August 2018 Review Round Up

I entered August without a whole lot on the shopping list for the month, figured I’d clear out some of my bookmarks, and ended up with a surprisingly solid month. Believe me; it’s really good.

It was a crowded field for album of the month, but I eventually settled on Michael Romeo’s often batshit, but always engaging War of the Worlds. It’s pretty impressive what can be done by someone with his level of talent when it’s married to a singularity of purpose.

Never let it be said that I’m above digital panhandling, because judging by this awesome Ko-fi page I set up, I’m very much not. I’d set up a Patreon, but I have no idea what rewards to offer. Maybe in the future. Until then, any tips towards the Metalshopped Needs Red Bull To Live fund are muchly appreciated.

And, as always, you can hit me up on Facebook.

Until October, stay trve. Or false. Whatever works for you.

Album of the Month

Michael Romeo – War of the Worlds/Pt. 1
(Symphonic Neoclassical Metal with Experimental Bits – United States of America)
Music Theories Recordings – 2018/07/27

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Don’t think that this will be more Symphony X just with Michael’s name at the forefront; you’d be wrong. This album pulls into strange territory at times. And it’s all the stronger for it. It still has all the technical merit you’d expect from one of metal’s great guitarists and composers, but it comes without any of self-indulgent baggage of solo projects.

The Rest in Alphabetical Order
Barren Altar – Entrenched in the Faults of the Earth
(Blackened Doom Metal – United States of America)
Self-Released – 2018/06/12

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Metal is at its strongest and most engaging when it has something to say. That the band has a message that can only be expressed through growls and blasts and riffs. Barren Altar exemplify this and them some. This album is venomous, filthy and aggressive, but is delivered with such diligence and vigour that nothing gets lost in the malign fury.

Crawl – Rituals
(Death Metal – Sweden)
Transcending Obscurity – 2018/08/20

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We live in a world where Swedish death metal doesn’t hold up to what came before. In Flames, Soilwork, DT; still good live, but that’s about it. Crawl is here to help put things right. Nine tracks, eight of them under three minutes, all of them honed for maximum aggression. It’s a searing beast of an album loaded with killer riffs and an undercurrent of punk sneer.

Divide and Dissolve – Abomination
(Drone – Australia)
Self-Released – 2018/02/16

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Describing the post-colonial experience and its ongoing negative impact on those dispossessed and enslaved through the medium of drone was a surprisingly engaging experience. The rumbling, almost subaudible bass and the machine precise drums create a unique atmosphere of palpable discomfort. Best drone release in a long, long time.

Facegrinder – Kugelblitz
(Grindcore – Australia)
Self-Released – 2018/08/01

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Fearsome, technically precise grind is a beautiful thing and Facegrinder deliver it like an impressionist master. It comes across as techdeath of the more ridiculous variety (think Origin or Necrophagist) that has been stripped right back to the barest essentials necessary to wreck shit in under a minute. Blastbeat nirvana.

Hadal Maw – Charlatan
(Technical Death Metal – Australia)
Self-Released – 2018/08/03

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The more I listen to them, the more I’m convinced Hadal Maw are the best sinister techdeath band out there right now. The way they craft their songs ably marries their undeniable technical skill with pall of tenebrous bleakness. Charlatan continues from this and progresses it further. It’s an album that plays with primal fears like a monstrous 8 string.

Hell to Pay – bliss.
(Grindcore – United States of America)
Self-Released – 2018/03/16

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First impressions were Hell to Pay were going to fill the hole Trap Them left with their split. It was aggressive, abrasive, and fun to listen to. But then shit started getting weird. The tone got darker, song structures got more cryptic, and the whole affair took on a far more menacing demeanour. This is no substitute; this is a new obsession.

Innumerable Forms – Punishment in Flesh
(Death Metal – United States of America)
Profound Lore – 2018/08/17

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About as slow and ominous as old school death metal can get, Innumerable Forms understand what it takes to turn a joyless existence into quality listening. Miserable dirges are juxtaposed against pulverising aggression to create an album that is as bleak as it is satisfying. It’s an album that wants you to embrace your inner darkness.

ION – A Path Unknown
(Ambient Black Metal – United States of America)
Self-Released – 2018/01/28

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It always amazes me how much one little detail can affect an overall review. I really quite like A Path Unknown. It’s long form approach to ambient black metal is mostly engaging. But I have an issue with drum tone. Not all of it, but the kicks sound somewhere between a speed ball being punched, rustling cardboard, and a wet fart. Takes me right out of the moment.

