My overall best of list goes live next month. Just waiting on a few last minute purchases to arrive.

Can’t really say I’m surprised that Baroness released an album of the month quality album. They have a way with sludge that makes them stand out and apart from the masses.

Was surprised by the top quality of Lamantide’s Carnis Tempora: Abyssus. I was blown away by its intensity and ended up listening to it on repeat for a long time. I just couldn’t stop.

2015 was amazing and I welcome 2016 with open arms.

Feel free to contact me via Facebook.

See you next month.

Album of the Month
Baroness – Purple
(Sludge metal – United States of America)
Abraxan Hymns – 2015/12/18

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After the wistful splash of melancholy in the sun that was Yellow & Green, it was always going to be interesting to see Baroness return to material with greater immediacy. I was right to not have any doubt in their talents. Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly. It demands to be heard. If it had hands, it would hold your head in front of the speakers.
Try before you buy: Shock Me (YouTube)

Honourable Mention
Lamantide – Carnis Tempora: Abyssus
(Post-hardcore – Italy)
Self-released – 2015/10/26

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Seriously good stuff from a four piece out of Cremona. It’s one of those releases that doubles as an advertisement for learning another language. I’d love to have sufficient Italian to understand what was being growled at me so expertly. I couldn’t get enough of the guitar tone either, especially since it was combined so perfectly with heavy distortion and screams of feedback. It’s an intense experience in the best way.
Try before you buy: Immortalis Lapis (Bandcamp)

The Rest in Alphabetical Order
Chronovorus – To Those Who Dwell in Ruin
(Blackened sludge metal – United States of America)
Merdümgiriz – 2015/09/05

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Deliberate, methodical, and relentless, To Those Who Dwell in Ruin balances achingly slow drone and furiously driven sludge in a way that sees their juxtaposition seem completely natural. Heavy sustains and heavier riffs combine in pitiless fashion, driving any hope of succour from the listener. “Listen”, it commands and, powerless in its presence, the listener will obey. Tyrannical is the beast at its core.
Try before you buy: A Star Oath (Bandcamp)

The Horn – Volume 14
(Black metal – Australia)
Self-released – 2015/12/02

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High-concept, synth heavy, one man black should send me running for cover. I’ve had plenty of bad experiences before, but this bucks the trend. I definitely like this. The Horn’s ongoing efforts to set the entirety of Book of the Dead to music works on this release because it actually sounds like ritual msgic is being performed. I may tire of the Gollum vocals, but overall this is so engaging you could call it spellbinding.
Try before you buy: Spell 174 (Bandcamp)

Iron Curtain – Gulag
(Grindcore – United States of America)
Self-released – 2015/11/01

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Grindcore acts can have a hard time standing out. The blisteringly short tracks and the persistent blastbeats that dominate the genre can make it tough for bands to stand out. The best thing a grind band can do, if they insist on not deviating from genre staples, is do everything damn well. Iron Curtain do exactly that. Intense bursts of grind are delivered with the fury of a thousand suns. Tropes delivered with aplomb.
Try before you buy: Kill Them All (Bandcamp)

Plague Phalanx – Plague Phalanx
(Death metal – United States of America)
Aphotic Sonance – 2015/05/15

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Claustrophobic, dissonant music overlaid with guttural vocals makes for an uncompromising experience. Combined with a production that maximises the aggression, this should be a great release. Should. Repetitiveness holds it back. The relentless drums merge into one long rhythm track, while the riffs come very close to outright recycling. Too many tracks sound the same. Not good when there’s only five.
Try before you buy: Raped by Apparitions (Bandcamp)

Rubber Mate – Hell Bent For Rubber
(Noise punk – United States of America)
Self-released – 2015/05/14

Sweet Jesus, what a racket. It’s what I expect a collaboration between the Dead Kennedys and Merzbow would sound like. I don’t think I’ve heard a guitar sound that fucked up. They’ve taken infectious, upbeat punk and stretched, pulled, distorted, and distressed it in every possible way while still, somehow, maintaining cohesion. I’ve heard plenty of messed up punk before, but very little with this commitment to harshness.
Try before you buy: Nightstalker (Bandcamp)

Sombre – Flora and fauna, Feast Upon My Flesh
(Blackened noisey sludgeviolence – Canada)
Self-released – 2015/08/03

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As you can probably tell by the genre heading, there’s a lot going on here. Certainly, there’s no doubt that it’s challenging. Possibly too challenging for its own good? Nah. It’s good. Multifaceted though it might be, Sombre haven’t taken their eyes off the goal: a cohesive listening experience. Flora and Fauna may take you all over the place, but it never loses track of the destination and you will enjoy the journey.
Try before you buy: Humans of Earth (Bandcamp)

Sunn O))) – Kannon
(Drone – United States of America)
Southern Lord – 2015/12/04

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Continuing to push the limits of what guitars can do, Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud. For a non-spiritual band, it’s amazing how much of a spiritual experience Kannon is. The dark loops of guitar and the aching sustains are crafted wirh reverential awe. And Csihar’s death chants are grimly intense. Worship at the throne of loud.
Try before you buy: Kannon 2 (Bandcamp)

Unyielding Love – Demo 2015
(Experimental black metal – United Kingdom)
Self-released – 2015/09/29

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Some bands intimidate with raw fury. Others with alienating peals of noise. And yet others rely on an abject lack of humanity to bruise their way to success. Unyielding Love do all these things and more. Thuggish and muscular black metal is made even nastier with sociopathic noise. On top of this, the tracks are played with a grind-esque urgency. Merciless and venomous is just the beginning.
Try before you buy: Swelling Absence (Bandcamp)

Wildspeaker – Survey the Wreckage
(Blackened crust – United States of America)
Self-released – 2015/08/29

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It’s the Japanese economy of metal; it sounds impressive, but it’s bloated with unnecessary infrastructure. It’s forever building to something, but never really gets there. Bit of a shame really, because if they could hammer that final rivet into some of these towering edifices of sound, they would have crafted one of metal’s great colossi. It’s still an exciting listen, but it’s tainted with the realisation it could have been much more.
Try before you buy: Apex Predator (Bandcamp)

WitcheR – Csendes Domb
(Black metal – Hungary)
Dark East Productions/Mercy Despise/Neverheard Distro – 2015/08/28

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I’m awfully conflicted by this. On the one hand, it is remarkably monotonous. The songs are long and don’t vary much. But I enjoy it and I do so way more than I should. For all of its potential for boredom, there is a genuine emotional truth at its core. Now, I don’t speak a word of what I assume is Magyar, but there is a total and unremitting bleakness that dominates the entire play time and that transcends language.
Try before you buy: Eltemettelek (Bandcamp)