Lurid Panacea – Demo
(Grindcore – Australia)
Self-Released – 2018/07/11

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Melbourne has a very fertile grind scene, absolutely loaded to the gunwales with potential. Lurid Panacea’s potential just happens to be swampy and very much on the deathgrind side of things. This is nasty, visceral grind. Even if it had better-than-demo production values, this would be a rough listen. And that just how these sickos want it.

Neckbeard Deathcamp – White Nationalism is for Basement Dwelling Losers
(Black Metal – United States of America)
Self-Released – 21/07/2018

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I love how unsubtly subversive this is. It takes fantastically delivered black metal and then turns the typical genre tropes on their head by invoking a steady stream of left wing invective. I hope this isn’t a gimmick. I hope it’s not a one shot for shits and giggles. I want this band to keep on punishing the ear drums with pulverising blackened fury.

Obscura – Diluvium
(Progressive Techdeath – Germany)
Relapse – 2018/07/13

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Obscura, for me at least, has always been one of those bands always just shy of greatness. And I’ve tried to give them a chance. Diluvium was my final crack at them. Make or break. And they made it like you wouldn’t believe. Where has this been? Their blend of pulsating technicality and inventive prog comes together seamlessly and joyously.

Rolo Tomassi – Time Will Die and Love Will Bury It
(Mathcore – United Kingdom)
Holy Roar – 2018/03/02

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Unlike most of the mathcore I’m used to, Rolo Tomassi allow their songs to take their time and luxuriate. The end result is an album that successfully manages to indulge in a soothing, Sunny Day Real Estate-esque sensitivity while being able to turn up the aggression to Dillinger/Converge levels of fury as required. It offers a different level of sophistication.

Sleep – The Sciences
(Stoner Doom Metal – United States of America)
Third Man Records – 2018/04/20

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I’ve had to battle some cognitive dissonance to get into Sleep. You hear so much positive press about a band that it turns you off. Glad I finally got over that hurdle because The Sciences is an absolute beast of a doom album. Its four substantive tracks are some of the most fuzzed out, resinous music to ever be heavy. It’s satisfyingly dank.

Urfaust – The Constellatory Practice
(Ambient Black Metal – The Netherlands)
Ván Records – 2018/05/04

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Urfaust are stretching the definition of black metal into bizarre contortions. Aggressively meditative, it sounds like the mad chant of a cultist trying to distort their chakras to awaken a dark godlike force in themselves. And despite the ambient nature of the album, there is no doubt this is black metal to its malevolent core.

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Releases of the Year for 2015

Another year down, another fifty releases that everyone should give a crack. I’m pretty comfortable saying 2015 was one of the best years in metal for a long time. For at least half the year I was worried that I may be too generous in my reviews; by the end of the year it was clear that the standard of music was simply better.

This will be the last of my regular posts. I will still do occasional one off reviews and I will most likely release a considerably smaller best of 2016 next year, but as far as regular, monthly posts go, I am finished. It has been tremendous fun though.

Thanks for all the support. I hope everyone loves these releases as much as I do.

Album of the Year
Prurient – Frozen Niagara Falls

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Profound Lore Records – 2015/05/12

What I Said Then: Frozen Niagara Falls lives up to its name; it’s awe-inspiring, seemingly unnatural, and thoroughly unsettling.
What I Say Now: What makes this a truly remarkable album is its emotional complexity. It is buoyantly unsettling and tumultuously welcoming. There is skill beyond measure on display here.

Some Other Top Things Worth Mentioning
Best Live Act: Revocation

In a year populated with top tier live acts (At the Gates, Mastodon, Opeth, etc), these tech-thrash bruisers stood tall. They play with an almost psychotic amount of intensity. Real take-charge live metal.

Best cover art: Purple by John Baizley

Aside from being a fantastic musician, Baizley is also one of metal’s great artists. Unsurprisingly, he saves some of his best work for his own band. Purple is a complicated piece that matches the emotional tone of the album.

My Other Picks for 2015
2) High on Fire – Luminiferous

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eOne Music – 2015/06/23

What I Said Then: The whole album sounds heavier than the Hercules–Corona Borealis Great Wall.
What I Say Now: This remains an absolutely titanic display of pure riffing. There is an almost alchemical genius at work here as, slow or fast, these songs supernaturally heavy. Press play and marvel at the masters at work.

3) Bell Witch – Four Phantoms

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Profound Lore Records – 2015/04/28

What I Said Then: They let the light in[;] the flashes may stop the lonely fumbling in the dark, but they do illuminate the barren hopelessness that surrounds you.
What I Say Now: This isn’t the sound of darkness killing light; this is darkness gently caressing the light as it dies in its arms. There is as much tact and beauty here as there is soul-crushing misery and grief.

4) Napalm Death – Apex Predator – Easy Meat

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Century Media Records – 2015/01/27

What I Said Then: It still has the visceral hostility that has made them one of the all time greats, but is delivered as a rally cry not raw invective.
What I Say Now: Giving this another critical listen has only raised it in my esteem. From its industrial yet monastic opener to its rabble rousing final track, there is vitality permeating every moment.

5) Lxs Jugadxs – Demo 2015

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Self-released – 2015/07/21

What I Said Then: Wild and raucous, yet possessed of a controlled fury, Lxs Jugadxs make the contradictions work for them.
What I Say Now: Lxs Jugadxs’ third demo came together in a perfect storm of manic aggression. Its four short tracks have more revolutionary firebrand in them than other grinders get in a career.

6) Baroness – Purple

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Abraxan Hymns – 2015/12/18

What I Said Then: Purple is still redolent with their trademark languid grace, but there’s an unmistakable fire in its belly.
What I Say Now: Effortlessly charming, Purple is an album that makes itself a home in your heart and you’ll never want it to leave. There’s something about its high energy melancholy that leaves you warmed through.

7) Windhand – Grief’s Infernal Flower

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Relapse Records – 2015/09/18

What I Said Then: At its core there is self-loathing and rage, which is obfuscated by clouds numbing dope smoke.
What I Say Now: Unfathomable grief rings out with every note. Its naked emotion is what makes this album stand out. Doom is often depressed, but few albums achieve this level of ineffable sadness.

8) Gold – No Image

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Profound Lore Records/VÁN Records – 2015/11/06

What I Said Then: The bleakness goes right to the core[;] this is apocalyptically beautiful.
What I Say Now: As depressing as this album could have been, it’s remarkable just how uplifting it actually is. It turns the desperate clutching of the cold, barren void into a warm and loving embrace.

9) The Rodeo Idiot Engine – Malaise

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Throatruiner Records – 2015/11/23

What I Said Then: Rusty cheese greaters scrubbing the soul to a bloody mess.
What I Say Now: Such furious intensity shouldn’t be such a joy to listen to. It’s emotionally calamitous, but played with such infectious, energetic zeal. It is literally impossible to not enjoy.

10) Sunset in the 12th House – Mozaic

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Prophecy Productions – 2015/06/05

What I Said Then: Mostly instrumental, melody ebbs and flows like the tides, building to a massive storm surge of blackened elemental fury on the final track.
What I Say Now: It’s a truly remarkable sonic dreamscape. Sprawling continents of sound are brought to life and populated with attention to detail. If I believed in magic, I would know that sorcery is at work here.

11) Folivore – Eve of Conception

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Black Goat Records – 2015/04/20

What I Said Then: It’s a particularly whacked out blend of marijuana and Mephistopheles.
What I Say Now: It still astonishes me that this is a demo. The certainty of the production and the sophistication of the music are far above demo quality. They may well be the most competent stoners in metal.

12) Enslaved – In Times

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Nuclear Blast – 2015/03/06

What I Said Then: From start to finish, In Times soars to the towering heights of majesty.
What I Say Now: Enslaved have struck an intriguing balance between light and dark on In Times. Stirring and inspiring, cold and bleak; there is a pervasive warmth here, if you let the cold wash over you.

13) Sumac – The Deal

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Profound Lore Records – 2015/02/17

What I Said Then: The Deal comes across like Jovian gossamer; delicately crafted but astronomically heavy.
What I Say Now: There may be heavier albums on this list, albums that pin you in place with crushing weight, but none can match The Deal for oppressiveness. It looms over you like a towering monolith.

14) Abyssal – Antikatastaseis

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Profound Lore Records – 2015/06/23

What I Said Then: Listening to this album definitely allows you to visualise hoards of panicked people running around being relentlessly attacked by wasps, except it’s pitch black and there’s broken glass everywhere.
What I Say Now: The comparison to Dante’s Inferno that I used in the initial review was more apt than I realised at the time. This may be a nightmarish hellscape, but there’s an enduring poetic quality to it.

15) Symphony X – Underworld

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Nuclear Blast – 2015/07/24

What I Said Then: It maintains the heavier tone of their recent output, but is reinvigorated with the complicated fret work that made their earlier work so good.
What I Say Now: I sincerely hope Underworld is the album that gets Symphony X the wider profile they deserve. Progressive and aggressive; tense and dense; I haven’t been awed by fretwork this fine in a long time.

16) Marilyn Manson – The Pale Emperor

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Hell, etc – 2014/01/19

What I Said Then: It’s the work of a man looking back at his legacy and taking stock of all his missed opportunities and regrets. 
What I Say Now: I still have lasting concerns that this is an elaborate suicide note. Its mature and understated approach is perfect for its barren and lonely themes. Who knew that Muz had an album like this in him.

17) Peasant – Go to Hell

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Self-released – 2015/04/20

What I Said Then: This is an album that gushes evil from every rollicking note.
What I Say Now: Of the seven deadly sins, pride is traditionally the most heinous. Makes sense listening to this hellraising racket. A self-assured swagger and raucous braggadocio is inherent throughout.

18) Leviathan – Scar Sighted

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Profound Lore Records – 2015/03/03

What I Said Then: Scar Sighted expertly balances esotericism and malice[, which] makes for an album that is simultaneously contemplative and destructive.
What I Say Now: Wrest has crafted one of the most challenging sonic landscapes for 2015. Untold legions of malice lurk, obfuscated by an often impenetrable miasma of contempt. He makes hatred a tangible sensation.

19) Pissgrave – Suicide Euphoria

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Profound Lore Records – 2015/08/04

What I Said Then: [The] music they play is easily some of the most satisfyingly visceral death metal out there.
What I Say Now: The grotesque cover art is perfect advertising for this album; there is only putrefied, noisome death here. It’s straight to the point and that point is it wants to kill you. Horrific in a satisfying way.

20) Deafheaven – New Bermuda

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Anti Records – 2015/10/02

What I Said Then: The five tracks on New Bermuda have that rare knack of being instantly memorable without being simplistic.
What I Say Now: No other band manages the interplay between light and dark quite like Deafheaven does. Here the warmth and light only serve to remind the listener that storm clouds are bearing down.

21) Gnaw Their Tongues – Abyss of Longing Throats

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Crucial Blast – 2015/08/04

What I Said Then: [As] much as Abyss isn’t as nakedly sadosexual as some previous works, it still fills you with a spiritual dread and a carnal longing that should not sit side by side.
What I Say Now: Abyss is the void looking back at you, its sensual malevolence longing to infect you with its chaos. It remains a profoundly unsettling, uncomfortable experience.

22) Motörhead – Bad Magic

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UDR Music – 2015/08/28

What I Said Then: Forty years of performance and Motörhead are still capable of releasing an album that blows you away.
What I Say Now: Motörhead are one of metal’s oldest institutions, so it’s not surprising that people may not get excited for a new album. But you should get excited for Bad Magic. Every track is a solid gold hit.

23) Lamantide – Carnis Tempora: Abyssus

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Self-released – 2015/10/26

What I Said Then: It’s an intense experience in the best way.
What I Say Now: Definitely puts the post back into post-hardcore, as there is a definite Swans-esque embrace of otherness. It’s more than distortion or structure; Lamantide pulls hardcore into brave new forms.

24) Choking – Choking

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Self-released – 2015/05/15

What I Said Then: Choking is an apt name for the band, as every stanza tries to crush the life out of you.
What I Say Now: I’m hung up on just how suffocating this release is. The appropriateness of the name has only increased with time. It violently sucks the air out of the atmosphere, leaving the listener breathless.

25) Kylesa – Exhausting Flame

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Season of Mist – 2015/10/02

What I Said Then: Groovy in the good way, but possessed of a gnawing melancholy, this may just be the most upbeat sad album you’ll hear.
What I Say Now: Kylesa’s grimey heaviness is delicately balanced with their ear for emotional heaviness. Exhausting Flame is just that: exhausting. It’s a draining experience, but in a satisfying way.

26) Leprous – The Congregation

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InsideOut Music – 2015/05/25

What I Said Then: The music weaves a hypnotic tapestry for the ears, while the vocals are delivered with a Muse-esque pathos.
What I Say Now: Meandering in a most deliberate manner, The Congregation is easily the urgent daydream of 2015. It’s aggressive beauty isn’t just aging well; it’s becoming more dominant by the second.

27) Goolagoon – Patrickviolence Demo

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Dickcrush – 2015/03/30

What I Said Then: I sit here, flayed, wondering how a concept so stupid can pay off with such overwhelming satisfaction.
What I Say Now: I still find it hard to believe that the Spobgebob schtick hasn’t grown old. But it hasn’t. The odd combination of powerviolence and surf rock keeps this fresh listen after listen after listen.

28) Cavernlight – Corporeal

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Self-released – 2015/04/07

What I Said Then: The first time you listen to it is like crossing an event horizon; you may not realise it, but you’re inexorably and inevitably drawn to a crushing black hole.
What I Say Now: The way these four tracks build pressure is amazing. The atmospheres just keep on piling up, breaking bones and forcing the air from your lungs. It’s a terrifying force of nature in your ears.

29) Woundvac – Disgraced Convert

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Self-released – 2015/09/08

What I Said Then: Their songs see anger and disaffection collide in explosive blasts of discontent.
What I Say Now: Woundvac get it. Their approach to grind is as unforgiving as Sheriff Joe’s understanding of Christ. It’s a non-stop blast of expertly crafted aggression. Hostility is the winner here.

30) Cruciamentum – Charnel Passages

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Profound Lore Records – 2015/09/04

What I Said Then: The cacophonous darkness of the rhythms is punctuated by howling melodies which swell into fierce solos.
What I Say Now: Charnel Passages burns real slow. It’s not until the final track burns out that you realise that it’s taken everything around it with it. It’s destructive in a way that you can’t turn off or ignore.

31) Alder Glade – Demo II

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Auris Apothecary – 2015/05/14

What I Said Then: The second demo builds on the oppressive atmosphere of the first one, somehow managing to meld the brooding swampiness that came before with the permafrost of traditional black metal.
What I Say Now: Don’t know what I was thinking when I first reviewed this; I should have been far more glowing in my praise. The wholehearted embrace of the tyranny of isolation is impressive.

32) Boak – Boak

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Self-released – 2015/06/03

What I Said Then: It sounds like a frenzied melee, with breaks in tempo acting to add emphasis.
What I Say Now: Singularly aggressive hardcore-by-the-way-of-powerviolence. Drumming that sounds like a swarm of angry hornets underscores guitars and vocals that exist solely to injure.

33) Hate Eternal – Infernus

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Season of Mist – 2015/08/21

What I Said Then: With such aggressive fret work on display, there’s no possible way to be disappointed.
What I Say Now: Sleeper of the year in my opinion. I couldn’t stop listening to it. This is more than a stellar death metal album; this is one of those albums will age spectacularly. It’s left a lasting impression.

34) Abstracter – Wound Empire

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Sentient Ruin Laboratories et al – 2015/02/10

What I Said Then: They have taken all of black metal’s misanthropy and reflected it inwards.
What I Say Now: This remains as darkly captivating now as it was when I first gave it a spin. Suffused with creeping misery that is as relentless as it is achingly slow, Wound Empire is a glacier of haunting depression.

35) Manhunt – Manhunt

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625 Thrash/Lethal Dose Records/RSR – 2015/01/16

What I Said Then: Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
What I Say Now: This is the real thing. You can feel the press of bodies in the pit. You can smell the acrid tang of sweat. You can see the steam rising off the superheated mob. Savour the hardcore sensation.

36) Leucrota – Demo

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Sentient Ruin Laboratories – 2015/02/28

What I Said Then: It’s unforgiving, but absolutely necessary.
What I Say Now: Putting traditional punk immediacy on the back-burner in favour of persistent sinister menace makes this 2015’s most intimidating punk release. Violent in a way that hints that it could be much more so.

37) Unyielding Love – Demo 2015

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Self-released – 2015/09/29

What I Said Then: Thuggish and muscular black metal is made even nastier with sociopathic noise.
What I Say Now: Cataclysmic noise given only the barest semblance of structure, Unyielding Love take metal to a new uncompromising extreme. Challenging and hateful, this demo is a black spot on the soul.

38) Cloud Rat – Qliphoth

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Halo of Flies – 2015/05/29

What I Said Then: It doesn’t hesitate to bring the blasting violence, but it also allows itself to plumb darker depths of humanity by slowing down and letting melody reign.
What I Say Now: The sophistication that Cloud Rat bring to grind continues to seem incongruously oxymoronic. The mingling of ferocious blastbeats and crystal delicate melodies required amazing skill.

39) Horrendous – Anareta

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Dark Descent Records – 2015/10/30

What I Said Then: Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up.
What I Say Now: There is a warm glow of nostalgia radiating from every note. The throwback to death metal’s origins is welcome. But the top quality performances from all involved is what makes this so necessary.

40) Carnero – Carnero

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Self-released – 2015/05/29

What I Said Then: It has that perfect combination of energy, intensity, and message that all great hardcore has.
What I Say Now: It’s releases like this that keep me connected to hardcore. There’s nothing disingenuous here; it’s pure, nasty, violent punk. It’s everything that made the genre great in seven tracks.

41) Drudkh – Борозна обірвалася (A Furrow Cut Short)

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Season of Mist – 2015/04/20

What I Said Then: Drudkh is the Gold Standard for black metal because they keep on putting out albums as good as this. 
What I Say Now: There’s an anguished longing at the core of this. It aches. It needs. It wants. It hungers. I doubt any other band could conjure such excruciating exquisiteness and sustain it so long.

42) Serpents Lair – Circumambulating the Stillborn

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Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

What I Said Then: Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous.
What I Say Now: There’s something to be said for tremolo picking, Christ punching, trve kvlt traditionalism. So long as it’s done well of course. Serpents Lair nail it with an album that is both violent and hypnotic.

43) Sunn O))) – Kannon

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Southern Lord – 2015/12/04

What I Said Then: Sunn O)))’s first non-collaborative work of the decade is less total speaker destruction and more monks at the temple of loud.
What I Say Now: Crushing tectonic force is what’s on display. The slightest shift in tone causes rumbles that can be felt for miles. As contemplative in tone as it is, Kannon is loaded with destruction.

44) Krallice – Ygg Huur

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Gilead Media/Avantgarde Music – 2015/07/30

What I Said Then: An immovable object given irresistible force.
What I Say Now: Brilliantly technical and possessed of a sensibility for other genres, Ygg Huur is a black metal album apart from its genre. It’s fascinating listening to an album that twists the norms so ably.

45) Lamb of God – VII: Sturm und Drang

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Nuclear Blast – 2015/07/24

What I Said Then: There’s a melodic quality to the tracks that brings to mind the peak of the Gotherburg sound, but it doesn’t sacrifice the Lynard-Skynard’s-grindcore-album Southern rage[.]
What I Say Now: Given that LoG hasn’t been relevant to me since I replaced my teenage angst with adult ennui, it’s impressive how much of an impact this made. Proof that groove metal isn’t always a pejorative.

46) Melechesh – Enki

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Nuclear Blast – 2015/02/27

What I Said Then: It wields fury and malice like a fanatic wielding a censer brimming with balefire. 
What I Say Now: With music like this, it’s no wonder Melechesh isn’t welcome in their home country anymore. Its combination of blackened death and Middle Eastern folk is unforgettably vicious.

47) Iron Maiden – Book of Souls

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Parlophone – 2015/09/04

What I Said Then: Never have Maiden songs had this much room to soar.
What I Say Now: I’m a big fan of Maiden’s millennial work, but Book of Souls is their first bona fide classic in a long time. It’s a double album where everything sounds necessary and vital. Essential listening.

48) Ironic Reversal – Dysgenic

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Self-released – 2015/10/15

What I Said Then: Make no mistake: these guys can write riffs that put most other death metallers to shame.
What I Say Now: Ironic Reversal know how to death metal. The fine balance they strike between the technical and the progressive is not an easy thing to achieve. Few bands have the raw talent that this duo do.

49) A Forest of Stars – Beware the Sword You Cannot See

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Prophecy Productions – 2015/02/27

What I Said Then: They got the interplay between blackened intensity and Victorian aesthetic spot on.
What I Say Now: It’s an album almost punget with the acrid smoke of coal-fired industry and the incense of Infernal mysticism. It’s intriguing and beguiling with more than a hint of razor-edged danger.

50) Enforcer – From Beyond

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Nuclear Blast – 2015/02/27

What I Said Then: It’s a glorious reaffirmation of everything good about heavy metal.
What I Say Now: It’s leather and big hair from start to finish. Enforcer’s brand of beautiful speed metal anachronism works so well because they have the balls to go there and the talent to back it up. Play it loud.

November 2015 Review Round Up

The good people over at Faster Louder made a good point when evaluating their own 50 Best Albums of 2015; it has been one of the best years for music in a long time. Now, obviously, their focus is on the pop/rnb/electronic spectrum, whereas I’m definitely more metal and punk, but the overall statement holds true. The year 2015 has been outstanding for metal and it still hasn’t quite finished. There’s still albums by Sunn O))) and Baroness to come, not to mention a few things I’ve missed up until now, so there’s a lot to look forward to even at this late stage.

As far as November goes, you can’t go past No Image by Gold and Malaise by The Rodeo Idiot Engine. Both are masterpieces of emotional depth. As much as it was tough to pick one over the other, ultimately I settled on No Image’s beautiful nihilism over Malaise’s harrowing intensity.

Next month sees the release of my Best Self-Released Titles for 2015. It may not run to fifty this year. I’ve been a lot more diligent in crediting labels and distros, so the number of acts I considered wholy self-released has dropped somewhat. I also think I haven’t reviewed as many titles overall this year compared to last, so that would also account for a drop. I just want to publish a list that’s representative of what I have listened to this year.

See you next month. As always, you can contact me on Facebook. Enjoy.

Album of the Month
Gold – No Image
(Death rock – The Netherlands)
Profound Lore Records/VÁN Records – 2015/11/06

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No Image is a truly remarkable album. The songs are often coruscating with distortion, creating bristling laments to the fall of man. But all the effects in the world wouldn’t take away from the power contained in the music; they could be performed with acoustics only and they would be in no way diminished. The bleakness goes right to the core. Complimented with haunting vocals, this is apocalyptically beautiful.
Try before you buy: Don’t (Bandcamp)

Honourable Mention
The Rodeo Idiot Engine – Malaise
(Avantcore – France)
Throatruiner Records – 2015/11/23

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This is the first time I’ve been exposed to TRIE, but I’m already more than content to rank them alongside Converge and The Dillinger Escape Plan as one of the smartest bands in heaviness. They play an off the wall variety of metallic hardcore that is just as raw as it is furious. And by raw, I mean devastating. Rusty cheese greaters scrubbing the soul to a bloody mess. Intensity turned cataclysmic.
Try before you buy: Syngue Sabour (Bandcamp)

The Rest in Alphabetical Order
Beyond All Deception – Beyond All Deception
(Melodic death thrash – United States of America)
Self-released – 2015/10/31

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You could just as easily classify these guys as deathly speed metal. They hammer down hard. They spend so much time red lining that they start to bend the needle. It’s intense. They do tend trade a bit of precision to maintain this intensity, but it’s a good deal. You just have to appreciate such a ballsy display of raw power. The wildness may make it a bit rough from time to time, but it’s a cracking ride nonetheless.
Try before you buy: Malevolence (Bandcamp)

Boak – Boak
(Powerviolence – United Kingdom)
Self-released – 2015/06/03

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There is a fantastically cinematic feel to these half-dozen tracks. It sounds like a frenzied melee, with breaks in tempo acting to add emphasis. It’s the audio equivalent of slowing down a fight scene to highlight a particularly spectacular or brutal blow, only to have the fracas return to full speed to maintain structural flow. Ultimately, it’s as uncompromising as their cover art, but done with style.
Try before you buy: Who is the Animal Here? (Bandcamp)

Brain Famine – Exploding Paranoid Universe
(Deathgrind – United States of America)
Self-released – 2015/10/19

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This isn’t just aggressive; this is dirty and downright nasty. As I listen all I see is two jacked up meatheads on pcp punching on in the mud in a backwater park somewhere. Nothing is held back and no amount of blood, sweat, or teeth is going to stop the relentless hostility until the deed is done. That the songs aren’t stereotypically short grinders is a bonus. Ten rounds of bare knuckle violence.
Try before you buy: Hallucinating Contagion (Bandcamp)

Dakhma – Passageways To Daena (The Concomitant Blessings Of Putrescing Impurity)
(Blackened death metal – Switzerland)
Self-released – 2015/02/25

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This isn’t the Dakhma who released Raze earlier this year; it’s a different horde of blackened death mongers. I get where these guys are coming from. Aiming for maximum cacophony and disorientation to achieve total sonic dissonance. It’s in much the same vein as Portal. The problem is the production is so muddy all the impact has been drained. All that’s left is a repetitive husk of aggression. Infuriating rather than maddening.
Try before you buy: Where Shattered Minds Collide (The Immortal March)

Horrendous – Anareta
(Death metal – United States of America)
Dark Descent Records – 2015/10/30

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This is deliciously old school. How old school? Slowly We Rot atop the Altars of Madness while we Scream Bloody Gore until Fuckin’ Death seems to sum it up. Horrendous really get the nuances right; Anareta is gritty and primal, but never succumbs to its own hostility. There’s control amidst the madness. And, to top things off, it’s a unique sound. They may be old school, but they’re not derivative. Outstanding stuff.
Try before you buy: Sum of All Failures (Bandcamp)

Intronaut – The Direction of Last Things
(Progressive metal – United States of America)
Century Media Records – 2015/11/13

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Energetic and engaging, The Direction of Last Things sees Intronaut continuing to confirm their status as one of metal’s smartest bands. The composition of these seven tracks allows the listener to fully experience the scope of their intellect without being bogged down in wearisome theory. It’s the Bill Nye of prog; it’s smart and makes you feel smarter for experiencing it, but never at the expense of entertainment.
Try before you buy: Digital Gerrymandering (YouTube)

Leash – Demo 2015
(Crust – United States of America)
Self-released – 2015/10/19

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According to my learned colleagues over at Pledge Allegiance to Grindcore, Leash has links to Backstabbers Inc. That piqued my interest, especially since Trap Them was born out of them too. Colour me impressed. This is clattering, crashing, d-beat heavy crust. It’s energetic as hell. Mad as hell too. No comparisons necessary; this demo stands on its own as testament to hard as nails aggression.
Try before you buy: Revelation (Bandcamp)

Manhunt – Manhunt
(Hardcore – Australia)
625 Thrash/Lethal Dose Records/RSR – 2015/01/16

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Disappointed that I’ve missed this for the majority of the year. It’s hardcore, but it’s been booting up powerviolence in the men’s room of the [insert local punk venue]. Wickedly aggressive, this self-titled outing pulls no punches and gives zero fucks. Make no mistake, lots of punk is destructive as a cyclone; Manhunt tear shit up like they’re the red spot on Jupiter, whipping around at 600 kilometres per hour.
Try before you buy: No Tolerance (Bandcamp)

Psionic Plasma – Kaos Typhonian Dimensions
(Black metal – Spain)
Self-released – 2015/11/06

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Blaze era Darkthrone in space. That’s what we’ve got going on here. The first thing that struck me was the production. Raw, of course, but it came across as hearing the band from outside a club venue rather than a recording taken in a spooky forest with terrible equipment. Secondly, the music is excellent. It holds up better than most raw sounding black metal. Finally, the concept they use works. Kvlt in the void of space.
Try before you buy: Phosphorus (Bandcamp)

Savage Blind God – Demo
(Punk – United States of America)
Self-released – 2015/09/11

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This demo is six tracks of feisty, raw punk with a beating black heart of Killing Joke-esque post-punk. Waves of anger batter unfeeling cliffs of dissonance like a hurricane off Dover. Forgive the unlikely metaphor, but that’s how it plays out. It has that absolute immediacy of raw punk and hardcore; it’s very in your face. But it’s loaded to the gunwales with intelligent instrumental technique. Engaging stuff.
Try before you buy: Sickening Sanity (Bandcamp)

Sergeant Thunderhoof – Ride the Hoof
(Stoner doom metal – United Kingdom)
Self-released – 2015/11/05

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Got your order of beer and pretzels metal, right here. This is exactly the sort of riff-pounding, bong-rocking metal you need blasting at any party. You honestly won’t care that it’s not the deepest of records; when you have a case of beers to get through, you don’t exactly want a case of the feels. It’s pretty well impossible to hate an album when its biggest fault is that it’s not a thought-provoking chin-scratcher.
Try before you buy: Reptilian Woman (Bandcamp)

Serpents Lair – Circumambulating the Stillborn
(Black metal – Denmark)
Fallen Empire Records/Duplicate Records/Hellthrasher Productions – 2015/11/03

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Serpents Lair’s demo from last year brimmed with malign promise, even if it didn’t quite deliver. Their first full length, however, is a baleful delivery on all promises made. And then some. It’s nothing less than pure, uncut evil. Sometimes icy in its hate, sonetimes scorching in its wrath, Circumambulating the Stillborn is always venomous. This is an affirmation of how awe-inspiringly terrifying black metal can be in its purest form.
Try before you buy: Epistemology of Death (Bandcamp)

Shining – International Blackjazz Society
(Avant-garde metal – Norway)
Spinefarm Records – 2015/10/16

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Increasingly difficult to categorise, International Blackjazz Society sees Shining become something not jazz and, yet, not truly metal. They have finally reached that point of transcendence they’ve been building to. Such experimental drive had the potential to end in an album more challenging than enjoyable, but the risk paid off. It’s an intelligent album that entertains rather than alienates.
Try before you buy: Last Day (YouTube)

Tuer – Ivresse & Enfer
(Grindcore – Switzerland)
Self-released – 2015/09/25

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At the risk of offending by comparison, I’m going to compare this intense slab of hostile grind to pop punk. Living dangerously, I know. I went there because the nine tracks are catchy as hell. Every track is an earworm. They get right into your head and stay there. The big difference is that, unlike pop punk, the album doesn’t make you want to commit suicide. Get stuck into it. It’s meaty good violence.
Try before you buy: Odyssée Ethylique (Bandcamp)

Vhöl – Deeper Than Sky
(Crusty blackened power metal – United States of America)
Profound Lore Records – 2015/10/23

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Vhöl is giving Sigh a run for their money in the competition for “Most Over The Top Release”. The key difference is coherence. Sigh threw notes at the score like they’re Jackson Pollock and hoped for the best, whereas Vhöl clearly had a plan they were executing. It’s still a mighty overwhelming combination of punk, power metal and black metal. It’s like a stoned berserker; charging ever forward, but in an upbeat manner.
Try before you buy: Red Chaos (Bandcamp)